The Serpent Power by Woodroffe Illustrations, Tables, Highlights and Images by Veeraswamy Krishnaraj
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The Microcosmic Alchemical Tantrik Architecture of Hangseshwari Temple तेज ो यत्ते रूपं कल्य
The Microcosmic Alchemical Tantrik Architecture of Hangseshwari Temple तेजो यते रपं कलाणतमं तते पशािम योऽसावसौ पुरषः सोऽहमिस ॥१६॥ tejo yat te rūpaṃ kalyāṇatamaṃ tat te paśyāmi yo 'sāv [asau puruṣaḥ] so'ham asmi "The light which is thy fairest form, I see it. I am what He is" ~ Isha Upanishad (verse 16), One of the most beautiful, alchemical, castle-like temples is the Hangseshwari Temple of the Hoogy District of Bengal. It is the spiritual center of a Tantrik astral dream sect that inspired a King to build this temple in a dream, combining the Mother Goddess with his own mother's symbolic name into one of the most beautiful Tantrik temples in the world. We use this temple and its symbolism to introduce key teachings, practices and symbols and invite those interested to inquire for further details in our alchemical missionary work. The Hangeshwari Temple has been called the abode of “Our Lady of the Cosmic Goose” by scholars aware of the alchemical significance. This name combines alchemically with the Black Virgin in the Western Tradition, as well as the alchemical immortals of diverse traditions. This temple is a true example of “Tantrik Satchakrabhed" or the “sat-chakra-bhed or piercing of the chakra nerve plexuses.” This is sacred Tantrik architecture expressing the microcosm in the temple's structure, which is symbolic of the Human Body. Built by wise sthapatis (temple architects), these temples encode the divine proportions and inner secrets of the microcosm and subtle body in sacred architectural principles dating back to the Vastu Shastra, which may be the oldest known architectural treatise in the world. -
Yoga Makaranda Yoga Saram Sri T. Krishnamacharya
Yoga Makaranda or Yoga Saram (The Essence of Yoga) First Part Sri T. Krishnamacharya Mysore Samasthan Acharya (Written in Kannada) Tamil Translation by Sri C.M.V. Krishnamacharya (with the assistance of Sri S. Ranganathadesikacharya) Kannada Edition 1934 Madurai C.M.V. Press Tamil Edition 1938 Translators’ Note This is a translation of the Tamil Edition of Sri T. Krishnamacharya’s Yoga Makaranda. Every attempt has been made to correctly render the content and style of the original. Any errors detected should be attributed to the translators. A few formatting changes have been made in order to facilitate the ease of reading. A list of asanas and a partial glossary of terms left untranslated has been included at the end. We would like to thank our teacher Sri T. K. V. Desikachar who has had an inestimable influence upon our study of yoga. We are especially grateful to Roopa Hari and T.M. Mukundan for their assistance in the translation, their careful editing, and valuable suggestions. We would like to thank Saravanakumar (of ECOTONE) for his work reproducing and restoring the original pictures. Several other people contributed to this project and we are grateful for their efforts. There are no words sufficient to describe the greatness of Sri T. Krishna- macharya. We began this endeavour in order to better understand his teachings and feel blessed to have had this opportunity to study his words. We hope that whoever happens upon this book can find the same inspiration that we have drawn from it. Lakshmi Ranganathan Nandini Ranganathan October 15, 2006 iii Contents Preface and Bibliography vii 1 Introduction 1 1.1 Why should Yogabhyasa be done . -
January-February 2021 HIHT News
H.H. Dr. Swami Rama, Founder Himalayan Institute Hospital Trust HIHT News SSN 2229-4759 Learning to Use the Mantra by Swami Rama When a mantra is imparted to a student, it is meant to be used as a result of this practice. in a particular and specific way during the practice of meditation. Some conclude that Mantras are not spoken or muttered on the gross physical level, their mantra is not the with the mouth, tongue, and voice box, but instead, are heard first “right” mantra, and seek mentally, and then allowed to become increasingly subtle and other practices. Others fine. The goal is to eventually achieve a state of constant, effortless simply discontinue their awareness, called ajapa japa. To be beneficial, the mantra must be practice, disheartened by appropriate to the student’s level of attainment, personality, desires, their supposed lack of and attitudes. progress. Such a situation There are two types of sounds in the world: those which are is like the impatience created by the external world and heard by the ears, and those experienced by a small inner sounds which are called anahata nada (unstruck sounds). child who plants a tulip Unstruck sounds do not vibrate in quite the same way that sound bulb in September, and vibrates in the external world. These sounds are described as having then wants to dig it up a guiding or leading quality, which carries the meditator to the two days later because he center of silence within. or she has not yet seen A mantra that is used in meditation is a special kind of sound, any signs of a flower. -
An Analysis of Tantric Practices at Kamakhya and Tarapith
International Journal of Applied Research 2018; 4(4): 39-41 ISSN Print: 2394-7500 ISSN Online: 2394-5869 Impact Factor: 5.2 Re-examining the cult of the feminine: An analysis of IJAR 2018; 4(4): 39-41 www.allresearchjournal.com tantric practices at Kamakhya and Tarapith Received: 15-02-2018 Accepted: 17-03-2018 Dr. Chandni Sengupta Dr Chandni Sengupta Assistant Professor, Department of History, Amity Abstract School of Liberal Arts, Amity Tantricism is inextricably inter-linked with the cult of the feminine. Tantric rituals exalt the female University Haryana, Haryana, deity and celebrate the power (Shakti) of the female form of divinity. In India, alongside the Vedic India system of worship, Tantricism has co-existed for centuries. There are references to the Tantric tradition in the epics; similar references have also been found in the Indus Valley civilization. There are many shakti peeths in India but only a few are associated with Tantricism. This article aims to explore the Tantric rituals at the temples of Kamakhya in Assam and Tarapith in West Bengal, in order to establish the significance of the Tantric tradition even in the 21st century. Keywords: tantricism, tantra, ritual, goddess, Shakti, Devi, cult, practices Introduction In India, since the ancient time, two distinct and parallel forms of worship have existed- Vedic and Non-Vedic. Kallukabhatta, the first scholar who presented an exhaustive interpretation of the Manusmriti, made a clear distinction between two branches of Indian thought. He divided Indian wisdom into Vedic and Tantric [1]. The former was based on a male-centric social order, while the latter was based on the principles of matriarchy and consequently the notions of fertility. -
Tantric Texts Series Edited by Arthur Avalon (John Woodroffe)
KAMAKALAVILASA First Published 1922 Second Edition 1953 Printed by D. V. Syamala Rau, at the Vasanta Press, The Theosophical Society, Adyar, Madias 20 SHRI YANTRA DESCRIPTION OF THE CAKE AS FROM THE CENTRE OUTWARD 1 . Red Point— Sarvfmandamaya. (vv. 22-24, 37, 38). 2. White triangle inverted— Sarvasiddhiprada. (vv. 25, iYi). 3. Eight red triangles -Sarvarogahara. (vv. 29, 40). 4. Ten blue triangles — Sarvaraksakara. (vv. 30, 41). 5. Ten red triangles —Sarvarthasadhaka. (vv. 30, 31, 42). 6. Fourteen blue triangles — Sarvasaubhagyadayaka. (vv. 31, 43). 7. Eight-petalled red lotus — Sarvasarhksobhana. (vv. 33, 41). .S. Sixteen-petalled blue lotus —Sarvasaparipuraka. (vv. 33, 45). 9. Yellow surround —Trailokyamohana. (vv. 34, 46-49). KAMAKALAVILASA BY PUNYANANDANATHA WITH THE COMMENTARY OF NATANANANDANATHA TRANSLATED WITH COMMENTARY BY ARTHUR AVALON WITH NATHA-NAVARATNAMALIKA WITH COMMENTARY MANjUSA Bv BHASKARARAYA 2nd Edition Revised and enlarged Publishers : GANE8H & Co., (MADRAS) Ltd., MADRAS— 17 1958 PUBLISHERS' NOTE The Orientalists' system of transliteration has been followed in this work. 3T a, 3T1 i, I, r, a, f f S u, 5 u, 3£ r, <5 1, c| J " ^ e, ^ ai, oft o, ^ au, m or rh, : h. f k, ^ kh, JTg, ^ gh, S n, Z t, $ th, S d, Z tfh, qT n, ^ t, ^ th, <? d, * dh, ^ n, *Tp, <Jiph, ^b, flbh, ^m, \ y, ^ r, 53 1, W v, ss * s, ^ s, ^ h, 55 1. PREFACE The KamakalA"vila*sa is an important work in S'rlvidya by Punya"nanda an adherent of the Hadimata, who is also the commentator on the Yoginihrdaya, a section called Uttara- catuhs'ati of the great Vamakes'vara Tantra. -
Use of Theses
THESES SIS/LIBRARY TELEPHONE: +61 2 6125 4631 R.G. MENZIES LIBRARY BUILDING NO:2 FACSIMILE: +61 2 6125 4063 THE AUSTRALIAN NATIONAL UNIVERSITY EMAIL: [email protected] CANBERRA ACT 0200 AUSTRALIA USE OF THESES This copy is supplied for purposes of private study and research only. Passages from the thesis may not be copied or closely paraphrased without the written consent of the author. THE PRATYUTPANNA-BUDDHA-SAMMUKHAVASTHITA- SAMADHI-SUTRA AN ANNOTATED ENGLISH TRANSLATION OF THE TIBETAN VERSION WITH SEVERAL APPENDICES A Thesis submitted for the Degree of Doctor of Philosophy in the Australian National University August, 1979 by Paul Harrison This thesis is based on my own research carried out from 1976 to 1979 at the Australian National University. ABSTRACT The present work consists of a study of the Pratyutpanna-buddha- sammukhavasthita-samadhi-sutra (hereafter: PraS), a relatively early example of Mahayana Buddhist canonical literature. After a brief Intro duction (pp. xxi-xli), which attempts to place the PraS in its historical context, the major portion of the work (pp. 1-186) is devoted to an annotated English translation of the Tibetan version of the sutra, with detailed reference to the three main Chinese translations. Appendix A (pp. 187-252) then attempts a resolution of some of the many problems surrounding the various Chinese versions of the PraS. These are examined both from the point of view of internal evidence and on the basis of bibliographical information furnished by the Chinese Buddhist scripture-catalogues. Some tentative conclusions are advanced concerning the textual history of the PraS in China. -
Lesson 8. SPIRITUAL ASPECTS
Spiritual Aspects MODULE-2 Dimension of Physical Education and Yog 8 SPIRITUAL ASPECTS We have discussed about physical, psychological and social dimension of physical Note education and Yog in last few lessons. In this lesson we will come to know about spiritual component of physical education and Yog. Spirituality is the basic and subtle dimension of personality as is a root for the tree. When spiritual awareness grows, thoughts, concepts and values also change. So in this lesson we are going to study the concept of spirituality and how to transform this in our life. Mantra chanting is very ancient technique to maintain inner strength and tranquillity. So Raj Yog and Mantra vibration will also be the focussed in this lesson. We are also going to discuss how one can develop inner awareness and its importance. Without spiritual aspect life is incomplete and it is yogic philosophy which first purifies body discipline, mind and growing in spiritual life. The concept of Ashtang Yog or Raj Yog is very practical for Poorn swasthya (complete health). At last we will also know about the concept of meditation. OBJECTIVES After studying this lesson you will be able to: explain the spirituality; understand the inner awareness & develop inner awareness of life; learn the impact of Mantra chanting; explain the philosophy of Ashtang Yog & eight steps of Ashtang Yog and know the concept of Meditation & learn a few meditative techniques. 8.1 SPIRITUALITY The definition of Spirituality as per oxford dictionary is ‘the quality of being connected with the human spirit or soul as opposed to material and physical things’. -
Essays and Addresses on the Śākta Tantra-Śāstra
ŚAKTI AND ŚĀKTA ESSAYS AND ADDRESSES ON THE ŚĀKTA TANTRAŚĀSTRA BY SIR JOHN WOODROFFE THIRD EDITION REVISED AND ENLARGED Celephaïs Press Ulthar - Sarkomand - Inquanok – Leeds 2009 First published London: Luzac & co., 1918. Second edition, revised and englarged, London: Luzac and Madras: Ganesh & co., 1919. Third edition, further revised and enlarged, Ganesh / Luzac, 1929; many reprints. This electronic edition issued by Celephaïs Press, somewhere beyond the Tanarian Hills, and mani(n)fested in the waking world in Leeds, England in the year 2009 of the common error. This work is in the public domain. Release 0.95—06.02.2009 May need furthur proof reading. Please report errors to [email protected] citing release number or revision date. PREFACE TO THIRD EDITION. HIS edition has been revised and corrected throughout, T and additions have been made to some of the original Chapters. Appendix I of the last edition has been made a new Chapter (VII) in the book, and the former Appendix II has now been attached to Chapter IV. The book has moreover been very considerably enlarged by the addition of eleven new Chapters. New also are the Appendices. The first contains two lectures given by me in French, in 1917, before the Societé Artistique et Literaire Francaise de Calcutta, of which Society Lady Woodroffe was one of the Founders and President. The second represents the sub- stance (published in the French Journal “Le Lotus bleu”) of two lectures I gave in Paris, in the year 1921, before the French Theosophical Society (October 5) and at the Musée Guimet (October 6) at the instance of L’Association Fran- caise des amis de L’Orient. -
A) Karma – Phala – Prepsu : (Ragi) • One Who Has Predominate Desire for Result of Action for Veidica Or Laukika Karma
BHAGAVAD GITA Chapter 18 Moksa Sannyasa Yoga (Final Revelations of the Ultimate Truth) 1 Chapter 18 Moksa Sannyasa Yoga (Means of Liberation) Summary Verse 1 - 12 Verse 18 - 40 Verse 50 - 55 Verse 63 - 66 - Difference Jnana Yoga - Final Summary 3 Types of : between (Meditation) - Be my devotee 1) Jnanam – Knowledge Sannyasa + Tyaga. be my worshipper 2) Karma – Action surrender to me 3) Karta – Doer - Being established and do your duty. Verse 13 - 17 4) Buddhi – Intellect in Brahman’s 5) Drithi – will Nature he becomes 6) Sukham – Happiness free from Desire. Verse 67 - 73 Jnana Yoga Verse 56 - 62 Verse 41 - 49 - Lords concluding - 5 factors in all remarks. actions. Karma Yoga - Body, Prana, Karma Yoga (Svadharma) (Devotion) Mind, Sense Verse 74 - 78 organs, Ego + - Purified seeker who Presiding dieties. - Constantly is detached and self - Sanjayas remember Lord. controlled attains Conclusion. Moksa 2 Introduction : 1) Mahavakya – Asi Padartham 3rd Shatkam Chapter 13, 14, 15 Chapter 16, 17 Chapter 18 - Self knowledge. - Values to make mind fit - Difference between for knowledge. Sannyasa and Tyaga. 2) Subject matter of Gita Brahma Vidya Yoga Sastra - Means of preparing for - Tat Tvam Asi Brahma Vidya. - Identity of Jiva the - Karma in keeping with individual and Isvara the dharma done with Lord. proper attitude. - It includes a life of renunciation. 3 3) 2 Lifestyles for Moksa Sannyasa Karma Renunciation Activity 4) Question of Arjuna : • What is difference between Sannyasa (Renunciation) and Tyaga (Abandonment). Questions of Arjuna : Arjuna said : If it be thought by you that ‘knowledge’ is superior to ‘action’, O Janardana, why then, do you, O Kesava, engage me in this terrible action? [Chapter 3 – Verse 1] With this apparently perplexing speech you confuse, as it were, my understanding; therefore, tell me that ‘one’ way by which, I, for certain, may attain the Highest. -
VEDA (Level-A)
Maheshwara Sutras CLASS-III Notes CLASS-III Lesson 7 Maheshwara Sutras Lesson 8 Samarasya Shloka Sagraha Lesson 9 Ekatmata Storta-Song of Unity Lesson 10 Amarakosha-Svargavarga OBE-Bharatiya Jnana Parampara 57 Maheshwara Sutras CLASS-III Notes 58 Veda, Level-A Maheshwara Sutras CLASS-III 7 Notes MAHESHWARA SUTRAS Sounds of Sanskrit language are described in Maheshwara Sutras. There are basic of Sanskrit grammar. Maheshwara Sutras are fourteen in numbers. All the Vowels and Consonants are told in there Maheshwara Sutras. OBJECTIVES After reading this lesson, you will be able to : • recite all 14 Maheshwara Sutras; • know Sanskrit Sounds; and • identify the Pratyaharas. 7.1 MAHESHWARA SUTRAS There is story behind the Samskrita alphabets. Nataraja is other name of Shiva. He is in the dancing pose. Nataraja has Damaru in his one hand. Damaru is a small two-headed drum, used in many Indian, Buddhist and Tibetan traditions. Damru is known as the instrument of Lord Shiva. Damaru was first created by OBE-Bharatiya Jnana Parampara 59 Maheshwara Sutras CLASS-III Shiva to produce different sounds. Sanskrit Alphabets origined from the sound of the Damaru of the Lord Shiva called Maheswara Sutras. Notes Mãhesvara Sutrani is fourteen verses that organize the phonemes of Sanskrit as referred to in the Astadhyayi of Panini, the foundational text of Sanskrit grammar. A famous verse in Sage Panini's Ashtadhyayi says that the Panini grammar that is in use now is graced by Lord Shiva. Hence the first known organized sounds are known as the Maheshvara Sutra - Maheshvara being another name of Lord Shiva. -
The Proposed New Syllabus of History for the B
Page 1 of 45 B.A. (GENERAL) PROGRAMME HISTORY (HISG) SCHEME OF COURSES (Each Course shall carry 100 marks, which shall be distributed as End Semester=80 and Internal Assessment=20. Courses are so planned that each of these will require 45- 50 classes of 45 minutes duration.) Semester –I 1. HISG- 101 : HISTORY OF ASSAM: 1228 –1826 – Marks= 100 (End Semester: 80+Internal Assessment=20) Semester –II 2. HISG - 201 : HISTORY OF ASSAM: 1826 – 1947 (End Semester: 80+Internal Assessment=20) Semester-III 3. HISG-301 : HISTORY OF EUROPE: 1453-1815 (End Semester: 80+Internal Assessment=20) Semester-IV 4. HISG-401: HISTORY OF INDIA FROM THE EARLIEST TIMES TO 1526 (End Semester: 80+Internal Assessment=20) Semester-V 5. HISG-501 : HISTORY OF INDIA: 1526 - 1947 (End Semester: 80+Internal Assessment=20) Semester-VI HISG-601 : (OPTIONAL - I) : HISTORY OF ECOLOGY AND ENVIRONMENT IN INDIA (End Semester: 80+Internal Assessment=20) (OPTIONAL – II) : WOMEN IN INDIAN HISTORY (End Semester: 80+Internal Assessment=20) *** Page 2 of 45 HISG – 101 End- Semester Marks : 80 In- Semester Marks : 20 HISTORY OF ASSAM: 1228 –1826 Total Marks : 100 10 to 12 classes per unit Objective: The objective of this paper is to give a general outline of the history of Assam from the 13th century to the occupation of Assam by the English East India Company in the first quarter of the 19th century. It aims to acquaint the students with the major stages of developments in the political, social and cultural history of the state during the medieval times. Unit-1: Marks: 16 1.01 : Sources- archaeological, epigraphic, literary, numismatic and accounts of the foreign travelers 1.02 : Political conditions of the Brahmaputra valley at the time of foundation of the Ahom kingdom. -
Bhoga-Bhaagya-Yogyata Lakshmi
BHOGA-BHAAGYA-YOGYATA LAKSHMI ( FULFILLMENT AS ONE DESERVES) Edited, compiled, and translated by VDN Rao, Retd. General Manager, India Trade Promotion Organization, Ministry of Commerce, Govt. of India, Pragati Maidan, New Delhi, currently at Chennai 1 Other Scripts by the same Author: Essence of Puranas:-Maha Bhagavata, Vishnu Purana, Matsya Purana, Varaha Purana, Kurma Purana, Vamana Purana, Narada Purana, Padma Purana; Shiva Purana, Linga Purana, Skanda Purana, Markandeya Purana, Devi Bhagavata;Brahma Purana, Brahma Vaivarta Purana, Agni Purana, Bhavishya Purana, Nilamata Purana; Shri Kamakshi Vilasa Dwadasha Divya Sahasranaama: a) Devi Chaturvidha Sahasra naama: Lakshmi, Lalitha, Saraswati, Gayatri; b) Chaturvidha Shiva Sahasra naama-Linga-Shiva-Brahma Puranas and Maha Bhagavata; c) Trividha Vishnu and Yugala Radha-Krishna Sahasra naama-Padma-Skanda-Maha Bharata and Narada Purana. Stotra Kavacha- A Shield of Prayers Purana Saaraamsha; Select Stories from Puranas Essence of Dharma Sindhu Essence of Shiva Sahasra Lingarchana Essence of Paraashara Smtiti Essence of Pradhana Tirtha Mahima Dharma Bindu Essence of Upanishads : Brihadaranyaka , Katha, Tittiriya, Isha, Svetashwara of Yajur Veda- Chhandogya and Kena of Saama Veda-Atreya and Kausheetaki of Rig Veda-Mundaka, Mandukya and Prashna of Atharva Veda ; Also ‘Upanishad Saaraamsa’ (Quintessence of Upanishads) Essence of Virat Parva of Maha Bharata Essence of Bharat Yatra Smriti Essence of Brahma Sutras Essence of Sankhya Parijnaana- Also Essence of Knowledge of Numbers Essence of Narada Charitra; Essence Neeti Chandrika-Essence of Hindu Festivals and Austerities- Essence of Manu Smriti*- Quintessence of Manu Smriti* - *Essence of Pratyaksha Bhaskara- Essence of Maha Narayanopanishad*-Essence of Vidya-Vigjnaana-Vaak Devi* Note: All the above Scriptures already released on www.