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Ethiopia and India: Fusion and Confusion in British Orientalism
Les Cahiers d’Afrique de l’Est / The East African Review 51 | 2016 Global History, East Africa and The Classical Traditions Ethiopia and India: Fusion and Confusion in British Orientalism Phiroze Vasunia Electronic version URL: http://journals.openedition.org/eastafrica/314 Publisher IFRA - Institut Français de Recherche en Afrique Printed version Date of publication: 1 March 2016 Number of pages: 21-43 ISSN: 2071-7245 Electronic reference Phiroze Vasunia, « Ethiopia and India: Fusion and Confusion in British Orientalism », Les Cahiers d’Afrique de l’Est / The East African Review [Online], 51 | 2016, Online since 07 May 2019, connection on 08 May 2019. URL : http://journals.openedition.org/eastafrica/314 Les Cahiers d’Afrique de l’Est / The East African Review Global History, East Africa and the Classical Traditions. Ethiopia and India: Fusion and Confusion in British Orientalism Phiroze Vasunia Can the Ethiopian change his skinne? or the leopard his spots? Jeremiah 13.23, in the King James Version (1611) May a man of Inde chaunge his skinne, and the cat of the mountayne her spottes? Jeremiah 13.23, in the Bishops’ Bible (1568) I once encountered in Sicily an interesting parallel to the ancient confusion between Indians and Ethiopians, between east and south. A colleague and I had spent some pleasant moments with the local custodian of an archaeological site. Finally the Sicilian’s curiosity prompted him to inquire of me “Are you Chinese?” Frank M. Snowden, Blacks in Antiquity (1970) The ancient confusion between Ethiopia and India persists into the late European Enlightenment. Instances of the confusion can be found in the writings of distinguished Orientalists such as William Jones and also of a number of other Europeans now less well known and less highly regarded. -
Chapter Fourteen Rabbinic and Other Judaisms, from 70 to Ca
Chapter Fourteen Rabbinic and Other Judaisms, from 70 to ca. 250 The war of 66-70 was as much a turning point for Judaism as it was for Christianity. In the aftermath of the war and the destruction of the Jerusalem temple Judaeans went in several religious directions. In the long run, the most significant by far was the movement toward rabbinic Judaism, on which the source-material is vast but narrow and of dubious reliability. Other than the Mishnah, Tosefta and three midrashim, almost all rabbinic sources were written no earlier than the fifth century (and many of them much later), long after the events discussed in this chapter. Our information on non-rabbinic Judaism in the centuries immediately following the destruction of the temple is scanty: here we must depend especially on archaeology, because textual traditions are almost totally lacking. This is especially regrettable when we recognize that two non-rabbinic traditions of Judaism were very widespread at the time. Through at least the fourth century the Hellenistic Diaspora and the non-rabbinic Aramaic Diaspora each seem to have included several million Judaeans. Also of interest, although they were a tiny community, are Jewish Gnostics of the late first and second centuries. The end of the Jerusalem temple meant also the end of the Sadducees, for whom the worship of Adonai had been limited to sacrifices at the temple. The great crowds of pilgrims who traditionally came to the city for the feasts of Passover, Weeks and Tabernacles were no longer to be seen, and the temple tax from the Diaspora that had previously poured into Jerusalem was now diverted to the temple of Jupiter Capitolinus in Rome. -
Europe's Discovery of the Ethiopian Taenicide-Kosso
Medical History, 1979, 23: 297-313. EUROPE'S DISCOVERY OF THE ETHIOPIAN TAENICIDE-KOSSO by RICHARD PANKHURST* EARLY REPORTS EUROPE'S DISCOVERY of the Ethiopian taenicide kosso, variously known as Banksia Abyssinica, Brayera anthelmintica, and Hagenia Abyssinica, dates back to the early seventeenth century when the Jesuits first penetrated the hitherto little-explored kingdom of Prester John. The drug, and the tree from the flowers and seeds of which it was prepared, caught the attention of at least three of the missionaries, Pero Paes, a Spaniard,1 and two Portuguese, Manoel Barradas2 and Manoel de Almeida.3 The latter records that the "Co9o" tree was found in "nearly all the high and cold parts" ofthe country, and bore "fruit like ears ofcorn or like the chestnut flower that we call 'lamps'." Explaining that it was "as bitter as the whin", he somewhat naively con- cluded that "because it is so bitter when drunk it is an excellent medicine with which to kill certain worms in the stomach".4 Similar statements were made by another Portuguese Jesuit, Nicolo Godinho.5 These reports were read with interest by the seventeenth-century German scholar Job Ludolf, who has aptly been termed the founder of Ethiopian studies in Europe. Citing Godinho as his source, he notes that there grew in Ethiopia a tree "most excellent against Worms in the Belly", and that this was "a Distemper frequent among the Abessines, by reason of their feeding upon Raw Flesh. For the remedy whereof the Habessines Purge themselves once a Month with the Fruit of the Tree, which causes them to Void all their Worms".6 Such mention of the remarkable properties of kosso had, however, little or no impact on European medical thinking, for though taenia was then prevalent in many parts of the continent, and most difficult to cure, the expulsion of the Jesuits from Ethiopia in 1632-33 had rendered the country too isolated to allow access to persons in search of drugs. -
Tribes and Empire on the Margins of Nineteenth-Century Iran
publications on the near east publications on the near east Poetry’s Voice, Society’s Song: Ottoman Lyric The Transformation of Islamic Art during Poetry by Walter G. Andrews the Sunni Revival by Yasser Tabbaa The Remaking of Istanbul: Portrait of an Shiraz in the Age of Hafez: The Glory of Ottoman City in the Nineteenth Century a Medieval Persian City by John Limbert by Zeynep Çelik The Martyrs of Karbala: Shi‘i Symbols The Tragedy of Sohráb and Rostám from and Rituals in Modern Iran the Persian National Epic, the Shahname by Kamran Scot Aghaie of Abol-Qasem Ferdowsi, translated by Ottoman Lyric Poetry: An Anthology, Jerome W. Clinton Expanded Edition, edited and translated The Jews in Modern Egypt, 1914–1952 by Walter G. Andrews, Najaat Black, and by Gudrun Krämer Mehmet Kalpaklı Izmir and the Levantine World, 1550–1650 Party Building in the Modern Middle East: by Daniel Goffman The Origins of Competitive and Coercive Rule by Michele Penner Angrist Medieval Agriculture and Islamic Science: The Almanac of a Yemeni Sultan Everyday Life and Consumer Culture by Daniel Martin Varisco in Eighteenth-Century Damascus by James Grehan Rethinking Modernity and National Identity in Turkey, edited by Sibel Bozdog˘an and The City’s Pleasures: Istanbul in the Eigh- Res¸at Kasaba teenth Century by Shirine Hamadeh Slavery and Abolition in the Ottoman Middle Reading Orientalism: Said and the Unsaid East by Ehud R. Toledano by Daniel Martin Varisco Britons in the Ottoman Empire, 1642–1660 The Merchant Houses of Mocha: Trade by Daniel Goffman and Architecture in an Indian Ocean Port by Nancy Um Popular Preaching and Religious Authority in the Medieval Islamic Near East Tribes and Empire on the Margins of Nine- by Jonathan P. -
The Fate of the Apostles What Happened to the 12 Disciples and Other Key Leaders of the Early Church? PETER (Aka SIMON Or CEPHAS)
The Fate of the Apostles What happened to the 12 Disciples and other key leaders of the early church? PETER (aka SIMON or CEPHAS) • A fisherman from Galilee before meeting Jesus • Lived in Capernaum • Bold and Brash • Walked on water with Jesus • Denied knowing Jesus 3 times after his arrest • Went on to preach the Gospel boldly, winning 3000 converts in a day (Acts 2:40-41) PETER’S DEATH • Early church tradition says that Peter was crucified in Rome under Emperor Nero around 64 AD • The 2 nd Century apocryphal book Acts of Peter says Peter was crucified upside-down • The altar of the Basilica of St. Peter in Rome is said to be directly over the spot of Peter’s crucifixion Andrew, Brother of Peter • A disciple of John the Baptist who later followed Jesus (John 1:35-42) • Origen wrote that Andrew went on to preach the Gospel in Scythia (Central Eurasia) • The Chronicle of Nestor adds that he preached along the Black Sea and as far north as Kiev • By tradition, he established the See of Byzantium, installing Stachys as its first Bishop • Crucified in the City of Patras in Greece • Tied to a Latin Cross, but later sources claim it was an X-shaped “St. Andrew’s Cross” Matthew (a/k/a Levi) • Tax collector from Capernaum in Galilee • After Jesus’ ascension, Matthew preached to the Jews in Judea, then went on to other countries • Early Muslim sources say he preached in “Aethiopia” (at the Southern end of the Caspian Sea) • Roman Catholic and Orthodox Churches hold to the tradition that Matthew died a martyr’s death. -
Megillat Esther
The Steinsaltz Megillot Megillot Translation and Commentary Megillat Esther Commentary by Rabbi Adin Even-Israel Steinsaltz Koren Publishers Jerusalem Editor in Chief Rabbi Jason Rappoport Copy Editors Caryn Meltz, Manager The Steinsaltz Megillot Aliza Israel, Consultant Esther Debbie Ismailoff, Senior Copy Editor Ita Olesker, Senior Copy Editor Commentary by Chava Boylan Rabbi Adin Even-Israel Steinsaltz Suri Brand Ilana Brown Koren Publishers Jerusalem Ltd. Carolyn Budow Ben-David POB 4044, Jerusalem 91040, ISRAEL Rachelle Emanuel POB 8531, New Milford, CT 06776, USA Charmaine Gruber Deborah Meghnagi Bailey www.korenpub.com Deena Nataf Dvora Rhein All rights reserved to Adin Steinsaltz © 2015, 2019 Elisheva Ruffer First edition 2019 Ilana Sobel Koren Tanakh Font © 1962, 2019 Koren Publishers Jerusalem Ltd. Maps Editors Koren Siddur Font and text design © 1981, 2019 Koren Publishers Jerusalem Ltd. Ilana Sobel, Map Curator Steinsaltz Center is the parent organization Rabbi Dr. Joshua Amaru, Senior Map Editor of institutions established by Rabbi Adin Even-Israel Steinsaltz Rabbi Alan Haber POB 45187, Jerusalem 91450 ISRAEL Rabbi Aryeh Sklar Telephone: +972 2 646 0900, Fax +972 2 624 9454 www.steinsaltz-center.org Language Experts Dr. Stéphanie E. Binder, Greek & Latin Considerable research and expense have gone into the creation of this publication. Rabbi Yaakov Hoffman, Arabic Unauthorized copying may be considered geneivat da’at and breach of copyright law. Dr. Shai Secunda, Persian No part of this publication (content or design, including use of the Koren fonts) may Shira Shmidman, Aramaic be reproduced, stored in a retrieval system or transmitted in any form or by any means electronic, mechanical, photocopying or otherwise, without the prior written permission of the publisher, except in the case of brief quotations embedded in critical articles or reviews. -
University of Florida Thesis Or Dissertation Formatting
THE ANATOMY OF ROMAN EPIC: A STUDY OF POETIC VIOLENCE By JAMES MOSS LOHMAR A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2013 1 © 2013 James Moss Lohmar 2 Meis parentibus sororibusque bellis 3 ACKNOWLEDGMENTS I must first thank my mother, for forcing me to take Latin, and my father, for always talking shop. My sisters, Sarah and Elizabeth, have supported me throughout my studies, and their enthusiasm for my progress is always welcome. I have profound respect for Dr. Robert Burgess and Professors Mario Erasmo and James Anderson, without whose enthusiasm and instruction my decision to pursue a Ph.D. would have never come about. My gratitude goes to Professor Victoria Pagán and the students of her Lucan seminar during Fall 2009, whence the nascent stages of this project were born. My thanks go to Seth Boutin, Megan Daly and George Hendren, in particular, for their erudition and collegial support in this process. Lindsay Rogers offered me much support in the way of professional and academic advice throughout my graduate studies. I have appreciated the criticisms of Professor Gene Witmer in UF Philosophy, who has offered help in making this project appeal to a non-specialist audience. His suggestions of horror bibliography and modern film comparanda have been indispensible. Professor Kostas Kapparis has been a steady mentor in my teaching and writing since I began Ph.D. work, and his objectivity has kept my argument grounded in the text. -
A Sampling of Comments on Pindar Isthmian 8
A sampling of comments on Pindar Isthmian 8 The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Nagy, Gregory. 2017. A sampling of comments on Pindar Isthmian 8. Classical Inquiries. http://nrs.harvard.edu/ urn-3:hul.eresource:Classical_Inquiries. Published Version https://classical-inquiries.chs.harvard.edu/a-sampling-of- comments-on-pindar-isthmian-8/ Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:40090724 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Classical Inquiries Editors: Angelia Hanhardt and Keith Stone Consultant for Images: Jill Curry Robbins Online Consultant: Noel Spencer About Classical Inquiries (CI ) is an online, rapid-publication project of Harvard’s Center for Hellenic Studies, devoted to sharing some of the latest thinking on the ancient world with researchers and the general public. While articles archived in DASH represent the original Classical Inquiries posts, CI is intended to be an evolving project, providing a platform for public dialogue between authors and readers. Please visit http://nrs.harvard.edu/urn-3:hul.eresource:Classical_Inquiries for the latest version of this article, which may include corrections, updates, or comments and author responses. Additionally, many of the studies published in CI will be incorporated into future CHS pub- lications. Please visit http://nrs.harvard.edu/urn-3:hul.eresource:CHS.Online_Publishing for a complete and continually expanding list of open access publications by CHS. -
On the Identification of King Memnon's Aithiopes in The
ON THE IDENTIFICATION OF KING MEMNON’S AITHIOPES IN THE EPIC OF AITHIOPIS OF THE TROJAN EPIC CYCLE Periklis Deligiannis The historicity of the legend of the Trojan War is rather still far from been verified, and whether this war actually took place, is still being intensively discussed among the scholars’ cycles. Those who accept the historicity of this legend have at times attempted to equate peoples, tribes and states which are mentioned by the epic poems of the so-called “Trojan Epic Cycle” with peoples, tribes and states of later historical periods. The Iliad gives us a description of the hypothetical military operations under the walls of Troy, but does not inform us about the continuation and the end of the war. Other poems and sources of the "Trojan cycle" inform us about the latter: the epic poem Aithiopis quotes that after Hector’s death, the Amazons with their queen Penthesilea came to reinforce the Trojans. Aithiopis (Αιθιοπίς, in Latin: Aithiopis) is an epic of the ancient Greek literature which is lost but some important fragments of it survived in the works of other ancient authors. It was an epic poem of the aforementioned Epic Cycle concerning the Trojan War: this cycle narrates the entire history of the Trojan War in epic verse. Aithiopis comes chronologically immediately after the Homeric Iliad, and is followed by the story of the Little Iliad. The Aithiopis is sometimes attributed by ancient authors to Arctinos of Miletos. According to the story of the Aithiopis, Penthesilea was killed by Achilles and her army was defeated by the Achaeans. -
The Parthenon Sculptures Sarah Pepin
BRIEFING PAPER Number 02075, 9 June 2017 By John Woodhouse and Sarah Pepin The Parthenon Sculptures Contents: 1. What are the Parthenon Sculptures? 2. How did the British Museum acquire them? 3. Ongoing controversy 4. Further reading www.parliament.uk/commons-library | intranet.parliament.uk/commons-library | [email protected] | @commonslibrary 2 The Parthenon Sculptures Contents Summary 3 1. What are the Parthenon Sculptures? 5 1.1 Early history 5 2. How did the British Museum acquire them? 6 3. Ongoing controversy 7 3.1 Campaign groups in the UK 9 3.2 UK Government position 10 3.3 British Museum position 11 3.4 Greek Government action 14 3.5 UNESCO mediation 14 3.6 Parliamentary interest 15 4. Further reading 20 Contributing Authors: Diana Perks Attribution: Parthenon Sculptures, British Museum by Carole Radatto. Licenced under CC BY-SA 2.0 / image cropped. 3 Commons Library Briefing, 9 June 2017 Summary This paper gives an outline of the more recent history of the Parthenon sculptures, their acquisition by the British Museum and the long-running debate about suggestions they be removed from the British Museum and returned to Athens. The Parthenon sculptures consist of marble, architecture and architectural sculpture from the Parthenon in Athens, acquired by Lord Elgin between 1799 and 1810. Often referred to as both the Elgin Marbles and the Parthenon marbles, “Parthenon sculptures” is the British Museum’s preferred term.1 Lord Elgin’s authority to obtain the sculptures was the subject of a Select Committee inquiry in 1816. It found they were legitimately acquired, and Parliament then voted the funds needed for the British Museum to acquire them later that year. -
Who Is the Daughter of Babylon?
WHO IS THE DAUGHTER OF BABYLON? ● Babylon was initially a minor city-state, and controlled little surrounding territory; its first four Amorite rulers did not assume the title of king. The older and more powerful states of Assyria, Elam, Isin, and Larsa overshadowed Babylon until it became the capital of Hammurabi's short-lived empire about a century later. Hammurabi (r. 1792–1750 BC) is famous for codifying the laws of Babylonia into the Code of Hammurabi. He conquered all of the cities and city states of southern Mesopotamia, including Isin, Larsa, Ur, Uruk, Nippur, Lagash, Eridu, Kish, Adab, Eshnunna, Akshak, Akkad, Shuruppak, Bad-tibira, Sippar, and Girsu, coalescing them into one kingdom, ruled from Babylon. Hammurabi also invaded and conquered Elam to the east, and the kingdoms of Mari and Ebla to the northwest. After a protracted struggle with the powerful Assyrian king Ishme-Dagan of the Old Assyrian Empire, he forced his successor to pay tribute late in his reign, spreading Babylonian power to Assyria's Hattian and Hurrian colonies in Asia Minor. After the reign of Hammurabi, the whole of southern Mesopotamia came to be known as Babylonia, whereas the north had already coalesced centuries before into Assyria. From this time, Babylon supplanted Nippur and Eridu as the major religious centers of southern Mesopotamia. Hammurabi's empire destabilized after his death. Assyrians defeated and drove out the Babylonians and Amorites. The far south of Mesopotamia broke away, forming the native Sealand Dynasty, and the Elamites appropriated territory in eastern Mesopotamia. The Amorite dynasty remained in power in Babylon, which again became a small city-state. -
Hesiod Theogony.Pdf
Hesiod (8th or 7th c. BC, composed in Greek) The Homeric epics, the Iliad and the Odyssey, are probably slightly earlier than Hesiod’s two surviving poems, the Works and Days and the Theogony. Yet in many ways Hesiod is the more important author for the study of Greek mythology. While Homer treats cer- tain aspects of the saga of the Trojan War, he makes no attempt at treating myth more generally. He often includes short digressions and tantalizes us with hints of a broader tra- dition, but much of this remains obscure. Hesiod, by contrast, sought in his Theogony to give a connected account of the creation of the universe. For the study of myth he is im- portant precisely because his is the oldest surviving attempt to treat systematically the mythical tradition from the first gods down to the great heroes. Also unlike the legendary Homer, Hesiod is for us an historical figure and a real per- sonality. His Works and Days contains a great deal of autobiographical information, in- cluding his birthplace (Ascra in Boiotia), where his father had come from (Cyme in Asia Minor), and the name of his brother (Perses), with whom he had a dispute that was the inspiration for composing the Works and Days. His exact date cannot be determined with precision, but there is general agreement that he lived in the 8th century or perhaps the early 7th century BC. His life, therefore, was approximately contemporaneous with the beginning of alphabetic writing in the Greek world. Although we do not know whether Hesiod himself employed this new invention in composing his poems, we can be certain that it was soon used to record and pass them on.