Cabaret Voltaire (Band) Éÿ³æ¨‚Å°ˆè¼¯ Ä¸²È¡Œ (Ä¸“È¾‘ & Æ— ¶É—´È¡¨)

Total Page：16

File Type：pdf, Size：1020Kb

Cabaret Voltaire (band) éŸ³æ¨‚å°ˆè¼¯ ä¸²è¡Œ (ä¸“è¾‘ & æ— ¶é—´è¡¨) 2x45 https://zh.listvote.com/lists/music/albums/2x45-4634010/songs Code https://zh.listvote.com/lists/music/albums/code-5139984/songs International Language https://zh.listvote.com/lists/music/albums/international-language-6051700/songs The Voice of America https://zh.listvote.com/lists/music/albums/the-voice-of-america-7773013/songs https://zh.listvote.com/lists/music/albums/groovy%2C-laidback-and-nasty- Groovy, Laidback and Nasty 5610374/songs The Crackdown https://zh.listvote.com/lists/music/albums/the-crackdown-7727926/songs https://zh.listvote.com/lists/music/albums/the-original-sound-of-sheffield- The Original Sound of Sheffield '83/'87 %2783%2F%2787-7755396/songs https://zh.listvote.com/lists/music/albums/the-original-sound-of-sheffield- The Original Sound of Sheffield '78/'82 %2778%2F%2782-7755395/songs Johnny Yesno: The Original Soundtrack https://zh.listvote.com/lists/music/albums/johnny-yesno%3A-the-original- From the Motion Picture soundtrack-from-the-motion-picture-6267943/songs Micro-Phonies https://zh.listvote.com/lists/music/albums/micro-phonies-6839059/songs The Covenant, The Sword, and the Arm of https://zh.listvote.com/lists/music/albums/the-covenant%2C-the-sword%2C-and- the Lord the-arm-of-the-lord-7727876/songs Shadow of Fear https://zh.listvote.com/lists/music/albums/shadow-of-fear-104850243/songs Live at the Y.M.C.A. https://zh.listvote.com/lists/music/albums/live-at-the-y.m.c.a.-6657092/songs Red Mecca https://zh.listvote.com/lists/music/albums/red-mecca-7304586/songs Mix-Up https://zh.listvote.com/lists/music/albums/mix-up-6883769/songs Body and Soul https://zh.listvote.com/lists/music/albums/body-and-soul-4936879/songs Hai! https://zh.listvote.com/lists/music/albums/hai%21-5638909/songs Radiation https://zh.listvote.com/lists/music/albums/radiation-7280330/songs.

Copy Link

Recommended publications

Reed First Pages
4. Northern England 1. Progress in Hell Northern England was both the center of the European industrial revolution and the birthplace of industrial music. From the early nineteenth century, coal and steel works fueled the economies of cities like Manchester and She!eld and shaped their culture and urban aesthetics. By 1970, the region’s continuous mandate of progress had paved roads and erected buildings that told 150 years of industrial history in their ugly, collisive urban planning—ever new growth amidst the expanding junkyard of old progress. In the BBC documentary Synth Britannia, the narrator declares that “Victorian slums had been torn down and replaced by ultramodern concrete highrises,” but the images on the screen show more brick ruins than clean futurescapes, ceaselessly "ashing dystopian sky- lines of colorless smoke.1 Chris Watson of the She!eld band Cabaret Voltaire recalls in the late 1960s “being taken on school trips round the steelworks . just seeing it as a vision of hell, you know, never ever wanting to do that.”2 #is outdated hell smoldered in spite of the city’s supposed growth and improve- ment; a$er all, She!eld had signi%cantly enlarged its administrative territory in 1967, and a year later the M1 motorway opened easy passage to London 170 miles south, and wasn’t that progress? Institutional modernization neither erased northern England’s nineteenth- century combination of working-class pride and disenfranchisement nor of- fered many genuinely new possibilities within culture and labor, the Open Uni- versity notwithstanding. In literature and the arts, it was a long-acknowledged truism that any municipal attempt at utopia would result in totalitarianism.
[Show full text]
Omega Auctions Ltd Catalogue 28 Apr 2020
Omega Auctions Ltd Catalogue 28 Apr 2020 1 REGA PLANAR 3 TURNTABLE. A Rega Planar 3 8 ASSORTED INDIE/PUNK MEMORABILIA. turntable with Pro-Ject Phono box. £200.00 - Approximately 140 items to include: a Morrissey £300.00 Suedehead cassette tape (TCPOP 1618), a ticket 2 TECHNICS. Five items to include a Technics for Joe Strummer & Mescaleros at M.E.N. in Graphic Equalizer SH-8038, a Technics Stereo 2000, The Beta Band The Three E.P.'s set of 3 Cassette Deck RS-BX707, a Technics CD Player symbol window stickers, Lou Reed Fan Club SL-PG500A CD Player, a Columbia phonograph promotional sticker, Rock 'N' Roll Comics: R.E.M., player and a Sharp CP-304 speaker. £50.00 - Freak Brothers comic, a Mercenary Skank 1982 £80.00 A4 poster, a set of Kevin Cummins Archive 1: Liverpool postcards, some promo photographs to 3 ROKSAN XERXES TURNTABLE. A Roksan include: The Wedding Present, Teenage Fanclub, Xerxes turntable with Artemis tonearm. Includes The Grids, Flaming Lips, Lemonheads, all composite parts as issued, in original Therapy?The Wildhearts, The Playn Jayn, Ween, packaging and box. £500.00 - £800.00 72 repro Stone Roses/Inspiral Carpets 4 TECHNICS SU-8099K. A Technics Stereo photographs, a Global Underground promo pack Integrated Amplifier with cables. From the (luggage tag, sweets, soap, keyring bottle opener collection of former 10CC manager and music etc.), a Michael Jackson standee, a Universal industry veteran Ric Dixon - this is possibly a Studios Bates Motel promo shower cap, a prototype or one off model, with no information on Radiohead 'Meeting People Is Easy 10 Min Clip this specific serial number available.
[Show full text]
Riotous Assembly: British Punk's Diaspora in the Summer of '81
Riotous assembly: British punk's diaspora in the summer of '81 Book or Report Section Accepted Version Worley, M. (2016) Riotous assembly: British punk's diaspora in the summer of '81. In: Andresen, K. and van der Steen, B. (eds.) A European Youth Revolt: European Perspectives on Youth Protest and Social Movements in the 1980s. Palgrave Macmillan, pp. 217-227. ISBN 9781137565693 Available at http://centaur.reading.ac.uk/52356/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . Published version at: http://www.palgrave.com/gb/book/9781137565693 Publisher: Palgrave Macmillan All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Riotous Assembly: British punk’s diaspora in the summer of ‘81 Matthew Worley Britain’s newspaper headlines made for stark reading in July 1981.1 As a series of riots broke out across the country’s inner-cities, The Sun led with reports of ‘Race Fury’ and ‘Mob Rule’, opening up to provide daily updates of ‘Burning Britain’ as the month drew on.2 The Daily Mail, keen as always to pander a prejudice, described the disorder as a ‘Black War on Police’, bemoaning years of ‘sparing the rod’ and quoting those who blamed the riots on a ‘vociferous
[Show full text]
Transnational Punk: the Growing Push for Global Change Through a Music-Based Subculture Alexander Lalama Claremont Graduate University, [email protected]
LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University Volume 3 | Issue 1 Article 9 2013 Transnational Punk: The Growing Push for Global Change Through a Music-Based Subculture Alexander Lalama Claremont Graduate University, [email protected] Follow this and additional works at: http://scholarship.claremont.edu/lux Part of the Other Arts and Humanities Commons Recommended Citation Lalama, Alexander (2013) "Transnational Punk: The Growing Push for Global Change Through a Music-Based Subculture," LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University: Vol. 3: Iss. 1, Article 9. Available at: http://scholarship.claremont.edu/lux/vol3/iss1/9 Lalama: Transnational Punk Lalama 1 Transnational Punk: The Growing Push for Global Change Through a Music-Based Subculture Alexander Lalama, M.A. Claremont Graduate University School of Arts and Humanities Department of English Abstract Little media attention has been devoted to the burgeoning punk scene that has raised alarm abroad in areas such as Banda Aceh, Indonesia and Moscow, Russia. While the punk subculture has been analyzed in-depth by such notable theorists as Dick Hebdige and Stuart Hall, their work has been limited to examining the rise and apparent decline of the subculture in England, rendering any further investigations into punk as looking back at a nostalgic novelty of post- World War II British milieu. Furthermore, the commodification of punk music and style has relegated punk to the realm of an alternative culture in Britain and locally in the U.S. In these current international incarnations, however, a social space for this alternative culture is threatened by severe punishment including what Indonesian police officials have label “moral rehabilitation” and, in the case of Russian punks, imprisonment.
[Show full text]
Cabaret Voltaire Mix-Up Mp3, Flac, Wma
Cabaret Voltaire Mix-Up mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Mix-Up Country: Europe Style: Industrial, Experimental MP3 version RAR size: 1830 mb FLAC version RAR size: 1533 mb WMA version RAR size: 1478 mb Rating: 4.7 Votes: 823 Other Formats: ADX RA DMF VOC AHX VQF AUD Tracklist Hide Credits 1 Kirlian Photograph 5:32 No Escape 2 3:34 Written-By – Saxon* 3 Fourth Shot 3:57 4 Heaven And Hell 5:45 5 Eyeless Sight (Recorded Live 79) 3:12 Photophobia 6 5:49 Arranged By – C.V.*Lyrics By – Victor 7 On Every Other Street 4:01 8 Expect Nothing 6:05 9 Capsules 4:04 Companies, etc. Recorded At – Western Works Produced At – Western Works Phonographic Copyright (p) – Rough Trade Records Ltd. Published By – Neil Music Ltd. Glass Mastered At – Nimbus – C8835 Credits Bass, Lead Vocals – Stephen Mallinder Composed By – C.V.* Drums – Haydn Boyes-Weston Electronics, Tape – Chris Watson Guitar, Wind [Wind Instruments] – Richard H. Kirk Mastered By – Porky Recorded By, Producer – Cabaret Voltaire Notes Post-1994 repress of the 1990 reissue. Recorded and produced at 'Western Works' Jul/Aug 79. Barcode and Other Identifiers Barcode: 5 016025 670086 Matrix / Runout: C8835 CABS 8 CD Mastering SID Code: IFPI L123 Other versions Category Artist Title (Format) Label Category Country Year Cabaret Mix-Up (LP, ROUGH 4 Rough Trade ROUGH 4 UK 1979 Voltaire Album) Cabaret Mix-Up (LP, GI LP 4 Go International GI LP 4 Italy 1979 Voltaire Album) Cabaret Mix-Up (LP, ROUGH 4 Y5 Base Record ROUGH 4 Y5 Italy 1979 Voltaire Album) Cabaret Mix-Up
[Show full text]
The New Soul of an Old Machine | 80S Essentials, Industrial Revolution
80s Essentials, Industrial Revolution [Because the decade was a formative time for so much more than just our beloved heavy metal, today we're pleased to present you with a look at fifteen essential industrial albums from the 1980s.] I’m neither historian nor sociologist enough to speak to the politico- economic milieu that shaped industrial music’s formative clatterings, but a few general observations may suffice. The advanced industrial world was hardly being ground in the same way as by the ravenous gears of the late- eighteenth/early-nineteenth century Industrial Revolution (cf. Friedrich Engels on The Condition of the Working Class in England), but the 1970s and ‘80s saw an increasingly aggressive attack on the social welfare state that had so flourished in the three or four decades since the end of World War II. The elections of Margaret Thatcher, Ronald Reagan, and Helmut Kohl (in Britain, the U.S., and West Germany, respectively) ushered in an era of neoliberal government retrenchment that would largely define the domestic political debate in the years to follow, while throwing the (often uneasy) balance between capital and labor into disrepair throughout the rich world. Reagan’s tough-talking rhetoric meant that many of the signs of rapprochement and detente that had offered brief glimmers of, if not hope, then perhaps bleakly muted optimism in the 1970s gave way to a renewed era of Cold War stridency and military hand-wringing. In many ways, then, the same social, political, economic, and cultural context that led to the development of punk’s disaffected worldview and heavy metal’s increasingly doom-saying weightiness would also provide grist for the eternally wending mill of nascent musical experimentalism that gradually coalesced into industrial music.
[Show full text]
Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975-1996
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975-1996 A Dissertation Presented by Jason James Hanley to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philsophy in Music (Music History) Stony Brook University August 2011 Copyright by Jason James Hanley 2011 Stony Brook University The Graduate School Jason James Hanley We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. Judith Lochhead – Dissertation Advisor Professor, Department of Music Peter Winkler - Chairperson of Defense Professor, Department of Music Joseph Auner Professor, Department of Music David Brackett Professor, Department of Music McGill University This dissertation is accepted by the Graduate School Lawrence Martin Dean of the Graduate School ii Abstract of the Dissertation Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975-1996 by Jason James Hanley Doctor of Philosophy in Music (Music History) Stony Brook University 2011 The British band Throbbing Gristle first used the term Industrial in the mid-1970s to describe the intense noise of their music while simultaneously tapping into a related set of aesthetics and ideas connected to early twentieth century modernist movements including a strong sense of history and an intense self-consciousness. This model was expanded upon by musicians in England and Germany during the late-1970s who developed the popular music style called Industrial as a fusion of experimental popular music sounds, performance art theatricality, and avant-garde composition.
[Show full text]
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least.
[Show full text]
Anti-Racism Inc.: Why the Way We Talk About Racial Justice Matters
antiracism inc. Before you start to read this book, take this moment to think about making a donation to punctum books, an independent non-profit press, @ https://punctumbooks.com/support/ If you’re reading the e-book, you can click on the image below to go directly to our donations site. Any amount, no matter the size, is appreciated and will help us to keep our ship of fools afloat. Contri- butions from dedicated readers will also help us to keep our commons open and to cultivate new work that can’t find a welcoming port elsewhere. Our ad- venture is not possible without your support. Vive la Open Access. Fig. 1. Hieronymus Bosch, Ship of Fools (1490–1500) Antiracism Inc.: Why the Way We Talk About Racial Justice Matters. Copyright © 2019 by the editors and authors. This work carries a Creative Com- mons BY-NC-SA 4.0 International license, which means that you are free to copy and redistribute the material in any medium or format, and you may also remix, transform and build upon the material, as long as you clearly attribute the work to the authors (but not in a way that suggests the authors or punctum books en- dorses you and your work), you do not use this work for commercial gain in any form whatsoever, and that for any remixing and transformation, you distribute your rebuild under the same license. http://creativecommons.org/licenses/by- nc-sa/4.0/ First published in 2019 by punctum books, Earth, Milky Way. https://punctumbooks.com ISBN-13: 978-1-950192-23-6 (print) ISBN-13: 978-1-950192-24-3 (ePDF) doi: 10.21983/P3.0250.1.00 lccn: 2019937769 Library of Congress Cataloging Data is available from the Library of Congress Editorial Team: Chip Badley, Lexxus Edison Coffey, Molly Guillermo, Carmen Guzman, and Jessica Reincke Cover Design: Carmen Guzman and Vincent W.J.
[Show full text]
Mute ILM 2015.Xlsx
Independent Label Market 2015 GUIDE PRICES / SUBJECT TO CHANGE Catalogue Artist Title Format QTY Price The Normal catalogue number shirt large t-shirt 10 £ 20.00 The Normal catalogue number shirt Xlarge t-shirt 10 £ 20.00 Mute logo tote bag jpeg style free with any purchase over £20 tote bag 100 £ 5.00 mute synth orange version signed by Daniel Miller synth 5 £ 80.00 Blind 7" set 3 or 4 7" in each 1 has The Normal test pressing signed by Daniel Miller lucky dip 50 £5.00 9420-1 A Place To Bury Strangers Exploding Head (deleted) clear vinyl 1 £ 15.00 STUMM334 Apparat The Devils Walk (rare foil sleeve now deleted) Vinyl + CD 2 £ 20.00 STUMM352 Apparat Krieg Und Frieden (deleted white vinyl edition) Vinyl + CD 2 £ 15.00 JCDSTUMM374 Arca Xen Japanese CD 7 £ 10.00 CDSTUMM386 Arca Mutant (with poster and sticker) CD 9 £ 10.00 LSTUMM374 Arca Xen (back bag edition with 10" deleted) Vinyl (very rare) 1 £ 30.00 STUMM134 Barry Adamson Oedipus Schmoedipus Vinyl 2 £ 10.00 STUMM53 Barry Adamson Moss Side Story Vinyl 2 £ 10.00 STUMM368 Ben Frost Variant 12" 6 £ 5.00 STUMM355 Big Deal June Gloom Double Vinyl 2 £ 10.00 STUMM332 Big Deal Lights Out vinyl + CD 1 £ 10.00 CABS21 cabaret Voltaire #8385 Collected Works (signed by Kirk) Vinyl/CD/DVD boxset 3 £ 90.00 12NOMU103 Cabaret Voltaire NAGNAGNAG 12" 2 £ 10.00 CABS3LP Cabaret Voltaire Red Mecca remastered vinyl 1 £ 15.00 CABS26 Cabaret Voltaire #7885 (Electropunk to Technopop 1978-1985) Vinyl 1 £ 20.00 CABS22 Cabaret Voltaire The Crackdown Vinyl 1 £ 10.00 CABS24 Cabaret Voltaire Drinking Gasoline vinyl +
[Show full text]
Lon Meyerhoff's Album/Cassette/CD Master List
Lon Meyerhoff's Page 1 of 134 Album/Cassette/CD Master List Artist: No Name Title Recorded Type Date Count Bin Style From Value Qty Record Co A 1 THE AS THE AS 1979 Album 122494 11 316 American Rock USA 2 1 ARISTA A HOUSE 1 A HOUSE ON OUR BIG FAT MERRY GO ROU 1988 Album 122494 13 210 UK Rock England 4 1 SIRE AARON J 1 JAY AARON INSIDE OUT 1990 CDisk 123194 10 739 American Rock Texas 9 1 WARNER BRO ABC 1 ABC THE LEXICON OF LOVE 1982 Album 112195 10 101 UK Synth England 5 1 MERCURY 2 BEAUTY STAB 1983 Album 122696 11 210 UK Synth England 5 1 PHONOGRAM 3 HOW TO BE A ZILLIONAIRE 1985 Album 21996 10 210 UK Synth England 8 1 MERCURY 4 ALPHABET CITY 1987 CDisk 112195 13 521 UK Synth England 9 1 MERCURY 5 UP 1989 Cass 112195 8 949 UK Synth England 7 1 MERCURY 6 ABRACADABRA 1991 Cass 112195 10 949 UK Synth England 7 1 MCA ACE 1 ACE AN ACE ALBUM 1975 Album 123194 10 316 UK Rock England 3 1 ANCHOR ACKERMAN W 1 WILLIAM ACKERMAN IMAGINARY ROADS 1988 Album 122494 10 419 Jazz: Acoustic San Francisco 2 1 WINDHAMHIL ACKLES D 1 DAVID ACKLES AMERICAN GOTHIC 1972 Album 123094 11 210 American Folk New England 4 1 ELEKTRA ACOSTA AND 1 ACOSTA AND RUSSELL A LITTLE DIRECTION 1992 CDisk 123194 11 739 American Rock Canada 8 1 JRS ACOUSTIC A 1 ACOUSTIC ALCHEMY NATURAL ELEMENTS 1988 Album 122994 8 101 Jazz: Acoustic England 5 1 MASTER SERI 2 BLUE CHIP 1989 CDisk 123194 10 521 Jazz: Acoustic England 9 1 MASTER SERI 3 AART 2001 CDisk 20204 14 521 Jazz: Acoustic England 10 1 HIGHER OCTA ACOUSTIC D 1 ACOUSTIC DREAMS ACOUSTIC DREAMS 1997 CDisk 81502 18 521 Jazz: Acoustic
[Show full text]
SIF and the Emergence of Independent Film and Video in Sheffield
SIF and the emergence of independent film and video in Sheffield WILSON, Alex Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/16221/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/16221/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. SIF AND THE EMERGENCE OF INDEPENDENT FILM AND VIDEO IN SHEFFIELD ALEX GLEN WILSON (STUDENT NUMBER: 25042732) A THESIS SUBMITTED IN FULFILMENT OF THE REQUIREMENTS OF SHEFFIELD HALLAM UNIVERSITY FOR THE DEGREE OF MASTER OF RESEARCH BY HISTORY OCTOBER 2016 1 ABSTRACT The purpose of this thesis is to investigate the emergence and development of independent film and video culture in Sheffield using a case study of the Sheffield Independent Film group (SIF) as a lens through which to frame the moving image community of the period loosely defined, 1976-1985. The study will ask: what were the enablers for SIF’s establishment? Who were the primary figures and filmmaking groups at its centre, and what types of production were being made? How did SIF’s strategy evolve during this period? What was the relationship between production in Sheffield and the wider British film and video of the time? What role did local and national government policy play in developing a moving image culture in the city? As the second half of the 1980s begin, what future did SIF and its members face? Answers to these questions will enable new light to be shed on the relationship between regional film and video development policy and entrepreneurial activity in the cultural industries and, for the first time, unveil the neglected history of an independent moving image praxis in South Yorkshire.
[Show full text]