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Express Camera Auction 27Th June 2018 at 10:00
Hugo Marsh Neil Thomas Plant (Director) Shuttleworth (Director) (Director) Express Camera Auction 27th June 2018 at 10:00 Viewing 26th June 2018 10:00-16:00 For enquiries relating to the sale: Saleroom One Please contact: 81 Greenham Business Park NEWBURY RG19 6HW Telephone: 01635 580595 Fax: 0871 714 6905 Email: [email protected] www.specialauctionservices.com Austin Mike Spencer Farahar Express Cameras Cameras Bid Here Without Being Here All you need is your computer and an internet connection and you can make real-time bids in real-world auctions at the-saleroom.com. You don’t have to be a computer whizz. All you have to do is visit www.the-saleroom.com and register to bid - its just like being in the auction room. A live audio feed means you hear the auctioneer at the same time as other bidders. You see the lots on your computer screen as they appear in the auction room and the auctioneer is aware of your bids the moment you make them. Just register and click to bid! 7. Kodak Retina Cameras, 13. 35mm Film Strip Projectors, models include, Retina Ib with 50mm Ellis & Newton Ltd with Leech series f/2.8 Schneider-Kreuznach lens (G), II 3’’ lens, Pullin Optics with Pulnar 4’’ Retina IIa (2) and a Retinette Ib (100mm) f/2.8 lens, both in wooden £40-60 carry cases £30-50 14. A Kodascope Model C 1. Four TLR Cameras, models Projector, including lens, reels, in include, Rolleicord II with triostar makers case £20-40 7.5cm f/3.5 lens, a Mamiyaflex with Sekor 7.5cm f3.5 lens, a Ricoh super 44 with Riken 6cm f/3.5 lens and a Semiflex with a Berthot 75mm f/4.5 lens £50-70 8. -
Nikon F6 Vs Canon EOS-1V Vs Leica R9
Battle of the Titans: NIKON F6 vs. CANON EOS-1v vs. LEICA R9 Shutter Release, April 2005 Revised March 2007 Canon got the better of Nikon and Leica on Internet forums in 2004 with regard to film cameras. If ad hoc quips about the world’s leading 35mm SLR cameras were to be believed, Canon had pulled ahead in optics and overall speed of operation. As to Leica, well, the legendary mark had already had its day and is a stodgy if reliable instrument years behind Canon and Nikon. The stereotypes were flat-out wrong, even before the introduction of the new Nikon F6 in late 2004. The reality is that each manufacturer has selectively invested in features for different users. Canon has led in technology to steady hand-held telephoto lenses. The Leica R9 provides ultimate finessing of manual with automatic controls to a precision of 0.1 f-stop (in multi-pattern metering), and is arguably the most user-friendly of the three cameras. The Nikon F6 is a more versatile and lighter redesign of the F5 that pioneered the most advanced autoexposure system available, engineered for accuracy in extreme or peculiar lighting conditions where other cameras would fall short. Features in Common The three flagship models are equipped to enable excellence in most photographic situations. Together with their abundant selections of optics and all manner of gadgetry, the top-of-line Nikon, Canon and Leica cameras have been widely considered the best in 35mm film photography. The Nikon F6, Canon EOS-1v and Leica R9 offer: Evaluative autoexposure: The microcomputer in the camera assesses a scene through an array of sensors, and applies an ideal aperture and/or shutter speed as fast as 1/8000 sec. -
Used Equipment 35Mm Cameras & Accessories
Used Equipment 35mm Cameras & Accessories Leica M6 Classic MF Camera Minolta Maxxum7xi AF Camera Nikon N8008S AF Camera Nikon N90s AF Camera Nikon SB-28 AF Speedlight Flash • Body Only • Auto Focus • Auto Focus • Auto Focus • Dedicated TTL • Manual Focus • Body Only • Body Only • Body Only Shoe Mount • Black Color • Guide No. 13 • Bounce, Swivel & Zoom Head Condition 9 Condition 8+ Condition 8+ Condition 8+ Condition 9 $1,699 $149 $185 $259 $129 Leica M6 Wetzlar MF Camera Minolta Maxxum 700si AF Camera Nikon N6006 AF Camera Nikon F5 AF Camera Kodak 80-210mm AF SLR Lens • Body Only • Auto Focus • Auto Focus • Auto Focus • For Nikon AF • Manual Focus • Body Only Body • Body Only • Auto Focus • Black Color • f/.-.6 Condition 9 Condition 8+ Condition 8+ Condition 8+ New $1,649 $179 $99 $799 $59.95 35mm SLR Cameras Bodies, Lenses, Flashes, Accessories CANON Canon FD Breech MT Lenses MINOLTA MD Lenses MT-2 Intervalometer (No cord) .................399 EOS Bodies 24/2.8 ..............................................9 ......199 Maxxum Bodies 24/2.8 ..............................................9 ......239 MH-2 ...............................................8+ .....49 620...................................................9 ......129 28/2.8 ..............................................8+ .....69 XTsi QD ............................................8+ .....79 28/3.5 Celtic ....................................8+ .....49 AC-1E ..............................................9 ........49 630 QD ............................................8+ ...139 28/3.5 -
Farewell to the Kodak DCS Dslrs
John Henshall’s Chip Shop FAREWELL TO THE KODAK DCS John Henshall looks at Kodak’s legacy as the end of its DSLR production is announced . hen Kodak introduced the the world’s first totally portable Digital W Camera System – the DCS – in 1991 it established Eastman Kodak as the world leader of professional digital image capture. Fourteen years later, Kodak has just announced that it is ending production 1992: DCS200 of Digital Single Lens Reflex cameras. The DCS was a product launched ahead of its potential market, but one which indelibly marked the start of the future of photography. Kodak was smart. It housed its DCS in something photographers were already at home with: a Nikon F3 camera body. All the F3’s functions were retained, and the DCS used standard Nikon lenses. Only the 1991: The original Kodak DCS [100] and DSU 2005: Last of the line – the DCS ProSLR/c focusing screen was changed. A new Kodak-produced digital The relative sensitivity of the camera back was fixed to the Nikon F3 DCS camera back was ISO100. body. A light sensitive integrated circuit Exposure could be ‘pushed’ by – Charge Coupled Device – was fitted one, two or three ƒ-stops to into its film plane. ISO200, 400 or 800 on an This CCD image sensor had an individual shot-by-shot basis. incredible 1.3 million individual pixels It was not necessary to m o c . – more than four times as many as in expose a whole ‘roll of film’ at e r t n television cameras – arranged in a the same ISO rating, as was e c - i 1024 x 1280 pixel rectangle measuring necessary when shooting film. -
Hugostudio List of Available Camera Covers
Exakta VX 1000 W/ P4 Finder Hugostudio List of Exakta VX 500 W/ H3.3 Finder Available Camera Covers Exakta VX IIa V1-V4 W/ P2.2 Finder Exakta VX IIa V5-V7-V8 _P3.3 Finder (1960) Exakta VX IIa V6 W/ H3 SLR Exakta VX IIb W/ P3 Asahiflex IIb Exakta VX IIb W/ P4 Finder Canon A-1 Exakta Varex VX V1 - V2 Canon AE-1 Exakta-Varex VX IIa V1-V4 Canon AE-1 Program Exakta Varex VX V4 V5 Canon AV-1 Exakta Varex VX W/ Finder P1 Canon EF Fujica AX-3 Canon EX Auto Fujica AZ-1 Canon F-1 Pic Req* Fujica ST 601 Canon F-1n (New) pic Req* Fujica ST 701 Canon FT QL Fujica ST 801 Canon FTb QL Fujica ST 901 Canon FTb n QL Kodak Reflex III Canon Power Winder A Kodak Reflex IV Canon TL-QL Kodak REflex S Canon TX Konica FT-1 Canonflex Konica Autoreflex T3 Chinon Memotron Konica Autoreflex T4 Contax 137 MA Konica Autoreflex TC Contax 137 MD Leica R3 Contax 139 Quartz Leica R4 Contax Motor Drive W6 Leica Motor Winder R4 Contax RTS Leicaflex SL Contax RTS II Mamiya ZE-2 Quartz Contax139 Quartz Winder Minolta Auto Winder D Edixa Reflex D Minolta Auto Winder G Exa 500 Minolta Motor Drive 1 Exa I, Ia, Ib Minolta SR 7 Exa II Minolta SRT 100 Exa IIa Minolta SRT 101 Exa Type 6 Minolta SRT 202 Exa VX 200 Minolta X370 Exa Version 2 to 5 Minolta X370s Exa Version 6 Minolta X570 Exa Version I Minolta X700 Exakta 500 Minolta XD 11, XD 5, XD 7, XD Exakta Finder H3 Minolta XE-7 XE-5 Exakta Finder: prism P2 Minolta XG-1 Exakta Finder: prism P3 Minolta XG 9 Exakta Finder: prism P4 Minolta XG-M Exakta Kine Minolta XG7, XG-E Exakta Meter Finder Minolta XM Exakta RTL1000 Miranda AII -
Price List and Camera Models
I’m Back® GmbH Digital Back for 35mm Analog Cameras Carlo Maderno 24 6900 Lugano Switzerland Cell.: +41 789 429 998 www.imback.eu [email protected] I’m Back® 35mm Digital Back Details: Sensor: 16Mega CMOS Sensor Panasonic 34120 Display: 2.0"capacitive touch screens Picture System: Focusing screen Auto White: yes Video Resolution: UHD24(2880*2160) QHD30(2560*1440) Balance: yes 108OP60/30 720P120/60/30 VGA240 Auto Eve: yes Video nal aspect: Focusing screen/Vintage Picture ip: yes Picture Size: 20M 16M 12M 10M 8M 5M 3M VGA WIFI: yes Video Format: MP4 H.264 Remote: yes Picture Format: JPG & RAW Language EN FR ES PT DE IT CN RU JP Storage Capacity: Max 64Gb Battery: 3.7V 2.700mAh USB Interface: USB TYPE-C Catalogue 2019 [email protected] All prices are in Swiss Franc I'm Back GmbH www.imback.eu Catalogue - 2018/2019 - USD Product Code Type Compatibility Price in SFr* picture IBP I'm Back PRO All main Brands 299 IBU Universal Cover All main Brands 49 CA1 Dedicated Cover Canon F-1 69 Canon A Canon A1 CA2 Dedicated Cover 49 Canon AE1 Canon AE1 program Canon FT CA3 Dedicated Cover 49 Canon FTB CA4 Dedicated Cover Canon eos300 69 CN1 Dedicated Cover Contax II 49 Contax G1 CN2 Dedicated Cover 79 CN3 Dedicated Cover Contax RTS 49 CN4 Dedicated Cover Contax G2 79 I’m Back GmbH | Via Carlo Maderno 24 | CH – 6900 Lugano |IDI: CHE-216.910.630 | [email protected] | www.imback.eu Catalogue 2019 [email protected] All prices are in Swiss Franc I'm Back GmbH www.imback.eu Catalogue - 2018/2019 - USD Product Code Type Compatibility Price in SFr* picture DN1 Dedicated Cover -
Gregory Crewdson, “Production Still : Forest Gathering #2,” 1991
Digital Photography • History • Concepts • Some works Yoon Joong Kim Hanbat National University First Photography • When was photography invented? 1826 • By whom? Niepce – Exposure time? 8 hours – Heliography • William Henry Fox Talbot invents the calotype in 1834 which pretty much invents the negative First production camera? • 1839. Daguerrotype 5-30 minutes in 1939 Beginning of hobby photography? • 1900 Kodak Brownie Beginning of hobby photography? • 1900 Kodak Brownie Instant photography? • 1947, Edwin Land (Polaroid founder) Autofocus • 1978, Konica • 1981 Pentax ME-F. • Canon T80 1985 – Canon AL1 had focus assist but no actuator • Minolta Maxxum 1985 (AF in body) First scanned photo? • 1957, Russell A. Kirsch of the National Bureau of Standards, 176x176 CCD technology? • 1969, Willard S. Boyle and George E. Smith, Bell Laboratories CCD in astronomy • In 1979, an RCA 320x512 Liquid Nitrogen cooled CCD system saw first light on a 1-meter telescope at Kitt Peak National Observatory. Early observations with this CCD quickly showed its superiority over photographic Computer Graphics? Computers to create image • Sketchpad, 1961, Ivan Sutherland’s MIT PhD thesis Paint program • Dick Shoup: SuperPaint [1972-73] – 8 bits – http://www.rgshoup.com/prof/Supe rPaint/ • Alvy Ray Smith (Pixar co-founder): Paint [1975-77] – 8 bits then 24 bits – http://www.alvyray.com/Awards/A wardsMain.htm – http://www.alvyray.com/Bio/BioM ain.htm • Tom Porter: Paint Photoshop • Thomas Knoll and John Knoll began development in 1987 • Version 1.0 on Mac: 1990 • -
Second-Hand-Artikel Stand 30.10.2019
Calumet Photographic - Second-Hand-Artikel Stand 30.10.2019 * Mit Diff.-Best. bezeichenete Artikel werden nach § 25a UStG als Gebrauchtwaren differenzbesteuert. Daten Beschreibung Zustand Artikelnr. Steuer-Art Excl MwST incl. MwSt. Shop Berlin 030 257 571 0 Arca Swiss Discovery 4x5 mit 150mm Zust.:A SN:xxx 150mm Copal, 3xPFK,Case 19B0137D1 Diff.-Best. 1.400,00 B.I.G. Nikon N-AF DG 1,4 Auto Teleconverter Zust.:A SN:xxx 19B0127D6 Diff.-Best. 40,00 Bowens Wabenreflektor mit Wabe + Engstrahl+Wabe Zust.:AB 17B0085D10 Diff.-Best. 59,00 Calumet Hintergrund Aufhängung CAL6095 Zust.:AB SN: 19B04424 MwSt. 100,84 120,00 Canon 430 EX II Blitz+OVP Zust.:AB S/N:852942 19B0555D4 Diff.-Best. 176,00 Canon 600 RT EX Blitz+OVP Zust.:AB S/N:3708101810 19B0555D5 Diff.-Best. 279,00 Canon Batteriegriff BG-E21 f. Canon EOS 6D Mark II Zust.:AB S/N:400009230 19B0576D2 Diff.-Best. 80,00 Canon Batteriegriff BG-E6 f. 5D Mark II Zust.:A S/N: 19B0589D1 Diff.-Best. 99,00 Canon Batteriegriff BG-E7 f. EOS 7D Zust.:A SN:400009230 19B0336D2 Diff.-Best. 29,00 Canon EF 100 mm/2,8 L Macro IS USM+OVP+Zub. Zust.:A S/N:6538250 19B0577D4 Diff.-Best. 779,00 Canon EF 100-400mm 4,5-5,6 L II USM IS Köcher+Zub. Zust.:AB S/N:4710002670 19B0593D2 Diff.-Best. 1.629,00 Canon EF 100mm 2,8 L IS Macro USM+OVP+Zub. Zust.:A S/N:7070114 19B0563D1 Diff.-Best. 779,00 Canon EF 11-24 mm/4 L USM+OVP+Zub. -
Olympus OM-10
To an OM-10 Owner We appreciate very much that you have acquired other accessories are added to make it a complete an OM-10, a camera designed to allow you to take system of photography. With the OM-10 you can good pictures automatically and with the greatest gradually widen your enjoyment of the photo- ease. graphic art. The Olympus OM-10 is a single lens reflex camera We sincerely wish that it will become for you a of the finest quality in which the automation of source of unending satisfaction. To this effect, photographic functions has been made possible please read this instruction manual carefully be- by employing the most advanced electronics. To fore using the camera, so that you may be sure its acceptability of Olympus interchangeable lens- of taking correct, beautiful pictures every time es, a special film winder, a flash, and a host of you use your OM-10. 1 TABLE OF CONTENTS Description of Controls ... 3 matically ......... 19 Long Exposures ...... 30 Preparations before The OM-10: Designed to Save Flash Photography . 31 Taking Pictures . 6 to 15 Battery Consumption . 22 Using the Winder 2 ..... 33 Mounting and Detaching Switching the Camera Off . 23 From General Photography the Lens .......... 7 Rewinding the Film .... 23 to the Use of Interchange- Inserting the Batteries . 9 Unloading the Film . 24 able Lenses ........ 35 Checking the Batteries ... 10 The Use of the Self-Timer . 25 Making Use of the Depth of Loading the Film ...... 11 Photographic Techniques Field ............ 37 Setting the ASA Film Speed . 15 ............. 26 to 42 Manual Exposure Control . -
Canon Command Back 70/80/90 Posted 9-14-03
Canon Command Back 70/80/90 Posted 9-14-03 This camera manual library is for reference and historical purposes, all rights reserved. This page is copyright © by [email protected] M. Butkus, NJ. This page may not be sold or distributed without the expressed permission of the producer I have no connection with any camera company On-line camera manual library This is the full text and images from the manual. This may take 3 full minutes for all images to appear. If they do not all appear. Try clicking the browser "refresh" or "reload button" or right click on the image, choose "view image" then go back. It should now appear. To print, try printing only 3 or 4 pages at a time. Back to main on-line manual page If you find this manual useful, how about a donation of $3 to: M. Butkus, 29 Lake Ave., High Bridge, NJ 08829-1701 and send your e-mail address so I can thank you. Most other places would charge you $7.50 for a electronic copy or $18.00 for a hard to read Xerox copy. This will allow me to continue to buy new manuals and pay their shipping costs. It'll make you feel better, won't it? If you use Pay Pal, use the link below. Use the above address for a check, M.O. or cash. www.orphancameras.com Designed exclusively for the Canon T70, T80 and T90 respectively, the Canon Command Back 70, Command Back 80 and Command Back 90 are special data backs which open up an amazing variety of automatic operations. -
The Essential Guide to EOS Flash Learn to Understand EOS Flash and Speedlite Flashguns Written by Nina Bailey Introduction 2 PREVIEW EDITION
The Essential Guide To EOS Flash Learn to understand EOS flash and Speedlite flashguns Written by Nina Bailey Introduction 2 PREVIEW EDITION Written, designed and images by Nina Bailey Produced by Nina Bailey © 2015. All rights reserved. Unauthorised copying, reproduction, hiring, lending prohibited. PREVIEW Foreword by the author EDITION Flash is often seen as “The black art” by photographers. It is not an area that is particularly difficult to use, however it is one where you have to understand the EOS system and what it is doing to get the results to work as you want. In many areas it is possible to muddle through with only a basic knowledge of photography and yet still get very good results. Unfortunately flash just isn’t one of those. You do need to understand the basics of both photography and indeed of how flash works to be able to understand the settings that need to be used to get the results that you want. My involvement with flash goes back a very long way, when the Canon T90 was launched in 1986 it came out with a new flash unit, the Speedlite 300TL. I was working in retail at the time and was given the job of sorting out how the flash and camera worked together. I was given about an hour to get it sorted until the first customer arrived that I had to sell the unit to. I must have done a good job as not only did I sell the unit I also was christened the “Flash expert” and its a title that stuck to me ever since. -
Camera and Lens
CHAPTER 3 Camera and Lens Barbara Morgan, Martha Graham in “Letter to the World”. © Barbara Morgan, Willard & Barbara Morgan Archive/Time Inc. is the licensee. CAMERA AND LENS Modern cameras are extremely sophisticated devices, in- ways of controlling the exposure on the film and various volving computer-designed lenses, complicated electron- devices for handling film and controlling focus of the lens. ics, and construction from high-tech materials. In spite of These tasks may be performed automatically by the cam- this complexity, all cameras are basically the same, pro- era or manually by manipulation of the controls. An un- viding a light-tight container for photosensitive materi- derstanding of the basic parts and operation of the camera als—film—and a lens to form an image of the subject and lens will clarify the role that the more sophisticated matter on the film. The other parts of the camera provide electronic devices play in the functioning of the camera. The Camera Film advance Camera body Viewfinder Aperture Lens Shutter Focusing device Film Camera. This is a simple camera, but it contains all the parts necessary for complete control in making photographs. Camera Body. Light-tight enclosure Viewfinder. Shows an approximate view of Shutter. Shields the film from the image until protecting the film from unwanted exposure to the part of the subject that will appear in the the shutter release is pressed, when it opens for light. Opens to allow loading of film. image on the film and may include a method a measured amount of time (the shutter speed) Lens.