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Vorschau Cover Herbst 2010 BELI Neuheiten und Gesamtverzeichnis / New Titles and Complete Catalog Herbst 2010 / Fall 2010 Fotografie / Photography 1 Yael Ben-Zion 5683 MILES AWAY 5683 Meilen ist Tel Aviv von New York entfernt. Und aus dieser Entfernung hat Yael Ben-Zion (*1973) in den letzten zehn Jahren ihr Vaterland betrach - tet, insbesondere im Hinblick auf die Bedeutung des »normalen Lebens« an diesem brisanten Ort. Bei ihren häufigen Besuchen in Israel hat die Foto - künstlerin nuancierte und vielschichtige Aufnahmen gemacht, die das We - sen des Alltagslebens der Israelis erfassen. Alle ihre Bilder, ob Innen- oder Außenauf nahmen, Porträts oder Stillleben, sind durch ihre Sensibilität für Details gekennzeichnet. Obwohl sie persönlich und intim wirken, weisen die Fotografien dennoch auf die Komplexität des politischen Klimas in Israel hin und stellen seine emotionalen und sozialen Konsequenzen in Frage. Statt Antworten zu liefern, bietet 5683 miles away eine poetische Reflexion über die Art, wie die Menschen ihr Leben verbringen. Ben-Zions Arbeit wurden in den USA und in Europa gezeigt. Im Jahr 2007 Herausgegeben von / Edited by Yael Ben-Zion wurde ihre Fotografie Crash für das Cover der American Photography ausge - Text von / by Joanna Lehan wählt. 5683 miles away ist ihre erste Monografie. Festeinband / Hardcover 24,5 x 24,5 cm 88 Seiten / pages 5683 miles is the distance between Tel Aviv and New York. From this dis - 55 Farbabb. / color ills. tance, Yael Ben-Zion (*1973) has been looking back at her homeland for ENGLISCH / HEBRÄISCH the last ten years, considering the meaning of »normal life« in this charged ISBN 978-3-8682 8- 137-8 place. In repeated visits to Israel, Ben-Zion has created nuanced and lay - Euro 36,– / Sfr 56,90 Juli / July 2 010 ered images that capture the texture of Israelis’ day-to-day life. Shifting seamlessly between interiors and exteriors, portraits and still life, it is her sensitivity to details that ties the work together. While personal and intimate in nature, the photographs allude to the complexity of the political climate in Israel, and question its emotional and social conse quences. As opposed to providing answers, however, 5683 miles away offers a poetic reflection on the way people spend their lives. Ausstellung / Exhibition Ben-Zion’s work has been exhibited in the United States and in Europe. In 5683 miles away Milton J. Weill Art Gallery, New York 2007, her photograph Crash was selected for the cover of American Photog- 02.03. – 02.05.2011 raphy 23 . 5683 miles away is her first monograph. 2 Fotografie / Photography Fotografie / Photography 3 Martin Wellermann DOUBLE BILL Die Reise, zu der Martin Wellermann einlädt, beginnt in den USA. Im Rück - spiegel eines Autos ist ein bedrohlich naher Truck zu sehen, der an Steven Spielbergs Film Duell denken lässt. Assoziationen dieser Art und die bewusste Zusammenstellung von Bildpaaren sind die zentralen Elemente des Buches. Aufnahmen aus der deutschen Provinz während der Fußball- WM 2006, sieben Eier in Helsinki, ein löchriges Tennisnetz in Eritrea, jor - dani sche Einkaufswagen, eine Bergkette in Vietnam, ein syrischer Dusch - vor hang oder eine Wäscheleine in Polen sowie Sitzbänke am Hamburger Hafen sind weitere Motive, aus denen der Fotograf seine poetische Erzäh - lung formt. Martin Wellermann lebt und arbeitet seit 1996 als freier Foto - graf in Hamburg. Seine erste umfangreiche Einzelausstellung fand 2007 Herausgegeben von / Edited by Martin Wellermann in der Galerie Robert Morat statt. Interview mit / with Martin Wellermann, Hanna Mattes Festeinband / Hardcover The journey Martin Wellermann invites us to join him on begins in the USA. 28,8 x 24,5 cm 112 Seiten / pages In the rear-view window of a car we see a truck looming menacingly close, ca. 85 Farbabb. / color ills. summoning shades of Steven Spielberg’s film Duel. Associations of this DEUTSCH / ENGLISCH kind and the deliberate pairing of images are central elements in this book. ISBN 978-3-8682 8- 155-2 Photographs of rural Germany during the Football World Cup in 2006, seven Euro 36, – / Sfr 56,90 Oktober / October 2 010 eggs in Helsinki, a holey tennis net in Eritrea, Jordanian shopping carts, a mountain chain in Vietnam, a Syrian shower curtain or a clothesline in Poland, along with benches at Hamburg’s harbor, are further motifs with which the photographer shapes his poetic tale. Martin Wellermann has been living in Hamburg since 1996, where he works as a freelance photographer. His first large-scale solo exhibition took place in 2007 at the Robert Morat Gallery. 4 Fotografie / Photography Fotografie / Photography 5 André Lützen André Lützen PUBLIC PRIVATE HANOI Mit der Fotosequenz Public Private Hanoi bewegt sich André Lützen durch das urbane Labyrinth des nächtlichen Hanoi. Die Stadt ist ruhelos, geschäf - PUBLIC PRIVATE tig, eng. Hitze und beengte Wohnungen treiben die Menschen auf die Stra - HANOI ßen. Häuser sind weit geöffnet. Das Private erstreckt sich in den öffentlichen Raum. Die Grenzen zwischen Innen und Außen lösen sich auf. Präzise und detailliert beschreiben Lützens Bilder dieses Ineinanderfließen der Gegensätze, wobei die Arbeit fast filmischen Charakter annimmt. Die nicht selten intimen Momente, die Atmosphäre, die Intensität der Farben, die körperliche Dichte, die ständige Bewegung verbindet Lützen zu einer Komplexität, die das dortige Leben greifbar macht. Text von / by Nora Luttmer Wie schon Lützens Buch Before Elvis there was nothing, das die Tiefen und Festeinband / Hardcover Untiefen des amerikanischen Traums zeigt, ist auch Public Private Hanoi 30 x 24 cm eine visuelle Erzählung entlang der Grenzen der Dokumentarfotografie. ca. 120 Seiten / pages ca. 90 Farbabb. / color ills. Die Arbeiten von André Lützen (*1963 in Hamburg) wurden vielfach ausge - DEUTSCH / ENGLISCH zeichnet. Er hat u. a. im Haus der Photographie, Deichtorhallen Hamburg, ISBN 978-3-8682 8-150-7 in der Noorderlicht Photogallery, Groningen, in den Krefelder Kunstmuseen ca. Euro 39,80 / Sfr 62,90 sowie auf zahlreichen Festivals wie dem New York Photo Festival ausgestellt November 20 10 und in internationalen Publikationen veröffentlicht, darunter Neue Zürcher Zeitung, Mare, Lettre, LFI Magazin, Art, Newsweek Japan. In the photo sequence Public Private Hanoi, André Lützen makes his way through the urban labyrinth of Hanoi by night. The city is restless, bustling, cramped. People are driven onto the streets by the heat and their confined living quarters. Doors are flung wide open. The private sphere overflows into the public realm. The boundary between in- and outside dissolves. With de- tailed precision, Lützen’s images depict this convergence of opposites and assume an almost cinematic character. The heady moments, the atmosphere, the intensity of the colors, the physical closeness, the constant movement are consolidated by Lützen’s camera into a complex fabric that makes life in this city almost palpable. Like Before Elvis there was nothing, his last book, which unflinchingly exposed the depths and shallows of the American dream, Public Private Hanoi is a story told in images that push at the bound- aries of documentary photography. Ausstellung / Exhibition Lützen (*1963 in Hamburg) has won several awards for his work. He has Public Private Hanoi . Projektion im öffentlichen Raum im exhibited in various international art venues as well as at numerous festivals Rahmen des »Deutschlandjahr in Vietnam 20 10« / A projection in public space on the occasion of the »German Year in such as the New York Photo Festival, and his work has been featured in Vietnam 20 10«, Hanoi, Vietnam, November 20 10 sev eral international publications. 6 Fotografie / Photography Gudrun Kemsa URBAN STAGE Urban Stage zeigt Gudrun Kemsas neue großformatige Fotoarbeiten zum Thema Mensch und Architektur. Ihre Aufnahmen, authentisch und virtuell zugleich, entstehen in Metropolen wie Paris, New York, Rotterdam, Berlin und Dubai. Manche Orte sind eindeutig zu identifizieren, andere werden durch die Eliminierung von Schrift zu austauschbaren Orten unseres globa - len Dorfes. Kemsa konnte ihre Arbeiten in den letzten Jahren mit besonde - rer Präzision an der Schnittstelle von Fotografie und Film positionieren. Die Konzeption und Wirkung ihrer Arbeiten ist mit dem Aspekt der Bewegung intensiv verbunden. Im Spannungsfeld der jeweiligen medialen Eigenschaf - Herausgegeben von / Edited by Martin Hochleitner ten und technischen Möglichkeiten von Fotografie und Film gelingt es der Texte von / Texts by Matthias Harder, Martin Hochleitner Künstlerin, Zeit sichtbar werden zu lassen. Festeinband / Hardcover, 30 x 22 cm Gudrun Kemsa ist eine der wichtigsten deutschen zeitgenössischen Foto- 80 Seiten / pages ca. 50 Farbabb. / color ills. und Videokünstlerinnen, sie lebt und arbeitet in Düsseldorf. Seit 2001 ist DEUTSCH / ENGLISCH sie Professorin für »Bewegte Bilder und Fotografie« an der Hochschule ISBN 978-3-86828-149-1 Niederrhein in Krefeld. Ihre Arbeiten wurden mehrfach ausgezeichnet – un - Euro 29, – / Sfr 46,90 ter anderem mit dem Villa-Massimo-Stipendium –, werden auf nationalen September 2 010 und internationalen Ausstellungen und Festivals gezeigt und sind in vielen privaten und öffentlichen Sammlungen vertreten. Urban Stage shows Gudrun Kemsa’s new large-format photographs on the theme of humans and architecture. Both authentic and virtual, her images originate in metropolises such as Paris, New York, Rotterdam, Berlin and Dubai. Some of these cities can be readily identified, while the elimination of signage in others turns them into interchangeable
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