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Atanarjuat Als Werk Indigenen Filmschaffens in Kanada – Eine Analyse Der Filmischen Gestaltung“
DIPLOMARBEIT Titel der Diplomarbeit „From Inuit Point of View: Zacharias Kunuks Spielfilm Atanarjuat als Werk indigenen Filmschaffens in Kanada – eine Analyse der filmischen Gestaltung“ Verfasser Christoph Johannes Jahn angestrebter akademischer Grad Magister der Philosophie (Mag.phil.) Wien, November 2012 Studienkennzahl lt. Studienblatt: A 317 Studienrichtung lt. Studienblatt: Theater-, Film- und Medienwissenschaft Betreuerin: Univ.-Prof. Dr. Elisabeth Büttner, M.A. Danksagung: Mein Dank gilt meiner Betreuerin Univ.-Prof. Dr. Elisabeth Büttner, Prof. Thomas Waugh, der meine Recherchearbeiten in Kanada betreut hat, Dr. Britta Hartmann, Chris Crilly, Marion Delaronde und Marie-Hélène Cousineau, meinen Eltern, die mich in allen Phasen meines Studiums unterstützt haben, und den indigenen Filmschaffenden, welchen diese Arbeit gewidmet ist. Inhaltsverzeichnis Seite: 1. Einleitung 3 2. Indigenes Filmschaffen in Kanada 6 3. Das Medium Film im Bezug zum kulturellen Hintergrund der Inuit 15 3.1. Von der Erzähltradition zum Erzählkino 15 3.2. Autonome indigene Filmproduktion im Norden Kanadas 20 3.2.1. Igloolik Isuma Productions 20 3.2.2. Zacharias Kunuk 22 3.2.3. Kunuks frühe Videoproduktionen 23 4. Die filmische Gestaltung des Werkes ATANARJUAT 31 4.1. Filmhandlung und Entstehungsprozess 31 4.2. Erinnerungsbilder: Verschmelzung von Vergangenheit und Gegenwart 36 4.3. Visualisierung einer Legende: Zu den filmischen Gestaltungsmitteln 38 4.3.1. „Frozen but always in motion“: Kameraführung und Bildgestaltung 38 4.3.2. „Long takes, slow pace“: Montage 48 4.3.3. „Natural light and real locations“: Erzählräume und Lichtgebung 53 4.3.4. „Music of the south for a film of the north“: Zur Tonebene 56 4.4. Einzigartigkeit und Konventionalität 59 4.5. -
Film Reference Guide
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld. -
RESOURCES in ENGLISH for TEACHING ABOUT QUÉBEC
RESOURCES in ENGLISH FOR TEACHING ABOUT QUÉBEC Annotated recommendations for Middle and High School Educators Betsy Arntzen and Amy Sotherden Northeast National Resource Center on Canada UMaine and SUNY Plattsburgh October, 2008 Written with contributions by: Dean June, Attica, New York; Stephen Marcotte, Beaconsfield, Québec; Tina Storer, Bellingham, Washington; and Ruth Writer, Buchanan, Michigan. ON-LINE : http://canadianstudies.isp.msu.edu/publications/occasional_papers.htm 1 | P a g e INTRODUCTION Quebec sparks much curiosity whenever Canada is discussed in American Classrooms. To assist teachers and students alike, numerous resources have been reviewed and described to reveal the unique nature of Quebec‘s society, history, geography and culture. The resources chosen below include print, audio/video, and web-based materials and were selected based on their ease of accessibility and quality of content. Our goal was to establish a broad list of resources available in the English language that could be utilized for the Middle and High School audiences. This resource list is arranged by broad subject category from providing a general background and overview introduction to the province, to more specific topics such as geography, First Nations, history, young adult fiction, culture, and politics and government. Subcategories are organized by the type of resource such as reference books, general references, textbooks, or websites. As teachers and learners ourselves, we invite and encourage your feedback to expand and improve this list -
Den 33. Kortfilmfestivalen the 33Rd Norwegian Short Film Festival 16.6
Kortfilmfestivalen 2010 Katalog for den 33. Kortfilmfestivalen, Grimstad 16.–21. juni 2010 Design: Yokoland Trykk: AIT Otta AS Papir: Munken Lynx 130 g. Satt i Berthold Akzidenz Grotesk Utgiver/Publisher: Kortfilmfestivalen, Filmens Hus Dronningens gate 16, NO-0152 Oslo Den 33. Kortfilmfestivalen Telefon/Phone: +47 22 47 46 46 The 33rd Norwegian Short Film Festival E-mail: [email protected] E-mail: [email protected] www.kortfilmfestivalen.no 16.6–21.6 2010 Den 33. The 33rd Norwegian Kortfilmfestivalen Short Film Festival Grimstad, 16.—21. juni 2010 Grimstad, 16th —21st June 2010 Innhold Contents Velkommen 4 Welcome 5 Praktisk informasjon 6 Practical information 6 Festival styre, administrasjon og stab 7 Festival Board, Administration and Staff 7 Festivalåpning 8 Festival Opening 8 Avslutningsfest 9 Closing Party 9 Møt regissørene 10 Meet the directors 10 Priser 12 Awards 13 Jury norsk kortfilm 14 Jury Norwegian Short Films 14 Jury norsk dokumentar 16 Jury Norwegian Documentaries 16 Jury internasjonal kortfilm 18 Jury International Short Films 18 NK – Norsk kortfilm NK – Norwegian Short Films Introduksjon kortfilm 22 Introduction short films 23 Introduksjon musikkvideo 24 Introduction music video 25 NK1–NK6 26 NK1–NK6 26 NK7 musikkvideo 44 NK7 Music video 44 NK8 56 NK8 56 ND – Norsk dokumentar ND – Norwegian Documentaries Introduksjon 62 Introduction 63 ND 64 ND 64 IK – Internasjonal kortfilm IK – International Short Films IK1–IK5 74 IK1–IK5 74 ID – Internasjonal dokumentar ID – International Documentaries Krig, krise og konflikt -
The Impact of Digital Technology on Documentary Distribution
1 The Impact of Digital Technology on Documentary Distribution by Nicole Marie Nime A thesis submitted to the University of London for the degree of Doctor of Philosophy Department of Media Arts Royal Holloway, University of London 2012 2 Declaration of Authorship I, Nicole Marie Nime, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Nicole Marie Nime Date: 30 May 2012 3 Abstract The Internet and digital technologies have created an opportunity for documentaries to find new audiences; however, documentary’s capacity to overcome the challenges that the online market presents and achieve sustainability is not yet understood. This study brings together research in the areas of new media and documentary in order to comprehend and assess the significance of the growing overlap between the two. Focusing on documentary distribution post-2000, in the United States and the United Kingdom, the thesis examines how the online market has influenced both the culture of documentary and the economic structure of the methods used to distribute documentary films. This involves an exploration of the rise of digital media in relation to its impact upon the film industry and a historical review of the changes that have occurred within the documentary marketplace. The core analysis takes the form of a case study approach that sets out to identify trends in documentary distribution and generate insights into the new models that both documentary platforms and filmmakers have employed. What this research suggests is that documentary distribution via the Web requires a new framework for thinking about how films reach audiences and generate revenues. -
Annual Report
ANNUAL REPORT 2015-2016 © 2016 National Film Board of Canada Published by Strategic Planning and Government Relations P.O. Box 6100, Station Centre-ville Montreal, Quebec H3C 3H5 Internet: onf-nfb.gc.ca E-mail: [email protected] Cover : LE PHOTOGRAPHE INCONNU (THE UNKNOWN PHOTOGRAPHER), Loïc Suty ISBN 0-7722-1277-5 2nd Quarter 2016 Printed in Canada TABLE OF CONTENTS MESSAGE FROM THE GOVERNMENT FILM COMMISSIONER FOREWORD HIGHLIGHTS AWARDS GOVERNANCE MANAGEMENT SUMMARY OF ACTIVITIES FINANCIAL STATEMENTS ANNEX I: NFB AcrOSS CANADA ANNEX II: PRODUCTIONS ANNEX III: INDEPENDENT FILM PROJECTS SUPPORTED BY ACIC AND FAP Images from VAYSHA L’AVEUGLE (BLIND VAYSHA) Theodore Ushev August 29, 2016 The Honourable Mélanie Joly Minister of Canadian Heritage Ottawa, Ontario Minister: I have the honour of submitting to you, in accordance with the provisions of section 20(1) of the National Film Act, the Annual Report of the National Film Board of Canada for the period ended March 31, 2016. The report also provides highlights of noteworthy events of this fiscal year. Yours respectfully, Claude Joli-Coeur Government Film Commissioner and Chairperson of the National Film Board of Canada CHRIS HADFIELD 2016 VIRTUAL CLASSROOM Chris Hadfield shares his exciting experiences as the first Canadian in command of the International Space Station, at a live, cross-Canada workshop organized by NFB Education Photo: Fortune Hill Photography IN NUMBERS 2015-2016 – IN NUMBERS 2 PUBLIC INSTALLATIONS 2 APPLICATIONS FOR TABLETS 6 INTERACTIVE WEBSITES 43 ORIGINAL NFB FILMS -
Eyesteelfilm Distribution L’Art De Placer Ses Pions Guilhem Caillard
Document generated on 09/28/2021 12:45 p.m. Séquences La revue de cinéma EyeSteelFilm Distribution L’art de placer ses pions Guilhem Caillard Number 280, September–October 2012 URI: https://id.erudit.org/iderudit/67384ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this article Caillard, G. (2012). EyeSteelFilm Distribution : l’art de placer ses pions. Séquences, (280), 15–15. Tous droits réservés © La revue Séquences Inc., 2012 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Industrie-Québec | PANORAMIQUE 15 EyeSteelFilm Distribution L'art de placer ses pions La société montréalaise a décidément plusieurs cordes à son arc. Avec opiniâtreté et un certain sens de l’innovation, sa nouvelle branche distribution a vu le jour il y a peu, sous la houlette de Damien Detcheberry, ex-programmateur au Festival du nouveau cinéma. Guilhem Caillard yeSteelFilm : « une entreprise Mais la recette du bouche-à- de médias interactifs et de films oreille n’est pas toujours gagnante : le edocumentaires qui s’est enga- pourtant maîtrisé China Heavyweight gée à encourager les changements (Yung Chang, 2012) a moins fait sociaux et politiques par l’expres- l’unanimité. -
Speakers Biographies
THE SPEAKERS Jason Scott / Speaker Internet Archive Jason Scott is the director of BBS: The Documentary (2005), Get Lamp (2010), and DEFCON: The Documentary (2013), three tech culture-oriented documentaries. He is currently filming Arcade and The 6502, which are in the same vein. He is also an archivist and historian at Internet Archive. After working in the video game industry, in 1998 he started textfiles.com, which has been host to millions of visitors and is used frequently as a historical reference and lazy-day pastime. The site’s original mission was to make available the thousands of BBS textfiles he’d collected in his youth. Consisting of over a terabyte of data, the site has expanded greatly in all directions of computer history. Christiane Paul / Speaker Whitney Museum of American Art / The New School Curator of Digital Art at the Whitney Museum of American Art. She is the recipient of the Thoma Foundation’s 2016 Arts Writing Award in Digital Art, and her recent books are A Companion to Digital Art (Blackwell-Wiley, May 2016); Digital Art (Thames and Hudson, 3rd revised edition, 2015); Context Providers – Conditions of Meaning in Media Arts (Intellect, 2011; Chinese edition, 2012); and New Media in the White Cube and Beyond (UC Press, 2008). At the Whitney Museum, she curated exhibitions including Cory Arcangel: Pro Tools (2011) and Profiling (2007), and is responsible for artport, the museum’s portal to Internet art. Other curatorial work includes Little Sister (is watching you, too) (Pratt Manhattan Gallery, NYC, 2015); What Lies Beneath (Borusan Contemporary, Istanbul, 2015); and The Public Private (Kellen Gallery, The New School, NYC, 2013). -
2008-2009 ANNUAL REPORT the World Changes Our Stories Live On
The World Changes Our Stories Live On 2008-2009 ANNUAL REPORT The World Changes Our Stories Live On © 2010 National Film Board of Canada PUBLISHED BY PHONE 514-283-9246 Communications Service FAX 514-283-8971 PO Box 6100, Station Centre-ville INTERNET onf-nfb.gc.ca Montreal, Quebec H3C 3H5 ISBN 0-7722-1265-1 1st quarter 2010 DESIGN Folio et Garetti Printed in Canada / Recycled paper Table of contents 1. Message from the Government Film Commissioner ............................ 05 2. About the National Film Board of Canada .............................................. 11 3. Highlights of the Year .............................................................................. 15 4. Progress Toward Our Strategic Goals .................................................... 21 5. Awards Highlights .................................................................................. 49 6. Governance .............................................................................................. 54 7. Senior Management ................................................................................ 55 8. Summary of Activities.............................................................................. 56 9. Financial Statements .............................................................................. 59 | 1 ANNEX I: NFB across Canada ANNEX II: Partner libraries in Canada ANNEX III: Awards ANNEX IV: Productions ANNEX V: Independent Film Projects supported by ACIC (Aide au cinéma indépendant – Canada) Independent Film Projects supported by FAP (Filmmaker -
Spanish Catalogue Títulos En Español
CONTACT | CONTACTO NFB SPANISH CATALOGUE TÍTULOS EN ESPAÑOL OSCAR RANGEL AGENT, SALES & MARKET DEVELOPMENT AGENTE DE VENTAS US / LATIN AMERICA / IBERIA EEUU / LATINOAMÉRICA / IBERIA +1-514-629-5174 [email protected] NFB.CA/DISTRIBUTION © 2021 National Film Board of Canada. Printed in Canada. | Office national du film du Canada. Imprimé au Canada. 24 DAVIDS THE AMINA PROFILE 133 MIN | 2017 | CÉLINE BARIL | NFB 52 MIN • 86 MIN | 2015 | SOPHIE DERASPE | ESPERAMOS FILMS, NFB The 24 Davids in this film are of varying ages and professions, ranging from cosmologist to recycler. A Syrian-American revolutionary launches the Together, they construct a playful ecosystem of provocative blog A Gay Girl in Damascus and is ideas that touches on every sphere of knowledge subsequently abducted, sparking an international A BETTER MAN and carries within it the power to radically outcry. Part love story, part international thriller, transform. this doc offers a gripping chronicle of an 58 MIN • 78 MIN | 2017 | ATTIYA KHAN, LAWRENCE JACKMAN | INTERVENTION PRODUCTIONS INC., NFB unprecedented social media hoax. Los 24 Davids en esta película son de diferentes edades y profesiones, que van desde un cosmólogo Una revolucionaria sirio-estadounidense crea During the two years they lived together, Steve Durante los dos años que vivieron juntos, Steve a un reciclador. Juntos construyen un divertido el blog provocador A Gay Girl in Damascus y abused Attiya on a daily basis. Twenty years later, abusó de Attiya diariamente. Veinte años después, ecosistema de ideas que afecta a todas las esferas posteriormente es secuestrada, provocando la Attiya has asked Steve to meet. -
RIP PRESS KIT.Indd
PRESS KIT RiP: A remix manifesto A digital anarchist’s Bible... with a killer soundtrack! Vancouver Sun PUBLICIST: DISTRIBUTOR - AUSTRALIA & NEW ZEALAND: PAUL BRENNAN GIL SCRINE FILMS [email protected] 44 Northcote Street, East Brisbane Qld. 4169, AUSTRALIA Ph 0411 366 916 Ph + 61 7 33910124 | Fax + 61 7 33910154 Email [email protected] press kit contents synopsis 1 accolades 2 quotes 2 about the director 3 credits 3 press 4 synopsis In RiP: A remix manifesto, Web activist and filmmaker Brett Gaylor explores issues of copyright in the information age, mashing up the media landscape of the 20th century and shattering the wall between users and producers. The film’s central protagonist is Girl Talk, a mash-up musician topping the charts with his sample-based songs. But is Girl Talk a paragon of people power or the Pied Piper of piracy? Creative Commons founder, Lawrence Lessig, Brazil’s Minister of Culture Gilberto Gil and pop culture critic Cory Doctorow are also along for the ride. A participatory media experiment, from day one, Brett shares his raw footage at opensourcecinema.org, for anyone to remix. This movie-as-mash-up method allows these remixes to become an integral part of the film. With RiP: A remix manifesto, Gaylor and Girl Talk sound an urgent alarm and draw the lines of battle... which side of the ideas war are you on? PAGE 1 DISTRIBUTION: GIL SCRINE FILMS RiP: A remix manifesto PRESS KIT [email protected] | Ph. +61 7 3391 0124 accolades Audience Award - International Documentary Festival Amsterdam People’s Choice Award - Whistler Film Festival Special Jury Prize - Festival du nouveau cinema Montreal Official Selections in: South by South West (SXSW) Festival Munich Dokfest Club Transmediale Berlin Tempo Dokumentar Festival Stockholm Redez Vous Cinema Quebecois Adelaide Film Festival AFI Dallas quotes A digital anarchist’s bible.. -
Catalogue Ridm
TABLE DES MATIÈRES TABLE OF CONTENTS 2 Équipe Team 4 Partenaires Partners 6 Remerciements Acknowledgments 8 Mots de bienvenue Words of Welcome 21 Prix et jurys Awards and Juries 30 Films d’ouverture et de clôture Opening and Closing Films COMPÉTITION OFFICIELLE OFFICIAL COMPETITION 37 Compétition internationale longs métrages International Feature Competition 51 Compétition nationale longs métrages National Feature Competition 63 Compétition nouveaux regards New Visions Competition 71 Compétition internationale courts et moyens métrages International Short and Medium-Length Competition 89 Compétition nationale courts et moyens métrages National Short and Medium-Length Competition PANORAMA 102 États du monde The State of the World 110 Portraits 120 Histoires naturelles Natural Stories 130 Histoire revisitée History Revisited 137 Résistance Resistance 146 UXdoc RÉTROSPECTIVES RETROSPECTIVES 158 Luc Moullet 166 Laura Huertas Millán INTERSECTIONS CROSSROADS 174 Projections spéciales Special Screenings 182 Leçons de cinéma Master Classes 183 Discussions | Projections et Débats Talks | Screenings and Debate 188 RIDM à l’année RIDM beyond the Fest 226 Index et salles Index and Venues 2 CONSEIL D’ADMINISTRATION BOARD OF DIRECTORS Présidente Administrateurs Membres honoraires Chair Administrators Honorary Members SARAH SPRING FRÉDÉRIC BARRIAULT MARTIN DUBÉ CORYELL BOFFY-RESEL CLAUDE GODBOUT Trésorier GINETTE DEPELTEAU DOROTHY HÉNAUT Treasurer LESLEY JOHNSTONE JEAN-DANIEL LAFOND SIMON TELLIER PHILIPPE LAMARRE PAUL LAPOINTE COLETTE LOUMÈDE ERICA