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4. Northern England 1. Progress in Hell Northern England was both the center of the European industrial revolution and the birthplace of industrial music. From the early nineteenth century, coal and steel works fueled the economies of cities like Manchester and She!eld and shaped their culture and urban aesthetics. By 1970, the region’s continuous mandate of progress had paved roads and erected buildings that told 150 years of industrial history in their ugly, collisive urban planning—ever new growth amidst the expanding junkyard of old progress. In the BBC documentary Synth Britannia, the narrator declares that “Victorian slums had been torn down and replaced by ultramodern concrete highrises,” but the images on the screen show more brick ruins than clean futurescapes, ceaselessly "ashing dystopian sky- lines of colorless smoke.1 Chris Watson of the She!eld band Cabaret Voltaire recalls in the late 1960s “being taken on school trips round the steelworks . just seeing it as a vision of hell, you know, never ever wanting to do that.”2 #is outdated hell smoldered in spite of the city’s supposed growth and improve- ment; a$er all, She!eld had signi%cantly enlarged its administrative territory in 1967, and a year later the M1 motorway opened easy passage to London 170 miles south, and wasn’t that progress? Institutional modernization neither erased northern England’s nineteenth- century combination of working-class pride and disenfranchisement nor of- fered many genuinely new possibilities within culture and labor, the Open Uni- versity notwithstanding. In literature and the arts, it was a long-acknowledged truism that any municipal attempt at utopia would result in totalitarianism. -
SF 1990 August Editionfive.Pdf
ISSUE NO. 5 AUGUST 1990 C 0 N M N M ^ ')) "7^ X<J »s COLLEGE CULTURE 4 l^jTWy WILDLIFE SLAUGHTER IN OUR OWN BACK- ''^\H[^ YARD 6 FITZGERALD }> YEARS DOWN THE \ ^ iW^ niACK AND NONE THE WISER 7 WINES THAT WILL t>V \ MAKE YOU WHINE 8 RALLY FOR BIGOTRY GET STUFEED FRED 9 ^, PLANS FOR THE RENOVATED UNION REFECTORY 10 IT AINT NECESSARILY SO THE BIBLE 11 THE SPIRIT OF EASTER THE IRA AND IRELAND 12 FREEDOM Of INFORMATION AND FREE LL'NCHES TOO 74 VOICES FROM NOWSA 15 CARTOONS PAGE 16 SEX THE CROSSWORD 17 DEATH IN THEf a*> STUDENTS UNION ONE LAST GASP 18 A POSTER 20 UNION NOTICES 22 A^' YUPPIES GUIDE TO THE. BIBLE 23 SURVIVE OR DIE ON HOLIDAYS 24 REVIEWS - CONCERTS, MOVIES, FOOD & THEATRE GUIDE 26 UNION NOTICES - WOMEN'S RIGHTS & CLUBS & SOCIETIES 30 CAR- POOLING 31 DAMIEN WEIS7, SATANIC PRIEST II 32 STUDENT POLITICIANS - YOUR MONEY, THEIR CAREERS 33 ^" LETTUCE TO THE EDITORS 34 SURVIVE OR DIE/HIITER'S REAL DIARY 36 STARS/IN THE TOWER 37 POETRV \TP, WOi'VE PUBLISHED SOME 39 *^'' THE BACK PAGE 40 "^h Jt v^^ 4' / ih I. ~^ R D EDITORS DIANA CASSIDY, NIK DOUGLAS & CORINA McKAY 4 LAYOUT ARTIST PETER l* TYPESETTING LOU LARDER AND SMARTYPE fc ADVERTISING MICHAEL LYE •>• PUBLISHER JANE LYE PRESIDENT, uo UNION aSJ PHONE 371 2568; 371 1611 exI 258 -^^^ FAX 371 4359 4 ADDRESS SEMPER c/o UQ UNION UNIVERSITY OF QLD ST. LUCIA 4067 • •••.<V':^'^-'--V>-:'.v . TALL STORIES FROM .,;..,;/,V,\\.--w.>Vy,^,:. SMALL MINDS •;•• if, • Have you read either of the leaflets pictured below? If not, don't waste your time reading this editorial. -
Riotous Assembly: British Punk's Diaspora in the Summer of '81
Riotous assembly: British punk's diaspora in the summer of '81 Book or Report Section Accepted Version Worley, M. (2016) Riotous assembly: British punk's diaspora in the summer of '81. In: Andresen, K. and van der Steen, B. (eds.) A European Youth Revolt: European Perspectives on Youth Protest and Social Movements in the 1980s. Palgrave Macmillan, pp. 217-227. ISBN 9781137565693 Available at http://centaur.reading.ac.uk/52356/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . Published version at: http://www.palgrave.com/gb/book/9781137565693 Publisher: Palgrave Macmillan All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Riotous Assembly: British punk’s diaspora in the summer of ‘81 Matthew Worley Britain’s newspaper headlines made for stark reading in July 1981.1 As a series of riots broke out across the country’s inner-cities, The Sun led with reports of ‘Race Fury’ and ‘Mob Rule’, opening up to provide daily updates of ‘Burning Britain’ as the month drew on.2 The Daily Mail, keen as always to pander a prejudice, described the disorder as a ‘Black War on Police’, bemoaning years of ‘sparing the rod’ and quoting those who blamed the riots on a ‘vociferous -
Cabaret Voltaire Radiation (BBC Recordings 84-86) Mp3, Flac, Wma
Cabaret Voltaire Radiation (BBC Recordings 84-86) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Radiation (BBC Recordings 84-86) Country: UK Released: 1998 Style: Industrial, Electro MP3 version RAR size: 1846 mb FLAC version RAR size: 1295 mb WMA version RAR size: 1818 mb Rating: 4.7 Votes: 524 Other Formats: AA AHX VOC AU AA MMF AUD Tracklist Hide Credits Long. TX. 18.10.84 1 Sensoria 4:27 2 Digital Rasta 4:43 3 Kino 4:37 4 Ruthless 3:57 Peel. TX. 22.10.84 5 Sleepwalking 5:54 6 Big Funk 5:56 7 The Operative 3:35 Long. TX. 6.8.86 8 You Like To Torment Me 5:32 9 Hey! Hey! 3:46 10 We've Got Heart 4:43 11 Sex, Money, Freaks 4:15 Non BBC Material I Want You 12 4:30 Drums – Alan Fisch 13 Doom Zoom 5:01 Companies, etc. Phonographic Copyright (p) – New Millennium Communications Ltd. Copyright (c) – New Millennium Communications Ltd. Published By – Island Music Ltd. Credits Bass, Vocals – Stephen Mallinder Coordinator [Project Co-ordinators For Burning Airlines, Nmc Ltd.] – C.P Sandercock-Rout*, Trevor Jones Design – The Designers Republic Drums, Percussion – Mark Tattersall (tracks: 1 to 11, 13) Engineer [Engineered By] – Martyn Parker (tracks: 1 to 4), Mike Engles (tracks: 5 to 7), Nick Gomm (tracks: 8 to 11) Mastered By – Jolly Producer [Bbc Producer] – Barry Andrews (tracks: 8 to 11), Dale Griffin (tracks: 5 to 7), John Sparrow (tracks: 1 to 4) Sequenced By [Sequencers], Synthesizer [Synthesisers], Programmed By [Programming], Electric Guitar, Saxophone [Saxaphone], Violin [Electric Violin] – Richard H. -
Cabaret Voltaire Mix-Up Mp3, Flac, Wma
Cabaret Voltaire Mix-Up mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Mix-Up Country: Europe Style: Industrial, Experimental MP3 version RAR size: 1830 mb FLAC version RAR size: 1533 mb WMA version RAR size: 1478 mb Rating: 4.7 Votes: 823 Other Formats: ADX RA DMF VOC AHX VQF AUD Tracklist Hide Credits 1 Kirlian Photograph 5:32 No Escape 2 3:34 Written-By – Saxon* 3 Fourth Shot 3:57 4 Heaven And Hell 5:45 5 Eyeless Sight (Recorded Live 79) 3:12 Photophobia 6 5:49 Arranged By – C.V.*Lyrics By – Victor 7 On Every Other Street 4:01 8 Expect Nothing 6:05 9 Capsules 4:04 Companies, etc. Recorded At – Western Works Produced At – Western Works Phonographic Copyright (p) – Rough Trade Records Ltd. Published By – Neil Music Ltd. Glass Mastered At – Nimbus – C8835 Credits Bass, Lead Vocals – Stephen Mallinder Composed By – C.V.* Drums – Haydn Boyes-Weston Electronics, Tape – Chris Watson Guitar, Wind [Wind Instruments] – Richard H. Kirk Mastered By – Porky Recorded By, Producer – Cabaret Voltaire Notes Post-1994 repress of the 1990 reissue. Recorded and produced at 'Western Works' Jul/Aug 79. Barcode and Other Identifiers Barcode: 5 016025 670086 Matrix / Runout: C8835 CABS 8 CD Mastering SID Code: IFPI L123 Other versions Category Artist Title (Format) Label Category Country Year Cabaret Mix-Up (LP, ROUGH 4 Rough Trade ROUGH 4 UK 1979 Voltaire Album) Cabaret Mix-Up (LP, GI LP 4 Go International GI LP 4 Italy 1979 Voltaire Album) Cabaret Mix-Up (LP, ROUGH 4 Y5 Base Record ROUGH 4 Y5 Italy 1979 Voltaire Album) Cabaret Mix-Up -
Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975-1996
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975-1996 A Dissertation Presented by Jason James Hanley to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philsophy in Music (Music History) Stony Brook University August 2011 Copyright by Jason James Hanley 2011 Stony Brook University The Graduate School Jason James Hanley We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. Judith Lochhead – Dissertation Advisor Professor, Department of Music Peter Winkler - Chairperson of Defense Professor, Department of Music Joseph Auner Professor, Department of Music David Brackett Professor, Department of Music McGill University This dissertation is accepted by the Graduate School Lawrence Martin Dean of the Graduate School ii Abstract of the Dissertation Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975-1996 by Jason James Hanley Doctor of Philosophy in Music (Music History) Stony Brook University 2011 The British band Throbbing Gristle first used the term Industrial in the mid-1970s to describe the intense noise of their music while simultaneously tapping into a related set of aesthetics and ideas connected to early twentieth century modernist movements including a strong sense of history and an intense self-consciousness. This model was expanded upon by musicians in England and Germany during the late-1970s who developed the popular music style called Industrial as a fusion of experimental popular music sounds, performance art theatricality, and avant-garde composition. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
What Is Post-Punk?
What is Post-Punk? A Genre Study of Avant-Garde Pop, 1977-1982 Mimi Haddon Schulich School of Music McGill University, Montréal April 2015 A thesis submitted to McGill University in partial fulfilment of the requirements of the degree of Ph.D. in Musicology © Mimi Haddon 2015 iii TABLE OF CONTENTS Abstract ........................................................................................................................................... vi Résumé ......................................................................................................................................... vii Acknowledgements ..................................................................................................................... viii List of Musical Examples ................................................................................................................ x List of Diagrams and Tables ........................................................................................................... xi List of Figures ............................................................................................................................... xii INTRODUCTION ........................................................................................................................... 1 Historiography and Genre ........................................................................................................ 4 Genre as Musical Style .......................................................................................................... -
Cabaret Voltaire #8385 Collected Works (1983-1985) Mp3, Flac, Wma
Cabaret Voltaire #8385 Collected Works (1983-1985) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: #8385 Collected Works (1983-1985) Country: UK Released: 2013 Style: Industrial, Electro, Experimental MP3 version RAR size: 1481 mb FLAC version RAR size: 1664 mb WMA version RAR size: 1853 mb Rating: 4.7 Votes: 473 Other Formats: AIFF MP2 MPC AC3 VOX MMF AA Tracklist The Crackdown CD1-1 24-24 5:55 CD1-2 In The Shadows 4:33 CD1-3 Talking Time 5:21 CD1-4 Animation 5:34 CD1-5 Over And Over 4:25 CD1-6 Just Fascination 4:05 CD1-7 Why Kill Time (When You Can Kill Yourself) 3:51 CD1-8 Haiti 3:18 CD1-9 Crackdown 6:24 CD1-10 Diskono 5:46 CD1-11 Double Vision 4:14 CD1-12 Badge Of Evil 5:28 CD1-13 Moscow 4:52 Micro-Phonies CD2-1 Do Right 6:42 CD2-2 The Operative 3:14 CD2-3 Digital Rasta 5:39 CD2-4 Spies In The Wires 3:19 CD2-5 Theme From Earthshaker 2:49 CD2-6 James Brown 5:04 CD2-7 Slammer 5:32 CD2-8 Blue Heat 4:02 CD2-9 Sensoria 6:16 Drinking Gasoline CD3-1 Kino 8:36 CD3-2 Sleepwalking 8:28 CD3-3 Big Funk 8:13 CD3-4 Ghostalk 7:57 The Covenant, The Sword And The Arm Of The Lord CD4-1 L21ST 5:31 CD4-2 I Want You 4:40 CD4-3 Hells Home 5:08 CD4-4 Kickback 5:19 CD4-5 The Arm Of The Lord 2:00 CD4-6 Warm 3:20 CD4-7 Golden Halos 5:10 CD4-8 Motion Rotation 4:01 CD4-9 Whip Blow 4:56 CD4-10 The Web 4:47 83-85 12" As & Bs CD5-1 Just Fascination (12" Version) 8:14 CD5-2 Crackdown (12" Version) 8:33 CD5-3 The Dream Ticket (12" Version) 7:49 CD5-4 Sensoria (12" Version) 7:52 CD5-5 James Brown (12" Version) 7:39 CD5-6 I Want You (12" Version) 7:49 CD5-7 Safety Zone (12" Version) 6:24 CD5-8 Cut The Damn Camera (12" Version) 3:49 CD5-9 Bad Self Pt.1 (12" Version) 6:39 CD5-10 Drink Your Poison (12" Version) 6:10 CD5-11 C.O.M.A. -
SIF and the Emergence of Independent Film and Video in Sheffield
SIF and the emergence of independent film and video in Sheffield WILSON, Alex Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/16221/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/16221/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. SIF AND THE EMERGENCE OF INDEPENDENT FILM AND VIDEO IN SHEFFIELD ALEX GLEN WILSON (STUDENT NUMBER: 25042732) A THESIS SUBMITTED IN FULFILMENT OF THE REQUIREMENTS OF SHEFFIELD HALLAM UNIVERSITY FOR THE DEGREE OF MASTER OF RESEARCH BY HISTORY OCTOBER 2016 1 ABSTRACT The purpose of this thesis is to investigate the emergence and development of independent film and video culture in Sheffield using a case study of the Sheffield Independent Film group (SIF) as a lens through which to frame the moving image community of the period loosely defined, 1976-1985. The study will ask: what were the enablers for SIF’s establishment? Who were the primary figures and filmmaking groups at its centre, and what types of production were being made? How did SIF’s strategy evolve during this period? What was the relationship between production in Sheffield and the wider British film and video of the time? What role did local and national government policy play in developing a moving image culture in the city? As the second half of the 1980s begin, what future did SIF and its members face? Answers to these questions will enable new light to be shed on the relationship between regional film and video development policy and entrepreneurial activity in the cultural industries and, for the first time, unveil the neglected history of an independent moving image praxis in South Yorkshire. -
Industrial Music
The History of Rock Music - The Eighties The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) Industrial Music (These are excerpts from my book "A History of Rock and Dance Music") Sheffield 1977-80 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. The term "industrial music" was first used by Monte Cazazza, an avantgarde composer based in San Francisco, but the meaning of "industrial music" was defined in Sheffield, England. Performance artists had employed abrasive, lugubrious soundtracks for their shows since the 1960s. As the technology improved, those soundtracks became more and more extreme. The marriage of avantgarde art and avantgarde music that dated from the days of Andy Warhol and the Velvet Underground was revived by the new wave, especially in California, and eventually landed in Europe. Sheffield became the emblem of the industrial society. Throbbing Gristle and Cabaret Voltaire, the inventors of "industrial music", were familiar with the noise of a factory and decided to use that noise as a metaphor for the human condition at the end of the 20th century. They began composing lengthy suites of electronic noise that were inspired by the creaking, the hissing and the thuds of machines, by the metronomes, by the clockwork mechanisms of a factory. However, the core theme of the music played by Throbbing Gristle (15) was not science-fiction: it was pornography and horror. -
Graciela Iturbide Merlin James Imi Knoebel Susan Bee Craig Kalpakjian Norma Cole
APRIL 2020 GRACIELA ITURBIDE MERLIN JAMES IMI KNOEBEL SUSAN BEE CRAIG KALPAKJIAN NORMA COLE APRIL 2020 GRACIELA ITURBIDE CRAIG KALPAKJIAN MERLIN JAMES SUSAN BEE IMI KNOEBEL GUEST CRITIC NORMA COLE CARL ANDRE JULIAN LETHBRIDGE TAUBA AUERBACH SOL LEWITT JENNIFER BARTLETT CHRISTIAN MARCLAY BERND AND HILLA BECHER JUSTIN MATHERLY CÉLESTE BOURSIER-MOUGENOT PETER MOORE CECILY BROWN DAVID NOVROS CLAES OLDENBURG & SOPHIE CALLE COOSJE VAN BRUGGEN BEATRICE CARACCIOLO PAUL PFEIFFER SARAH CHARLESWORTH WALID RAAD BRUCE CONNER VERONICA RYAN MARK DI SUVERO JOEL SHAPIRO SAM DURANT RUDOLF STINGEL MATIAS FALDBAKKEN KELLEY WALKER JA'TOVIA GARY DAN WALSH LIZ GLYNN MEG WEBSTER ROBERT GROSVENOR ROBERT WILSON HANS HAACKE JACKIE WINSOR DOUGLAS HUEBLER CAREY YOUNG MICHAEL HURSON BING WRIGHT PAULA COOPER GALLERY 524 W 26TH STREET / 521 W 21ST STREET NEW YORK 212 255 1105 WWW.PAULACOOPERGALLERY.COM Yi Yunyi A Son Older Than His Father April 30 – June 6, 2020 DOOSAN Gallery New York The Deborah Buck Foundation in partnership with the Brooklyn Rail proudly announces the first annual Stepping Up to the Plate Award to: THE BALTIMORE MUSEUM OF ART for their 2020 Vision initiative to provide greater recognition for female-identifying artists and leaders The award will be given annually to an institution that is working at the forefront of reversing the marginalization of women in the arts About 2020 Vision at The Baltimore Museum of Art “The BMA’s 2020 Vision initiative serves 2020 Vision is a year of exhibitions and programs dedicated to the presentation of to recognize the voices, narratives, the achievements of female identifying artists. The initiative encompasses 16 solo exhibitions and creative innovations of a range of and seven thematic shows.