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Articulating Culturally Sensitive Knowledge Online: a Cherokee Case Study*
Articulating Culturally Sensitive Knowledge Online: A * Cherokee Case Study Robert Leopold Abstract: This article examines the online management of culturally sensitive knowledge through a discussion of a collaboration between the Museum of the Cherokee Indian and the Smithsonian Institution. It discusses the roles of the two institutions in a digital repatriation project involving an extensive body of 19th and 20th century manuscripts as well as the assumptions that informed their respective decisions regarding the online presentation of traditional cultural expressions. The case study explores some challenges involved in providing online access to culturally sensitive materials: first, by probing disparate senses of the term community, and then through a close examination of a particular class of heritage materials about which many Cherokee feel deeply ambivalent and for which notions of collective ownership are especially problematic. The Cherokee knowledge repatriation project offers a novel model for the circulation of digital heritage materials that may have wider applicability. The success of the project suggests that collaboration between tribal and non-tribal institutions may lead to more creative solutions for managing traditional cultural expressions than either alone can provide. [Keywords: Access Restrictions, Digital Repatriation, Culturally Sensitive Materials, Ethnographic Archiving, Knowledge Management. Keywords in italics are derived from the American Folklore Society Ethnographic Thesaurus, a standard nomenclature for the ethnographic disciplines.] Not long ago, I was giving a behind-the-scenes tour of the Smithsonian’s National Anthropological Archives when a member of the group asked me how our archives deals with culturally sensitive collections. Coincidentally, we were standing in front of a recent acquisition: the papers of Frederica de Laguna (1906-2004), an eminent anthropologist who conducted research among the Tlingit people of the Pacific Northwest Coast between 1949 and 1954. -
Concept of Tribe and Tribal Community Development
Title of Paper : Administration and Development of Tribal Community Paper Code : DTC405 Year : Second Level : 4th Semester Concept of Tribe and Tribal Community Development The word “Tribe” is taken from the Latin word “Tribus” which means “one third”. The word originally referred to one of the three territorial groups which united to make Rome. India is known as a Melting pot of tribes and races. After Africa India has the second largest concentration of tribal population within the world. Approximately there are about 698 Scheduled Tribes that constitute 8.5% of the India’s population as 2001 censes. Tribal population have some specific characteristics which are different from others tribes. They are simple people with unique customs, traditions and practices. They lived a life of isolation or you can say that geographical isolation. In India aboriginal tribes have lived for 1000 of years in forests and hilly areas without any communication with various centers of civilization. Now, there is a need to integrate tribes in to main stream of the society as a rightful member with respect. Concept and Definition of Tribe: There is no exact definition or the criteria for considering a tribe as a human group. However researchers defined it in various forms at different times. Sometimes they called “Tribe” as “aboriginal” or “depressed classes” or “Adivasees”. Normally, ‘tribe’ may be a group of individuals during a primitive or barbarous stage of development acknowledging the authority of a chief and typically regarding them as having a same ancestor. According to the Imperial Gazetteer of India, a tribe is a collection of families bearing a common name, speaking a common dialect, occupying or professing to occupy a common territory and is not usually endogamous, though originally it might have been so. -
Head of Archives at LSE Since 1997 LSE Large General Archive Covering All of the Social Sciences with Significant Holdings in Politics, Sociology and Economics
Head of Archives at LSE since 1997 LSE large general archive covering all of the social sciences with significant holdings in politics, sociology and economics. 1 Aim of talk is to give an overview of anthropology at LSE and the anthropology archives. Talk about current challenges for archives which impact directly on anthropology. Describe the general coverage for anthropology archives in the UK. And think about the need to get hands on involved with the work of anthropology archives much as Malinowski had to get out of his tent! 2 The beginnings of Anthropology at LSE was in a course in ethnology which appeared in the LSE Calendar in 1904-5 as part of a new sociology degree. The course was taught by AC Haddon who had led the 1898-9 expedition to the Torres Strait and New Guinea. The LSE calendar described the course as being aimed particularly at 'Civil Servants destined for the tropical portions of the Empire, and Missionaries'. Edward Westermarck continued to lecture in anthropology for some time. In 1910 the study was put on a firmer footing with the appointment of Charles Seligman, who had also been part of the Torres Strait expedition, to the ethnology lectureship. The department began to take shape with his appointment to a p/t professorship in 1913. Seligman lobbied to expand anthropology teaching and research at the School, and by 1923 he had significantly increased the number and range of courses available, as well as securing a permanent teaching post for his former student Bronislaw Malinowski. However there were some setbacks – in particular Seligman failed to get the School to commit any money to support anthropological fieldwork. -
"Museum Anthropology" In: Emerging Trends in the Social and Behavioral
Museum Anthropology CANDACE S. GREENE Abstract Museum anthropology is a vigorous and growing perspective within anthropology. It applies insights from cultural anthropology to the assessment of how museums represent cultures, and increasingly looks to museum collections as the material record of cultures over time. It is a theoretical approach, distinct from technical aspects of museum operation, such as collections care and exhibit production, although in best practice, each informs the other. Degree programs in Museum Studies may include training in either theoretical museum anthropology or opera- tional aspects, although more programs focus on the later aspect and are not specific to the discipline of anthropology. INTRODUCTION American anthropology first developed in museums, and collections were considered key sources of primary data as well as a core product of field explorations. During the twentieth century, anthropology became discon- nected from museums as the discipline relocated its institutional center to universities and shifted its research interests to intensive local studies of particular cultures and societies with an emphasis on original fieldwork (Bouquet, 2001; Collier & Tschopik, 1954; Stocking, 1985; Thomas, 2010). Anthropology has arrived now at a new conceptual and practical moment when museums and collections are again integral to the discipline, with the Council for Museum Anthropology that is an active section of the American Anthropological Association. There is a large and diverse body of relevant theory to be applied, there are numerous publication outlets, and there are clear opportunities for mutually productive collaboration with the source communities in which collections originated. FOUNDATIONAL RESEARCH In the past 30 years, anthropology has developed a new understanding of museums, defining them as sites for the production of knowledge as wellas its dissemination to a wide audience. -
“Theory” in Postwar Slovenian Ethnology
Slavec Gradišnik Against the “Aversion to Theory” Against the “Aversion to Theory”: Tracking “Theory” in Postwar Slovenian Ethnology Ingrid Slavec Gradišnik ZRC SAZU, Institute of Slovenian Ethnology Slovenia Abstract As elsewhere in Europe, disciplinary transformations of ethnology and folklore studies in Slo- venia were embedded in the changing political and social map after the Second World War. In the postwar years, sporadic reflections on the discipline’s academic and social position antici- pated the search for a new disciplinary identity. The first attempts to reconceptualize “folk cul- ture” as a building block of ethnological research and the use of the name “ethnology” instead of “ethnography/Volkskunde” in the 1950s also reflected the approaching of “small national ethnology” to “European ethnology.” Only in the 1960s and 1970s, radical epistemological and methodological criticism anticipated the transformation of the disciplinary landscape. The article tracks paradigmatic shifts in the field of tension between empirically oriented and theoretically grounded research. The former regarded “theorizing” as superfluous or the op- posite of “practice.” It more or less reproduced the “salvage project” and the positivist model of cultural-historical and philologically oriented research. The new agenda proposed a dialectical genetic-structural orientation that advocated for a “critical scholarship.” It insisted on the correspondence between the discipline’s subject and the empirical reality that reflects the socio- historical dynamics inherent to culture and everyday life. It introduced “way of life” (everyday life, everyday culture) as a core subject of research that expanded research topics, called for new methodological tools, revised affiliations to related disciplines, recognized discipline’s applied aspects, and addressed the re-reading of disciplinary legacy. -
W. Wilder the Culture of Kinship Studies In: Bijdragen Tot De
W. Wilder The culture of kinship studies In: Bijdragen tot de Taal-, Land- en Volkenkunde 129 (1973), no: 1, Leiden, 124-143 This PDF-file was downloaded from http://www.kitlv-journals.nl Downloaded from Brill.com09/29/2021 05:49:08AM via free access REVIEW ARTICLE W. D. WILDER THE CULTURE OF KINSHIP STUDIES Rethinking Kinship and Marriage, edited by Rodney Needham; A.S.A. Monograph 11, Tavistock Publications, London 1971, cxix, 276 pp. £4.00. The Morgan centenary year (1971) saw a larger-than-usual out- pouring of books on kinship and marriage, even though their appearance on this occasion was apparently no more than a coincidence, since in none of them is the centenary date noticed as such.1 More importantly, the reader of these books, with a single exception, confronts merely a restatement or adaptation of older views or the original statements of those views, reprinted. The one exception is the last-published of all these books, Rethinking Kinship and Marriage, presently under review. These facts in themselves may say a great deal about the modern study of kinship fully one hundred years on,2 besides making ASA 11 an essential text for all those anthropologists who are (as Needham once remarked of Hocart) "not much concerned to pander to received ideas".3 1 In addition to Rethinking Kinship and Marriage (ASA 11), there had already appeared in France, the U.S.A. and Britain: L. Dumont Introduction a Deux Thiories d'Anthropologie Sociale: Groupes de Filiation et Alliance de Manage (Mouton, 1971); H. Scheffler and F. -
Primitivism" In2 0 T H Century
TH THE MUSEUM OF MODERN ART PRIMITIVISM" IN 20 CENTURY ART 11 WEST 53 STREET NEW YORK, NY 10019 Affinity of the Tribal and the Modern (212) 708-940U FOR IMMEDIATE RELEASE August, 1984 No. 17 NEW EXHIBITION OPENING SEPTEMBER 27 AT MUSEUM OF MODERN ART EXAMINES "PRIMITIVISM" IN 20TH CENTURY ART Few if any external influences on the work of modern painters and sculptors have been more critical than that of the tribal arts of Africa, Oceania and North America. Since the turn of the century when Gauguin, Picasso, Matisse, and others first acquainted themselves with masks and sculptures from these areas, modern artists have continued to display strong interest in the art and culture of tribal societies. The term "primitivism" is used to describe the Western response to tribal cultures as revealed in the work and thought of modern artists. Recognizing the importance of this issue in modern art history--and the relative lack of serious research devoted to it--The Museum of Modern Art in New York this fall presents a groundbreaking exhibition that underscores the parallelisms that exist between the two arts. Entitled "PRIMITIVISM" IN 20TH CENTURY ART: Affinity of the Tribal and the Modern, the exhibition, which opens on September 27 and runs through January 15, 1985, is the first ever to juxtapose modern and tribal objects in the light of informed art history. William Rubin, head of the Museum's Department of Painting and Sculpture and director of the landmark 1980 Pablo Picasso: A Retrospective, has organized the show in collaboration with Professor Kirk Varnedoe of New York University's more/ The exhibition and its national tour are sponsored by Philip Morris Incorporated. -
Arts in the Margins of World Encounters
Arts in the Margins of World Encounters Edited by Willemijn de Jong University of Zurich, Switzerland Eriko Aoki Ryukoku University, Japan John Clammer O.P. Jindal Global University, India Curating and Interpreting Culture Copyright © 2021 Vernon Press, an imprint of Vernon Art and Science Inc, on behalf of the authors. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Vernon Art and Science Inc. www.vernonpress.com In the Americas: In the rest of the world: Vernon Press Vernon Press 1000 N West Street, Suite 1200, C/Sancti Espiritu 17, Wilmington, Delaware 19801 Malaga, 29006 United States Spain Curating and Interpreting Culture Library of Congress Control Number: 2021933073 ISBN: 978-1-62273-602-7 Product and company names mentioned in this work are the trademarks of their respective owners. While every care has been taken in preparing this work, neither the authors nor Vernon Art and Science Inc. may be held responsible for any loss or damage caused or alleged to be caused directly or indirectly by the information contained in it. Every effort has been made to trace all copyright holders, but if any have been inadvertently overlooked the publisher will be pleased to include any necessary credits in any subsequent reprint or edition. Cover design by Vernon Press. Cover photo by Eriko Aoki, 2015: “Clay works by Masami Yamagiwa in the Atelier Yamanami.” Table of Contents List of figures v Prologue Arts, world encounters, markets and marginality: a decolonising perspective vii Willemijn de Jong University of Zurich, Switzerland Eriko Aoki Ryukoku University, Japan John Clammer O.P. -
Bibliography
BIBLIOGRAPHY Books and Publications Author's Name Year A Guide to Musical Acoustics H. Lowery English Published by Dobson Books Ltd. London A Historical Study of Indian Music Pragnanananda, English Munshiram Manoharlal Publishers Private Swami 1981 Ltd., 54 Rani Jhansi Road, New Delhi 110055 A Short historical survey of the Music of Pt. V. N. Bhatkhande English upper India. Tr. By 1985 Baroda, Indian Musicological Society Dr. Arun Kumar Sen A Text Book of Botany Dr. V. Singh English Rastogi Publication, Shivaji road, Meerut A Text Book of Sound R. L. Saihgal English S. Chand & co., Delhi, New Delhi, Jullundar, Lucknow, Bombay A Text Book of Sound D. R. Khanna & English Atma Ram and Sons, Kashmiri Gate, Delhi R. S. Bedi 1980 A Text Book of Sound M. N. Srinivasan English Himalaya Publishing House, Ramdoot Dr. 1991 Bhallerao Marg, Gorgaon, Bombay Acoustics Leo L. Beranek English McGraw-Hill Book Company, Inc. New York, 1954 Toronto, London, Acoustics for Music Students, Madras C. S. Ayyar English Published by C. S. Ayyar, 46, Edward Elliots 1959 Road, Madras - 4, (India) Acoustics of Buildings F. R. Watson English New York, John Wiley & Sons, Inc. 1948 London: Chapman & Hall. Ltd. Bibliography 419 Acoustics of Buildings including acoustics of Watson Floyd Rowe English auditoriums and sound proofing of room 1948 Acoustics of Music Wilmer T. English New York, Prentice-hall, Inc., 70,5th Avenue Bartholomew 1950 Acoustics Wave and Oscillations S. N. Sen English Willey Eastern Ltd. 4834/24, Ansari Road, 1990 Dariya Ganj, New Delhi -110002 Aine Akbari Abul Fazal ; English English Translated by Francis Gladwin, Tr. -
Mobilizing Indigenous Languages for Democracy in Nigeria: a Discursive
Mobilizing Indigenous Languages for Democracy in 1 Nigeria: A Discursive and Sociolinguistic Critique DOI: 10.36108/NJSA/2102/01(0130) Benson Eluma Institut Français de Recherche en Afrique (IFRA) Institute of African Studies University of Ibadan, Nigeria & Yinka Olarinmoye Department of Sociology Lagos State University Ojo, Lagos, Nigeria Vol. 10 Issue 1, 2012 Abstract For democracy to become the political culture in Nigeria, the discourse of politics has to be conducted through expressive mechanisms owned by the people. In the absence of popular ownership of political language, the road to disconnect, apathy and disenfranchisement lies wide open. We take the view that the problem of politics is located squarely in the public sphere and that discourse is the activity that characterizes the public sphere. We raise the point that the sociolinguistic environment in the country does not encourage whole masses of Nigerians to talk politics in languages in which they can freely articulate their positions and present their aspirations. We posit that citizens are disenfranchised and rendered inaudible and invisible to the extent to which they cannot undertake political discourse with an appreciable measure of linguistic ease. The benefits of diversity are endangered as many people and entire groups in Nigeria lose the means of expressing their political views and opinions, let alone political projects and programmes. Invoking Bakhtin’s concept of heteroglossia, we make a blanket case for the viability of each and every extant language in Nigeria for political discourse if such usage is actively promoted among their respective communities of users. Keywords: political discourse, linguistic landscape, disenfranchisement, minority languages, heteroglossia Introduction The language question is one that the Nigerian polity cannot escape, especially in its ongoing throes of navigating a passage to a political culture of robust democratic governance. -
Exploring the Nigerian Railway Compound in Ebute-Metta, Lagos Mainland
Project Partners Project Details Project Leads: Monika Umunna & Ore Disu Project Coordinator: Oluwatamilore Oni About Heinrich Böll Stiftung The Heinrich Böll Foundation is part of the Green political movement that has developed worldwide as a re- sponse to the traditional politics of socialism, liberalism, and conservatism. www.ng.boell.org and www.boell.de Publication Information About Nsibidi Institute This is a publication by Heinrich Boll Foundation (Nigeria) and Nsibidi Institute (Nigeria) Nsibidi Institute is an independent research organization uniquely position to build local research capacity, Publication Date: 2018 promote learning and effect critical engagement on societal issues in Nigeria. Content Editors: Oluwatamilore Oni & Amina Banu www.nsibidiinstitute.org Text Copy Editor: Amina Banu Photography: Eseosa Ikpomwosa (cover and back inner page) Andrew Esiebo (front inner page) Others as indicated in the document Layout & Typesetting: The Meme Studios Special thanks to African Collaborative Institute of Design (ACID) for their contributions to the project Disclaimer Opinions expressed in the articles are those of their authors and not any of the institutions listed as project partners. The publisher apologises for any errors or omissions of copyright and would be grateful if notified of any corrections that should be incorporated in future reprints or editions of this book. This material is licensed under Creative Commons “Attribution- ShareAlike 3.0 Unported” (CC BY-SA 3.0). Self-Determination and Resilience: A Paradox for Spatial Governance in Lagos ......................................... 19 by Kolade Akiyode The Resilient Ones ............................................ 29 by Seyi Bolarin Boomtown Mubi: Home of Peace and Civil Defence .................... 39 by Andrea Staeritz If Ebola Strikes Again: How Lagos is Building Preventative Resilience to Health Crises ................................................ -
Mres/Phd Anthropology Handbook 2019 Dates for Your Diary 2019/20
WELCOME TO THE Department of Anthropology MRes/PhD Anthropology Handbook 2019 Dates for your diary 2019/20 LSE Welcome Events 2019 – All MRes students Date Time What Where From Monday, Main Welcome Week for new students Across campus 23rd September www.lse.ac.uk/yourFirstWeeks/ Monday, 3 – 4.30pm School welcome presentation for new MRes students Peacock Theatre 23rd September Thursday, 3 – 3.30pm Registration for new MRes students* Hong Kong Theatre , CLM5 26th September www.lse.ac.uk/programmeRegistration Friday, 11am – 1pm Departmental orientation for all new MRes students The Old Anthropology Library, OLD 6.05 27th September * Upon successful upgrade at the end of your first year, you will be required to register, in person, as a PhD student at the PhD Academy. In subsequent years, registration will be done automatically by the School on receipt of your annual progress report form showing adequate progress. You should therefore ensure that this is completed by the deadline in late June each year. Students who have not submitted the form will not be able to re-register for the following session. MRes key dates Date Term / week Term dates and MRes coursework submission deadlines Monday, 30th September MT week 1 Michaelmas Term (MT) teaching starts MRes students to submit a brief outline of their research project Monday, 28th October MT week 5 AN471 1,000-word report deadline Monday, 4th November MT week 6 MT Reading Week starts Monday, 25th November MT week 9 AN471 1,000-word report deadline Friday, 13th December MT week 11 Michaelmas