Congressional Record—House H2157
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AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green
AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green Let's Stay Together Alabama Dixieland Delight Alan Jackson It's Five O'Clock Somewhere Alex Claire Too Close Alice in Chains No Excuses America Lonely People Sister Golden Hair American Authors The Best Day of My Life Avicii Hey Brother Bad Company Feel Like Making Love Can't Get Enough of Your Love Bastille Pompeii Ben Harper Steal My Kisses Bill Withers Ain't No Sunshine Lean on Me Billy Joel You May Be Right Don't Ask Me Why Just the Way You Are Only the Good Die Young Still Rock and Roll to Me Captain Jack Blake Shelton Boys 'Round Here God Gave Me You Bob Dylan Tangled Up in Blue The Man in Me To Make You Feel My Love You Belong to Me Knocking on Heaven's Door Don't Think Twice Bob Marley and the Wailers One Love Three Little Birds Bob Seger Old Time Rock & Roll Night Moves Turn the Page Bobby Darin Beyond the Sea Bon Jovi Dead or Alive Living on a Prayer You Give Love a Bad Name Brad Paisley She's Everything Bruce Springsteen Glory Days Bruno Mars Locked Out of Heaven Marry You Treasure Bryan Adams Summer of '69 Cat Stevens Wild World If You Want to Sing Out CCR Bad Moon Rising Down on the Corner Have You Ever Seen the Rain Looking Out My Backdoor Midnight Special Cee Lo Green Forget You Charlie Pride Kiss an Angel Good Morning Cheap Trick I Want You to Want Me Christina Perri A Thousand Years Counting Crows Mr. -
Congressional Record—Senate S6907
June 16, 2004 CONGRESSIONAL RECORD — SENATE S6907 COMMITTEE ON FOREIGN RELATIONS BINGAMAN, that during the pendency of bility for U.S. fishers and processors Mr. WARNER. Mr. President, I ask the DOD authorization bill, S. 2400, and a structure for future scientific unanimous consent that the Com- Sherrick Roanhorse and Rebecca collaboration. mittee on Foreign Relations be author- Wilcox, interns on Senator BINGAMAN’s The recommended legislation nec- ized to meet during the session of the staff, be given the privilege of the essary to implement the Agreement Senate on Wednesday, June 16, 2004 at floor. will be submitted separately to the 2 p.m. to hold a Nominations Hearing. The PRESIDING OFFICER. Without Congress. The PRESIDING OFFICER. Without objection, it is so ordered. I recommend that the Senate give fa- objection, it is so ordered. vorable consideration to this Agree- f ment and give its advice and consent to COMMITTEE ON INDIAN AFFAIRS APPOINTMENTS ratification at an early date. Mr. WARNER. Mr. President, I ask unanimous consent that the Com- The PRESIDING OFFICER. The f mittee on Indian Affairs be authorized Chair, on behalf of the Majority Leader RECOGNIZING THE ACCOMPLISH- to meet on Wednesday, June 16, 2004, at pursuant to Public Law 107–252, Title MENTS AND CONTRIBUTIONS OF 10 a.m. in Room 485 of the Russell Sen- II, Section 214, appoints the following RAY CHARLES TO THE WORLD ate Office Building to conduct a Busi- individual to serve as a member of the OF MUSIC ness Meeting on pending committee Election Assistance Board of Advisors: Mr. -
St. Mary-St. Catherine of Siena Roman Catholic Parish
St. Mary-St. Catherine Of Siena Roman Catholic Parish Charlestown, Massachusetts ▪ Archdiocese of Boston stmarystcatherine.org Our Mission is to make active disciples of Jesus Christ by creating a welcoming community rich in spirituality and by moving people to embrace their God-given talents in the service of others and the care of creation. January 17, 2021 OUR STRENGTH IS OUR UNITY Welcome! I think it was on a Monday To visitors to our Parish, to those when I drove out of the parish who have recently moved into the in Durán, Ecuador past an area and to those comfortable and open field, large and unused in nourished here—Welcome To All. any way. The next morning, as And, regardless of your status in I came around the corner in the Church, your marital state, your my truck, I could barely be- ethnicity, your prior religious lieve it: there were hundreds of experience, your personal history, caña shacks with tin roofs background or sexual orientation, dotting the large field. An please know that you are “invasion” had happened; accepted and respected at Saint poor people occupying unused open space and by the mere occupancy, claiming Mary–Saint Catherine of Siena it as a place to build a home and live. This has happened all over Latin America. Parish. Please introduce yourself to It has been the way cities that once had populations of 50,000 now have sprawled the priest and register as a into cities of millions of people. It is very messy, sometimes violent and a hard member of our Parish. -
1Guitar PDF Songs Index
Material on Guitar Website Reference Beginning Guitar Music Guitar Cover Beginning Chords Fingerpicking Bass Runs for Guitar Guitar Christmas Song List Guitar Care Guitar PDF Song Index 1/4/2017 Good Reader Web Downloads to Goodreader How to Use Goodreader Downloading Files to the iPad from iTunes Saving Your Internet Passwords Corrected Guitar and PDF 509 Songs 1/4/2017 A Bushel and a Peck Bad Moon Rising A White Sport Coat Ballad of Davy Crockett All I Ask of You Ballad of Green Berets All My Ex’s Live in Texas Battle Hymn of Aging All My Lovin’ Be Our Guest All My Trials Beautiful Brown Eyes Always On My Mind Because of You Am I That Easy to Forget Beep Beep Amanda - bass runs Beer for My Horses + tab Amazing Grace - D Begin the Beguine A America the Beautiful Besame Mucho American Pie Beyond the Reef Amor Big Rock Candy Mountain And I Love Her Blame It On Bossa Nova And I Love You So Blowin’ in the Wind Annie’s Song Blue Bayou April Love Blue Eyes Crying in the Rain - D, C Aquarius Blue Blue Skies Are You Lonesome Tonight Blueberry Hill Around the World in 80 Days Born to Lose As Tears Go By Both Sides Now Ashokan Farewell Breaking Up Is Hard to Do Autumn Leaves Bridge Over Troubled Water Bring Me Sunshine Moon Baby Blue D, A Bright Lights Big City Back Home Again Bus Stop Bad, Bad Leroy Brown By the Time I Get to Phoenix Bye Bye Love Dream A Little Dream of Me Edelweiss Cab Driver Eight Days A Week Can’t Help Falling El Condor Pasa + tab Can’t Smile Without You Elvira D, C, A Careless Love Enjoy Yourself Charade Eres Tu Chinese Happy -
4 Non Blondes What's up Abba Medley Mama
4 Non Blondes What's Up Abba Medley Mama Mia, Waterloo Abba Does Your Mother Know Adam Lambert Soaked Adam Lambert What Do You Want From Me Adele Million Years Ago Adele Someone Like You Adele Skyfall Adele Turning Tables Adele Love Song Adele Make You Feel My Love Aladdin A Whole New World Alan Silvestri Forrest Gump Alanis Morissette Ironic Alex Clare I won't Let You Down Alice Cooper Poison Amy MacDonald This Is The Life Amy Winehouse Valerie Andreas Bourani Auf Uns Andreas Gabalier Amoi seng ma uns wieder AnnenMayKantenreit Barfuß am Klavier AnnenMayKantenreit Oft Gefragt Audrey Hepburn Moonriver Avicii Addicted To You Avicii The Nights Axwell Ingrosso More Than You Know Barry Manilow When Will I Hold You Again Bastille Pompeii Bastille Weight Of Living Pt2 BeeGees How Deep Is Your Love Beatles Lady Madonna Beatles Something Beatles Michelle Beatles Blackbird Beatles All My Loving Beatles Can't Buy Me Love Beatles Hey Jude Beatles Yesterday Beatles And I Love Her Beatles Help Beatles Let It Be Beatles You've Got To Hide Your Love Away Ben E King Stand By Me Bill Withers Just The Two Of Us Bill Withers Ain't No Sunshine Billy Joel Piano Man Billy Joel Honesty Billy Joel Souvenier Billy Joel She's Always A Woman Billy Joel She's Got a Way Billy Joel Captain Jack Billy Joel Vienna Billy Joel My Life Billy Joel Only The Good Die Young Billy Joel Just The Way You Are Billy Joel New York State Of Mind Birdy Skinny Love Birdy People Help The People Birdy Words as a Weapon Bob Marley Redemption Song Bob Dylan Knocking On Heaven's Door Bodo -
Transcript of Presentation
(slide 1) Presiding at Communion in a Contemporary Service Before getting to the specific topic of presiding at communion in a contemporary service, allow me to do something that I think will help our discussion and time together. Let me take a look at the word “ethos” and then apply it to this activity we call “worship.” Please be patient for just a few minutes and the relevance of everything to our topic today will become apparent. In addition, I ask for your patience for me to answer your specific questions. I will do so. (slide 2) Here is a dictionary definition for the word “ethos”: ethos is the distinguishing character, sentiments, moral nature, or guiding beliefs of a person, group, or institution. If I would try to summarize this definition, (slide 3) here’s how I would do so: it’s the what and why of how something or someone exists and acts. Thus, an ethos is the defining marks in terms of perspective and practices. As you can see in the dictionary definition, a person, a group, or an institution can have an ethos. (slide 4) And, according to worship historian James White, a way of worship can have an ethos, too. As White was working on a scheme to label and distinguish different ways of worship among Protestants, “ethos” is the term he settled on to point to what’s at the heart of a distinctive way of worship. A distinctive tradition of worship, according to White, has a “dominant ethos” that characterizes it. By that he wants to point to the core character, sentiments, and guiding beliefs of a way of worship. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Top 100 Most Requested Songs of the 1960'S
Top 100 Most Requested Songs of the 1960's RANK ARTIST SONG 1 Diamond, Neil Sweet Caroline (Good Times Never Seemed So Good) 2 Morrison, Van Brown Eyed Girl 3 Beatles Twist And Shout 4 Sinatra, Frank The Way You Look Tonight 5 James, Etta At Last 6 Foundations Build Me Up Buttercup 7 Presley, Elvis Can't Help Falling In Love 8 Temptations My Girl 9 Armstrong, Louis What A Wonderful World 10 Righteous Brothers Unchained Melody 11 Four Tops I Can't Help Myself (Sugar Pie, Honey Bunch) 12 Checker, Chubby The Twist 13 Sinatra, Frank Fly Me To The Moon 14 Beatles All You Need Is Love 15 Franklin, Aretha Respect 16 Cash, Johnny Ring Of Fire 17 Checker, Chubby Let's Twist Again 18 Sledge, Percy When A Man Loves A Woman 19 Orbison, Roy Oh, Pretty Woman 20 Dion Runaround Sue 21 King, Ben E. Stand By Me 22 Temptations Ain't Too Proud To Beg 23 Beatles I Saw Her Standing There 24 Cole, Nat King L-O-V-E 25 Gaye, Marvin & Tammi Terrell Ain't No Mountain High Enough 26 Archies Sugar, Sugar 27 Beatles In My Life 28 Rolling Stones (I Can't Get No) Satisfaction 29 Contours Do You Love Me 30 Beatles I Want To Hold Your Hand 31 Redding, Otis (Sittin' On) The Dock Of The Bay 32 Valli, Frankie Can't Take My Eyes Off You 33 Brown, James & The Famous Flames I Got You (I Feel Good) 34 Gaye, Marvin How Sweet It Is (To Be Loved By You) 35 Sinatra, Frank I've Got You Under My Skin 36 Pickett, Wilson Mustang Sally 37 Presley, Elvis A Little Less Conversation 38 Beach Boys God Only Knows 39 Beatles Can't Buy Me Love 40 Beach Boys Wouldn't It Be Nice 41 Beatles When -
Aaamc Issue 9 Chrono
of renowned rhythm and blues artists from this same time period lip-synch- ing to their hit recordings. These three aaamc mission: collections provide primary source The AAAMC is devoted to the collection, materials for researchers and students preservation, and dissemination of materi- and, thus, are invaluable additions to als for the purpose of research and study of our growing body of materials on African American music and culture. African American music and popular www.indiana.edu/~aaamc culture. The Archives has begun analyzing data from the project Black Music in Dutch Culture by annotating video No. 9, Fall 2004 recordings made during field research conducted in the Netherlands from 1998–2003. This research documents IN THIS ISSUE: the performance of African American music by Dutch musicians and the Letter ways this music has been integrated into the fabric of Dutch culture. The • From the Desk of the Director ...........................1 “The legacy of Ray In the Vault Charles is a reminder • Donations .............................1 of the importance of documenting and • Featured Collections: preserving the Nelson George .................2 achievements of Phyl Garland ....................2 creative artists and making this Arizona Dranes.................5 information available to students, Events researchers, Tribute.................................3 performers, and the • Ray Charles general public.” 1930-2004 photo by Beverly Parker (Nelson George Collection) photo by Beverly Parker (Nelson George Visiting Scholars reminder of the importance of docu- annotation component of this project is • Scot Brown ......................4 From the Desk menting and preserving the achieve- part of a joint initiative of Indiana of the Director ments of creative artists and making University and the University of this information available to students, Michigan that is funded by the On June 10, 2004, the world lost a researchers, performers, and the gener- Andrew W. -
HEBREWS 6:4–6 from an ORAL CRITICAL PERSPECTIVE Casey W
JETS 51/4 (December 2008) 753–67 HEBREWS 6:4–6 FROM AN ORAL CRITICAL PERSPECTIVE casey w. davis* i. introduction Few biblical passages have caused more confusion and argumentation than Heb 6:4–6: “For it is impossible to restore again to repentance those who have once been enlightened, and have tasted the heavenly gift, and have shared in the Holy Spirit, and have tasted the goodness of the word of God and the powers of the age to come, and then have fallen away, since on their own they are crucifying again the Son of God and are holding him up to con- tempt.”1 Learned writers have struggled for nearly two millennia to decipher these enigmatic verses. Recent strategies have employed new approaches, including a synthetic look at the five warning passages in the book, dis- course analysis, comparison to Roman patron-client relationships, and the investigation of OT backgrounds, Jewish apocalyptic, and pneumatological literature.2 All of these methods are viable because they recognize the mindset of the original audience. As Dave Mathewson states, “One of the important ways in which Old Testament allusions and echoes function is to create a concep- tual or semantic grid through which reality is perceived.”3 Such a perceptual grid is crucial to understanding how the original audience would understand what they were hearing. The purpose of this * Casey Davis is associate professor of New Testament Studies at Roberts Wesleyan College, 2301 Westside Drive, Rochester, NY 14624. 1 Unless otherwise noted, all Scripture quotations are from the nrsv. 2 A synthetic look at the warning passages: S. -
Multimillion-Selling Singer Crystal Gayle Has Performed Songs from a Wide Variety of Genres During Her Award-Studded Career, B
MultiMillion-selling singer Crystal Gayle has performed songs from a wide variety of genres during her award-studded career, but she has never devoted an album to classic country music. Until now. You Don’t Know Me is a collection that finds the acclaimed stylist exploring the songs of such country legends as George Jones, Patsy Cline, Buck Owens and Eddy Arnold. The album might come as a surprise to those who associate Crystal with an uptown sound that made her a star on both country and adult-contemporary pop charts. But she has known this repertoire of hardcore country standards all her life. “This wasn’t a stretch at all,” says Crystal. “These are songs I grew up singing. I’ve been wanting to do this for a long time. “The songs on this album aren’t songs I sing in my concerts until recently. But they are very much a part of my history.” Each of the selections was chosen because it played a role in her musical development. Two of them point to the importance that her family had in bringing her to fame. You Don’t Know Me contains the first recorded trio vocal performance by Crystal with her singing sisters Loretta Lynn and Peggy Sue. It is their version of Dolly Parton’s “Put It Off Until Tomorrow.” “You Never Were Mine” comes from the pen of her older brother, Jay Lee Webb (1937-1996). The two were always close. Jay Lee was the oldest brother still living with the family when their father passed away. -
Reviews: Baby It's Cold Outside
Reviews: Baby It’s Cold Outside Chris Pasin, trumpet; Patricia Dalton Fennell, vocals; Armen Donelian, piano; Ira Coleman, bass; Rich Syracuse, bass; Peter Einhorn, guitar; Jeff Siegel, drums Today’s Deep Roots Christmas Pick. December 20, 2017: Chris Pasin and Friends – ‘Baby It’s Cold Outside’ Deep Roots, David McGee Here’s a holiday outing that should satisfy traditionalists and adventurous spirits alike, a true rarity. Trumpeter/flugelhorn master Chris Pasin, whose resume includes several years touring as a soloist with Buddy Rich and backing giants on the order of Sinatra, Torme, Sarah Vaughn, Nancy Wilson, Ray Charles and Tony Bennett, as well crafting his own projects with some of New York’s finest jazz players, has brought some Gotham friends together, along with upstate New York-based vocalist Patricia Dalton Fennell (in a dual role as vocalist and producer), and given the holiday season the scintillating Baby It’s Cold Outside. For those more interested in new insights into seasonal warhorses, Pasin and friends offer a five-and-a- half-minute journey through “Santa Claus Is Coming to Town,” featuring discursive solos by Pasin on trumpet and pianist Armen Donelian, as well as a tasty drum-and-bass dialogue between Jeff Siegel and Ira Coleman, respectively, plus a couple of nice tempo changes for added texture. Similarly, “We Three Kings of Orient Are” is almost unrecognizable when Pasin soars into upper register impressionistic flurries before giving way to Donelian skittering across the keys and taking the melody line into uncharted waters over the course of six-and-a-half minutes.