Mobilizing Indigenous Languages for Democracy in Nigeria: a Discursive
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OAC Members Page 1 Name Profile Address Location Country School
OAC Members Name Profile Address Location Country School/Organization/Current anthropological attachment Website Erik Cohen http://openanthcoop.ning.com/xn/detail/u_0q3436294e00n Bangkok Thailand Hebrew University of Jerusalem Israel (Emeritus) - Liviu Chelcea http://openanthcoop.ning.com/xn/detail/u_13fm1mp3j3ec0 Romania economic anth, kinship - Fiza Ishaq http://openanthcoop.ning.com/xn/detail/u_257csvwenh01d Bangalore, Karnataka India -- -- Budi Puspa Priadi http://openanthcoop.ning.com/xn/detail/u_2chvjykjv4cz8 Yogyakarta Indonesia Gadjah Mada University ---- E. Paul Durrenberger http://openanthcoop.ning.com/xn/detail/u_3l4ha53wqxfjt United States Penn State //www.personal.psu.edu/faculty/e/p/epd2/ Joe Long http://openanthcoop.ning.com/xn/detail/u_0b6vedfu8to4e Aberdeen United Kingdom University of Aberdeen /www.abdn.ac.uk/anthropology/postgrad/details.php?id=anp037 Louise de la Gorgendiere http://openanthcoop.ning.com/xn/detail/u_1w9frbg5i32ep Ottawa Canada Carleton University, Ottawa, Canada /www.carleton.ca/socanth/faculty/gorgendiere.html Sebnem Ugural http://openanthcoop.ning.com/xn/detail/u_0h8qc5txfeu01 london United Kingdom University of Essex /www.seb-nem.com/ millo mamung http://openanthcoop.ning.com/xn/detail/u_0cs1x9hd3jmlk arunachal pradesh India rajiv gandhi university @yahoo.com Mangi Lal Purohit http://openanthcoop.ning.com/xn/detail/u_0r5sad7imypae Rajasthan India Aakar Trust aakartrust.org Hakan Ergül http://openanthcoop.ning.com/xn/detail/u_2o9ookbjyxvcv Turkey Anadolu University academy.anadolu.edu.tr/xdisplayx.asp?kod=0&acc=hkergul -
Exploring the Nigerian Railway Compound in Ebute-Metta, Lagos Mainland
Project Partners Project Details Project Leads: Monika Umunna & Ore Disu Project Coordinator: Oluwatamilore Oni About Heinrich Böll Stiftung The Heinrich Böll Foundation is part of the Green political movement that has developed worldwide as a re- sponse to the traditional politics of socialism, liberalism, and conservatism. www.ng.boell.org and www.boell.de Publication Information About Nsibidi Institute This is a publication by Heinrich Boll Foundation (Nigeria) and Nsibidi Institute (Nigeria) Nsibidi Institute is an independent research organization uniquely position to build local research capacity, Publication Date: 2018 promote learning and effect critical engagement on societal issues in Nigeria. Content Editors: Oluwatamilore Oni & Amina Banu www.nsibidiinstitute.org Text Copy Editor: Amina Banu Photography: Eseosa Ikpomwosa (cover and back inner page) Andrew Esiebo (front inner page) Others as indicated in the document Layout & Typesetting: The Meme Studios Special thanks to African Collaborative Institute of Design (ACID) for their contributions to the project Disclaimer Opinions expressed in the articles are those of their authors and not any of the institutions listed as project partners. The publisher apologises for any errors or omissions of copyright and would be grateful if notified of any corrections that should be incorporated in future reprints or editions of this book. This material is licensed under Creative Commons “Attribution- ShareAlike 3.0 Unported” (CC BY-SA 3.0). Self-Determination and Resilience: A Paradox for Spatial Governance in Lagos ......................................... 19 by Kolade Akiyode The Resilient Ones ............................................ 29 by Seyi Bolarin Boomtown Mubi: Home of Peace and Civil Defence .................... 39 by Andrea Staeritz If Ebola Strikes Again: How Lagos is Building Preventative Resilience to Health Crises ................................................ -
Title Sponsor Season Sponsor
season sponsor title sponsor WELCOME Every December I visit the other London, in England. While preparing for the trip last year I took notice of a new produc- tion that was the talk of town and selling out: Barber Shop Chronicles. It was being performed at one of my favourite theatres in the world — the National Theatre of England. I snapped Supporting up a ticket and crossed my fingers. The moment I walked into the the- atre, my heart lifted and I burst into a the arts, big smile. It was clear that something special was unfolding. I was instantly transported, engaged, and swept up in the thrill of the event. When I returned to Canada I started making inquiries — locally. tracking down the playwright and the theatre producers. It is a dream come true for me to bring a great new play from this beloved theatre to our stage. We are committed to being world curious here at the Grand Theatre and this production is the first of many international productions to come. This fine company of artists joins us in the middle of their tour, which began in October in Arizona and has been touring on the us West Coast. We are the only Canadian stop on their journey, and following their time here, they head directly to the Kennedy Center in Washington, dc. We are truly in fine company. Barber Shop Chronicles dazzles on every level — but what I will always remember is how powerful a story can be when it is presented directly and honestly, with a whole pile of theatrical fun. -
The Agbowo Magazine Copy1
ó Team Dolapo Amusat Cofounder and Process Lead Habeeb Kolade Cofounder and Marketing Lead Moyosore Orimoloye Editor-in-Chief Olu Afolabi Editor (Poetry) Winifred Binogun ó Editor (Prose) Agbowó is an afrocentric literary and arts community. At Agbowó, we collect Darafunmi Olanrewaju great literary and visual African art, listen Editor (Prose) to new voices and embrace innovative artistic expression. We are creating a Adekunle Adebajo platform where the works of African Editor (Essays/ Cultural Criticism) writers and artists come alive and read- ers find the most intriguing work. Oluseyi Owolabi Editor (Photography) Agbowó Magazine is published by Agbowó who hold the copyright of the Debola Abimbolu publication. Authors of works herein Editor (Visual Arts) retain copyrights to their works . Repro- duction in whole or in parts is strictly prohibited. Contributors SPONSORSHIP AND PARTNERSHIPS Gbenga Adeoba | Abisola Gbadamosi | Email Ubiomo Chinedu Ogheneroh | Kola Tubosun [email protected] | Olalekan Odunbori | Logan February | Jekein Lato-Unah | Xola Stemele | Tade Phone Ipadeola | Segun Okewumi | Feyisayo Anjorin +2349081745562, | Tunji Olalere | Toni Kan | Nduka Akpe | +2348054083200 Niyi Okeowo | Romeo Oriogun | Ladipo Titiloye | Opeyemi Matthew | Anyah Richard Website | Akin Oseni | Abeiku Arhim Tsiwah Agbowo.org PREFACE X is for indeterminacy. The works of literature in this issue were not selected based on any unifying theme. There are essays about food, language and the spate of the current crop of the literary elite. There are poems about love, for sure, about the religious and about addic- tion. The stories are just as divergent. What, however, makes this issue into an organic unit is the sprinkling of visual art which perform an adhesive function at several parts of this work. -
Barber Shop Chronicles a Fuel, National Eatre, and West Yorkshire Playhouse Co-Production
Friday and Saturday, October 26 –27, 2018, 8pm Sunday, October 28, 2018, 2pm Zellerbach Hall Barber Shop Chronicles A Fuel, National eatre, and West Yorkshire Playhouse co-production Writer Inua Ellams Director Bijan Sheibani Designer Rae Smith Lighting Designer Jack Knowles Movement Director Aline David Sound Designer Gareth Fry Music Director Michael Henry Associate Director Stella Odunlami Associate Director Leian John-Baptiste Assistant Director Kwami Odoom Fight Director Kev McCurdy Barber Consultant Peter Atakpo Company Voice Work Charmian Hoare Dialect Coach Hazel Holder Tour Casting Director Lotte Hines Wallace/Timothy/Mohammed/Tinashe Tuwaine Barrett Tanaka/Fifi Mohammed Mansaray Musa/Andile/Mensah Maynard Eziashi Ethan Alhaji Fofana Samuel Elliot Edusah Winston/Shoni Solomon Israel Tokunbo/Paul/Simphiwe Patrice Naiambana Emmanuel Anthony Ofoegbu Kwame/Fabrice/Brian Kenneth Omole Olawale/Wole/Kwabena/Simon Ekow Quartey Elnathan/Benjamin/Dwain Jo Servi Abram/Ohene/Sizwe David Webber Design Associate Catherine Morgan Re-lighter and Production Electrician Rachel Bowen Lighting Associate Laura Howells Sound Associate Laura Hammond Wardrobe Supervisor Louise Marchand-Paris Cal Performances’ 2018 –19 season is sponsored by Wells Fargo. 2 Pre-Production Manager Richard Eustace Production Manager Sarah Cowan Company Stage Manager Julia Reid Deputy Stage Manager Fiona Bardsley Assistant Stage Manager Sylvia Darkwa-Ohemeng Costume Supervisor Lydia Crimp Costume and Buying Supervisor Jessica Dixon Co-commissioned by Fuel and the National eatre. Development funded by Arts Council England with the support of Fuel, National eatre, West Yorkshire Playhouse, e Binks Trust, British Council ZA, Òran Mór, and A Play, a Pie and a Pint. ABOUT THE ARTISTS Tuwaine Barrett (Wallace/Timothy/Moham - Central), Siblings (BBC 3), and work as a series med/Tinashe ) trained at Mountview Academy regular in Youngers , Series 2 (Big Talk/E4). -
Okani-Nkam Modern Day Project 5/ Poetry for the Iroko Men Esame Bassey Godspower Oboido
aFRica 13 Saraba Magazine is a literary/arts magazine published up to four times a year by Iroko Publishing on www.sarabamag.com. Copyright is held by Iroko Publishing, Saraba Magazine and individual authors of works published herein. Reproduction in whole or in part without written permission is strictly prohibited. General enquiries for reproduction, collaboration, etc., can be directed to [email protected]. Subscribe to our Newsletter for updates on our activities. Please see our website for complete submission guidelines. Submissions are welcome for our next (‗Art‘) Issue. See www.sarabamag.com/themes for our Theme Calender. The Africa (#13) Issue is published on A4 and best viewed at 75% with bookmarks. Fonts: France, Bell MT. Cover photograph: Dillon Marsh Back Illustration: (Infographic Africa) Francesco Poroli Publisher Emmanuel Iduma Publisher / Fiction Editor Managing Editor Dami Ajayi Adaudo Anyiam-Osigwe Poetry Editor Nonfiction Editor Adebiyi Olusolape Arthur Anyaduba Digital Editor Copy Editor Adedamola R. Mogaji Akumbu Uche Business Development Manager Graphic Artist Yemi Soneye Illa Amudi Saraba | Issue 13 | Africa 2 Contents 4/ Editor‘s Note 110/ Contributors 115/ Design Notes Fiction Poetry 6/ Okani-Nkam Modern Day Project 5/ Poetry for the Iroko Men Esame Bassey Godspower Oboido 30/ A Safe Indiscretion 16-19/ Kidal | Bukavu| Jos Sefi Atta Peter Akinlabi 39/ Nyamiri 54/ You Hum Tunes Okwuje Israel Chukwuemeka Okoroafor Chibuzor 50/ It Is Runonko Time 109/ Touchdown Brian Bwesigye Ikeogu Oke 54/ A Beautiful Mind Lara -
Politics and Performative Agency in Nigerian Social Media
Politics and Performative Agency in Nigerian Social Media A Dissertation Submitted to the College of Graduate and Postdoctoral Studies in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English in the Department of English University of Saskatchewan Saskatoon By James Tunde Yeku Copyright James Tunde Yeku, August 2018. All Rights Reserved. PERMISSION TO USE In presenting this thesis/dissertation in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis/dissertation in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis/dissertation work or, in their absence, by the Head of the Department or the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis/dissertation or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis/dissertation. DISCLAIMER The [name of company/corporation/brand name and website] were exclusively created to meet the thesis and/or exhibition requirements for the degree of [title of degree] at the University of Saskatchewan. Reference in this thesis/dissertation to any specific commercial products, process, or service by trade name, trademark, manufacturer, or otherwise, does not constitute or imply its endorsement, recommendation, or favoring by the University of Saskatchewan.