DOCSLIB.ORG

Fetish Fair Fleamarket 50

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Fetish Fair Fleamarket 50 Crowne Plaza ~ Warwick, RI The Flea at 50 February 16-18, 2018 Throwback Panel Fri 9:00 PM—Rotunda 50 Prospective Board ® Member Q&A Sun 8:45 AM—Wickford Future of NELA and the FFF Sun 2:00 PM—Tiverton Fetish Fair Fleamarket The Fetish Fair Fleamarket® 50 February, 2018 Hello Beloved Flea-goers!! It’s been 6 years exactly since I wrote a welcome letter for the Fetish Fair Fleamarket™ - and while the circumstance surrounding my writing this letter are not ideal, I am truly honored to be given the assignment. I write it on behalf of the Transition Team - Cecilia, Scott and myself; the three of us have almost half a century of combined experience with every facet of NELA. The only thing the three of us want to do is see that this most historic event – the 50th FFF – comes off without a hitch and that as usual, we provide a safe space for people to explore their interests with no shame or apology. We NEED you to have a fun-filled, SAFE weekend. Please respect the hotel as your home and play responsibly. Our event has never allowed nudity and we ask that in public areas, especially the lobby, you exercise good taste. Please be mindful of accessibility and aware that not everyone has the same abilities. Respect the rules of consensuality. If at any time you feel uncomfortable or unsafe, please seek out a NELA officer or member of our Incident Response Team (IRT). Visit Vendor’s Row as many are open on Friday night at the vendors discretion. Remember! All vendors are not open Friday night. There could be a few last minute programming changes so review the class list and signage on each floor for the most up-to-date information. Hotel guests may purchase admission wristbands Friday between 5pm and 9pm in the lobby. Card- carrying NELA Associates can start shopping at 10:30am Saturday and Sunday, a half hour before the general public. Not a NELA Associate yet? On Saturday you will be able to sign up for a NELA Associate Benefits Card (ABC) which entitles you to free or reduced-price admission to NELA events throughout New England and at events of NELA’s reciprocal groups which stretch from Portland, Maine to Portland, Oregon. NELA is the leading organization in New England for BDSM education, community advocacy and charitable giving. We need YOU to be a part of it all. NELA is looking for new board members and non-board lead officers to make NELA and the FFF better than ever. We’re looking for a diverse group of people with the time, energy, and dedication to serve the many segments of our regional kink/BDSM/leather/fetish communities. Anyone interested is invited to attend and talk to the current board about what it takes to turn passion into action. Join us for coffee, tea, and danishes Sunday morning at 8:45 in Wickford to talk about officer positions, or Sunday 2pm in Tiverton to get involved in running next year’s FFF! Thank you for being a part of history - the longest running, largest, most affordable BDSM event in New England! Cheers, Vivienne Kramer Scott Erickson Cecilia Tan Treasurer Director of Operations FFF Director Contents Cover Credits Welcome 2 Track List 20 IRT 3 Schedule Grid 26 Photographer: Consent 4 Map 29 Photos by the Gent Rules 6 Presenters 32 Model: Community Tables 10 Programming 41 Mackenzie Ryane Vendors 12 — 2 — Welcome CODE OF CONDUCT AND INCIDENT RESPONSE TEAM (IRT) NELA reserves the right to revoke, without refund, the admission tickets or wristbands of anyone for just cause. This may also lead to being banned from future NELA events. We will refund the admission fee of anyone who fnds the policies contained herein unacceptable prior to accepting their wristband. NELA expects attendees, including vendors, volunteers, and staff, to adhere to the Rules detailed here in the program book and to the additional rules that may be posted for the Taster, play party, and other individual events, as well as our general code of conduct regarding consent, consensual behavior, and harassment. Harassment of any kind is not permitted, including but not limited to racial, verbal, physical, and online harassment. Stalking, intimidation, coercion, disregard of safe words or negative signals, and touching without permission are all considered nonconsensual behavior and are in violation of the code of conduct. In the case of an incident where the code of conduct is breached, attendees have the option of reporting to our Incident Response Team (IRT). The IRT may be contacted by (401) 384-0392 Or by email to [email protected] And an IRT member is stationed in the Newport Room during Volunteer Lounge hours. The Incident Response Team follows these principles: • We take all complaints and reports into consideration. • We may initiate signifcant action in response to a single complaint. • We are careful to correctly identify persons in the complaint. • We treat the people making complaints with respect, listen to them, and take the complaints seriously. • When appropriate, we work to bring about a resolution, which mitigates future harm (so far as is possible). At the discretion of the person reporting an incident, the other party and others who were present may be told there is a complaint, but the source of the complaint will not be identifed without their permission. Reporters’ confdentiality will be respected. Incident Response Team (IRT) members are available 24 hours per day throughout the event to assist you. The IRT members are volunteers and are not members of the NELA Board. Any staff member, Dungeon Monitor (DM), Safety Team, or NELA board member can also put you in touch with the IRT. The IRT Process: The IRT person you approach to report an incident may take the report personally or they may help you fnd another member of the IRT to respond or to the take the report. A member of the IRT will make a written report and ask you for the details as needed to understand and attempt to resolve the issue and mitigate further harm. If you give us a name and contact information, we will follow up with you as needed, but we also will accept anonymous reports. We will inform you what our next steps will be and any further action(s) to be taken. If you request a follow up, we will follow up with you and let you know the outcome of the IRT’s actions. If your report requires post-event follow-up, you will hear from the Board or NELA staff by March 15 at the latest, if you gave us your contact info. — 3 — Fetish Fair Fleamarket® 50 Some very important words about consent from NELA: Recently, consent violations have been the subject of both national news and local incidents, which is why we are bringing you these words and tips about what consent is, how it works, and how it can go wrong. Consent is the lifeblood of the kink community. Consent is defined as “permission for something to happen or agreement to do something.” In kink, it means someone gives their permission for certain acts or types of relationships. Having consent in place during a scene or relationship is what makes that scene or relationship ethical and what differentiates a BDSM or kink relationship from an abusive one. So, how do we establish consent? By negotiating. Negotiation is a “discussion aimed at reaching an agreement,” and in the kink/BDSM world, that discussion is about what things are okay and not okay to occur during the scene or relationship. The exact de- tails of the discussion will differ each time you negotiate, but it is important to negotiate every time you engage in a kinky or sexual interaction with someone. Remember, just because someone has given you the okay once does not mean that they have given you the okay indefinitely! The exception to this is if you have made a long-term agree- ment with a person that states otherwise (generally via a long-term M/s or D/s agree- ment). But even in relationships where this ‘blanket consent’ is in place, it is important to update each other periodically on things that might have changed, such as limits, medical issues, mental health status, etc. Make sure each person has a chance to ex- press any concerns regarding the activities being discussed, and to respect the other person if they set a limit or express that they do not feel comfortable doing something. Here are some other helpful things to remember about consent: -Consent can be withdrawn at any time, either via the use of safe words or via discom- fort being voiced. -Just because you are in a certain dynamic (such as D/s) with someone does not au- tomatically give them ‘blanket consent.’ This must be negotiated. -”Yes” means “yes,” and consider anything else (“maybe,” “I don’t know,” “I’m not sure”) a “no.” Consent should be given enthusiastically, not uncertainly, as this is safest! If we do not negotiate well or if we let communication lapse, we risk violating consent. A consent violation often happens when someone chooses to ignore or crosses some- one’s boundaries .Not every consent violation is a sexual assault (touching someone sexually or performing a sexual act on someone without their permission). Many other things that may not seem “as severe” can also make people feel as if their consent has been violated and need to be taken just as seriously. Consent can be violated accidentally; these mistakes are sometimes called “consent accidents,” because they happen due to miscalculation, miscommunication, or misinterpretation of information.
Load more

Recommended publications
  • Newsletter Term 1 19-20
    Heritage Skills Event Fifteen of our students attended a workshop session in Perth City Centre aimed at promoting careers using traditional building skills. The event, organised by Perth and Kinross Heritage Trust, gave the pupils an experience of using traditional skills of carpentry, stone masonry, slating and painting. Our students thoroughly enjoyed the event, and some of them highly impressed the organisers! The event was even attended by Depute First Minister, John Swinney MSP, who took time out of his busy schedule to chat to our students and congratulate them for taking part. Primary Language Ambassadors Welcome to our new group of P5-7 Language Ambassadors for this year! They are enthusiastic about celebrating all the languages spoken in St John's Academy and are looking forward to supporting language learning throughout the school. This year's Language Ambassadors are already bursting with ideas, including competitions, lunch clubs and quizzes. Their first task has been to celebrate 'European Day of Languages' on Thursday, 26th September. European Day of Languages On Thursday, 26th September, we celebrated the European Day of Languages. Many classes took part in numerous activities for the promotion of languages. We had fun dressing up in costumes from around the world, completed quizzes about Europe, translated Follow us on Twitter music titles and increased our vocabulary for @sja_languages greeting people in a language other than their mother tongue as well as discussing the benefits of having knowledge of more than one language. Our pupils approached the many activities with great gusto! In addition, on a recent visit to the school, Bishop Stephen Robson was more than happy to help fly the language flag by joining the Senior Leadership Team for a photograph to celebrate this special day.
    [Show full text]
  • Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch Für Europäische Geschichte
    Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch für Europäische Geschichte Edited by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Volume 20 Dress and Cultural Difference in Early Modern Europe Edited by Cornelia Aust, Denise Klein, and Thomas Weller Edited at Leibniz-Institut für Europäische Geschichte by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Founding Editor: Heinz Duchhardt ISBN 978-3-11-063204-0 e-ISBN (PDF) 978-3-11-063594-2 e-ISBN (EPUB) 978-3-11-063238-5 ISSN 1616-6485 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 04. International License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number:2019944682 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2019 Walter de Gruyter GmbH, Berlin/Boston The book is published in open access at www.degruyter.com. Typesetting: Integra Software Services Pvt. Ltd. Printing and Binding: CPI books GmbH, Leck Cover image: Eustaţie Altini: Portrait of a woman, 1813–1815 © National Museum of Art, Bucharest www.degruyter.com Contents Cornelia Aust, Denise Klein, and Thomas Weller Introduction 1 Gabriel Guarino “The Antipathy between French and Spaniards”: Dress, Gender, and Identity in the Court Society of Early Modern
    [Show full text]
  • BISCUIT SOCKS Instructions for Double-Pointed Needles
    1/5 BISCUIT SOCKS By Isabelle - Fluffy Fibers Instructions for double-pointed needles I love DK socks. They knit up fast, and they are so cosy and warm to wear when staying home – which most of us are doing a lot of right now… At the close of this challenging year, I wanted to give you a little nugget of warmth and love, from my heart(h) to yours. I hope you enjoy knitting the Biscuit Socks for yourself, or perhaps as a comforting gift for a loved one. The light texture make the rounds addictive – just like a little pile of biscuits that we might enjoy going through as we knit and sip on our favourite warm beverage. I would be most grateful if you tagged me @fl uffyfibers and used #BiscuitSocks if you share your Biscuit Socks and WIPs on Instagram. Biscuit DK Socks – Fluffy Fibers Designs 2020 – all rights reserved 2/5 MATERIALS - 100 (150) g of sport to DK yarn. I - 1 set of 3.5-mm DPNs used 230 metres of Lang Super Soxx - 1 wool needle 6 ply for the smaller size. Some of - 1 removable stitch marker my test knitters needed as much as 300 metres. - 1 set of 3-mm DPNs FINISHED CIRCUMFERENCE: 21 (23,5) cms. GAUGE: 24 st : 10 cm in biscuit pattern ABBREVIATIONS: BOR: beginning of round p2tog: purl 2 stitches together CO: cast on RS: right side DPN: double-pointed needle sl: slip k: knit ssk: slip, slip, knit k2tog: k 2 stitches together w/: with p: purl WS: wrong side.
    [Show full text]
  • Bdsm) Communities
    BOUND BY CONSENT: CONCEPTS OF CONSENT WITHIN THE LEATHER AND BONDAGE, DOMINATION, SADOMASOCHISM (BDSM) COMMUNITIES A Thesis by Anita Fulkerson Bachelor of General Studies, Wichita State University, 1993 Submitted to the Department of Liberal Studies and the faculty of the Graduate School of Wichita State University in partial fulfillment of the requirements for the degree of Master of Arts December 2010 © Copyright 2010 by Anita Fulkerson All Rights Reserved Note that thesis work is protected by copyright, with all rights reserved. Only the author has the legal right to publish, produce, sell, or distribute this work. Author permission is needed for others to directly quote significant amounts of information in their own work or to summarize substantial amounts of information in their own work. Limited amounts of information cited, paraphrased, or summarized from the work may be used with proper citation of where to find the original work. BOUND BY CONSENT: CONCEPTS OF CONSENT WITHIN THE LEATHER AND BONDAGE, DOMINATION, SADOMASOCHISM (BDSM) COMMUNITIES The following faculty members have examined the final copy of this thesis for form and content, and recommend that it be accepted in partial fulfillment of the requirement for the degree of Master of Arts with a major in Liberal Studies _______________________________________ Ron Matson, Committee Chair _______________________________________ Linnea Glen-Maye, Committee Member _______________________________________ Jodie Hertzog, Committee Member _______________________________________ Patricia Phillips, Committee Member iii DEDICATION To my Ma'am, my parents, and my Leather Family iv When you build consent, you build the Community. v ACKNOWLEDGMENTS I would like to thank my adviser, Ron Matson, for his unwavering belief in this topic and in my ability to do it justice and his unending enthusiasm for the project.
    [Show full text]
  • Wignall, Liam (2018) Kinky Sexual Subcultures and Virtual Leisure Spaces. Doctoral Thesis, University of Sunderland
    Wignall, Liam (2018) Kinky Sexual Subcultures and Virtual Leisure Spaces. Doctoral thesis, University of Sunderland. Downloaded from: http://sure.sunderland.ac.uk/id/eprint/8825/ Usage guidelines Please refer to the usage guidelines at http://sure.sunderland.ac.uk/policies.html or alternatively contact [email protected]. Kinky Sexual Subcultures and Virtual Leisure Spaces Liam Wignall A thesis submitted in partial fulfilment of the requirements of the University of Sunderland for the degree of Doctor of Philosophy February 2018 i | P a g e Abstract This study seeks to understand what kink is, exploring this question using narratives and experiences of gay and bisexual men who engage in kink in the UK. In doing so, contemporary understandings of the gay kinky subcultures in the UK are provided. It discusses the role of the internet for these subcultures, highlighting the use of socio-sexual networking sites. It also recognises the existence of kink dabblers who engage in kink activities, but do not immerse themselves in kink communities. A qualitative analysis is used consisting of semi-structured in-depth interviews with 15 individuals who identify as part of a kink subculture and 15 individuals who do not. Participants were recruited through a mixture of kinky and non-kinky socio-sexual networking sites across the UK. Complimenting this, the author attended kink events throughout the UK and conducted participant observations. The study draws on subcultural theory, the leisure perspective and social constructionism to conceptualise how kink is practiced and understood by the participants. It is one of the first to address the gap in the knowledge of individuals who practice kink activities but who do so as a form of casual leisure, akin to other hobbies, as well as giving due attention to the increasing presence and importance of socio-sexual networking sites and the Internet more broadly for kink subcultures.
    [Show full text]
  • Fetishism and the Culture of the Automobile
    FETISHISM AND THE CULTURE OF THE AUTOMOBILE James Duncan Mackintosh B.A.(hons.), Simon Fraser University, 1985 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of Communication Q~amesMackintosh 1990 SIMON FRASER UNIVERSITY August 1990 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. APPROVAL NAME : James Duncan Mackintosh DEGREE : Master of Arts (Communication) TITLE OF THESIS: Fetishism and the Culture of the Automobile EXAMINING COMMITTEE: Chairman : Dr. William D. Richards, Jr. \ -1 Dr. Martih Labbu Associate Professor Senior Supervisor Dr. Alison C.M. Beale Assistant Professor \I I Dr. - Jerry Zqlove, Associate Professor, Department of ~n~lish, External Examiner DATE APPROVED : 20 August 1990 PARTIAL COPYRIGHT LICENCE I hereby grant to Simon Fraser University the right to lend my thesis or dissertation (the title of which is shown below) to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. I further agree that permission for multiple copying of this thesis for scholarly purposes may be granted by me or the Dean of Graduate Studies. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Title of Thesis/Dissertation: Fetishism and the Culture of the Automobile. Author : -re James Duncan Mackintosh name 20 August 1990 date ABSTRACT This thesis explores the notion of fetishism as an appropriate instrument of cultural criticism to investigate the rites and rituals surrounding the automobile.
    [Show full text]
  • Review of Exposure Data and Assessments for Select Dialkyl
    TABLE OF CONTENTS 1. INTRODUCTION ........................................................................................................... 1-1 2. PRODUCTION AND USE OF PHTHALATES ............................................................. 2-1 2.1. PRODUCTION OF PHTHALATES ................................................................... 2-1 2.1.1. Production of DEHP ................................................................................ 2-1 2.1.2. Production of DBP ................................................................................... 2-2 2.1.3. Production of BBP ................................................................................... 2-2 2.1.4. Production of DINP ................................................................................. 2-3 2.1.5. Production of DIDP ................................................................................. 2-3 2.1.6. Production of DnOP ................................................................................. 2-4 2.2. USE OF PHTHALATES ..................................................................................... 2-4 3. PHYSICO-CHEMICAL AND ENVRONMENTAL FATE PROPERTIES OF PHTHALATES ................................................................................. 3-1 3.1. PHYSICO-CHEMICAL PROPERTIES OF PHTHALATES ............................. 3-1 3.1.1. Benzyl butyl phthalate (BBP) .................................................................. 3-1 3.1.2. Di-n-butyl phthalate (DBP) .....................................................................
    [Show full text]
  • Common BDSM Terminology
    Common BDSM Terminology Common Terminology: • BDSM – Bondage and Discipline, Dominance and Submission, Sadism and Masochism. • SSC – Safe, Sane, Consensual • RACK – Risk Aware Consensual Kink • PRICK – Personal Responsibility Informed Consensual Kink • Scene – Both the BDSM Community as a whole and a play interaction. • “Thud” – Sensation produced when struck with broad/heavy/soft toys – e.g .floggers, big paddles. • “Sting” – Sensation produced when struck with thin/light/hard toys – e.g. cane or single tail. • Dungeon – a (public or private) play space. • DM (Dungeon Monitor) – Public playspace lifeguard. • Squick – Something that viscerally turns you off. The sound of your parents fucking on the kitchen table. • BBW – Big Beautiful Woman • Sub Frenzy – The desire to try everything when one is new to the scene. • Subspace – An altered state often resulting from endorphins released through sensation/impact play. • Sub Drop/Top Drop – Temporary depression sometimes experienced (hours or days) after intense play. Safeword – a word or phrase used to pause or stop play. • Stop!/No! - If you’re a beginner (or playing with a beginner), keep it simple, no means no, stop means stop. • Safeword!/Red! – Stop now! Something is seriously wrong. DMs/bystanders requested to help. • Yellow/Mercy – I can’t take much more, need a break, please check in. • Green – I’m having a good time, please continue! • Beige – I’m so bored I’m thinking about what color to paint the ceiling. Roles: • Top/Bottom – Enjoy physical play (bondage, flogging, whipping, etc.) • Sadist/Masochist – Enjoy inflicting/receiving pain (intense physical sensation). • Dom/Sub – Enjoy mental power exchange (following orders, serving, etc.) • Master/Slave – Enjoy long term owner/property relationship.
    [Show full text]
  • BDSM: Safer Kinky
    BDSM SAFER KINKY SEX If sexually explicit information about BDSM activities might offend you, then this information is not for you. 1 BDSM Etiquette BDSM etiquette is about respect and communication: RESPECT: Negotiate all the limits and terms (including ‘safe’ words and signals) of a scene before you start to play. A ‘safe’ word (or signal) is used in BDSM play to stop the scene immediately. Some people use green, yellow, and red. These systems are there to protect everyone involved. Respect the limits and feelings of other players (and your own) at all times. COMMUNICATION: Discuss interests, pleasures, perceived needs, physical limitations, past experiences, health needs, and STI status with your partner(s). If you are unsure of a sexual or BDSM activity, then hold off until someone experienced teaches you the safety aspects. Discussion builds intimacy. You and your partner(s) will have more fun! BDSM Risk Reduction Responsible BDSM has always been about practicing safety, so it’s important to understand the risks involved in BDSM play, and how to minimize them. BDSM activities have generally been classed as low risk for HIV transmission. This booklet contains practical guidelines and This means that only a small number of people advice on the prevention of Human Immuno- are likely to have contracted HIV, or passed on deficiency Virus (HIV), Hepatitis C (HCV), and HIV, while practising BDSM. HIV is not the only other sexually transmitted infections (STIs) sexually transmitted infection (STI), and there are within bondage and discipline, dominance and other possible dangers associated with some submission, and sadomasochism (BDSM) play.
    [Show full text]
  • Comprehensive Dungeon Monitors Guide (In PDF)
    Comprehensive Dungeon Monitors Guide © 2008 Sir Bamm! [email protected] Purpose The purpose of this Dungeon Monitor's Guide is to provide members of the BDSM- leather-fetish community with a general guideline to equip them with the basic knowledge and skills required to be a play monitor (hereafter referred to as a dungeon monitor or DM) at an SM event. It is hoped that through education efforts such as this, we, as a community, can continue to grow and become more proficient and professional in our endeavors. This guide was developed to assist in the education of DM's for local events, and therefore includes general rules and standards. Disclaimer The information contained in this guide represents the opinions of various organizations and individuals. The authors, editors, publishers, contributors, and/or distributors of this booklet accept no responsibility or liability for any accident, injury, mishap or incident that may occur to any individual(s) or groups as a result of performing any of the activities described or alluded to herein. Acknowledgements I would like to recognize the following organizations and individuals for their work that enabled this initiative to become a reality: Reference Information Black Rose, Black Rose Board of Directors 1998, Boy Max, BR98 Dungeon Staff, Chris M., David S., Fraizer, Gil Kessler, Jack McGeorge, Joseph Bean, Leather Leadership Conference II, Trish A., Johnan and Bamm! Special thanks to The BR98 Play Monitors Guide, which served as the basis for the "Danger Signs" reference charts, and Johnan, for the Crisis Intervention essay. To the ARC and FEMA for the list of First Aid support and First Aid kit contents.
    [Show full text]
  • Split Identification: Representations of Rape in Gaspar Noé's Irréversible
    DOUGLAS KEESEY California Polytechnic State University Split identification: Representations of rape in Gaspar Noé’s Irréversible and Catherine Breillat’s A ma soeur!/Fat Girl ABSTRACT This article critically examines rape scenes in two films of the ‘new extreme cinema’, Gaspar Noé’s Irréversible (2002) and Catherine Breillat’s A ma sœur!/Fat Girl (2001). On the surface, Noé’s disturbing long-take rape scene is clearly designed to foster empathy with the woman’s experience and to induce a physical aversion to rape. However, a deeper examination of the scene’s ambiguous techniques reveals that they actually work to split the viewer’s identification between the rapist and the woman he attacks. One function of this split is to lead the viewer – who is presumed to be male – along an emotional path from lustful aggression towards empathic understanding. Similarly, the film also provides audiences with a transitional figure – a male character who is almost raped – as someone with whom they can identify on the way towards identifying with the female. But this male character ultimately serves as a negative example when he moves to take revenge – an act which is shown to be an extension of the rape, part of the same masculinist ideology or myth of male inviolability perpetuated through the violation of others. Furthermore, the revenge is revealed as being the male character’s denial of his own complicity in the rape and of his own participation in ‘rape culture’. The rape scene in Breillat’s 1A ma sœur! also induces in the viewer a split identification with the rapist and with the female subjected to attack – in this case a young girl who disturbingly seems to ‘acquiesce’ to the assault.
    [Show full text]
  • Volume 9 800-729-6423 | a Catalogue of Erotic Books
    a catalogue of erotic books Volume 9 800-729-6423 | WWW.REVELBOOKS.COM a catalogue of erotic books TABLE OF CONTENTS NEW REVEL TITLES . 1-12 REVEL BESTSELLERS . 13-19 PHOTOGRAPHY . 20-21 EROTIC ART & ILLUSTRATION . 22-23 HOW-TO . 24-25 FETISH & BDSM. 26-29 EROTIC COMICS & GRAPHIC NOVELS . 30-32 EROTIC FICTION. 33-35 SEX HUMOR . 36 EROTIC FILM . 37 GAY. 38 GAY TRAVEL . 39 SENSUAL MASSAGE . 40 Front cover, back cover and interior photographs courtesy of Goliath, publisher of Hot Luxury Girls, Best of Sugar Posh Beauties, by Tammy Sanborn, featured on page 21 of this catalog. Catalog design & layout by Dan Nolte, based on an original design by Rama Crouch-Wong WWW.REVELBOOKS.COM | 800-729-6423 a catalogue of erotic books THE FOLLOWING PUBLISHERS Arcata Arts REPRESENTED BY SCB DISTRIBUTORS Baby Tattoo Books ARE INCLUDED IN THIS CATALOG BDSM Press Chimera Books Circlet Press Daedalus Publishing Damron Guides Down There Press Drago Editions Akileos Erotic Review Press ES Publishing FAB Press Flesk Publications Goliath Books Greenery Press GW Enterprises Last Gasp Lioness for Lovers Mental Gears Publishing MixOfPix Nicotext Pacific Media Priaprism Press Rankin Photography Rock Out Books Skin Two Wet Angel Books Xcite Books NEW REVEL TITLES BUTT BABES Young, Fresh, Sexy, Firm Dave Naz Within these pages, the glorious physical masterpiece is rendered welcoming, irresistible, alluring, mysterious and majestic, to be worshiped and adored. In the hands of photographer Dave Naz, every set of cheeks becomes a work of art in luscious tones of pearl, pink, ivory and bronze – portraits so natural and erotic, each feels real enough to touch.
    [Show full text]