Paris Boulevard
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
O Luxo Na Moda Alta-Costura Entre O Passado E O Futuro
UNIVERSIDADE DA BEIRA INTERIOR Faculdade de Engenharia Departamento de Ciência e Tecnologia Têxteis O Luxo na Moda Alta-Costura entre o passado e o futuro Rui André Melo de Sousa Dissertação para obtenção do Grau de Mestre em Design de Moda (2º ciclo de estudos) Orientador: Prof. Doutor Rui Alberto Lopes Miguel Coorientadora: Profª. Doutora Catarina Sofia Lourenço Rodrigues Covilhã, outubro de 2015 ii Agradecimentos Esta dissertação resulta de um esforço conjunto de profissionais e instituições, assim gostaria de expressar o meu profundo e sentido agradecimento a todos aqueles que contribuíram para a concretização desta dissertação. Agradeço em primeiro lugar aos meus orientadores, Professor Doutor Rui A. Lopes Miguel e Professora Doutora Catarina S. Lourenço Rodrigues por todo o apoio, esclarecimento e atenção disponibilizada. Gratifico ainda a Universidade da Beira Interior e o Departamento de Ciência e Engenharia Têxteis, pelas instalações, docentes e apoio recebido por parte de todos os funcionários do departamento que, com a experiência, ajudaram no meu crescimento profissional e pessoal. Muito especialmente, aos meus pais, por me terem proporcionado a oportunidade de ingressar no ensino superior e principalmente por toda a força e compreensão proporcionada. A minha avó, irmã e restante família por me terem ajudado direta ou indiretamente dando- me força, coragem e determinação. Aos meus amigos que me acompanharam durante a minha vida académica, à Catarina Marquês por ser uma irmã, à Rita Silva pelo sorriso incansável, à Rita Mendes pelas palavras, ao David Pinto pelo companheirismo, ao Hélio Cabrita pela amizade, à Michelle Reis por ser quem é, e a todos restantes com quem compartilhei bons momentos. -
The Effects of Globalization on the Fashion Industry– Maísa Benatti
ACKNOLEDGMENTS Thank you my dear parents for raising me in a way that I could travel the world and have experienced different cultures. My main motivation for this dissertation was my curiosity to understand personal and professional connections throughout the world and this curiosity was awakened because of your emotional and financial incentives on letting me live away from home since I was very young. Mae and Ingo, thank you for not measuring efforts for having me in Portugal. I know how hard it was but you´d never said no to anything I needed here. Having you both in my life makes everything so much easier. I love you more than I can ever explain. Pai, your time here in Portugal with me was very important for this masters, thank you so much for showing me that life is not a bed of roses and that I must put a lot of effort on the things to make them happen. I could sew my last collection because of you, your patience and your words saying “if it was easy, it wouldn´t be worth it”. Thank you to my family here in Portugal, Dona Teresinha, Sr. Eurico, Erica, Willian, Felipe, Daniel, Zuleica, Emanuel, Vitória and Artur, for understanding my absences in family gatherings because of the thesis and for always giving me support on anything I need. Dona Teresinha and Sr. Eurico, thank you a million times for helping me so much during this (not easy) year of my life. Thank you for receiving me at your house as if I were your child. -
MASARYKOVA UNIVERZITA Umělecké Ztvárnění Těla
MASARYKOVA UNIVERZITA PEDAGOGICKÁ FAKULTA Katedra výtvarné výchovy Umělecké ztvárnění těla prostřednictvím oděvu Diplomová práce Brno 2017 Vedoucí práce: Autorka práce: PaedDr. Hana Stadlerová, Ph.D Bc. Markéta Kubátová BIBLIOGRAFICKÝ ZÁZNAM KUBÁTOVÁ, Markéta. Umělecké ztvárnění těla prostřednictvím oděvu. Doprovodný text k praktické diplomové práci. Brno: Masarykova univerzita, Pedagogická fakulta, Katedra výtvarné výchovy, 2017. 93 l. 7 příl. Vedoucí bakalářské práce PaedDr. Hana Stadlerová, Ph.D. Rozsah textu diplomové práce je 63 normostran (116 262 znaků včetně mezer). ANOTACE Ústředním tématem diplomové práce Umělecké ztvárnění těla prostřednictvím oděvu je problematika znalosti lidského těla v módě. V teoretické části práce je nastíněn vývoj anatomických znalostí lidského těla ve výtvarném umění a módě haute couture. Práce rovněž mapuje tvorbu módních návrhářů, kteří se ve svých kolekcích opírají o znalosti lidského těla. Praktická část diplomové práce je realizace autorské oděvní kolekce, sestavené z deseti modelů inspirovaných lidskou kostrou. Ty jsou dále součástí edukačního programu s cílem představit studentům oděv jako jednu z forem umění, jež zprostředkovává lidské tělo, speciálně jeho kostru. KLÍČOVÁ SLOVA Oděv, kolekce, móda, haute couture, anatomie lidského těla, kostra. ANNOTATION The main topic of diploma thesis Artistic rendition of the body through the clothing is the issue of knowledge of the human body in fashion. The theoretical part outlines the development of anatomical knowledge of the human body in art and haute couture fashion. The thesis also presents work of fashion designers who based their fashion collections on knowledge of the human body. The practical part is the realization of the author's clothing collection, made up of ten models inspired by human skeleton. -
21. Yüzyilda Giyilebilir Sanatin Öncü Moda Tasarimcilari
idil, 2018, cilt / volume 7, sayı / issue 51 DOI: 10.7816/idil-07-51-13 21. YÜZYILDA GİYİLEBİLİR SANATIN ÖNCÜ MODA TASARIMCILARI Nursen GEYİK DEĞERLİ Nişantaşı Üniversitesi Sanat ve Tasarım Fakültesi nursen.degerli(at)nisantasi.edu.tr ÖZ Anahtar Giyim, insanların doğa şartlarından korunma amacıyla örtünme ihtiyacından doğmuştur. Giyim, kelimeler: 16. yüzyıla kadar gelenekler ile şekillenirken, 17.yüzyılda toplumsal olaylarda baskın rol oynayan Giyilebilir Sanat, orta sınıfın yarattığı moda hareketlerinden etkilenmiştir. 19. yüzyılın ortalarında dikiş makinesinin Moda, icadı ise, giyim endüstrisinin başlangıcı kabul edilir. Aynı dönemde terzilik mesleğinin kurallarını Avangart değiştiren ve çok eleştiri alan İngiliz Charles Frederick Worth (1825-1895), tasarladığı giysileri Paris’te kendi moda evinde müşteri grubuna sunan ilk “moda tasarımcısı” olmuştur. “Hazırladığı bel dik- asarımcıları işinin bir yağlı boya tablo değerinde” olduğunu ifade eden ve yaptığı işlere imza atan Worth, kişisel anlatım biçimini yansıttığı tasarım giysilerine sanatsal bir anlam kazandırmıştır. “Artwear” ( veya wearable art-giyilebilir sanat) kelimesi ilk olarak 1970’li yıllarda ortaya çıkmış, 1980’li yıllardan sonra “giyilebilir sanat” moda ve sanat alanlarında yer bulmuştur. Bu makalede; moda ile sanat arasındaki etkileşimler, geçtiğimiz yüzyılda sanat akımlarından etkilenen moda tasarımcıları ve 21. yüzyıl moda tasarımcılarının giyilebilir sanat ürünleri incelenmiştir. 1860’larda el emeğine dayanan üretimi yenid- en canlandırmayı hedefleyen ve seri üretime -
HAUTE COUTURE Autumn/Winter 2015-16 the Couture Show Is a Fantasy Land, an Artist’S Playground
HAUTE COUTURE Autumn/Winter 2015-16 The Couture show is a fantasy land, an artist’s playground. It doesn’t have to make sense, rationally or economically. It is the opportunity for a designer to show off his technical skills as well as push the limits of his imagination. Like art, it follows the highest bidder philosophy and little wonder then, that the home base for this is Paris. For a fashion expert/enthusiast, it’s an event like no other fashion week will ever be. This is where the experts come out to play, and if you are provided a peek in the haloed circle, the clothes leave you agog. They go beyond the definition of mere covering and are as magnificent on the inside as they are on the outside. A true bespoke experience, it is fussed over by the best tailors, embroiders and seamstresses over painstaking hours to provide the highest quality. New ideas are born; ironically in this archaic tradition of couture houses being restricted by the rules of Syndicale de la Haute Couture, concepts come alive that have lasting impacts over decades. Flapper Dress Baroque Floral Influence On The Fringe Muted Colour Palette Gypsy The Naked Dress Metal Pink Going Green Tulle Velvet Fashion Forward Trends autumn/winter 2015-16 | couture | FFT magazine FLAPPER DRESS BAROQUE 2 2 4 4 3 3 1 1 xtremely sensual, powerful and making headlines this verybody’s favourite era of excess and particularly suited year is sheer. A favourite of the A-lister at red carpets, to Couture, the Baroque period was a conspicuous Ea woman chooses this ensemble when she is looking Ecelebration of artistic sensibilities and flare. -
Fashion's New Frontiers; What's Next
! ! !"#$%&'(#)*+,)!-&'.%+-#/)0$".(#)*+1.2)) FBS C19 Issue 3: 22.05.20 ! ! ! ROMA, LAZIO, ITALY Whilst the UN delegates discuss the issues of the climate of the planet in Paris, many cities of the world organised events and demonstrations for Earth's climate and nature. In Rome almost a million people took to the streets of the capital to take part in the Global climate march. [Photo by Davide Bosco/Pacific Press | LightRocket via Getty Images]! “I don’t really follow market research; I trust my instincts” Anna Wintour, Editor in Chief Vogue ! "! Context: Fashion has not been dormant or slumbering, and certainly not fast asleep, during lockdown. Many designers and creatives have been active in ideas, fund raising, communication and generally keeping busy. However, the loosening of the lockdown rules in several countries has resulted in many more people declaring potentially exciting new plans for the future, ways to engage with consumers and other innovative future facing initiatives. The main fashion organisations of London, Paris, and Italy; Rome Florence Milan, have been busy with many reassurances and actions during the past couple of months. Some of these plans are now coming to fruition, The fashion industry landscape is changing, fashion is thinking, and we are reporting on a cross section of new ideas, concepts and potential innovation routes now starting to appear. Statements being made by many in the creative industries are strong, positive and future forward, but realistic attitudes are still very much in evidence. Facts are facts and understanding the key realities of our situation is both important and multifaceted. -
History of International Fashion Online
Ku4wb [Download] History of International Fashion Online [Ku4wb.ebook] History of International Fashion Pdf Free Didier Grumbach ePub | *DOC | audiobook | ebooks | Download PDF Download Now Free Download Here Download eBook #252605 in Books Interlink Books 2014-08-12Original language:EnglishPDF # 1 9.75 x 7.00 x 1.25l, .0 #File Name: 1566569761464 pagesInterlink Books | File size: 39.Mb Didier Grumbach : History of International Fashion before purchasing it in order to gage whether or not it would be worth my time, and all praised History of International Fashion: 5 of 5 people found the following review helpful. An extended gossip column of fashion's biggest namesBy Doreen GreenI've always wished that I could be one of those fashionable people, but completely lacked the aesthetic sensibilities. So, the whole fashion thing baffled me. This book, however, I could get.It starts with the history of clothing as a business in France. There were even crazy laws about who was legally permitted to make clothing! Then it covers the next couple hundred years of the fashion industry, with France leading the way of course (the title refers to fashion as the fashion industry, not history of fashion as in individual garments specific to each country).Grumbach takes great pains to show how business and industrialization influence or are influenced by the art and designers. But what's really awesome is the way the tangents and anecdotes really display the personality of the biggest names in fashion. Little stories, like the petty reason for Chanel #5's name, or which designers were close friends when they should have been rivals.Overall, this is a great book for anyone who wants to understand why fashion has developed the way it has, why the people who are prominent in it were the ones who succeeded, and those who simply want a privileged look at the inner lives of fashion's biggest characters. -
Press Relea Se
VENDOME SCRIPTUM P RE SS RELEA a Chic City Guide S E THE VERY SYMBOL OF FRENCH SOPHISTICATION and lifestyle, Ladurée is delighted to share its favorite Parisian addresses. In Paris by Ladurée, author Serge Gleizes guides readers to the best that the most elegant city in the world FOR has to offer in cuisine, table decoration, interior design, beauty, fashion, hotels, and culture. IMMEDIATE Divided into four sections—“Cuisine,” “Fashion and Beauty,” “Interior Design,” and “Culture”—this chic, pocket-sized guide includes 200 of the best addresses in Paris, advising where to stay, where to eat, and where to see and be seen. Beautifully illustrated with more than 200 color photographs and illustrations, it is the perfect gift for stylish Parisians and visitors alike. RELEASE ABOUT THE AUTHORS: SERGE GLEIZES is a journalist and former coeditor in chief of AD France. He is a contributor to the architecture and design sections of M (Le Monde) and Ideat, and is the author of a number of books, including Ladurée Inspiration & Decoration (Chêne, 2012), Ladurée Chocolat (Scriptum, 2013), Pierre Frey: Inspiring Interiors (Abrams, 2015), and Bruno Moinard (Abrams, 2016). Gleizes lives in Paris. PIERRE-OLIVIER SIGNE is a travel and live-performance photographer, and cinematographer, who has worked for major media firms such as Disney, Canal Plus, and MTV. He photographed a series of travel guides: Film Lover’s Paris, Guide of Japan in Paris, Guide of Italy in Paris, and Guide of the USA in Paris. Signe lives in Paris. ABOUT LADURÉE: Ladurée, the iconic Parisian patisserie founded in 1862, is home to the world-renowned double macaron, invented by Pierre Desfontaines, grandson of the founder, in 1930. -
Haute Couture FW 11 / 12
Catwalks & Presentations Paris Couture & Haute couture Fall Winter 11-12 Fashion Week dates : July 04 - July 07 Definitive schedule MONDAY JUNE 06 PRESENTATIONS 3.30pm -> MARTIN RAFFA Conservatoire des Arts et Métiers - 6.30pm 292, rue St Martin - 75003 MONDAY JULY 04 CATWALKS 10.30am ANNE VALÉRIE HASH Hôtel Shangri La Paris - 10, avenue d'Iéna - 75116 11.30am CHRISTOPHE JOSSE Couvent des Cordeliers - 15, rue de l'Ecole de Médecine - 75006 12.30pm BOUCHRA JARRAR Odéon Théâtre de l'Europe - 2, rue Corneille - 75006 2.30pm CHRISTIAN DIOR Musée Rodin - 79, rue de Varenne - 75007 4.00pm GEORGES CHAKRA Palais de la Découverte - av Franklin D Roosevelt - 75008 5.00pm ALEXIS MABILLE Théâtre du Châtelet - 1, place du Châtelet - 75001 6.00pm ADELINE ANDRÉ Hôtel d'Ecquevilly - 60, rue de Turenne - 75003 6.30pm GEORGES HOBEIKA Hôtel Westin - Salon Impérial - 3, rue de Castiglione - 75001 7.00pm XUAN-THU NGUYEN 147, rue du Temple - 75003 7.30pm GIANBATTISTA VALLI Galerie de la Madelaine - 30, rue Boissy d'Anglas - 75008 8.00pm ERIC TIBUSCH PARIS COUTURE Park Hyatt Vendôme - 5, rue de la Paix - 75002 8.30pm IRIS VAN HERPEN Galerie Nikki Diana Marquardt - 9, place des Vosges - 75004 MONDAY JULY 04 PRESENTATIONS 10.00am -> MAISON MARTIN MARGIELA Hôtel La Maison Champs Elysées - 12.00pm 8, rue Jean Goujon - 75008 by invitation only TUESDAY JULY 05 CATWALKS 11.00am GIORGIO ARMANI PRIVÉ Théâtre National de Chaillot - 1, place du Trocadéro - 75016 12.30pm MAISON RABIH KAYROUZ Couvent des Cordeliers - 15, rue de l'Ecole de Médecine - 75006 TUESDAY JULY 05 -
DOSSIER DE PRESSE Haute Dentelle 09-06-18 06-01-19 4 PRÉSENTATION GÉNÉRALE DE L’EXPOSITION
DOSSIER DE PRESSE Haute dentelle 09-06-18 06-01-19 4 PRÉSENTATION GÉNÉRALE DE L’EXPOSITION 7 PARCOURS DE L’EXPOSITION 9 SEPT PIÈCES EN DÉTAIL 9 CHANEL 10 YIQING YIN 11 BALENCIAGA 12 VALENTINO 13 SCHIAPARELLI Haute 14 MARTIN MARGIELA 15 ALBERTA FERRETTI 16 CHRISTIAN DIOR 19 UNE HISTOIRE DE LA DENTELLE dentelle EN DIX DATES CLEFS 20 COMMISSARIAT, SCÉNOGRAPHIE ET CATALOGUE DE L’EXPOSITION 21 LA CITÉ DE LA DENTELLE ET DE LA MODE DE CALAIS 22 VISUELS PRESSE 25 PARTENAIRES 26 INFORMATIONS PRATIQUES Image de couverture ContaCt presse © Veste en tweed et jupe en dentelle Leavers à motif floral Agence Observatoire incisée à la main. Collection haute couture printemps-été 2015. Karl Lagerfeld pour CHANEL Aurelie Cadot, + 33 6 80 61 04 17 © CHANEL, photographie Karl Lagerfeld [email protected] elle a souvent nécessité une organisation de travail collective, le travail de plusieurs PRÉSENTATION GÉNÉRALE dentellières étant assemblé pour former une pièce entière. DE L’EXPOSITION La dentelle fabriquée à Calais depuis près de 200 ans est exclusivement mécanique, mais elle s’est d’abord inspirée de la dentelle à la main avant de s’en affranchir. L’exposition Haute Dentelle illustre la place de la dentelle tissée sur métier Leavers Au XIXe siècle, la mécanisation de la production de la dentelle prend son essor dans la mode ultra contemporaine. Les couturiers élisent, au service de leur style, en Angleterre, dans la ville de Nottingham, puis en France à Calais, à Caudry cette étoffe exigeante. L’exposition souligne comment ils expriment cette matière et à Lyon. -
L'influence De La Crise Économique Sur L'industrie De Mode
Univerzita Palackého v Olomouci Filozofická fakulta Diplomová práce Olomouc 2014 Petra OTÝPKOVÁ II UNIVERSITÉ PALACKY OLOMOUC FACULTÉ DES LETTRES DÉPARTEMENT DES LANGUES ROMANES L’influence de la crise économique sur l’industrie de Mode Magisterská diplomová práce Studijní program: Odborná francouzština pro hospodářskou praxi Vedoucí práce: Doc. Mgr. Jaromír Kadlec, Dr. Autor: Petra Otýpková Olomouc 2014 III Univerzita Palackého v Olomouci Filozofická fakulta Prohlášení Místopřísežně prohlašuji, že jsem diplomovou práci na téma: „Vliv ekonomické krize na módní průmysl“ vypracovala samostatně pod odborným dohledem vedoucího diplomové práce a uvedla jsem veškeré použité podklady a literaturu. Proclamation sur l’honneur Je déclare sur l’honneur que le présent mémoire est le résultat de mon propre travail et que toutes les sources bibliographiques utilisées sont citées. V Olomouci dne………………….. Podpis………………………… IV Contenu Introduction ................................................................................................................... 1 I. L’industrie de Mode .............................................................................................. 3 1.1. Les catégories de l’habillement ..................................................................... 4 1.1.1. L’habillement de protection ................................................................... 4 1.1.2. L’habillement de travail ......................................................................... 5 1.1.3. L’habillement courant ........................................................................... -
PRESSETEXT Haute Couture in Paris
PRESSETEXT Désirée Sadek & Guillaume de Laubier (Fotos) Haute Couture in Paris Ein Blick hinter die Kulissen der exklusivsten Modehäuser Gebunden, 208 Seiten mit 200 farbigen Abbildungen, aus dem Französischen von Regine Schmidt Preis € [D]49,95 [A] 51,40 ISBN 978-3-86873-867-4 Erscheinungstermin 20. Oktober 2015 Ob Chanel, Christian Dior oder Jean Paul Gaultier – die Geschichte und das Wirken der französischen Couturiers ist eng verbunden mit dem Glanz der Orte, an denen ihre einmaligen Kreationen entstehen. Guillaume de Laubier und Désirée Sadek nehmen in ihrem Band mit auf einen Rundgang durch die Salons und glanzvollen Stammhäuser von zehn der berühmtesten Pariser Modeschöpfer und gewähren zugleich einen exklusiven Blick hinter die Kulissen, dorthin wo die Haute Couture Mode entsteht. Sie zeigen die Designer selbst, aber auch ihre vielen Helfer wie Stickerinnen, Federschmuckmacherinnen, Modistinnen oder Korsettmacher bei ihrer anspruchsvollen und sorgfältigen Arbeit im Nähatelier. Jede der dort gefertigten Kreationen ist ein Unikat, ganz von Hand gemacht und wird für den großen Moment der exklusiven Haute Couture Schauen während der Pariser Fashion Week vorbereitet. Zum exklusiven Kreis der Haute Couture Häuser, die an diesen Schauen teilnehmen dürfen, gehören lediglich Designer, denen das Gütesiegel vom französischen Industrieministerium verliehen wird. Die hier vorgestellten zehn Modehäuser sind eine repräsentative Auswahl der aktuellen Mitglieder. Im Buch werden folgende Designer porträtiert: Chanel, Christian Dior, Jean Paul Gaultier, Alexis Mabille, Ralph & Russo, Stéphane Rolland, Elie Saab, Yves Saint Laurent, Franck Sorbier und Alexandre Vauthier. Guillaume de Laubier ist einer der führenden französischen Einrichtungsfotografen und kreiert seit 25 Jahren aufwendige Fotostrecken für angesehene Dekorations- und Lifestylemagazine, u.a.