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Cinema Recognizing Making Intimacy Vincent Tajiri Even Hotter!
FEBRUARY 2020 SOUTH AFRICA THROW SEX & BACK CINEMA RECOGNIZING MAKING INTIMACY VINCENT TAJIRI EVEN HOTTER! WITHOUT Flaunt THE MASK CANDID WITH YOUR ORVILLE PECK SWAG STERLING K. BROWN SHOWS US THE HOW SCOOP ON SEX! OUR SEXPERT SHARES INTIMATE DETAILS Dee Cobb WWW.PLAYBOY.CO.ZA R45.00 20019 9 772517 959409 EVERY. ISSUE. EVER. The complete Playboy archive Instant access to every issue, article, story, and pictorial Playboy has ever published – only on iPlayboy.com. VISIT PLAYBOY.COM/ARCHIVE SOUTH AFRICA Editor-in-Chief Dirk Steenekamp Associate Editor Jason Fleetwood Graphic Designer Koketso Moganetsi Fashion Editor Lexie Robb Grooming Editor Greg Forbes Gaming Editor Andre Coetzer Tech Editor Peter Wolff Illustrations Toon53 Productions Motoring Editor John Page Senior Photo Editor Luba V Nel ADVERTISING SALES [email protected] for more information PHONE: +27 10 006 0051 MAIL: PO Box 71450, Bryanston, Johannesburg, South Africa, 2021 Ƶč%./0(++.ǫ(+'ć+1.35/""%!.'Čƫ*.++/0.!!0Ē+1.35/ǫ+1(!2. ČĂāĊā EMAIL: [email protected] WEB: www.playboy.co.za FACEBOOK: facebook.com/playboysouthafrica TWITTER: @PlayboyMagSA INSTAGRAM: playboymagsa PLAYBOY ENTERPRISES, INTERNATIONAL Hugh M. Hefner, FOUNDER U.S. PLAYBOY ǫ!* +$*Čƫ$%!"4!10%2!þ!. ƫ++,!.!"*!.Čƫ$%!"ƫ.!0%2!þ!. Michael Phillips, SVP, Digital Products James Rickman, Executive Editor PLAYBOY INTERNATIONAL PUBLISHING !!*0!(Čƫ$%!"ƫ+))!.%(þ!.Ē! +",!.0%+*/ Hazel Thomson, Senior Director, International Licensing PLAYBOY South Africa is published by DHS Media House in South Africa for South Africa. Material in this publication, including text and images, is protected by copyright. It may not be copied, reproduced, republished, posted, broadcast, or transmitted in any way without written consent of DHS Media House. -
Bdsm) Communities
BOUND BY CONSENT: CONCEPTS OF CONSENT WITHIN THE LEATHER AND BONDAGE, DOMINATION, SADOMASOCHISM (BDSM) COMMUNITIES A Thesis by Anita Fulkerson Bachelor of General Studies, Wichita State University, 1993 Submitted to the Department of Liberal Studies and the faculty of the Graduate School of Wichita State University in partial fulfillment of the requirements for the degree of Master of Arts December 2010 © Copyright 2010 by Anita Fulkerson All Rights Reserved Note that thesis work is protected by copyright, with all rights reserved. Only the author has the legal right to publish, produce, sell, or distribute this work. Author permission is needed for others to directly quote significant amounts of information in their own work or to summarize substantial amounts of information in their own work. Limited amounts of information cited, paraphrased, or summarized from the work may be used with proper citation of where to find the original work. BOUND BY CONSENT: CONCEPTS OF CONSENT WITHIN THE LEATHER AND BONDAGE, DOMINATION, SADOMASOCHISM (BDSM) COMMUNITIES The following faculty members have examined the final copy of this thesis for form and content, and recommend that it be accepted in partial fulfillment of the requirement for the degree of Master of Arts with a major in Liberal Studies _______________________________________ Ron Matson, Committee Chair _______________________________________ Linnea Glen-Maye, Committee Member _______________________________________ Jodie Hertzog, Committee Member _______________________________________ Patricia Phillips, Committee Member iii DEDICATION To my Ma'am, my parents, and my Leather Family iv When you build consent, you build the Community. v ACKNOWLEDGMENTS I would like to thank my adviser, Ron Matson, for his unwavering belief in this topic and in my ability to do it justice and his unending enthusiasm for the project. -
Image-Based Sexual Abuse Risk Factors and Motivators Vasileia
RUNNING HEAD: IBSA FACTORS AND MOTIVATORS iPredator: Image-based Sexual Abuse Risk Factors and Motivators Vasileia Karasavva A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Psychology Carleton University Ottawa, Ontario © 2020 Vasileia Karasavva IBSA FACTORS AND MOTIVATORS i Abstract Image-based sexual abuse (IBSA) can be defined as the non-consensual sharing or threatening to share of nude or sexual images of another person. This is one of the first studies examining how demographic characteristics (gender, sexual orientation), personality traits (Dark Tetrad), and attitudes (aggrieved entitlement, sexual entitlement, sexual image abuse myth acceptance) predict the likelihood of engaging in IBSA perpetration and victimization. In a sample of 816 undergraduate students (72.7% female and 23.3% male), approximately 15% of them had at some point in their life, distributed and/or threatened to distribute nude or sexual pictures of someone else without their consent and 1 in 3 had experienced IBSA victimization. Higher psychopathy or narcissism scores were associated with an increased likelihood of having engaged in IBSA perpetration. Additionally, those with no history of victimization were 70% less likely to have engaged in IBSA perpetration compared to those who had experienced someone disseminating their intimate image without consent themselves. These results suggest that a cyclic relationship between IBSA victimization exists, where victims of IBSA may turn to perpetration, and IBSA perpetrators may leave themselves vulnerable to future victimization. The challenges surrounding IBSA policy and legislation highlight the importance of understanding the factors and motivators associated with IBSA perpetration. -
Fetishism and the Culture of the Automobile
FETISHISM AND THE CULTURE OF THE AUTOMOBILE James Duncan Mackintosh B.A.(hons.), Simon Fraser University, 1985 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of Communication Q~amesMackintosh 1990 SIMON FRASER UNIVERSITY August 1990 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. APPROVAL NAME : James Duncan Mackintosh DEGREE : Master of Arts (Communication) TITLE OF THESIS: Fetishism and the Culture of the Automobile EXAMINING COMMITTEE: Chairman : Dr. William D. Richards, Jr. \ -1 Dr. Martih Labbu Associate Professor Senior Supervisor Dr. Alison C.M. Beale Assistant Professor \I I Dr. - Jerry Zqlove, Associate Professor, Department of ~n~lish, External Examiner DATE APPROVED : 20 August 1990 PARTIAL COPYRIGHT LICENCE I hereby grant to Simon Fraser University the right to lend my thesis or dissertation (the title of which is shown below) to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. I further agree that permission for multiple copying of this thesis for scholarly purposes may be granted by me or the Dean of Graduate Studies. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Title of Thesis/Dissertation: Fetishism and the Culture of the Automobile. Author : -re James Duncan Mackintosh name 20 August 1990 date ABSTRACT This thesis explores the notion of fetishism as an appropriate instrument of cultural criticism to investigate the rites and rituals surrounding the automobile. -
CESE Guiding Values
EndExploitationMovement.com Guiding Values As members of the Coalition to End Sexual Exploitation (CESE) we believe that diverse and multi-disciplinary collaboration, activism, prevention, and education are key to eradicating the multi-faceted and wide-ranging web of sexual abuse and exploitation. Therefore, we embrace the following guiding values: Dignity. Every human being, regardless of race, sex, Unity in Diversity. The movement against sexual socioeconomic status, age, ability, or other factors, abuse and exploitation must be rooted in a spirit of possesses inherent human dignity and therefore has collaboration and common purpose among all those a right to live free from the harms of sexual abuse who share a vision for a world free from sexual abuse and exploitation. and exploitation. Therefore, we do not limit membership in CESE on the basis of personal politics, religion, or Healthy Sexuality. Respect, intimacy, mutuality, worldview. We always strive to maintain a non-partisan, responsibility, and love are integral aspects of non-sectarian, and singular focus on sexual abuse and healthy sexuality. exploitation issues, recognizing that working together on our shared concerns creates the greatest amount Intersectionality. Sexual abuse and exploitation thrive of progress. This includes collaboration among efforts when responses to these harms fail to account for focused on prevention, education, therapeutic services, the interconnections between all forms of sexual policy, grassroots activism, direct services, medical abuse and exploitation. Accordingly, we actively foster services, and more multidisciplinary education and cross-collaboration between experts and organizations addressing all forms Abolitionism. We are committed to the elimination of sexual harm. of all forms of sexual abuse and exploitation (e.g., sexual assault, intimate partner sexual violence, rape, Authentic Consent. -
New York's Right to Publicity and Deepfakes Law Breaks New Ground
New York’s Right to Publicity and Deepfakes Law Breaks New Ground December 17, 2020 On November 30, 2020, New York Governor Andrew Cuomo signed a path-breaking law addressing synthetic or digitally manipulated media. The law has two main components. First, the law establishes a postmortem right of publicity to protect performers’ likenesses— including digitally manipulated likenesses—from unauthorized commercial exploitation for 40 years after death. Second, the law bans nonconsensual computer-generated pornography (often called deepfake pornography)—highly realistic false images created by artificial intelligence (AI).1 With this law, New York becomes the first state in the nation to explicitly extend a person’s right of publicity to computer-generated likenesses, so-called digital replicas. Professional actors and the Screen Actors Guild (SAG-AFTRA) have pushed for this law for years to protect their likenesses from unauthorized postmortem use, especially as technology has advanced and actors have begun to appear in movies years after their deaths.2 New York also joins four other states that have outlawed certain kinds of deepfakes related either to pornography or to elections. Taken together, these laws, and the roughly 30 bills currently pending 1 Press Release, Governor Cuomo Signs Legislation Establishing a “Right to Publicity” for Deceased Individuals to Protect Against the Commercial Exploitation of Their Name or Likeness, OFFICE OF GOV. CUOMO (Nov. 30, 2020), https://www.governor.ny.gov/news/governor-cuomo-signs-legislation-establishing- right-publicity-deceased-individuals-protect; S5959D (New York), https://www.nysenate.gov/legislation/bills/2019/s5959. 2 See Dave McNary, SAG-AFTRA Commends Gov. -
Deepfake Videos in the Wild: Analysis and Detection
Deepfake Videos in the Wild: Analysis and Detection Jiameng Pu† Neal Mangaokar† Lauren Kelly Virginia Tech University of Michigan Virginia Tech [email protected] [email protected] [email protected] Parantapa Bhattacharya Kavya Sundaram Mobin Javed University of Virginia Virginia Tech LUMS Pakistan [email protected] [email protected] [email protected] Bolun Wang Bimal Viswanath Facebook Virginia Tech [email protected] [email protected] ABSTRACT 25, 29, 34, 40, 42, 52] to evaluate the proposed detection schemes. AI-manipulated videos, commonly known as deepfakes, are an In addition, governments are also realizing the seriousness of this emerging problem. Recently, researchers in academia and indus- issue. In the USA, the first federal legislation on deepfakes was try have contributed several (self-created) benchmark deepfake signed into law in December 2019 [14], with the government en- datasets, and deepfake detection algorithms. However, little effort couraging research on deepfake detection technologies. However, has gone towards understanding deepfake videos in the wild, lead- most existing research efforts from academia and industry have ing to a limited understanding of the real-world applicability of been conducted with limited or no knowledge of actual deepfake research contributions in this space. Even if detection schemes videos in the wild. Therefore, we have a limited understanding of the are shown to perform well on existing datasets, it is unclear how real-world applicability of existing research contributions in this well the -
1 Law's Current Inability to Properly Address Deepfake Pornography
NOTES “The New Weapon of Choice”:1 Law’s Current Inability to Properly Address Deepfake Pornography Deepfake technology uses artificial intelligence to realistically manipulate videos by splicing one person’s face onto another’s. While this technology has innocuous usages, some perpetrators have instead used it to create deepfake pornography. These creators use images ripped from social media sites to construct—or request the generation of—a pornographic video showcasing any woman who has shared images of herself online. And while this technology sounds complex enough to be relegated to Hollywood production studios, it is rapidly becoming free and easy-to-use. The implications of deepfake pornography seep into all facets of victims’ lives. Not only does deepfake pornography shatter these victims’ sexual privacy, its online permanency also inhibits their ability to use the internet and find a job. Although much of the scholarship and media attention on deepfakes has been devoted to the implications of deepfakes in the political arena and the attendant erosion of our trust in the government, the implications of deepfake pornography are equally devastating. This Note analyzes the legal remedies available to victims, concludes that none are sufficient, and proposes a new statutory and regulatory framework to provide adequate redress. THE NEXT ITERATION OF REVENGE PORNOGRAPHY ...................... 1480 I. WHAT IS DEEPFAKE PORNOGRAPHY? ................................. 1482 A. The Devastating Consequences of Deepfake Pornography ........................................................... 1482 B. Origins of Deepfake Pornography and Where Deepfake Technology Is Going ............................... 1484 C. How Deepfakes Work .............................................. 1487 1. Makena Kelly, Congress Grapples with How to Regulate Deepfakes, VERGE (June 13, 2019, 1:30 PM), https://www.theverge.com/2019/6/13/18677847/deep-fakes-regulation-facebook-adam- schiff-congress-artificial-intelligence [https://perma.cc/5AKJ-GKGZ] (“As Rep. -
2018 Juvenile Law Cover Pages.Pub
2018 JUVENILE LAW SEMINAR Juvenile Psychological and Risk Assessments: Common Themes in Juvenile Psychology THURSDAY MARCH 8, 2018 PRESENTED BY: TIME: 10:20 ‐ 11:30 a.m. Dr. Ed Connor Connor and Associates 34 Erlanger Road Erlanger, KY 41018 Phone: 859-341-5782 Oppositional Defiant Disorder Attention Deficit Hyperactivity Disorder Conduct Disorder Substance Abuse Disorders Disruptive Impulse Control Disorder Mood Disorders Research has found that screen exposure increases the probability of ADHD Several peer reviewed studies have linked internet usage to increased anxiety and depression Some of the most shocking research is that some kids can get psychotic like symptoms from gaming wherein the game blurs reality for the player Teenage shooters? Mylenation- Not yet complete in the frontal cortex, which compromises executive functioning thus inhibiting impulse control and rational thought Technology may stagnate frontal cortex development Delayed versus Instant Gratification Frustration Tolerance Several brain imaging studies have shown gray matter shrinkage or loss of tissue Gray Matter is defined by volume for Merriam-Webster as: neural tissue especially of the Internet/gam brain and spinal cord that contains nerve-cell bodies as ing addicts. well as nerve fibers and has a brownish-gray color During his ten years of clinical research Dr. Kardaras discovered while working with teenagers that they had found a new form of escape…a new drug so to speak…in immersive screens. For these kids the seductive and addictive pull of the screen has a stronger gravitational pull than real life experiences. (Excerpt from Dr. Kadaras book titled Glow Kids published August 2016) The fight or flight response in nature is brief because when the dog starts to chase you your heart races and your adrenaline surges…but as soon as the threat is gone your adrenaline levels decrease and your heart slows down. -
Endtab Deepfake Victim Guide
NOVEMBER 2019 VERSION 1.0 E N D T A B . O R G DEEPFAKES a victim resource guide GUIDE OVERVIEW This guide includes resources, tools and strategies for anyone who has been targeted by a deepfake, or similar technology, which has made it falsely appear they were in a pornographic video that they were not actually in. CREDIT: FACEBOOK YOU ARE NOT ALONE 96% of all deepfake videos are pornographic and almost all of these target women. However, this is a pervasive new form of online sexual abuse that threatens anyone, regardless of gender. And because this technology is new, some people may not be aware of deepfakes yet and there may not be laws against deepfake pornography in your state. This means you may need to educate others when seeking help. This guide, and the accompanying fact sheet, is designed to help you with that. DEEPFAKE GUIDE Version 1.0 SAVING THE 1 EVIDENCE Before deleting anything, be sure to preserve any evidence. Some ways to do this: (1) Download the video(s); (2) Screenshot the webpage, including the url, date & time and (3) Save the webpage as a pdf. Visit withoutmyconsent.org to utilize their evidence preservation resources for nonconsensual pornography (also effective for deepfake pornography). REMOVE FROM 2 GOOGLE SEARCHES Google enables victims of nonconsensual deepfake pornography (referred to as 'involuntary fake pornography' by Google) to remove the offending video from appearing in their search results. [It does not mean it is removed from the actual website.] Click here to begin. TAKE DOWN REQUESTS INSTAGRAM 3 YAHOO Upon request, many technology FACEBOOK platforms will remove a post (like GOOGLE nonconsensual pornography) because it violates their content policies. -
12, 2017 Manchester, NH Table of Contents
November 10 - 12, 2017 Manchester, NH Table of Contents Note from the Board 3 General Event Rules 4 Dress Code 6 Nighttime Party Rules 7 Security, Health, & Safety 8 Consent Policy 9 Film Screening 10 Photo Lounge 11 Friday Night Erotic Art Show 12 Presenter Bios 14 Vendors 19 Vendor Bingo 19 Maps 23 Friday Schedule 28 Friday Night Scavenger Hunt 28 Saturday Schedule 30 Sunday Schedule 32 Class Descriptions 34 SIGs and Lounges 51 About Our Sponsor 52 Lunch Options 52 About the Board 54 About the Staff 55 Thank Yous Back Cover Hungry? Boxed lunches may be purchased for Saturday and/or Sunday. Purchases must be made at the Registration Desk by 9:30am the day of. Lunches are $15 each and include: sandwich with lettuce (ham, turkey, or roast beef), chips, fruit, and desert. There is also a vegetarian box option. Looking for more options? See what’s in the area. https://goo.gl/LpWTuV -2- Note from the Board Welcome, and thank you for attending KinkyCon XI! KinkyCon is a grassroots, locally-focused event. Most of our presenters are from our own kinky community. Many of our vendors are folks you know, and they offer their wares at fair prices with exceptional quality, and local service. Our volunteers are from the local community, and give their time to make the Con run as smoothly as possible. They are the reason for the warm, welcoming feel throughout the weekend. We are here to make sure you have a great experience at KinkyCon. If you have any questions, concerns, or problems, please talk to one of the KinkyCon staff members right away. -
Tom of Finland
TOM OF FINLAND 1920-1991 born 1920, Kaarina, Finland EDUCATION 1946 Markkinointi-instituutti, Helsinki, Finland SELECTED SOLO EXHIBITIONS (* indicates a publication) 2021 Pen and Ink 1965 – 1989, David Kordansky Gallery, Los Angeles, CA Tom of Finland - The Darkroom, curated by Berndt Arell, Fotografiska, New York, NY 2020 Tom of Finland - The Darkroom, curated by Berndt Arell, Fotografiska, Tallinn, Estonia; Fotografiska, New York, NY; Fotografiska, Stockholm, Sweden Tom of Finland: Love and Liberation, presented by House of Illustration, Tom of Finland Foundation, and the Finnish Institute, House of Illustration, London, England Reality & Fantasy, The World of Tom of Finland, GALLERY X, Tokyo, Japan *Tom of Finland: Made in Germany, Galerie Judin, Berlin, Germany 2018 TOM House: The Work and Life of Tom of Finland, organized by Graeme Flegenheimer, Mike Kelley's Mobile Homestead, Museum of Contemporary Art Detroit, MI 2017 Touko Laaksonen – Tom of Finland: Of Music and Men, Waino-Aaltonen- Museum, Turku, Finland The Man Behind Tom of Finland: Loves and Lives, curated by Susanna Luoto, Salon Dahlmann, Berlin, Germany *The Man Behind Tom of Finland: Ecce Homo, curated Susanna Luoto, Galerie Judin, Berlin, Germany 2016 The Pleasure of Play, Kunsthalle Helsinki, Helsinki, Finland 2015 The Pleasure of Play, Artists Space, New York, NY [email protected] www.davidkordanskygallery.com T: 323.935.3030 F: 323.935.3031 Sealed with a Secret: Correspondence of Tom of Finland, Postimuseu, Tampere, Finland *Early Work 1944 – 1972, David Kordansky Gallery, Los Angeles, CA 2013 Tom of Finland Preliminary Drawings, Stuart Shave/Modern Art, London, England 2012 Tom of Finland, Kulturhuset, Stockholm, Sweden Tom of Finland: Male Masterworks, World Erotic Art Museum, Miami Beach, FL 2011 Tom of Finland: Public and Private, Antebellum, Hollywood, CA Tom of Finland: Original Drawings, PHD, St.