Additional Information on 10Mm F5.6 OP-Fisheye Nikkor Lens
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The Nil(On F2 Camera
The Nil(on F2 Camera A. General Introduction B. Specifications C. Nomenclature D. Features 1. Viewfinders 2. Focusing Screens 3. Film Advance Lever 4. Frame Counter 5. Rewind Button \ 6. Film Rewind Crank 7. Multiple Exposures 8. Shutter Speed Dial 9. Shutter Release Button 10. Shutter 11. Self-Timer 12. T-L Fingerguard 13. Flash Synchronization 14. Reflex Mirror 15. Depth-of-F ield Preview Button 16. Hinged, Removable Camera Back 17. Memo Holder 18. Lens-lock Release Button 19. Lens Mount Flange 20. Tripod Socket Code numbers: Nikon F2 Photomic Body, chrome No. 100-08-002 Nikon F2 Body, chrome No. 100-07-002 Nikon F2 Photomic Body, black No. 100-08-042 N ikon F2 Body, black No. 100-07-042 March 1972 F2B-1 A. General Introduction The Nikon F2 combines the world-renowned accessories quality of its predecessor, the Nikon F, with the • Hinged removable camera back for easy film latest innovations in 35mm SLR technology. The loading and for attachment of 250- or 800- major features of the F2 camera include: exposure magazine backs The camera body consists of the die-cast aluminum • Titanium-foil focal plane shutter alloy shell, baseplate, mirror box, front cover, • Wide shutter speed selection from extra slow top plate, bottom cover and camera back. With 10 sec. to very high 1/2000 sec. each of its 1,506 component parts designed, • Stepless shutter speed between 1/80 sec. and processed, finished and assembled under strictest 1/2000 sec. quality control, the Nikon F2 gives outstanding • Easy and accurate multiple exposures performance in every conceivable photographic • FP and X synch automatically adjusted with situation. -
Nikon F6 Vs Canon EOS-1V Vs Leica R9
Battle of the Titans: NIKON F6 vs. CANON EOS-1v vs. LEICA R9 Shutter Release, April 2005 Revised March 2007 Canon got the better of Nikon and Leica on Internet forums in 2004 with regard to film cameras. If ad hoc quips about the world’s leading 35mm SLR cameras were to be believed, Canon had pulled ahead in optics and overall speed of operation. As to Leica, well, the legendary mark had already had its day and is a stodgy if reliable instrument years behind Canon and Nikon. The stereotypes were flat-out wrong, even before the introduction of the new Nikon F6 in late 2004. The reality is that each manufacturer has selectively invested in features for different users. Canon has led in technology to steady hand-held telephoto lenses. The Leica R9 provides ultimate finessing of manual with automatic controls to a precision of 0.1 f-stop (in multi-pattern metering), and is arguably the most user-friendly of the three cameras. The Nikon F6 is a more versatile and lighter redesign of the F5 that pioneered the most advanced autoexposure system available, engineered for accuracy in extreme or peculiar lighting conditions where other cameras would fall short. Features in Common The three flagship models are equipped to enable excellence in most photographic situations. Together with their abundant selections of optics and all manner of gadgetry, the top-of-line Nikon, Canon and Leica cameras have been widely considered the best in 35mm film photography. The Nikon F6, Canon EOS-1v and Leica R9 offer: Evaluative autoexposure: The microcomputer in the camera assesses a scene through an array of sensors, and applies an ideal aperture and/or shutter speed as fast as 1/8000 sec. -
Used Equipment 35Mm Cameras & Accessories
Used Equipment 35mm Cameras & Accessories Leica M6 Classic MF Camera Minolta Maxxum7xi AF Camera Nikon N8008S AF Camera Nikon N90s AF Camera Nikon SB-28 AF Speedlight Flash • Body Only • Auto Focus • Auto Focus • Auto Focus • Dedicated TTL • Manual Focus • Body Only • Body Only • Body Only Shoe Mount • Black Color • Guide No. 13 • Bounce, Swivel & Zoom Head Condition 9 Condition 8+ Condition 8+ Condition 8+ Condition 9 $1,699 $149 $185 $259 $129 Leica M6 Wetzlar MF Camera Minolta Maxxum 700si AF Camera Nikon N6006 AF Camera Nikon F5 AF Camera Kodak 80-210mm AF SLR Lens • Body Only • Auto Focus • Auto Focus • Auto Focus • For Nikon AF • Manual Focus • Body Only Body • Body Only • Auto Focus • Black Color • f/.-.6 Condition 9 Condition 8+ Condition 8+ Condition 8+ New $1,649 $179 $99 $799 $59.95 35mm SLR Cameras Bodies, Lenses, Flashes, Accessories CANON Canon FD Breech MT Lenses MINOLTA MD Lenses MT-2 Intervalometer (No cord) .................399 EOS Bodies 24/2.8 ..............................................9 ......199 Maxxum Bodies 24/2.8 ..............................................9 ......239 MH-2 ...............................................8+ .....49 620...................................................9 ......129 28/2.8 ..............................................8+ .....69 XTsi QD ............................................8+ .....79 28/3.5 Celtic ....................................8+ .....49 AC-1E ..............................................9 ........49 630 QD ............................................8+ ...139 28/3.5 -
Farewell to the Kodak DCS Dslrs
John Henshall’s Chip Shop FAREWELL TO THE KODAK DCS John Henshall looks at Kodak’s legacy as the end of its DSLR production is announced . hen Kodak introduced the the world’s first totally portable Digital W Camera System – the DCS – in 1991 it established Eastman Kodak as the world leader of professional digital image capture. Fourteen years later, Kodak has just announced that it is ending production 1992: DCS200 of Digital Single Lens Reflex cameras. The DCS was a product launched ahead of its potential market, but one which indelibly marked the start of the future of photography. Kodak was smart. It housed its DCS in something photographers were already at home with: a Nikon F3 camera body. All the F3’s functions were retained, and the DCS used standard Nikon lenses. Only the 1991: The original Kodak DCS [100] and DSU 2005: Last of the line – the DCS ProSLR/c focusing screen was changed. A new Kodak-produced digital The relative sensitivity of the camera back was fixed to the Nikon F3 DCS camera back was ISO100. body. A light sensitive integrated circuit Exposure could be ‘pushed’ by – Charge Coupled Device – was fitted one, two or three ƒ-stops to into its film plane. ISO200, 400 or 800 on an This CCD image sensor had an individual shot-by-shot basis. incredible 1.3 million individual pixels It was not necessary to m o c . – more than four times as many as in expose a whole ‘roll of film’ at e r t n television cameras – arranged in a the same ISO rating, as was e c - i 1024 x 1280 pixel rectangle measuring necessary when shooting film. -
How to Shoot Fireworks – Capture the Nighttime Celebration
cover story How to Shoot Fireworks – capture the nighttime celebration Text and Photography By Robert Berdan Capturing fireworks with your camera may seem dif- ficult, but it’s easy if you use a tripod. There are plenty of opportunities and places to photograph fireworks. Look for special events around your area such as Canada Day celebrations, festivals, fairs and exhib- itions. A quick search of the internet will give you all the information you need. You can photograph fire- works with film or a digital camera. The methods are the same for both, though they’re easier to capture with digital cameras. Here are some tips to help you capture fireworks this summer. 38 Summer/Fall 2008 era has a double exposure mode you can 9 Bring a Photo pages 38-39: Calgary Stampede. try exposing several firework explosions Photographed with 20-35mm zoom lens, small flashlight ƒ8@8 sec., composite of two exposures. onto a single frame. A small pocket flashlight is essential if Nikon F5,Velvia IS0 50, tripod. you want to see your camera controls or Photo top of page 40: Olympic Plaza 4 Lens choice and change a lens in the dark — don’t leave Downtown Calgary. ƒ5.6@2 sec. exposure, F-stop setting home without one in your camera bag. Kodachrome ISO 64 film, Olympus OM-4 I like to use a wide angle zoom (F2.8 camera, 24mm lens, tripod set up in the crowd during the celebrations downtown. 20-35mm) and a telephoto zoom lens 10 Focus (F2.8 70-200mm) for firework photog- Start with your camera focused at infinity Photo bottom of page 40: Canada Day Canada Olympic Park in Calgary. -
Price List and Camera Models
I’m Back® GmbH Digital Back for 35mm Analog Cameras Carlo Maderno 24 6900 Lugano Switzerland Cell.: +41 789 429 998 www.imback.eu [email protected] I’m Back® 35mm Digital Back Details: Sensor: 16Mega CMOS Sensor Panasonic 34120 Display: 2.0"capacitive touch screens Picture System: Focusing screen Auto White: yes Video Resolution: UHD24(2880*2160) QHD30(2560*1440) Balance: yes 108OP60/30 720P120/60/30 VGA240 Auto Eve: yes Video nal aspect: Focusing screen/Vintage Picture ip: yes Picture Size: 20M 16M 12M 10M 8M 5M 3M VGA WIFI: yes Video Format: MP4 H.264 Remote: yes Picture Format: JPG & RAW Language EN FR ES PT DE IT CN RU JP Storage Capacity: Max 64Gb Battery: 3.7V 2.700mAh USB Interface: USB TYPE-C Catalogue 2019 [email protected] All prices are in Swiss Franc I'm Back GmbH www.imback.eu Catalogue - 2018/2019 - USD Product Code Type Compatibility Price in SFr* picture IBP I'm Back PRO All main Brands 299 IBU Universal Cover All main Brands 49 CA1 Dedicated Cover Canon F-1 69 Canon A Canon A1 CA2 Dedicated Cover 49 Canon AE1 Canon AE1 program Canon FT CA3 Dedicated Cover 49 Canon FTB CA4 Dedicated Cover Canon eos300 69 CN1 Dedicated Cover Contax II 49 Contax G1 CN2 Dedicated Cover 79 CN3 Dedicated Cover Contax RTS 49 CN4 Dedicated Cover Contax G2 79 I’m Back GmbH | Via Carlo Maderno 24 | CH – 6900 Lugano |IDI: CHE-216.910.630 | [email protected] | www.imback.eu Catalogue 2019 [email protected] All prices are in Swiss Franc I'm Back GmbH www.imback.eu Catalogue - 2018/2019 - USD Product Code Type Compatibility Price in SFr* picture DN1 Dedicated Cover -
Nikkor 13Mm 1/5.6
Nikkor 13mm 1/5.6 Nikon mmmm INSTRUCTION MANUAL GEBRAUCHSANWEISUNG MODE D'EMPLOI MANUAL DE INSTRUCCIONES Aj-s -4H -19K English -Page 7 Depth of Field Table -Page 19 Deutsch -Seite 10 Sarfentiefe Tabelle- -Seite 19 Fran^ais -Page 13 Table de profondeur de champ -Page 19 Espanol -Pagina 16 Tabla de profundidad de campo Pagina 19 12 3 4 5 6 7 8 9 10 11 12 13 i sgjna^g« 8 7*—*->>i>"U >?* 2 Sgg|@^ 9 m^sm: 3 *$¥fi^jf g^ 10 W)BA 4 mum n -7r-r> y—fom^mm.<•) sm. 12 nai+aiw-f K 6 «E'J ')>?" I 3 sflMFftaii #-f K (s B- E m) 7 EEaii^'-f K ItUsblz U > XfltfiglJ 12S£ 16ft T\ II8° (7)®^ %-t#-3 UhP7^- 7: ;* ? -T 7°C7)m(A^ L' > XT ISJA^ U- >XTfHlIIC>j: 'J ^^4-=Ht-f > 4 SPJJC J: ?>#Baa^co<STlc^LTtt, ffl iaSI5A!+«-4-^5. ? £*#-? J: T ClOS? nT£> U , £ tzWmmfc^l-A < **IE£ H TfcUSfo *<7)_h, ?4i£7)ifi5E»*IE^5t^SfflLT^5fci6, i4SB»ftf*fS*<7>ffii6 fe±mitiXH ij. SStstfti^BltO. 3mT"fcfflfflSI5ST'+7>4-!SI8Jf £:r= L Z To $ ^ Cs 4'fc\ 7<;u^— (SftfSSKttty^^fflLTfc-'K LIBC.056,A2,B2<7>4«SIAv\*E! *-y h5tT-ffimi^i£«T-# S"To imtTZ>B$l-l,Z. -J2-T I fegfLT < tz£\.\ -ziVFS.Fa^rfSfflLTtt^-t^ti^lis ^7"'J -y h *<Bf < fcibr\ t: > h •&*?-«: **§ B(C^T4-X^>Ri!Jc7)7 7"T >?—*.? ') —> (SUTC'J) <7>ffffl£-.fit!ltf>L it. -1- Srf^ttyWnCTj^ 'J H^tfLXiLZ £ £ X® L *f o < %-S^It^l^cH] LTSI #*£# £T„ 4 Z(7)U'>'Xi:77'-r>-5'*-xi'U->i:c7)ffi*.-g-^>-ti- — x?>;-> A/L B C D E G1 G2 G3 G4 HI H2 H3 H4 J K/P M R T »>7 -—____ F3 • © 0 o © © • © • o © F2 ® © © -1 © ® © ••71U'3>-'<-:S'-TC-200$ri£»L/-::*§-g- A/L B C D E G1 G2 G3 G4 HI H2 H3 H4 J K/P M R T F3 m © © • $ • • F2 m © © • • • © : amx-to O : m$<T)—%btf&'p$Uz < < tt >J STARJET* 3 2 T„ • ^^<7)l5Ac7)S)^iia^.-g-^-y-T1S, 7 -f JUA!*JS(ASA/ISO) STEIC^T *ft*'*l.ff> • •^OT-ffeCOfi^-g-^-ttT'W, 7-f JUAJffiit (ASA/ISO) %- 5 Wi Ji^SgH: I3mm ft^n^tt: i : 5.6 -? O > \- '. -
Nikon F5 User Manual.Pdf
Nikon F5 User Manual View and Download Nikon F5 instruction manual online. Choice of two modes for Nikon's exclusive five-area autofocus operation—Dynamic AF for moving. Performance and operation of available features will vary when used with Nikon lenses other than D-type AF Nikkor. The F5 features an all-metal, die-cast. If you've left the ISO setting in DX, the ISO shows on the rear LCD when film is in the F5, and it's blank with no film. If you set ISO manually (press ISO and turn. Nikon F5 was placed on the market October 1996 with the catchword of " The new standard in professional photography", at 325,000 yen (consumption tax. Nikon F5 User Manual --> Click For Download --> Get the best deals on Nikon F5 Film Cameras when you shop the largest NIKON F5 SLR Film Camera Body w/ Strap,Manual from Japan. I use manual focus lenses on the Nikon F5 too so it is great to confirm if I have a subject in focus and can see accurately enough with just my. Nikon F5 Instruction Manual. The next page contains information on this camera. If the image below looks like your camera, click below to see the full manual. Nikon F5 User Manual Download :: epub free for Kindle online guide. Nikon Rumors - where there's smoke there's fire. Nikon Camera Manuals Nikon Nikon. 1 A dream come true, 2 Shooting the Nikon F5, 3 The Nikon F5 Body and that allowed the user to fine tune various functions regarding the use of flash, Manual focus lenses can only be used with average or spot metering. -
Download a PDF File
Modern Classic SLRs Series : Nikon F & F2 Shared Resources: Medical Nikkor 200mm f5.6 Auto 200mm f/5.6 Medical-Nikkor Auto Incorporating a ringlight unit around its front element, the Medical-Nikkor is ideal for close-up work in the field of medicine, and has numerous other applications in science and industries. It consists of a prime lens, a set of six auxiliary lenses and an AC or a battery power source for operating the lighting units. The lens offers a choice of eleven different magnification ratios in combination with the six auxiliary lenses. (The prime lens alone gives the reproduction ratio of 1/1 5X and the auxiliary lenses, attached singlely or in varied combinations, provide a range of magnification ratios from 1/8X to 3X). The Medical-Nikkor is self-compensating, eliminating all bothersome calculations for setting the diaphragm in relation to film speed and reproduction ratio. All that is required of the photographer is to set the lens for the ASA speed of the film used, attach the auxiliary lens or lenses in accordance with the desired magnification ratio, focus by moving the camera toward or away from the subject and release the shutter. The automatic lens diaphragm stops down to correct aperture at the moment of exposure. Two illumination units are built into the lens: an electronic ringlight and pilot lamps. The ringlight surrounds the front element of the lens to produce even and shadowless illumination. It may be removed from the lens for servicing and for providing special lighting angles. The color temperature of 6000° K permits the use of daylight color film. -
To the Nikon FE
(Nikon) 2 General Introduction to the Nikon FE The automatic Nikon FE is the second in a series his established camera-handling techniques. This is of compact Nikon cameras-a series which features a major consideration for a working professional reductions in size, weight, and price without a who cannot afford to make mistakes on the job, reduction in the quality your customers have come or, for that matter, an advanced amateur shooting to expect from Nikon. with two or three camera bodies. In addition, most The design of the Nikon FE is not a radical depar of the accessories he has bought for other Nikon ture from that of other Nikon cameras. On the cameras are usable with the FE. contrary, its styling and the layout of its controls The Nikon FE uses the performance-proven are based on nearly three decades of high-quality aperture priority system of exposure automation camera production, during which time Nikon has first developed for the Nikkormat EL in 1972 and listened to the advice of its users. Traditionally, one later refined in the Nikon EL2. With this system, of the main reasons for the overwhelming popularity all your customer has to do is set the desired f l stop of Nikon cameras has been their ease of handling, on the lens, and the FE takes over from there ... and the Nikon FE is no exception. If anything, the automatically selecting just the right shutter speed FE is even easier to handle than other Nikon to give correct exposure in a variety of lighting cameras. -
Autofocus Speedlight SB-27SB-27
Autofocus Speedlight SB-27SB-27 Instruction Manual En Foreword Thank you for purchasing the Nikon Autofocus Speedlight SB-27, an easy-to-use flash unit offering you the most convenient system for automatic flash photography in combination with Nikon cameras. The SB-27’s extensive capabilities range from Non-TTL Auto Flash to 3D Multi-Sensor Balanced Fill-Flash, today’s most advanced flash technology. For optimum results, be sure to read this manual thoroughly before use. Please check which group your camera belongs to. 4 Group Ⅰ Ⅱ Ⅲ Ⅳ Ⅴ* Ⅵ Ⅶ * F5 F4-Series F-601/ F60-Series/ F-501/ FM3A F3-Series*6 1 1 8 Camera F100 F65-Series/ N6006* N60* N2020* FA F55-Series/ F90X/N90 s 1 N65-Series 1 1 name * * F-601M/ F50-Series/ F-401s/ FE2 N55-Series* F90-Series/ F-801s/ N6000 1 N50 1 N4004s 1 1 1 * * * New FM2 N90* N8008s* FG F-401x/ F-401/ 5 FM10 F80-Series/ F-801/ 1 1 Nikonos V 1 3 1 N5005 N4004 * Flash N80-Series* ,* N8008* * * FE10 operation F70-Series/ Pronea600i/ F-301/ N70*1 6i*1,*3 N2000*8 3D Multi-Sensor Balanced Fill-Flash*2 Multi-Sensor Balanced Fill-Flash*2 Matrix Balanced T Fill-Flash T Center-Weighted L Fill-Flash/Spot Fill-Flash Programmed TTL AutoFlash Standard TTL Flash Non-TTL A Auto Flash*7 M Manual Flash : Available : Not available In this manual, we have divided Nikon SLR cameras into seven groups (from I to VII) unless otherwise noted. You will find all the information you need to learn about using the SB-27 with your camera in the section corresponding to your camera group. -
The DCS Story 17 Years of Kodak Professional Digital Camera Systems 1987-2004
The DCS Story 17 years of Kodak Professional digital camera systems 1987-2004 Jim McGarvey June 2004 Electro-Optic Camera (1988) By 1987, Kodak had developed the world's first megapixel CCD imager, the M1. A US Government customer contracted with the Federal Systems Division (FSD) to incorporate the M1 into a standard 35 mm camera body to create the first megapixel portable digital camera, truly the prototype of the digital camera system (DCS) product line. It was designed for covert use, with the black box in a camera bag and the ribbon cable to the camera body concealed inside the neck strap. Images were downloaded from the internal hard drive by docking the black box on an Exabyte tape archive unit. (The first digital camera dock!) The Canon F1 film camera body had no electronic interface, so the shutter release was detected by monitoring the battery current. The imager package was mounted to a TE cooler to reduce noise, but cooling was limited to prevent fogging the cover glass and was not very effective. Only one unit was built. The black box electronics were wire wrapped. • Stock Canon F1 body with motor drive • Monochrome KAF-1400 (M1) imager (1320 x 1035, 6.8 µm) with thermoelectric cooler • 10bit A/D Logarithmic amplifier • 10-Mbyte buffer for 6-image burst; buffer image count display • Internal 100-Mbyte SCSI hard drive holds 60 images; disk image count display • Docking archive unit with 2000-MByte Exabyte 8 mm SCSI tape drive and battery charger • Raw image files in Unix TAR format; Time/Date stamp • Intervalometer; log histogram.