Mres/Phd Anthropology Handbook 2019 Dates for Your Diary 2019/20
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Photographic Presence in New Mexico
Past, Present and Future: Photographic Presence in New Mexico Devorah Romanek A thesis submitted for the degree of Doctor of Philosophy in Anthropology, Department of Anthropology, University College London (UCL), 2019 I, Devorah Romanek Confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. Photograph on frontispiece: Will Wilson (2012). “Zig Jackson, Citizen of the Mandan, Hidatsa, and Arikara Nation, Professor of Photography, Savannah College of Art and Design.” Label text from the 2013 exhibition Toward a Critical Indigenous Photographic Exchange: Will Wilson’s CIPX at the Maxwell Museum of Anthropology, University of New Mexico: “Critical Indigenous Photographic Exchange, New Mexico Museum of Art, Santa Fe Indian Market, 2012. Archival pigment print from wet plate collodion scan. Jackson takes a picture of an Indian taking a picture of an Indian as Andrew Smith protects his soul from theft.” Photo credit: © Will Wilson, courtesy of the artist. ii Abstract This thesis investigates the relationship between historical ethnographic photographs of Native Americans, their disposition in archives and collections, and the relationship of those images to their contemporary circulation and use by Native American artists, and others, particularly in New Mexico. Having undertaken original research into mid-19th century photographs in archives internationally, pertaining to Native America in the American Southwest, new histories and a re- framing of the photographs in question has been assembled. This portion of the research was undertaken both as a starting point for further investigation, and as a return to the people of New Mexico, particularly the Indigenous inhabitants of that place. -
Head of Archives at LSE Since 1997 LSE Large General Archive Covering All of the Social Sciences with Significant Holdings in Politics, Sociology and Economics
Head of Archives at LSE since 1997 LSE large general archive covering all of the social sciences with significant holdings in politics, sociology and economics. 1 Aim of talk is to give an overview of anthropology at LSE and the anthropology archives. Talk about current challenges for archives which impact directly on anthropology. Describe the general coverage for anthropology archives in the UK. And think about the need to get hands on involved with the work of anthropology archives much as Malinowski had to get out of his tent! 2 The beginnings of Anthropology at LSE was in a course in ethnology which appeared in the LSE Calendar in 1904-5 as part of a new sociology degree. The course was taught by AC Haddon who had led the 1898-9 expedition to the Torres Strait and New Guinea. The LSE calendar described the course as being aimed particularly at 'Civil Servants destined for the tropical portions of the Empire, and Missionaries'. Edward Westermarck continued to lecture in anthropology for some time. In 1910 the study was put on a firmer footing with the appointment of Charles Seligman, who had also been part of the Torres Strait expedition, to the ethnology lectureship. The department began to take shape with his appointment to a p/t professorship in 1913. Seligman lobbied to expand anthropology teaching and research at the School, and by 1923 he had significantly increased the number and range of courses available, as well as securing a permanent teaching post for his former student Bronislaw Malinowski. However there were some setbacks – in particular Seligman failed to get the School to commit any money to support anthropological fieldwork. -
1St COLLEEX WORKSHOP Book of Abstracts
colleex.wordpress.com 1st COLLEEX WORKSHOP Book of Abstracts 13th - 15th July 2017 Jardim Botânico Tropical Lisbon Ethnographic Experimentation Fieldwork Devices and Companions First International Workshop of the #Colleex Collaboratory for Ethnographic Experimentation, an EASA network 1 Cover image credits Wearable Chairs CC BY Gianni Pettena Taken from https://commons.wikimedia.org/wiki/File:WEARABLE_CHAIRS.jpg Organised by #Colleex – Collaboratory for Ethnographic Experimentation, an EASA network Instituto de Ciências Sociais (ICS), Universidade de Lisboa EBANO Collective – Ethnography-Based Art Nomad Organisation, Lisbon Supported by European Association of Social Anthropologists (EASA) ICS-Ulisboa GI Identidades, Culturas, Vulnerabilidades (UID/SOC/50013/2013) Jardim Botânico Tropical, Museu Nacional de História Natural e da Ciência (MUNHAC), Universidade de Lisboa Professorship for Participatory Technology Design, MCTS, TU Munich Organising Committee Eeva Berglund, independent scholar Francesca De Luca, ICS, ULisboa Adolfo Estalella, Spanish National Scientific Council Anna Lisa Ramella, Locating Media, University of Siegen Chiara Pussetti, ICS, ULisboa Tomás Sánchez Criado, MCTS, TU Munich 2 Ethnographic Experimentation: Fieldwork Devices and Companions “Fieldwork is not what it used to be” (Faubion and Marcus, 2009). The investiga- tion of previously ignored social domains and the incorporation of new sensibilities beyond its typically verbal or visual conventions, have expanded ethnography: An- thropologists now engage in novel forms of relationship and intervention, and enter into heterodox exchanges with other disciplines like arts and design. The invocation of experimentation in fieldwork is part of this widened exploration of new ethno- graphic modalities that reshape the norm and form of fieldwork. Recent invocations of experimentation in ethnographic projects are not mere- ly a metaphorical gesture. -
OAC Members Page 1 Name Profile Address Location Country School
OAC Members Name Profile Address Location Country School/Organization/Current anthropological attachment Website Erik Cohen http://openanthcoop.ning.com/xn/detail/u_0q3436294e00n Bangkok Thailand Hebrew University of Jerusalem Israel (Emeritus) - Liviu Chelcea http://openanthcoop.ning.com/xn/detail/u_13fm1mp3j3ec0 Romania economic anth, kinship - Fiza Ishaq http://openanthcoop.ning.com/xn/detail/u_257csvwenh01d Bangalore, Karnataka India -- -- Budi Puspa Priadi http://openanthcoop.ning.com/xn/detail/u_2chvjykjv4cz8 Yogyakarta Indonesia Gadjah Mada University ---- E. Paul Durrenberger http://openanthcoop.ning.com/xn/detail/u_3l4ha53wqxfjt United States Penn State //www.personal.psu.edu/faculty/e/p/epd2/ Joe Long http://openanthcoop.ning.com/xn/detail/u_0b6vedfu8to4e Aberdeen United Kingdom University of Aberdeen /www.abdn.ac.uk/anthropology/postgrad/details.php?id=anp037 Louise de la Gorgendiere http://openanthcoop.ning.com/xn/detail/u_1w9frbg5i32ep Ottawa Canada Carleton University, Ottawa, Canada /www.carleton.ca/socanth/faculty/gorgendiere.html Sebnem Ugural http://openanthcoop.ning.com/xn/detail/u_0h8qc5txfeu01 london United Kingdom University of Essex /www.seb-nem.com/ millo mamung http://openanthcoop.ning.com/xn/detail/u_0cs1x9hd3jmlk arunachal pradesh India rajiv gandhi university @yahoo.com Mangi Lal Purohit http://openanthcoop.ning.com/xn/detail/u_0r5sad7imypae Rajasthan India Aakar Trust aakartrust.org Hakan Ergül http://openanthcoop.ning.com/xn/detail/u_2o9ookbjyxvcv Turkey Anadolu University academy.anadolu.edu.tr/xdisplayx.asp?kod=0&acc=hkergul -
Diversifying MIR: Knowledge and Real-World Challenges, and New Interdisciplinary Futures
Born, G. (2020). Diversifying MIR: Knowledge and Real-World Challenges, and New Interdisciplinary Futures. Transactions of the International Society for Music 7,60,5 Information Retrieval, 3(1), pp. 193–204. DOI: https://doi.org/10.5334/tismir.58 RESEARCH Diversifying MIR: Knowledge and Real-World Challenges, and New Interdisciplinary Futures Georgina Born Challenges of diversity are being raised around the world, for example in response to #MeToo and Black Lives Matter. Against this background, this article, adapted from a keynote lecture to the 20th ISMIR conference, asks how MIR can refresh itself and its endeavours, scholarly and real world, by addressing diversity. It is written by an outsider, yet one who, as a music anthropologist, is intensely concerned with MIR and its influence. The focus is on elaborating auto-critiques that have emerged within the MIR community: social, cultural, epistemological and ethical matters to do with the diversity of the profession, of the music with which MIR engages, and of the kinds of knowledge produced. One theme is interdisciplinarity: how MIR would gain from closer dialogues with contemporary musicology, music anthropology and sociology. The article also considers how the ‘refresh’ might address MIR’s pursuit of research oriented to technological innovation, often linked to the drive for economic growth; concerns about sustainable economies, it argues, suggest the need for other values to guide future science and engineering. In this light, the article asks what computational music genre recognition or recommendation would look like if, under public-cultural or non-profit imperatives, the incentives driving them aimed to optimise imaginative self- or group development, pursuing not a logic of ‘similarity’ but diversity, or took human musical flourishing as their goals. -
Alfred Gell (1945-1997)1
(This obituary was published in the Proceedings of the British Academy, vol.120, 2003, pp.123-147) Alfred Gell (1945-1997)1 Alan Macfarlane Alfred Gell died of cancer on January 28 1997 at the age of 51. He was at the height of his powers and widely regarded as one of the most interesting thinkers in the world in the field of the anthropology of art. He had been elected to the British Academy in 1995 and turned down a Professorship (awarded posthumously) on a number of occasions at the London School of Economics, where he held a Readership. The insightful obituaries of some of his colleagues, as well as his own frank, published remarks towards the end of his life give us an unusual opportunity to investigate the life of a highly creative and original scholar. His life and writings provide an interesting insight into the fashions and flows of one part of British thought in the later twentieth century. In writing this obituary of Alfred Gell two major puzzles to be solved have emerged. One concerns who was Alfred Gell? The second concerns how an academic works and creates something interesting and new. Neither is an easy task. At a general level, the probing of an inner personality and cognitive process is intrinsically almost impossible. As Gell himself wrote, ‘ the cognitive processes of any mind, especially over a whole biographical career, are inaccessible private experiences which leave only the most undecipherable traces.’2 In relation to Gell himself I have certain disadvantages in addressing these questions. I did not know Gell at all personally. -
Art History and Cultural Difference: Alfred Gell's Anthropology Of
Published in: Art History Vol. 28 No. 4 (Autumn 2005) pp. 524-51. Art History and Cultural Difference: Alfred Gell’s Anthropology of Art Matthew Rampley One of the most pressing issues currently confronting the theory and history of art is the question of cultural difference. Specifically, what are the implications of the difference between western and non-Western cultures for the task of visual and artistic analysis? In what ways is it possible to undertake cross-cultural analysis while remaining within the frame of art history – a set of discourses originally formulated to account for the development of Western art? The responses to this question have been varied, ranging from an emphasis on the complete incommensurability of different cultures to ambitious attempts at constructing world art histories. In this article I examine the work of one particular author – the anthropologist Alfred Gell (1945-1997) – and his contribution to discussion on this issue. As I argue, Gell offers some potentially significant ways of rethinking this question, and specifically, his work offers the outline of a possible form of cross-cultural analysis that avoids some of the pitfalls that have beset previous such attempts. I analyse Gell in detail shortly, but before doing so, offer a brief overview of the current state of critical debate on the issue. Questions of Cultural Difference 1 Published in: Art History Vol. 28 No. 4 (Autumn 2005) pp. 524-51. At the root of the topic of cultural difference are a number of inter-related questions. In particular: -
Jones, Graham M. Trade of the Tricks: Inside Representative of the State of the Art of the Magician’S Craft
bs_bs_banner Reviews Archaeology and material regard to the sufficient parameters that link them. Although Reeves is the most explicit culture regarding methodology, all of the chapters recognize cultural, spatial, and temporal scales as reticulate and hierarchical units of analysis. Delle, James A., Mark W. Hauser & Moreover, they all adopt a perspective in which Douglas V. Armstrong (eds). Out of many, one people: the historical archaeology of material remains are given equal footing to historical documents. The chapters embody the colonial Jamaica.x,332 pp., maps, figs, synergism of archaeology and history. tables, illus., bibliogr. Tuscaloosa: Univ. Introductory and concluding chapters (chap. Alabama Press, 2011.$27.50 (paper) 1 and epilogue) situate Jamaican history and archaeological research. Three chapters examine This outstanding collection of papers documents the early colonial period. Spanish influences on the quality and quantity of historical archaeology Jamaica and other British colonies have often research conducted on the island of Jamaica over been neglected. A detailed account of the early the past thirty years. Jamaica offers a significant sixteenth-century Spanish sugar industry offers a location for the investigation of the colonial counterpoint that employs very specific enterprise in the Americas. Beginning with archaeological observations to illuminate the Spanish explorations and conquest in the tension between feudalism and agrarian sixteenth century, followed by British accession capitalism (chap. 2). Jamaica was the proving in 1655, the island provides the opportunity to ground for underwater archaeology during investigate the different strategies of European excavations of Port Royal undertaken by Donny metropoles and the majority population who Hamilton and his students at Texas A&M arrived there against their will. -
Stranger and Friend: the Way of an Anthropologist Pdf, Epub, Ebook
STRANGER AND FRIEND: THE WAY OF AN ANTHROPOLOGIST PDF, EPUB, EBOOK Hortense Powdermaker | 320 pages | 01 Apr 1967 | WW Norton & Co | 9780393004106 | English | New York, United States Stranger and Friend: The Way of an Anthropologist PDF Book Series II: Stranger and Friend , Collection is open for research. Returning to the United States in , Powdermaker began her association with the Institute of Human Relations at Yale University where she met Edward Sapir, a respected anthropologist who also encouraged her psychological approach to anthropology. I don't know about other guys, but I would not offer my bed along with my girl in it after drinking all night. This work was published in in the United States. But not my bed. Haiku summary. Series II Stranger and Friend Advanced Search Find a Library. At Goucher, Powdermaker became interested in socialism and the labor movement. Powdermaker, Hortense. Bronislaw Malinowski Papers. In , a Guggenheim fellowship allowed Powdermaker to study the effects of Western mass media and urbanization on African tribal life in Luanshya, a mining town in the Copperbelt region of Northern Rhodesia now Zambia ; Copper Town , published in , utilizes both anthropological and psychological theory to analyze societal change. The writers present material from their own fieldwork to demonstrate how these experiences were shaped by their identities. De Vos Papers. The collection is subject to all copyright laws. Her ten months of field work in a small isolated village, Lesu, provided the material for her first book, Life in Lesu , a classic ethnological study of a Stone Age society published in Her final book, the memoir Stranger and Friend: The Way of an Anthropologist , was her personal account of her anthropological career, from the beginning as a labor movement leader to her last field work in an African copper mining community. -
5.2UNIT FIVE Superstructure Art Expressive Culture Fall19
5.2 Superstructure: Art and Expressive Culture Focus on Horticultural Societies 1 Superstructure: Art and Expressive Culture Overview: This section covers aspects from the Cultural Materialist theory that relate to Superstructure: the beliefs that support the system. Topics include: Religion, Art, Music, Sports, Medicinal practices, Architecture. 2 ART M0010862 Navajo sand-painting, negative made from postcard Credit: Wellcome Library, London. Wellcome Images [email protected] http://wellcomeimages.org Navajo sand-painting, negative made from postcard, "All publication rights reserved. Apply to J.R. Willis, Gallup, N.M. Kodaks-Art Goods" (U.S.A.) Painting Published: - Copyrighted work available under Creative Commons Attribution only license CC BY 4.0 http://creativecommons.org/licenses/by/4.0/ Key Terms & Concepts • Art • Visual arts • Anthropology of art • The problem of art • Purpose of art • Non-motivated purposes of art: basic human instinct, experience of the mysterious, expression of the imagination, ritualistic & symbolic • Motivated purposes of art: communication, entertainment, political, “free zone”, social inquiry, social causes, psychological/healing, propaganda/commercialism, fitness indicator • Paleolithic art: Blombos cave, figurative art, cave paintings, monumental open air art, petroglyphs • Tribal art: ethnographic art, “primitive art”, African art, Art of the Americas, Oceanic art • Folk art: Antique folk art, Contemporary folk art 3 • Indigenous Australian art: rock painting, Dot painting, Dreamtime, symbols • Sandpainting: Navajo, Tibetan Buddhist mandalas • Ethnomusicology • Dance • Native American Graves Protection And Repatriation Act (NAGPRA): cultural items Art Clockwise from upper left: a self-portrait by Vincent van Gogh; a female ancestor figure by a Chokwe artist; detail from The Birth of Venus by Sandro Botticelli; and an Okinawan Shisa lion. -
Liikuttavat Erot Neljänneksi Olen Tutkinut Tanssijoiden Suhtautumista Eroihin Erittelemällä Erilaisia Itämaisen Tanssin Tietämisen Tapoja
TURUN YLIOPISTON JULKAISUJA ANNALES UNIVERSITATIS TURKUENSIS SARJA - SER. C OSA - TOM. 355 SCRIPTA LINGUA FENNICA EDITA LiikuttavatEtnografisia kohtaamisia erot itämaisessa tanssissa Anu Laukkanen TURUN YLIOPISTO UNIVERSITY OF TURKU Turku 2012 Sukupuolentutkimus Historian, kulttuurin ja taiteiden tutkimuksen laitos Humanistinen tiedekunta Turun yliopisto Ohjaajat Professori Marianne Liljeström Turun yliopisto Dosentti Petri Hoppu Tampereen yliopisto Esitarkastajat FT Hanna Väätäinen Professori Pirkko Markula University of Alberta Vastaväittäjä Professori Pirkko Markula University of Alberta Taitto: Sari Miettinen Kannen kuva: Mari Koivunen Tekijänoikeudet: Anu Laukkanen Sarja C 355 ISBN 978-951-29-5242-7 (Painettu/Print) ISBN 978-951-29-5243-4 (Sähköinen/Pdf) ISSN 0082-6995 Juvenes print – Suomen Yliopistopaino Oy, Turku 2012 Sisällys Kiitokset 1. Johdanto 7 Itämainen tanssi Suomessa 12 Itämaisen tanssin määritelmiä 12 Tanssin historiaa Suomessa 14 Itämaisen tanssin liikekieli ja tyylit 16 Yhteenvedon rakenne 19 Artikkelit 20 2. Affektiivinen tanssietnografia 23 Affektit metodologiana 23 Henkilökohtaista ja sisäpiiritutkimusta? 27 Tutkimusaineisto 29 Tutkittavien valinta 32 Eettisiä pohdintoja 35 Erot ja affektit haastattelussa 38 3. Diskursiivisesti ja performatiivisesti tuotettu sukupuoli itämaisessa tanssissa 47 Diskurssit ja sukupuolen performatiivisuus 47 Vapauttavaa tanssia naisille? 53 Terveellistä, luonnollista ja spirituaalista tanssia 61 Feminiiniset liikkumisen tavat 64 4.Naisten väliset erot itämaisessa tanssissa 68 Koloniaalinen -
Media Anthropology in a World of Modern States
Media anthropology in a world of states Dr John Postill bremer institut für kulturforschung (bik) University of Bremen Postbox 33 04 40 D-28334 Bremen Germany [email protected] Paper presented to the EASA Media Anthropology e-Seminar, 19-26 April 2005 http://www.media-anthropology.net Draft first chapter of forthcoming Media and Nation-Building: How the Iban Became Malaysian. Oxford and New York: Berghahn. Abstract This paper suggests that media anthropology should pay closer attention to the manifold nation-building uses of media technologies, especially in postcolonial and post-Soviet countries. Adopting an ethnological approach, it questions the present celebration of the creative appropriation of media forms, and argues that it is time to reintroduce diffusionist approaches that can complement the prevailing appropriationism. In the same ethnological vein, it also suggests that modern states are not imagined communities but rather the prime culture areas (Kulturkreise) or our era, and that modern media are indispensable in the making of these culture areas. 2 1 Introduction: media anthropology in a world of states The present world is a world of states, neither a world of tribes nor a world of empires, though the remnants of such forms are still present and occupy part of our thinking. Nicholas Tarling We live in a world of states. We have lived in such a world since the dismantling of the British and French empires after the Second World War. The remnants of both empires are still present, but the influence of Britain and France has waned as steadily as that of the United States, China, and other large states has grown.