First Talkie Film Directed by Dadasaheb
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Human Voice and the Silent Cinema. PUB DATE Apr 75 NOTE 23P.; Paper Presented at the Society Tor Cinema Studies Conference (New York City, April 1975)
i t i DOCUMENT RESUME ED 105 527 CS 501 036 AUTHOR Berg, Charles M. TITLE The Human Voice and the Silent Cinema. PUB DATE Apr 75 NOTE 23p.; Paper presented at the Society tor Cinema Studies Conference (New York City, April 1975) EDRS PRICE MF-$0.76 HC-$1.58 PLUS POSTAGE DESCRIPTORS *Audiovisual Communication; Communication (Thought Transfer); *Films; *Film Study; Higher Education; *History; *Sound Films; Visual Literacy ABSTRACT This paper traces the history of motion pictures from Thomas Edison's vision in 1887 of an instrument that recorded body movements to the development cf synchronized sound-motion films in the late 1920s. The first synchronized sound film was made and demonstrated by W. K. L. Dickson, an assistant to Edison, in 1889. The popular acceptance of silent films and their contents is traced. through the development of film narrative and the use of music in the early 1900s. The silent era is labeled as a consequence of technological and economic chance and this chance is made to account for the accelerated development of the medium's visual communicative capacities. The thirty year time lapse between the development of film and the -e of live human voices can therefore be regarded as the critical stimuli which pushed the motion picture into becoming an essentially visual medium in which the audial channel is subordinate to and supportive of the visual channel. The time lapse also aided the motion picture to become a medium of artistic potential and significance. (RB) U SOEPARTME NT OF HEALTH. COUCATION I. WELFARE e NATIONAL INSTITUTE OF 4 EOUCATION D, - 1'HA. -
A Sound Selection
Alexander Horwath A Sound Selection Film Curatorship, Canonization, and a Film Program I am aware that the sort of wordplay represented by the title of this two-part program only works in English. Nevertheless, I would like to hope that even for non-English readers more than one wave of meaning will spill back and forth between the title and the films I have selected. The act of looking at and listening to these works will be the sounding board for what I have in mind. For one thing, the title not only relates to the films I have chosen, but also to the mission I’ve been given as a participant in this year’s Film Mutations festival: to contribute in a more general manner to a discussion about the ethics, aesthetics and politics of (film) curatorship. Considering how rarely curators have to justify or legitimate their choices (compared to other professions such as doctors, judges, politicians – or artists), one might ask by which standards a sound selection should be measured. To list only a few equivalents for the adjective sound : When is a selection of films ever “proper” or “solid” or “healthy” or “substantiated” or, of all things, “curative”? As far as I’m concerned, taking language seriously (including, of course, its playful uses) is the first step towards taking film and film curatorship seriously as well (including their playful uses). I have therefore tried to make a solid, substantiated and curative selection. One of several issues in the (still relatively small) field of film curatorial studies is the question of the combined program – that “feature-length” entity which consists of several “short” films. -
ANNOUNCEMENTS May 2, 1921
ANNOUNCEMENTS https://youtu.be/inpok4MKVLM May 2, 1921: SATYAJIT RAY WHO HELPED TO BRING INDIAN CINEMA TO THE WORLD WAS BORN.. The celebrated filmmaker, who was born in Calcutta, India, to a Bengali family, was best known for his invaluable contributions to cinema, beginning with this directorial debut in 1955 with Pather Panchali. The film earned the Best Human Document award and was nominated for the prestigious Palme d'Or at the 1956 Cannes Film Festival and was widely honored and recognized at several international film festivals. By the time he passed in April 1992, Ray was regarded as one of the greatest filmmakers in the world. He was honored globally with India's highest cinema award, the Dadasaheb Phalke Award, India's highest civilian award, the Bharat Ratna, the Commander of National Order of the Legion of Honour in France and received an honorary award at the 64th Academy Awards. In addition to films, Ray also wrote fiction and nonfiction, edited Sandesh, a children's magazine, and founded Calcutta's first film society in 1947. Student iPads, cases, and charging equipment will be collected on Monday, May 24th. Please remember to bring all these items with you to school. Fines will be added to your account if there are any missing pieces. For current (20-21) sixth and seventh grade girls July 26-29 , 6:00-8:00 pm, at West Middle School $50—Scholarships available, cash or check to West Middle School Materials: Mask, water bottle, no-mark shoes, knee pads, shirt with your name on it Contact: Coach Aubrey Coleman ([email protected]) WMS Girls Basketball Team will be hosting a summer camp from July 19-July 23, 5:30-7:30pm at West Middle School. -
Current Affairs of January 2020 Quick Point
Studentsdisha.in Current Affairs of January 2020 Quick Point Content SI No. Topic Page Number 1 Important Day & Date with Theme 2-3 2 Important Appointments 3-5 3 Awards and Honours 5-21 Crossword Books Awards 7 Ramnath Goenka Excellence Awards 7-8 Pradhan Mantri Rashtriya Bal Puraskar 2020 8 National Bravery Award 2019 8-9 Padma Awards 2020 9-14 Jeevan Raksha Padak Award 2020 14-16 62nd Grammy Awards 2020 16-20 77th Golden Globe Award 2020 20-21 4 Sports 21-24 ICC Annual Award 2019 21-22 Australian Open 2020 22 5 BOOKS & Authors 24 6 Summit & Conference 24-25 7 Ranking and Index 25-26 8 MoU Between Countries 26 9 OBITUARIES 26-27 10 National & International News 28-35 1 Studentsdisha.in January 2020 Quick Point Important Day & Date with Theme of January 2020 Day Observation/Theme 1st Jan Global Family Day World Peace Day 4th Jan World Braille Day 6th Jan Journalists’ Day in Maharashtra 6th Jan The World Day of War Orphans 7th Jan Infant Protection Day 8th Jan African National Congress Foundation Day 9th Jan Pravasi Bharatiya Divas/NRI Day( 16th edition) 10thJan “World Hindi Day” 10thJan World Laughter Day 12th Jan National Youth Day or Yuva Diwas. Theme:"Channelizing Youth Power for Nation Building". 14th Jan Indian Armed Forces Veterans Day 15thJan Indian Army Day(72nd) 16thJan Religious Freedom day 18th Jan 15th Raising Day of NDRF(National Disaster Response Force) 19th Jan National Immunization Day (NID) 21st Jan Tripura, Manipur &Meghalaya 48th statehood day 23rdJan Subhash Chandra Bose Jayanti 24th to 30th National Girl Child Week Jan 24thJan National Girl Child Day Theme:‘Empowering Girls for a Brighter Tomorrow’. -
Clare M. Wilkinson-Weber
Clare M. Wilkinson-Weber TAILORING EXPECTATIONS How film costumes become the audience’s clothes ‘Bollywood’ film costume has inspired clothing trends for many years. Female consumers have managed their relation to film costume through negotiations with their tailor as to how film outfits can be modified. These efforts have coincided with, and reinforced, a semiotic of female film costume where eroticized Indian clothing, and most forms of western clothing set the vamp apart from the heroine. Since the late 1980s, consumer capitalism in India has flourished, as have films that combine the display of material excess with conservative moral values. New film costume designers, well connected to the fashion industry, dress heroines in lavish Indian outfits and western clothes; what had previously symbolized the excessive and immoral expression of modernity has become an acceptable marker of global cosmopolitanism. Material scarcity made earlier excessive costume display difficult to achieve. The altered meaning of women’s costume in film corresponds with the availability of ready-to-wear clothing, and the desire and ability of costume designers to intervene in fashion retailing. Most recently, as the volume and diversity of commoditised clothing increases, designers find that sartorial choices ‘‘on the street’’ can inspire them, as they in turn continue to shape consumer choice. Introduction Film’s ability to stimulate consumption (responding to, and further stimulating certain kinds of commodity production) has been amply explored in the case of Hollywood (Eckert, 1990; Stacey, 1994). That the pleasures associated with film going have influenced consumption in India is also true; the impact of film on various fashion trends is recognized by scholars (Dwyer and Patel, 2002, pp. -
Research Paper Impact Factor
Research Paper IJBARR Impact Factor: 3.072 E- ISSN -2347-856X Peer Reviewed, Listed & Indexed ISSN -2348-0653 HISTORY OF INDIAN CINEMA Dr. B.P.Mahesh Chandra Guru * Dr.M.S.Sapna** M.Prabhudev*** Mr.M.Dileep Kumar**** * Professor, Dept. of Studies in Communication and Journalism, University of Mysore, Manasagangotri, Karnataka, India. **Assistant Professor, Department of Studies in Communication and Journalism, University of Mysore, Manasagangotri, Karnataka, India. ***Research Scholar, Department of Studies in Communication and Journalism, University of Mysore, Manasagangotri, Karnataka, India. ***RGNF Research Scholar, Department of Studies in Communication and Journalism, University of Mysore, Manasagangothri, Mysore-570006, Karnataka, India. Abstract The Lumiere brothers came over to India in 1896 and exhibited some films for the benefit of publics. D.G.Phalke is known as the founding father of Indian film industry. The first Indian talkie film Alam Ara was produced in 1931 by Ardeshir Irani. In the age of mooki films, about 1000 films were made in India. A new age of talkie films began in India in 1929. The decade of 1940s witnessed remarkable growth of Indian film industry. The Indian films grew well statistically and qualitatively in the post-independence period. In the decade of 1960s, Bollywood and regional films grew very well in the country because of the technological advancements and creative ventures. In the decade of 1970s, new experiments were conducted by the progressive film makers in India. In the decade of 1980s, the commercial films were produced in large number in order to entertain the masses and generate income. Television also gave a tough challenge to the film industry in the decade of 1990s. -
Compounding Injustice: India
INDIA 350 Fifth Ave 34 th Floor New York, N.Y. 10118-3299 http://www.hrw.org (212) 290-4700 Vol. 15, No. 3 (C) – July 2003 Afsara, a Muslim woman in her forties, clutches a photo of family members killed in the February-March 2002 communal violence in Gujarat. Five of her close family members were murdered, including her daughter. Afsara’s two remaining children survived but suffered serious burn injuries. Afsara filed a complaint with the police but believes that the police released those that she identified, along with many others. Like thousands of others in Gujarat she has little faith in getting justice and has few resources with which to rebuild her life. ©2003 Smita Narula/Human Rights Watch COMPOUNDING INJUSTICE: THE GOVERNMENT’S FAILURE TO REDRESS MASSACRES IN GUJARAT 1630 Connecticut Ave, N.W., Suite 500 2nd Floor, 2-12 Pentonville Road 15 Rue Van Campenhout Washington, DC 20009 London N1 9HF, UK 1000 Brussels, Belgium TEL (202) 612-4321 TEL: (44 20) 7713 1995 TEL (32 2) 732-2009 FAX (202) 612-4333 FAX: (44 20) 7713 1800 FAX (32 2) 732-0471 E-mail: [email protected] E-mail: [email protected] E-mail: [email protected] July 2003 Vol. 15, No. 3 (C) COMPOUNDING INJUSTICE: The Government's Failure to Redress Massacres in Gujarat Table of Contents I. Summary............................................................................................................................................................. 4 Impunity for Attacks Against Muslims............................................................................................................... -
EXIGENCY of INDIAN CINEMA in NIGERIA Kaveri Devi MISHRA
Annals of the Academy of Romanian Scientists Series on Philosophy, Psychology, Theology and Journalism 80 Volume 9, Number 1–2/2017 ISSN 2067 – 113x A LOVE STORY OF FANTASY AND FASCINATION: EXIGENCY OF INDIAN CINEMA IN NIGERIA Kaveri Devi MISHRA Abstract. The prevalence of Indian cinema in Nigeria has been very interesting since early 1950s. The first Indian movie introduced in Nigeria was “Mother India”, which was a blockbuster across Asia, Africa, central Asia and India. It became one of the most popular films among the Nigerians. Majority of the people were able to relate this movie along story line. It was largely appreciated and well received across all age groups. There has been a lot of similarity of attitudes within Indian and Nigerian who were enjoying freedom after the oppression and struggle against colonialism. During 1970’s Indian cinema brought in a new genre portraying joy and happiness. This genre of movies appeared with vibrant and bold colors, singing, dancing sharing family bond was a big hit in Nigeria. This paper examines the journey of Indian Cinema in Nigeria instituting love and fantasy. It also traces the success of cultural bonding between two countries disseminating strong cultural exchanges thereof. Keywords: Indian cinema, Bollywood, Nigeria. Introduction: Backdrop of Indian Cinema Indian Cinema (Bollywood) is one of the most vibrant and entertaining industries on earth. In 1896 the Lumière brothers, introduced the art of cinema in India by setting up the industry with the screening of few short films for limited audience in Bombay (present Mumbai). The turning point for Indian Cinema came into being in 1913 when Dada Saheb Phalke considered as the father of Indian Cinema. -
Narendra Modi: Architect of Gujarat Genocide 2002
Modi: Architect of Gujarat Genocide. Targetting of Women May 01, 2002. The Milli Gazette. Syed Ubaidur Rahman. Were sexual crimes in Gujarat planned? Ahmedabad: Women have been the main target of the rioters in Gujarat. After visiting the state for more than a week and meeting hundreds of people in different camps spread over the four most affected districts of the state including Panchmahal, (under which Godhra comes) Baroda, Anand and Ahmadabad, I have reached the conclusion that women were consciously and specially targeted by the rioters who were being controlled by the VHP and Bajrang Dal criminals besides the members of the RSS and the BJP. The way the Hindu mobs acted while brutally dishonouring Muslim women will put the Serbs in Bosnia and Kosovo to shame. Wherever there were killings, there were large scale rapes of Muslim women irrespective of age differences. There are incidents when all this was done while their fathers, brothers and husbands were made to witness this brutality after being made captives. And at times all this was done inside the village mosques. Fatima Bibi Md Yaqub Sheikh whose family lost 19 members including her sisters and brothers says that whatever they did could have been justified, except the way they raped women. She says that when her family tried to flee Naroda Patia, the area where 90 people were burnt alive they all requested the police to save them, but police instead of doing anything for their safety asked them to surrender themselves to the mob. She says that her sister and her niece both were repeatedly raped by the mob. -
REFERENCES Bharucha Nilufer E. ,2014. 'Global and Diaspora
REFERENCES Bharucha Nilufer E. ,2014. ‘Global and Diaspora Consciousness in Indian Cinema: Imaging and Re-Imaging India’. In Nilufer E. Bharucha, Indian Diasporic Literature and Cinema, Centre for Advanced Studies in India, Bhuj, pp. 43-55. Chakravarty Sumita S. 1998. National Identity in Indian Popular Cinema: 1947-1987. Texas University Press, Austin. Dwyer Rachel. 2002. Yash Chopra. British Film Institute, London. ___________. 2005. 100 Bollywood Films. British Film Institute, London. Ghelawat Ajay, 2010. Reframing Bollywood, Theories of Popular Hindi Cinema. Sage Publications, Delhi. Kabir Nasreen Munni. 1996. Guru Dutt, a Life in Cinema. Oxford University Press, Delhi. _________________. 1999/2005. Talking Films/Talking Songs with Javed Akhtar, Oxford University Press, Delhi. Kaur Raminder and Ajay J. Sinha (Eds.), 2009. Bollywood: Popular Indian Cinema through a Transnational Lens, Sage Publications, New Delhi. Miles Alice, 2009. ‘Shocked by Slumdog’s Poverty Porn’. The Times, London 14 January 2009 Mishra Vijay, 2002. Bollywood Cinema, Temples of Desire. Psychology Press, Rajyadhaksha Ashish and Willeman Paul (Eds.), 1999 (Revised 2003). The Encyclopedia of Indian Cinema. Routledge, U.K. Schaefer David J. and Kavita Karan (Eds.), 2013. The Global Power of Popular Hindi Cinema. Routledge, U.K. Sinha Nihaarika, 2014. ‘Yeh Jo Des Hain Tera, Swadesh Hain Tera: The Pull of the Homeland in the Music of Bollywood Films on the Indian Diaspora’. In Sridhar Rajeswaran and Klaus Stierstorfer (Eds.), Constructions of Home in Philosophy, Theory, Literature and Cinema, Centre for Advanced Studies in India, Bhuj, pp. 265- 272. Virdi Jyotika, 2004. The Cinematic ImagiNation: Indian Popular Films as Social History. Rutgers University Press, New Jersey. -
May 2013 India Review Ambassador’S PAGE America Needs More High-Skilled Worker Visas a Generous Visa Policy for Highly Skilled Workers Would Help Everyone
A Publication of the Embassy of India, Washington, D.C. May 1, 2013 I India RevieI w Vol. 9 Issue 5 www.indianembassy.org IMFC Finance Ministers and Bank Governors during a photo-op at the IMF Headquarters in Washington, D.C. on April 20. Overseas capital best protected in India — Finance Minister P. Chidambaram n India announces n scientist U.R. Rao n Pran honored incentives to boost inducted into with Dadasaheb exports Satellite Hall of Fame Phalke award Ambassador’s PAGE India is ready for U.S. natural gas There is ample evidence that the U.S. economy will benefit if LNG exports are increased he relationship between India and the United States is vibrant and growing. Near its T heart is the subject of energy — how to use and secure it in the cleanest, most efficient way possible. The India-U.S. Energy Dialogue, established in 2005, has allowed our two countries to engage on many issues. Yet as India’s energy needs con - tinue to rise and the U.S. looks to expand the marketplace for its vast cache of energy resources, our partner - ship stands to be strengthened even facilities and ports to distribute it macroeconomic scenarios, and under further. globally. every one of them the U.S. economy Despite the global economic slow - There is a significant potential for would experience a net benefit if LNG down, India’s economy has grown at a U.S. exports of LNG to grow expo - exports were increased. relatively brisk pace over the past five nentially. So far, however, while all ter - A boost in LNG exports would have years and India is now the world’s minals in the U.S. -
GQ WORKSHEET 7.Indd
GQGQ INTERNAL ASSESSMENT TEST-III Q1. Verify these statements by writing ‘T’ for true and ‘F for false. 1. Metal utensils or objects are not dangerous to use in microwave ovens. 2. CCD sensors in digital cameras can help take pictures in very dim light. 3. Dolby digital is an audio compression format that plays on a 5.1 playback system. 4. Wireless local area network is also called Internet. 5. A single layer ‘Blue ray’ disc has capacity up to 25 GB data. 6. Li-Fi is a high speed and fully networked optical wireless communication. Q2. Select the correct options to answer these questions about space explorations. 1. He was one of the first persons to examine space with a telescope. He discovered four moons of planet Jupiter, saw the mountains and craters on Earth’s moon, and discovered the Milky Way to be a dense collection of stars. a) Nicolaus Copernicus b) Galileo Galilei c) Eratosthenes 2. He was an English astronomer who discovered that a bright comet has been appearing in the sky about every 76 years, for centuries. The comet is named after him. a) Edmond Halley b) Galileo Galilei c) Sir Isaac Newton 3. In the 1600s, this scientist proved that the planets move in paths which are elliptical in shape. a) Isaac Newton b) Eratosthenes c) Johannes Kepler 4. Which was the first artificial satellite to be put into orbit around the Earth? a) Sputnik 1 b) Vostok 1 c) Apollo 1 5. In 1957, Laika was sent abroad Sputnik 2 to orbit the Earth, What kind of animal was Laika? a) Dog b) Cat c) Monkey 6 WORKSHEET-1 BODY LANGUAGE Regardless of how smart or witty you are there are times when you need to stop and check the usefulness of a positive body language.