THE HINDU VIEW on MENSTRUATION “A Woman Is the Creator of the Universe, the Universe Is Her Form
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
An Analysis of Tantric Practices at Kamakhya and Tarapith
International Journal of Applied Research 2018; 4(4): 39-41 ISSN Print: 2394-7500 ISSN Online: 2394-5869 Impact Factor: 5.2 Re-examining the cult of the feminine: An analysis of IJAR 2018; 4(4): 39-41 www.allresearchjournal.com tantric practices at Kamakhya and Tarapith Received: 15-02-2018 Accepted: 17-03-2018 Dr. Chandni Sengupta Dr Chandni Sengupta Assistant Professor, Department of History, Amity Abstract School of Liberal Arts, Amity Tantricism is inextricably inter-linked with the cult of the feminine. Tantric rituals exalt the female University Haryana, Haryana, deity and celebrate the power (Shakti) of the female form of divinity. In India, alongside the Vedic India system of worship, Tantricism has co-existed for centuries. There are references to the Tantric tradition in the epics; similar references have also been found in the Indus Valley civilization. There are many shakti peeths in India but only a few are associated with Tantricism. This article aims to explore the Tantric rituals at the temples of Kamakhya in Assam and Tarapith in West Bengal, in order to establish the significance of the Tantric tradition even in the 21st century. Keywords: tantricism, tantra, ritual, goddess, Shakti, Devi, cult, practices Introduction In India, since the ancient time, two distinct and parallel forms of worship have existed- Vedic and Non-Vedic. Kallukabhatta, the first scholar who presented an exhaustive interpretation of the Manusmriti, made a clear distinction between two branches of Indian thought. He divided Indian wisdom into Vedic and Tantric [1]. The former was based on a male-centric social order, while the latter was based on the principles of matriarchy and consequently the notions of fertility. -
Ambubachi Mela in Assam's Kamakhya Temple
[VOLUME 5 I ISSUE 1 I JAN. – MARCH 2018] e ISSN 2348 –1269, Print ISSN 2349-5138 http://ijrar.com/ Cosmos Impact Factor 4.236 Ambubachi Mela in Assam’s Kamakhya Temple: A Critical Analysis Sangeeta Das Research Scholar Centre for the Study of Social Systems, School of Social Sciences Jawaharlal Nehru University, New Delhi – 110067 Received Dec. 29, 2017 Accepted Feb. 01, 2018 ABSTRACT With globalization, religion is mixing up with capitalism and consumerism. Old religious observances are finding new modern uses. Ambubachi, celebration of goddess menstruation in Assam’s Kamakhya temple has also undergone significant changes overtime. An analysis of the festival reveals its dichotomous nature. On the one hand, it celebrates menstruation and on the other hand, retains the tradition of menstrual seclusion even for Goddess Kamakhya. The strict rules and taboos that used to be a part of this festival have now become flexible. The temple premise during the period of Ambubachi has also turned more into a commercial site. Thus, although devotees continue to throng Kamakhya temple during Ambubachi mela, yet study reveals that the festival has certain attributes that deserve sincere academic scrutiny. Keywords: Ambubachi, Menstruation, Goddess, Religion. KAMAKHYA TEMPLE: A HISTORCAL ANALYSIS The Kamakhya temple is the famous Ahaar month in Assamese calendar. It is known as pilgrimage spot for the Hindus and Tantric the menses period for Goddess Kamakhya. What is worshipper located on the Nilachala hill in the worshipped at Kamakhya during Ambubachi Mela Guwahati city of the Eastern Indian state of Assam. is not an image of the Goddess but rather a The uniqueness of the temple is that there is no process: a formal process of menstruation. -
List of Candidates Called for Preliminary Examination for Direct Recruitment of Grade-I Officers in Assam Judicial Service
LIST OF CANDIDATES CALLED FOR PRELIMINARY EXAMINATION FOR DIRECT RECRUITMENT OF GRADE-I OFFICERS IN ASSAM JUDICIAL SERVICE. [ Candidature is subject to fulfilment of eligibility criteria prescribed by the Rules ] Sl No Name of the Category Roll No Issue No Present Address Candidate 1 2 3 4 5 6 1 AAMIR AKHTAR General 0001 3244 C-119, Reids Line, Delhi University, Delhi-7 2 ABDUL AWAL DEWAN General 0002 3245 Maherban Path, P.O.& P/S Hatigaon, Dist: Kamrup, Assam 3 ABDUL HAI LASKAR General 0003 3246 Madurband (Kandigram), PO & PS- Silchar, Dist- Cachar, Assam, Pin-788001 4 ABDUL MANNAN SARKAR General 0004 3247 Bilasipara, W/No.7, P.O. & P.S. Bilasipara, Dist. Dhubri, Assam 5 ABDUL RAKIB BARLASKAR General 0005 3248 Vill: Bahadurpur, P.O. Rongpur PT-II, Dist. Cachar, Assam, Pin 788009 6 ABDUS SABUR AKAND General 0006 3249 Bishnujyoti Path, Shanaghar, Hatigaon, Dist Kamrup (M) ,Pin-781038, Assam 7 ABHIJIT BHATTACHARYA General 0007 3250 Purbashree Apartment, Flat No. 2/3, Borthakur Mill Road, Ulubari, Guwahati-781007 8 ABHIJIT BHATTACHARYA General 0008 3251 53, LAMB Road, Opp. Ugratara Temple, Uzan Bazar, Guwahati781001 9 ABHIJIT GHOSH OBC 0009 3252 Jyoti Nagar, Bongal Pukhuri, PO & PS- Jorhat, Dist. Jorhat , Assam, 10 ABIDUR RAHMAN General 0010 3253 Sibsagar Bar Association, P.O. Sibsagar, Dist. Sibsagar, Assam, Pin - 785640. 11 ABU BAKKAR SIDDIQUE General 0011 3254 R/O House No.7, Bishnujyoti Path(West), Natbama,(Near Pipe Line), P.O. Hatigaon, Guwahati-781038 12 ABUBAKKAR SIDDIQUE General 0012 3255 P.D.Chaliha Road, H. No.-11, Ground Floor, Hedayetpur, P/S Latasil, P.O. -
Antrocom Journal of Anthropology ANTROCOM Journal Homepage
Antrocom Online Journal of Anthropology vol. 16. n. 2 (2020) 333-339 – ISSN 1973 – 2880 Antrocom Journal of Anthropology ANTROCOM journal homepage: http://www.antrocom.net Representation of Folk Tantra: An enquiry into the Rati Khowa Sect in Assam Nilam Kakati PhD ,Department of History University of Hyderabad; e-mail <[email protected]> keywords abstract Tantra, Folk Tantra, Rati In recent times, the category of folk Tantra has evolved in the study of the Tantric tradition. Khowa sect, Vaishnavism, The category as initiated by June McDaniel in her work is applied for the case study of the Assam, Kamakhya Bengal region in India. The new category marks a sharp distinction from the classical Tantra. The study attempts to explore the category further and expand it into the area of Assam in India. The Rati Khowa sect grew after the schism in the popular Vaishnavite movement in Assam. The sect is of esoteric nature which displays the amalgamation of Vaishnavite and Tantric elements. It could be seen in a few districts of Assam. The rituals practised by the sect comes under the left- hand path of Tantra and thus are not approved by the societal norms. Rituals are open only to the participants practised in secret and excluding the outsiders completely. The study will attempt to view the Rati Khowa sect as a folk tantric category. In the process, it will also examine that the category of folk Tantra in Assam is dissimilar to the category of folk Tantra in Bengal as viewed by June McDaniel. Introduction The Indic religious setting comprises distinct traditions quite peculiar in their understanding and way of life. -
The Serpent Power by Woodroffe Illustrations, Tables, Highlights and Images by Veeraswamy Krishnaraj
The Serpent Power by Woodroffe Illustrations, Tables, Highlights and Images by Veeraswamy Krishnaraj This PDF file contains the complete book of the Serpent Power as listed below. 1) THE SIX CENTRES AND THE SERPENT POWER By WOODROFFE. 2) Ṣaṭ-Cakra-Nirūpaṇa, Six-Cakra Investigation: Description of and Investigation into the Six Bodily Centers by Tantrik Purnananda-Svami (1526 CE). 3) THE FIVEFOLD FOOTSTOOL (PĀDUKĀ-PAÑCAKA THE SIX CENTRES AND THE SERPENT POWER See the diagram in the next page. INTRODUCTION PAGE 1 THE two Sanskrit works here translated---Ṣat-cakra-nirūpaṇa (" Description of the Six Centres, or Cakras") and Pādukāpañcaka (" Fivefold footstool ")-deal with a particular form of Tantrik Yoga named Kuṇḍalinī -Yoga or, as some works call it, Bhūta-śuddhi, These names refer to the Kuṇḍalinī-Śakti, or Supreme Power in the human body by the arousing of which the Yoga is achieved, and to the purification of the Elements of the body (Bhūta-śuddhi) which takes place upon that event. This Yoga is effected by a process technically known as Ṣat-cakra-bheda, or piercing of the Six Centres or Regions (Cakra) or Lotuses (Padma) of the body (which the work describes) by the agency of Kuṇḍalinī- Sakti, which, in order to give it an English name, I have here called the Serpent Power.1 Kuṇḍala means coiled. The power is the Goddess (Devī) Kuṇḍalinī, or that which is coiled; for Her form is that of a coiled and sleeping serpent in the lowest bodily centre, at the base of the spinal column, until by the means described She is aroused in that Yoga which is named after Her. -
Sculptures of Kamakhya Temple: an Aesthetic View
International Journal of Scientific and Research Publications, Volume 3, Issue 10, October 2013 1 ISSN 2250-3153 Sculptures of Kamakhya Temple: An Aesthetic View Mousumi Deka Research Scholar, Department of Visual Arts, Assam University, Silchar Abstract- The Kamakhya temple is one of the world known religious centre. Though, the temple is regarded as the great religious Tantriccentre but, it lays great emphasis on the sculptural art. The temple exits at the Nilachal hill of Assam. The myth, religion and art are amalgamated in the Kamakhya temple. The reconstructed temple shows the sculptural art of different times. Numerous sculptural images are very similar to the Gupta art style. The study focuses upon the characteristics of the stone images and traces the myth behind the temple. The stone images are analyzed according to the subject matter. Index Terms- Aesthetic, Kamakhya temple, Myth, Sculptures I. Section I he Kamakhya temple is one of the main pithas (sacred place) among fifty oneSaktipithas and the temple is dedicated to Mother T Goddess Kamakhya. Kamakhya is another form of Goddess Parvati. The Kamakhya temple is located on the Nilachal hill in western part of Guwahati city in Assam. There is an incomplete stone staircase known as the Mekhalaujua path along with the Kamakhya temple. Mother Goddess Kamakhya is worshiped here in the „Yoni’ (genitalia)form. The most celebrated festival is the Ambubachi festival. It is widely believed that during the period of festival of each summer, Devi Kamakhya goes through her menstrual cycle. The history was silent that when the temple was originally built. But, it was estimated that the temple was built around the 4th -5th century A D. -
CONCEIVING the GODDESS an Old Woman Drawing a Picture of Durga-Mahishasuramardini on a Village Wall, Gujrat State, India
CONCEIVING THE GODDESS An old woman drawing a picture of Durga-Mahishasuramardini on a village wall, Gujrat State, India. Photo courtesy Jyoti Bhatt, Vadodara, India. CONCEIVING THE GODDESS TRANSFORMATION AND APPROPRIATION IN INDIC RELIGIONS Edited by Jayant Bhalchandra Bapat and Ian Mabbett Conceiving the Goddess: Transformation and Appropriation in Indic Religions © Copyright 2017 Copyright of this collection in its entirety belongs to the editors, Jayant Bhalchandra Bapat and Ian Mabbett. Copyright of the individual chapters belongs to the respective authors. All rights reserved. Apart from any uses permitted by Australia’s Copyright Act 1968, no part of this book may be reproduced by any process without prior written permission from the copyright owners. Inquiries should be directed to the publisher. Monash University Publishing Matheson Library and Information Services Building, 40 Exhibition Walk Monash University Clayton, Victoria 3800, Australia www.publishing.monash.edu Monash University Publishing brings to the world publications which advance the best traditions of humane and enlightened thought. Monash University Publishing titles pass through a rigorous process of independent peer review. www.publishing.monash.edu/books/cg-9781925377309.html Design: Les Thomas. Cover image: The Goddess Sonjai at Wai, Maharashtra State, India. Photograph: Jayant Bhalchandra Bapat. ISBN: 9781925377309 (paperback) ISBN: 9781925377316 (PDF) ISBN: 9781925377606 (ePub) The Monash Asia Series Conceiving the Goddess: Transformation and Appropriation in Indic Religions is published as part of the Monash Asia Series. The Monash Asia Series comprises works that make a significant contribution to our understanding of one or more Asian nations or regions. The individual works that make up this multi-disciplinary series are selected on the basis of their contemporary relevance. -
Kali, Untamed Goddess Power and Unleashed Sexuality: A
Journal of Asian Research Vol. 1, No. 1, 2017 www.scholink.org/ojs/index.php/jar Kali, Untamed Goddess Power and Unleashed Sexuality: A Study of the ‘Kalika Purana’ of Bengal Saumitra Chakravarty1* 1 Post-Graduate Studies in English, National College, Bangalore, India * Saumitra Chakravarty, E-mail: [email protected] Abstract This paper attempts to analyse the paradox inherent in the myth of Kali, both in her iconic delineation and the rituals associated with her worship as depicted in the twelfth century Kalika Purana. The black goddess Kali breaks conventional stereotypes of feminine beauty and sexuality in Hindu goddess mythology. She is the dominant sexual partner straddling the prone Siva and the wild warrior goddess drinking demon blood. She is originally depicted as a symbol of uncontrolled fury emerging from the fair, beautiful goddess Ambika in the battle with the demons in older goddess texts. Thereafter she gains independent existence both as the dark, mysterious and sexually demanding version of the more benign and auspicious Parvati and the Primordial Goddess Power pre-dating the Hindu trinity of male gods, the Universal Mother Force which embraces both good and evil, gods and demons in the Kalika Purana. Unlike other goddess texts which emphasize Kali’s role in the battle against the demons, the Kalika Purana’s focus is on her sexuality and her darkly sensual beauty. Equally it is on the heterodoxical rituals associated with her worship involving blood and flesh offerings, wine and the use of sexual intercourse as opposed to Vedic rituals. Keywords kali, female, sexuality, primordial, goddess, paradox 1. -
Sixty-Four Yoginis Dr Suruchi Pande
Sixty-Four Yoginis Dr Suruchi Pande oginis are holy women with yogic unmanifested sound, logos, and she creates the Ypowers or female attendants of Shiva or universe. Durga. Commonly it is believed that eight • Vaishnavi gives the universe a definite yoginis exist, namely Mangala, Pingala, Dhanya, shape. Bhramari, Bhadrika, Ulka, Siddhi, and Sankata. • Maheshvari gives individuality to all cre- They are also perceived as divinities constituted ated beings. by eight groups of letters of the alphabets. • Kaumari bestows the force of aspirations. The philosophy of the concept of yogini is • Varahi is the power of assimilation and based on the concept of Sapta Matrikas, seven enjoyment. Mother goddesses. These seven goddesses sym- • Aindri or Indrani is the immense power bolise the motherly aspect and have a logical, es- that destroys whatever opposes the cosmic law. oteric, and conceptual sequence. Sometimes the • Chamunda is the power of spiritual Sapta Matrikas are portrayed in a deeper philo- awakening. sophical conceptual meaning with the eight div- Sixty-four yoginis symbolise the multiplica- inities involved in the creation of universe and its tion of these values. The symbology involves ref- various integral life forms in a serial logical order. erences to sixteen kalas or phases that are consti- • Brahmi or Brahmani represents the tuted by the mind, five gross elements, and ten sense organs. The moon has sixteen phases out IMAGE: HTTP://REDISCOVERYPROJECT.COM / CHAUSATH-YOGINI-MANDIR, MITAWALI MITAWALI / CHAUSATH-YOGINI-MANDIR, IMAGE: HTTP://REDISCOVERYPROJECT.COM Dr Suruchi Pande is a Vice Chairperson, Ela Foun- of which fifteen are visible and one is invisible. -
1 Residential 106 636.43 2 Institution 34 1822.88 3 Social Sector 18 627.21 Total 158 3086.52
Details of beneficiaries of 14 MW Grid Connected Rooftop Solar Programme under the Ministry of New & Renewable Energy, Govt. of India implemented by Assam Energy Development Agency CAPEX Mode: Capacity executed: Sl No Beneficiary Category Nos. Capacity in kWp 1 Residential 106 636.43 2 Institution 34 1822.88 3 Social Sector 18 627.21 Total 158 3086.52 Capacity of Sl No Name of Beneficiaries with Address Category Consumer No Solar Plant (kWp) 1 Sri Arvind Siotia, BKK Road, Rehabari, Guwahati - 8 Residential 52000040528 5.00 2 Ashok Kumar Siotia, B.K. Kakoti Road, N. No 87, Ulubari, Ghy - 8 Residential 12000000787 5.00 Sandhya Baruah, Subha Bhawan, Flat No -4B, S. Dohutia Road, Borpatahr, 3 Residential 12000006401 3.9 Tinsukia-786125 Nupur Choudhary, Subha Bhawan, Flat No -5B, S. Dohutia Road, Borpatahr, 4 Residential 12000006402 3.9 Tinsukia-786125 5 Chet Raj Subedi, Birkuchi, Bonda No-2, Guwahati-26 Residential 12000003372 3.98 6 Pranab Kr. Choudhury, H/No-11, Kamrapara, rupnagar, Ghy-9 Residential 52000008684 3.98 7 Smt. Bhagyabati Deka, Narengi Housing Coly, Seujnagar, Ghy-26 Residential 11000083692 2.92 Smt. Kalpana Borah, Nizara Path, Near Hrngrabari LP School, Hengrabari, 8 Residential 52000015546 2.92 Guwahati-06 9 Mr. Amburam Gogoi, H/No-28, Anand Nagar, Six Mile, Guwahati-22 Residential 52000015258 7.95 10 Smt. Deomuni Dev Barma, Adagodown [K-3-C-1], Kalapahar, Guwahati Residential 52000013677 3.98 Mr. Sudhir Kumar Lohia, Managing Trustee, Kanya Pathsala Tinsukia, L. P Raod, Social 11 21000000079 39.98 Tinsukia-786125 sector 12 Mr. Bishnu Prasad Subedi, Birkuchi, Bonda 2, Subedi Complex, Guwahati-26 Residential 51000371523 2.91 13 Smt. -
Annexure 1B 18416
Annexure 1 B List of taxpayers allotted to State having turnover of more than or equal to 1.5 Crore Sl.No Taxpayers Name GSTIN 1 BROTHERS OF ST.GABRIEL EDUCATION SOCIETY 36AAAAB0175C1ZE 2 BALAJI BEEDI PRODUCERS PRODUCTIVE INDUSTRIAL COOPERATIVE SOCIETY LIMITED 36AAAAB7475M1ZC 3 CENTRAL POWER RESEARCH INSTITUTE 36AAAAC0268P1ZK 4 CO OPERATIVE ELECTRIC SUPPLY SOCIETY LTD 36AAAAC0346G1Z8 5 CENTRE FOR MATERIALS FOR ELECTRONIC TECHNOLOGY 36AAAAC0801E1ZK 6 CYBER SPAZIO OWNERS WELFARE ASSOCIATION 36AAAAC5706G1Z2 7 DHANALAXMI DHANYA VITHANA RAITHU PARASPARA SAHAKARA PARIMITHA SANGHAM 36AAAAD2220N1ZZ 8 DSRB ASSOCIATES 36AAAAD7272Q1Z7 9 D S R EDUCATIONAL SOCIETY 36AAAAD7497D1ZN 10 DIRECTOR SAINIK WELFARE 36AAAAD9115E1Z2 11 GIRIJAN PRIMARY COOPE MARKETING SOCIETY LIMITED ADILABAD 36AAAAG4299E1ZO 12 GIRIJAN PRIMARY CO OP MARKETING SOCIETY LTD UTNOOR 36AAAAG4426D1Z5 13 GIRIJANA PRIMARY CO-OPERATIVE MARKETING SOCIETY LIMITED VENKATAPURAM 36AAAAG5461E1ZY 14 GANGA HITECH CITY 2 SOCIETY 36AAAAG6290R1Z2 15 GSK - VISHWA (JV) 36AAAAG8669E1ZI 16 HASSAN CO OPERATIVE MILK PRODUCERS SOCIETIES UNION LTD 36AAAAH0229B1ZF 17 HCC SEW MEIL JOINT VENTURE 36AAAAH3286Q1Z5 18 INDIAN FARMERS FERTILISER COOPERATIVE LIMITED 36AAAAI0050M1ZW 19 INDU FORTUNE FIELDS GARDENIA APARTMENT OWNERS ASSOCIATION 36AAAAI4338L1ZJ 20 INDUR INTIDEEPAM MUTUAL AIDED CO-OP THRIFT/CREDIT SOC FEDERATION LIMITED 36AAAAI5080P1ZA 21 INSURANCE INFORMATION BUREAU OF INDIA 36AAAAI6771M1Z8 22 INSTITUTE OF DEFENCE SCIENTISTS AND TECHNOLOGISTS 36AAAAI7233A1Z6 23 KARNATAKA CO-OPERATIVE MILK PRODUCER\S FEDERATION -
The Portrait of the Goddess in the Kalika Purana
IOSR Journal Of Humanities And Social Science (IOSR-JHSS) Volume 22, Issue 10, Ver. VII (October. 2017) PP 78-83 e-ISSN: 2279-0837, p-ISSN: 2279-0845. www.iosrjournals.org The Portrait of the Goddess in the Kalika Purana Rashmi Rekha Bhuyan [email protected], [email protected] Dept. of History Dibrugarh University Dibrugarh, India-786004 Abstract: The Kalika Purana is a Hindu religious text belongs to the genre Puranic literature. Written around the 10th-11th century AD in Sanskrit the text celebrates the power of the divine feminine in her various manifestations centering round the goddess Kamakhya or Kalika. To this day it is used in the worship of the goddess and is greatly revered by her devotees. In the text the goddess is portrayed as the supreme deity who can manifest in various forms in accordance with the need of the time. Sometimes she is associated with the male gods as consort; at some other episodes she is independent and superior to male gods. This paper attempts to discuss the different forms of the goddess discernible in the Kalika Purana. Keywords: Kalika, Kamakhya, Goddess, Saktism, Upa Purana ----------------------------------------------------------------------------------------------------------------------------- ---------- Date of Submission: 05-09-2017 Date of acceptance: 18-10-2017 ----------------------------------------------------------------------------------------------------------------------------- ---------- I. INTRODUCTION The Puranas, a set of religious texts, do share certain characteristics which mark them as a distinct genre of literature in Hinduism. Though traditionally acclaimed as eighteen in number, the real number of texts having the suffix Purana are more than this. Considering eighteen Puranas as „Great Purana‟ (though there are some discrepancy in lists), the other Puranas are given the title of „Upa Purana‟.