Economic Structures of Antiquity
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Art 258: Ancient and Medieval Art Spring 2016 Sched#20203
Art 258: Ancient and Medieval Art Spring 2016 Sched#20203 Dr. Woods: Office: Art 559; e-mail: [email protected] Office Hours: Monday and Friday 8:00-8:50 am Course Time and Location: MWF 10:00 – 10:50 HH221 Course Overview Art 258 is an introduction to western art from the earliest cave paintings through the age of Gothic Cathedrals. Sculpture, painting, architecture and crafts will be analyzed from an interdisciplinary perspective, for what they reveal about the religion, mythology, history, politics and social context of the periods in which they were created. Student Learning Outcomes Students will learn to recognize and identify all monuments on the syllabus, and to contextualize and interpret art as the product of specific historical, political, social and economic circumstances. Students will understand the general characteristics of each historical or stylistic period, and the differences and similarities between cultures and periods. The paper assignment will develop students’ skills in visual analysis, critical thinking and written communication. This is an Explorations course in the Humanities and Fine Arts. Completing this course will help you to do the following in greater depth: 1) analyze written, visual, or performed texts in the humanities and fine arts with sensitivity to their diverse cultural contexts and historical moments; 2) describe various aesthetic and other value systems and the ways they are communicated across time and cultures; 3) identify issues in the humanities that have personal and global relevance; 4) demonstrate the ability to approach complex problems and ask complex questions drawing upon knowledge of the humanities. Course Materials Text: F. -
The Story of the World History for the Classical Child
The Story of the World history for the classical child Volume 1: Ancient Times From the Earliest Nomads to the Last Roman Emperor revised edition with new maps, illustrations, and timelines by Susan Wise Bauer illustrated by Jeff West PEACE HILL PRESS Charles City, VA Peace Hill Press, Charles City, VA 23030 © 2001, 2006 by Susan Wise Bauer All rights reserved. First edition 2001. Second edition 2006. Publisher’s Cataloging-in-Publication Data Bauer, Susan Wise. The story of the world : history for the classical child. Vol. 1, Ancient times : from the earliest nomads to the last Roman emperor / by Susan Wise Bauer ; illustrated by Jeff West.—2nd ed. p. : ill. ; cm. Includes index. ISBN-10: 1-933339-01-2 ISBN-13: 978-1-93339-01-6 ISBN-10 (pbk.): 1-933339-00-4 ISBN-13 (pbk.): 978-1-93339-00-9 1. History, Ancient—Juvenile literature. 2. Greece—History—Juvenile literature. 3. Rome—History—Juvenile literature. 4. History, Ancient. 5. Civilization, Ancient. 6. Greece—History. 7. Rome—History. I. West, Jeff. II. Title. D57 .B38 2006 930 2005909816 Printed in the United States of America Cover design by AJ Buffington and Mike Fretto. Book design by Charlie Park. Composed in Adobe Garamond Pro. For more on illustrator Jeff West, visit jeffwestsart.com. ∞ The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI Z39.48-1992. www.peacehillpress.com Contents Introduction: How Do We Know What Happened? What Is History? 1 What Is Archaeology? -
2 the Assyrian Empire, the Conquest of Israel, and the Colonization of Judah 37 I
ISRAEL AND EMPIRE ii ISRAEL AND EMPIRE A Postcolonial History of Israel and Early Judaism Leo G. Perdue and Warren Carter Edited by Coleman A. Baker LONDON • NEW DELHI • NEW YORK • SYDNEY 1 Bloomsbury T&T Clark An imprint of Bloomsbury Publishing Plc Imprint previously known as T&T Clark 50 Bedford Square 1385 Broadway London New York WC1B 3DP NY 10018 UK USA www.bloomsbury.com Bloomsbury, T&T Clark and the Diana logo are trademarks of Bloomsbury Publishing Plc First published 2015 © Leo G. Perdue, Warren Carter and Coleman A. Baker, 2015 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. Leo G. Perdue, Warren Carter and Coleman A. Baker have asserted their rights under the Copyright, Designs and Patents Act, 1988, to be identified as Authors of this work. No responsibility for loss caused to any individual or organization acting on or refraining from action as a result of the material in this publication can be accepted by Bloomsbury or the authors. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN: HB: 978-0-56705-409-8 PB: 978-0-56724-328-7 ePDF: 978-0-56728-051-0 Library of Congress Cataloging-in-Publication Data A catalogue record for this book is available from the British Library. Typeset by Forthcoming Publications (www.forthpub.com) 1 Contents Abbreviations vii Preface ix Introduction: Empires, Colonies, and Postcolonial Interpretation 1 I. -
Unwelcome Words from the Lord: Isaiah's Messages
Word & World Volume XIX, Number 2 Spring 1999 Unwelcome Words from the Lord: Isaiah’s Messages ROLF A. JACOBSON Princeton Theological Seminary Princeton, New Jersey I. THE CUSTOM OF ASKING FOR PROPHETIC WORDS N BOTH ANCIENT ISRAEL AND THE NEIGHBORING COUNTRIES, IT WAS COMMON for prophets to be consulted prior to a momentous decision or event. Often, the king or a representative of the king would inquire of a prophet to find out whether the gods would bless a particular action which the king was considering. A. 1 Samuel 23. In the Old Testament, there are many examples of this phe- nomenon. 1 Sam 23:2-5 describes how David inquired of the Lord to learn whether he should attack the Philistines: Now they told David, “The Philistines are fighting against Keilah, and are rob- bing the threshing floors.” David inquired of the LORD, “Shall I go and attack these Philistines?” The LORD said to David, “Go and attack the Philistines and save Keilah.” But David’s men said to him, “Look, we are afraid here in Judah; how much more then if we go to Keilah against the armies of the Philistines?” Then David inquired of the LORD again. The LORD answered him, “Yes, go ROLF JACOBSON is a Ph.D. candidate in Old Testament at Princeton Theological Seminary. He is associate editor of the Princeton Seminary Bulletin and editorial assistant of Theology Today. Isaiah’s word of the Lord, even a positive word, often received an unwelcome re- ception. God’s promises, then and now, can be unwelcome because they warn against trusting any other promise. -
Illustrated and Descriptive Catalogue and Price List of Stereopticons
—. ; I, £3,v; and Descriptive , Illustrated ;w j CATALOGUE AND PRICE LIST- t&fs — r~* yv4 • .'../-.it *.•:.< : .. 4^. ; • ’• • • wjv* r,.^ N •’«* - . of . - VJ r .. « 7 **: „ S ; \ 1 ’ ; «•»'•: V. .c; ^ . \sK? *• .* Stereopticons . * ' «». .. • ” J- r . .. itzsg' Lantern Slides 1 -f ~ Accessories for Projection Stereopticon and Film Exchange W. B. MOORE, Manager. j. :rnu J ; 104 to no Franlclin Street ‘ Washington . (Cor. CHICAGO INDEX TO LANTERNS, ETC. FOR INDEX TO SLIDES SEE INDEX AT CLOSE OF CATALOGUE. Page Acetylene Dissolver 28 Champion Lantern 3g to 42 “ Gas 60 Check Valve S3 •* 1 • .• Gas Burner.... ; 19 Chemicals, Oxygen 74, 81 ** < .' I j Gas Generator.. ; 61 to 66 Chirograph 136 “ Gas Generator, Perfection to 66 64 Chlorate of Potash, tee Oxygen Chemicals 74 Adapter from to sire lenses, see Chromatrope.... 164 Miscellaneous....... 174 Cloak, How Made 151 Advertising Slides, Blank, see Miscellaneous.. 174 ** Slides 38010,387 " Slides 144 Color Slides or Tinters .^140 “ Slides, Ink for Writing, see Colored Films 297 Miscellaneous, 174 Coloring Films 134 “ Posters * *...153 " Slides Alcohol Vapor Mantle Light 20A v 147 Combined Check or Safety Valve 83 Alternating.Carbons, Special... 139 Comic and Mysterious Films 155 Allen Universal Focusing Lens 124, 125 Comparison of Portable Gas Outfits 93, 94 America, Wonders cf Description, 148 “Condensing Lens 128 Amet's Oro-Carbi Light 86 to 92, 94 " Lens Mounting 128 •Ancient Costumes ....! 131 Connections, Electric Lamp and Rheostat... 96, 97 Approximate Length of Focus 123 " Electric Stage 139 Arc Lamp 13 to 16 Costumes 130 to 152, 380 to 3S7 ** Lamp and Rheostat, How to Connect 96 Cover Glasses, see Miscellaneous ,....174 Arnold's Improved Calcium Light Outfit. -
Susa and Memnon Through the Ages 15 4
Samuel Jordan Center for Persian Studies and Culture www.dabirjournal.org Digital Archive of Brief notes & Iran Review ISSN: 2470-4040 Vol.01 No.04.2017 1 xšnaoθrahe ahurahe mazdå Detail from above the entrance of Tehran’s fire temple, 1286š/1917–18. Photo by © Shervin Farridnejad The Digital Archive of Brief Notes & Iran Review (DABIR) ISSN: 2470-4040 www.dabirjournal.org Samuel Jordan Center for Persian Studies and Culture University of California, Irvine 1st Floor Humanities Gateway Irvine, CA 92697-3370 Editor-in-Chief Touraj Daryaee (University of California, Irvine) Editors Parsa Daneshmand (Oxford University) Arash Zeini (Freie Universität Berlin) Shervin Farridnejad (Freie Universität Berlin) Judith A. Lerner (ISAW NYU) Book Review Editor Shervin Farridnejad (Freie Universität Berlin) Advisory Board Samra Azarnouche (École pratique des hautes études); Dominic P. Brookshaw (Oxford University); Matthew Canepa (University of Minnesota); Ashk Dahlén (Uppsala University); Peyvand Firouzeh (Cambridge University); Leonardo Gregoratti (Durham University); Frantz Grenet (Collège de France); Wouter F.M. Henkelman (École Pratique des Hautes Études); Rasoul Jafarian (Tehran University); Nasir al-Ka‘abi (University of Kufa); Andromache Karanika (UC Irvine); Agnes Korn (Goethe Universität Frankfurt am Main); Lloyd Llewellyn-Jones (University of Edinburgh); Jason Mokhtarain (University of Indiana); Ali Mousavi (UC Irvine); Mahmoud Omidsalar (CSU Los Angeles); Antonio Panaino (Univer- sity of Bologna); Alka Patel (UC Irvine); Richard Payne (University of Chicago); Khodadad Rezakhani (Princeton University); Vesta Sarkhosh Curtis (British Museum); M. Rahim Shayegan (UCLA); Rolf Strootman (Utrecht University); Giusto Traina (University of Paris-Sorbonne); Mohsen Zakeri (Univer- sity of Göttingen) Logo design by Charles Li Layout and typesetting by Kourosh Beighpour Contents Articles & Notes 1. -
The Parthenon Sculptures Sarah Pepin
BRIEFING PAPER Number 02075, 9 June 2017 By John Woodhouse and Sarah Pepin The Parthenon Sculptures Contents: 1. What are the Parthenon Sculptures? 2. How did the British Museum acquire them? 3. Ongoing controversy 4. Further reading www.parliament.uk/commons-library | intranet.parliament.uk/commons-library | [email protected] | @commonslibrary 2 The Parthenon Sculptures Contents Summary 3 1. What are the Parthenon Sculptures? 5 1.1 Early history 5 2. How did the British Museum acquire them? 6 3. Ongoing controversy 7 3.1 Campaign groups in the UK 9 3.2 UK Government position 10 3.3 British Museum position 11 3.4 Greek Government action 14 3.5 UNESCO mediation 14 3.6 Parliamentary interest 15 4. Further reading 20 Contributing Authors: Diana Perks Attribution: Parthenon Sculptures, British Museum by Carole Radatto. Licenced under CC BY-SA 2.0 / image cropped. 3 Commons Library Briefing, 9 June 2017 Summary This paper gives an outline of the more recent history of the Parthenon sculptures, their acquisition by the British Museum and the long-running debate about suggestions they be removed from the British Museum and returned to Athens. The Parthenon sculptures consist of marble, architecture and architectural sculpture from the Parthenon in Athens, acquired by Lord Elgin between 1799 and 1810. Often referred to as both the Elgin Marbles and the Parthenon marbles, “Parthenon sculptures” is the British Museum’s preferred term.1 Lord Elgin’s authority to obtain the sculptures was the subject of a Select Committee inquiry in 1816. It found they were legitimately acquired, and Parliament then voted the funds needed for the British Museum to acquire them later that year. -
Terms and Facts- Hierarchical Scale
Terms and facts- Hierarchical scale From the Prehistoric and Neolithic- Post and Lintel, Megalith, tumulus, henge From Mesopotamia- The Code of Hammurabi, Shamash, Lamassu, Ziggurat, load bearing architecture, The Sumerians, the Akkadians, the Assyrians, the Babylonians, Stele or Stela From Minoa- Labrys, The myth of King Minos and the Minotaur From Mycenae- Corbelled vaults and domes, repousse, Tholos, Megaron, krater From Ancient Egypt- Ben-ben, mastaba, Imhotep, Ma’at, Canon (of artistic laws), cartouche, Canopic jars, Shabti or ushabti, the imagery of nine in connection to the pharaoh, the Amarna Period From Ancient Greece- Polykleitos, Humanism, contrapposto, Exekias, kouros and Kore, archaic smile, Praxiteles, some Greek mythology-especially the main gods and goddesses, meander (key design) Know the seven steps to lost wax casting Know the basic architecture of a Greek Temple-peristyle, the three column orders, (Doric, Ionic, Corinthian), stylobate, cella, shaft, caryatids, pediment, capital The two styles of Greek vase painting-black figure and red figure-the basic differences in look You should look up exam one of these myths and know the basic story or the main story about the character listed: Prometheus and Fire Apollo and Daphne Pygmalion and Galatea Niobe Persephone and Hades Pandora Tantalus-Son of Zeus The Danaides Alcyone and Ceyx Idas and Marpessa The Fall of Icarus Theseus and the Minotaur Perseus and the Medusa Jason and Medea Hercules and the Stymphalian Birds Chapter 2.9 Sculpture PART 2 MEDIA AND PROCESSES Seven steps in the lost-wax casting process Build and armature, sculpt the piece (clay), cover with ½ “ layer of wax, cover the entire piece with debris mixture, heat the entire work to melt out the wax through pre-drilled hole, pour the molten metal into the work through pre-drilled holes, break away the debris layer, clean and polishGateways to Art: Understanding the Visual Arts, Debra J. -
Marten Stol WOMEN in the ANCIENT NEAR EAST
Marten Stol WOMEN IN THE ANCIENT NEAR EAST Marten Stol Women in the Ancient Near East Marten Stol Women in the Ancient Near East Translated by Helen and Mervyn Richardson ISBN 978-1-61451-323-0 e-ISBN (PDF) 978-1-61451-263-9 e-ISBN (EPUB) 978-1-5015-0021-3 This work is licensed under the Creative Commons Attribution-NonCommercial- NoDerivs 3.0 License. For details go to http://creativecommons.org/licenses/ by-nc-nd/3.0/ Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. Original edition: Vrouwen van Babylon. Prinsessen, priesteressen, prostituees in de bakermat van de cultuur. Uitgeverij Kok, Utrecht (2012). Translated by Helen and Mervyn Richardson © 2016 Walter de Gruyter Inc., Boston/Berlin Cover Image: Marten Stol Typesetting: Dörlemann Satz GmbH & Co. KG, Lemförde Printing and binding: cpi books GmbH, Leck ♾ Printed on acid-free paper Printed in Germany www.degruyter.com Table of Contents Introduction 1 Map 5 1 Her outward appearance 7 1.1 Phases of life 7 1.2 The girl 10 1.3 The virgin 13 1.4 Women’s clothing 17 1.5 Cosmetics and beauty 47 1.6 The language of women 56 1.7 Women’s names 58 2 Marriage 60 2.1 Preparations 62 2.2 Age for marrying 66 2.3 Regulations 67 2.4 The betrothal 72 2.5 The wedding 93 2.6 -
MESHA STELE. Discovered at Dhiban in 1868 by a Protestant Missionary
MESHA STELE. Discovered at Dhiban in 1868 by a Protestant missionary traveling in Transjordan, the 35-line Mesha Inscription (hereafter MI, sometimes called the Moabite Stone) remains the longest-known royal inscription from the Iron Age discovered in the area of greater Palestine. As such, it has been examined repeatedly by scholars and is available in a number of modern translations (ANET, DOTT). Formally, the MI is like other royal inscriptions of a dedicatory nature from the period. Mesha, king of Moab, recounts the favor of Moab's chief deity, Chemosh (Kemosh), in delivering Moab from the control of its neighbor, Israel. While the MI contains considerable historical detail, formal parallels suggest the Moabite king was selective in arranging the sequence of events to serve his main purpose of honoring Chemosh. This purpose is indicated by lines 3-4 of the MI, where Mesha says that he erected the stele at the "high place" in Qarh\oh, which had been built to venerate Chemosh. The date of the MI can be set with a 20-30-year variance. It must have been written either just before the Israelite king Ahab's death (ca. 853/852 B.C.) or a decade or so after his demise. The reference to Ahab is indicated by the reference in line 8 to Omri's "son," or perhaps "sons" (unfortunately, without some additional information, it is impossible to tell morphologically whether the word [bnh] is singular or plural). Ahab apparently died not long after the battle of Qarqar, in the spring of 853, when a coalition of states in S Syria/Palestine, of which Ahab was a leader, faced the encroaching Assyrians under Shalmaneser III. -
A Criação Do Patriarcado: História Da Opressão Das Mulheres Pelos Homens / Gerda Lerner; Tradução Luiza Sellera
Título do original: The Creation of Patriarchy. Copyright © 1986 por Gerda Lerner. The Creation of Patriarchy foi publicado originalmente em inglês em 1986. Esta edição foi publicada mediante acordo com a Oxford University Press. A Editora Pensamento-Cultrix é responsável por esta tradução. A Oxford University Press não se responsabilizará por quaisquer erros, omissões ou inexatidões ou ambiguidades nesta tradução ou por quaisquer perdas causadas pela confiança na mesma. Copyright da edição brasileira © 2019 Editora Pensamento-Cultrix Ltda. 1ª edição 2019 Todos os direitos reservados. Nenhuma parte desta obra pode ser reproduzida ou usada de qualquer forma ou por qualquer meio, eletrônico ou mecânico, inclusive fotocópias, gravações ou sistema de armazenamento em banco de dados, sem permissão por escrito, exceto nos casos de trechos curtos citados em resenhas críticas ou artigos de revistas. A Editora Cultrix não se responsabiliza por eventuais mudanças ocorridas nos endereços convencionais ou eletrônicos citados neste livro. Editor: Adilson Silva Ramachandra Gerente editorial: Roseli de S. Ferraz Preparação de originais: Alessandra Miranda de Sá Produção editorial: Indiara Faria Kayo Editoração eletrônica: Join Bureau Revisão: Vivian Miwa Matsushita Produção de ebook: S2 Books Dados Internacionais de Catalogação na Publicação (CIP) (Câmara Brasileira do Livro, SP, Brasil) Lerner, Gerda, 1920-2013 A criação do patriarcado: história da opressão das mulheres pelos homens / Gerda Lerner; tradução Luiza Sellera. – São Paulo: Cultrix, 2019. “Prefácio à edição brasileira por Lola Aronovich, do blog Escreva Lola escreva” Título original: The creation of patriarchy. Bibliografia. ISBN 978-85-316-1534-4 1. Mulheres – História 2. Papel sexual – História 3. Patriarcado I. Título. 19-29103 CDD-305.42 Índices para catálogo sistemático: 1. -
Boundaries and Inheritance As Legal Metaphors in the Hebrew Bible and Hellenistic Jewish Literature
Some of the Other Works of the Torah: Boundaries and Inheritance as Legal Metaphors in the Hebrew Bible and Hellenistic Jewish Literature Author: Daniel Jon Vos Persistent link: http://hdl.handle.net/2345/bc-ir:108730 This work is posted on eScholarship@BC, Boston College University Libraries. Boston College Electronic Thesis or Dissertation, 2020 Copyright is held by the author, with all rights reserved, unless otherwise noted. SOME OF THE OTHER WORKS OF THE TORAH: BOUNDARIES AND INHERITANCE AS LEGAL METAPHORS IN THE HEBREW BIBLE AND HELLENISTIC JEWISH LITERATURE Daniel Jon Vos A dissertation submitted to the Faculty of the department of Theology in partial fulfillment of the requirements for the degree of Doctor of Philosophy Boston College Morrissey College of Arts and Sciences Graduate School March 2020 © Copyright 2020 Daniel Jon Vos SOME OF THE OTHER WORKS OF THE TORAH: BOUNDARIES AND INHERITANCE AS LEGAL METAPHORS IN THE HEBREW BIBLE AND HELLENISTIC JEWISH LITERATURE Daniel Jon Vos Advisor: David S. Vanderhooft, Ph.D. In this dissertation, I explore the metaphorical value of law in the Hebrew Bible and Hellenistic Jewish literature. While the study of biblical law and Hellenistic Jewish halakah is well established, less attention has been paid to the intentional use of legal diction to create legal metaphors—metaphors that draw upon legal language for the sake of generating new ethical and theological insights. My argument is based upon Roger White’s theory of metaphor which states that a metaphor juxtaposes two otherwise unrelated vocabularies in order to produce new meaning. Thus, I draw upon comparative study of ancient Near Eastern law as a means of understanding the register of biblical Hebrew legal diction concerning land tenure and inheritance.