MonTI. Monografías de Traducción e Interpretación ISSN: 1889-4178
[email protected] Universitat de València España Remael, Aline FOR THE USE OF SOUND. FILM SOUND ANALYSIS FOR AUDIO-DESCRIPTION: SOME KEY ISSUES MonTI. Monografías de Traducción e Interpretación, núm. 4, 2012, pp. 255-276 Universitat de València Alicante, España Available in: http://www.redalyc.org/articulo.oa?id=265125413011 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative FOR THE USE OF SOUND. FILM SOUND ANALYSIS FOR AUDIO-DESCRIPTION: SOME KEY ISSUES1 Aline Remael Artesis University College (Belgium)
[email protected] Abstract This article aims to outline the issues involved in the production and reception of film sound with a view to identifying its challenges for audio-description (AD). It thereby hopes to provide insights into the way in which a careful analysis and integration of film sound and sound effects are required for the production of coherence in AD, if it is to function as part of a new filmic text. However, the article also points to the limits of analysis and interpretation, and to the need for reception research as well as collaboration with visually impaired users. A detailed analysis of a scene from Saving Private Ryan (Spielberg 1998), a film that won an Oscar for best sound effect editing, demonstrates how complex and narratively charged the soundscape of a film can be, thereby exposing the challenges for the audio-describer and, again, demonstrating the need for further research involving the target audience.