DOCSLIB.ORG

2011-12 Year of Peru Reading List Dewi J

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2011-12 Year of Peru Reading List Dewi J Kennesaw State University DigitalCommons@Kennesaw State University Research Guides & Subject Bibliographies University Library System 1-2012 2011-12 Year of Peru Reading List Dewi J. Wilson Kennesaw State University, [email protected] Follow this and additional works at: http://digitalcommons.kennesaw.edu/lib_subjbib Part of the International and Area Studies Commons, and the Library and Information Science Commons Recommended Citation Wilson, Dewi J., "2011-12 Year of Peru Reading List" (2012). Research Guides & Subject Bibliographies. Paper 108. http://digitalcommons.kennesaw.edu/lib_subjbib/108 This Article is brought to you for free and open access by the University Library System at DigitalCommons@Kennesaw State University. It has been accepted for inclusion in Research Guides & Subject Bibliographies by an authorized administrator of DigitalCommons@Kennesaw State University. For more information, please contact [email protected]. YEAR OF PERU 2011-12 Bibliography, Part 1 Books in Sturgis Library, 1-19-2012 Please note that Peru may not be the major topic of an entire book. It is a chapter topic in some books, especially those dealing with Latin American culture or Spanish-speaking countries in general. Alvarez, Nilda Callanaupa. Weaving in the Peruvian Highlands: Dreaming Patterns, Weaving Memories . Cusco, Peru; Loveland, CO: Center de Textiles Traditionales del Cusco (dist. in North America: Interweave), 2007. Print. Call Number : TT848 .A7155 2007 Arguedas, José María. Deep Rivers . Trans. Frances H. Barraclough. The Texas Pan American Series. Austin: University of Texas Press, 1978. Print. Translation of Los ríos profundos . Call Number: PQ8497 .A65 (Stacks) Aveni, Anthony F. Between the Lines: The Mystery of the Giant Ground Drawings of Ancient Nasca, Peru . 1st ed. Austin: University of Texas, 2000. Print. Call Number: F3429.1 .N3 A94 2000 Bailey, Gauvin Alexander. The Andean Hybrid Baroque: Convergent Cultures in the Churches of Colonial Peru . History, Languages, and Cultures of the Spanish and Portuguese Worlds. Notre Dame, IN: University of Notre Dame Press, 2010. Print Call Number: NA5413 .B35 2010 Baker, Geoffrey. Imposing Harmony: Music and Society in Colonial Cuzco . Durham: Duke University Press, 2008. Print. Call Number : ML236.8.C92 B34 2008 Bierhorst, John, ed. and tr. Black Rainbow: Legends of the Incas and Myths of Ancient Peru . New York: Farrar, Straus and Giroux, 1976. Print. Call Number: F3429.3 .F6 B55 1976 Bingham, Hiram. Inca Land: Explorations in the Highlands of Peru . Cirencester: Echo Library, 2005. Originally published: Boston: Houghton Mifflin, (Riverside Press), 1922. Print. Call Number: F3423 .B46 2005 Bjerregaard, Lena, and Adriana Von Hagen. Chachapoya Textiles: The Laguna De Los Cóndores Textiles in the Museo Leymebamba, Chachapoyas, Peru . Copenhagen: Museum Tusculanum, University of Copenhagen, 2007. Print. Call Number : F3430.1 .C37 C473 2007 Bolin, Inge. Growing Up in a Culture of Respect: Child Rearing in Highland Peru . Austin: University of Texas Press, 2006. Print. Call Number: F2230.2 .K4 B63 2006 Bourget, Steve, and Kimberly L. Jones. The Art and Archaeology of the Moche: An Ancient Andean Society of the Peruvian North Coast . 1st ed. Austin: University of Texas, 2008. Print. Call Number : F3430.1 .M6 A78 2008 Brotherston, Gordon, and Mario Vargas Llosa. Seven Stories from Spanish America . 1st ed. Oxford, New York: Pergamon, 1968. Print. Call Number: PQ7082 .S5 B7 1968 (Stacks) Burns, Kathryn. Colonial Habits: Convents and the Spiritual Economy of Cuzco, Peru . Durham: Duke University Press. Print. Call Number F3611 .C9 B87 1999 ---. Into the Archive: Writing and Power in Colonial Peru . Durham: Duke University Press, 2010. Print. Call Number: F3444 .B87 2010 Burt, Jo-Marie. Political Violence and the Authoritarian State in Peru: Silencing Civil Society . New York: Palgrave Macmillan, 2007. Paperback, 2010. Print. Call Number: HN350 .Z9 V513 2007 Celebrating Cuentos: Promoting Latino Children’s Literature and Literacy in Classrooms and Libraries . Ed. Jamie Campbell Naidoo. Children’s and Young Adult Literature Reference Series. Santa Barbara, CA: Libraries Unlimited, 2011. Print. Call Number: Z718.2 .U6 C46 2011 Crabtree, John, ed. Making Institutions Work in Peru: Democracy, Development and Inequality since 1980 . London: Institute for the Study of the Americas, 2006. Print. Call Number: JL3431 .M35 2006 Cumes, Carol, and Rómulo Lizárraga Valencia. Pachamama’s Children: Mother Earth & Her Children of the Andes in Peru . Llewellyn’s World Religion & Magic Series. St. Paul, MN: Llewellyn, 1995. Print. Call Number: BL581 .P4 C86 1995 De Castro, Juan E., and Nicholas Birns, eds. Vargas Llosa and Latin American Politics . New York: Palgrave Macmillan, 2010. Print. Call Number: PQ8498.32 .A65 Z945 2010 2 De la Cadena, Marisol. Indigenous Mestizos: The Politics of Race and Culture in Cuzco, Peru, 1919-1991. Latin America Otherwise: Languages, Empires, Nations. Durham: Duke University Press, 2000. Print. Call Number: F3429.3 .M63 C33 2000 Dean, Carolyn. Inka Bodies and the Body of Christ: Corpus Christi in Colonial Cuzco, Peru . Durham: Duke University Press, 1999. Print. Call Number: GT4995 .C6 D43 1999 Drinot, Paulo. The Allure of Labor: Workers, Race, and the Making of the Peruvian State . Durham: Duke University Press, 2011 Call Number: HD8346 .D75 2011 Feldman, Heidi Carolyn. Black Rhythms of Peru: Reviving African Musical Heritage in the Black Pacific . Middletown, CT: Wesleyan University Press, 2006. Call Number: ML3575 .P4 F45 2006 Flores Galindo, Alberto, et al. In Search of an Inca: Identity and Utopia in the Andes . New York: Cambridge University Press, 2010. Print. Call Number: F3429.3.S6 F5813 2010 (Stacks) García, María Elena. Making Indigenous Citizens: Identities, Education, and Multicultural Development in Peru . Stanford: Stanford University Press, 2005. Print. Call Number: F2230.2 .K4 G364 2005 Golash-Boza, Tanya Maria. Yo Soy Negro: Blackness in Peru . New World Diasporas. Gainesville: University Press of Florida, 2011. Call Number: F3451 .P5 G65 2011 Goldemberg, Isaac. The Fragmented Life of Don Jacobo Lerner . Trans. Robert Picciotto. Albuquerque: University of New Mexico, 1999. Electronic through GALILEO. Call Number: PQ8498.17.O4 V513 1999 Gorriti Ellenbogen, Gustavo. The Shining Path: A History of the Millenarian War in Peru . Latin America in translation/en traducción/em traducão series . Chapel Hill, University of North Carolina Press, 1999. Print and electronic through GALILEO. Call Number: F3448.2 .G6713 1999 Graubart, Karen B. With Our Labor and Sweat: Indigenous Women and the Formation of Colonial Society in Peru, 1550-1700 . Stanford: Stanford University Press, 2007. Print. Call Number: F3429.3 .W65 G73 2007 Heaney, Christopher. Cradle of Gold: The Story of Hiram Bingham, a Real-Life Indiana Jones, and the Search for Machu Picchu . New York: Palgrave Macmillan, 2010. Print. Call Number: F3429 .B633 H42 2010. 3 Hunefeldt, Christine. A Brief History of Peru . 2d ed. New York: Facts on File, 2010. Print. Call Number: F3408.5 .H86 2010 Klarén, Peter Flindell. Peru: Society and Nationhood in the Andes . Latin American Histories. New York: Oxford University Press, 2000. Print. Call Number F3431 .K53 2000 MacQuarrie, Kim. The Last Days of the Incas . Simon & Schuster trade paperback ed. New York: Simon & Schuster Paperbacks, 2008, 2007. Print. Call Number : F3442 .M33 2008 Marks, Copeland. The Exotic Kitchens of Peru: The Land of the Inca . Lanham, MD: Evans, 2001. Print. Call Number: TX716 .P4 M37 1999 Masterson, Daniel M. The History of Peru . Greenwood Histories of the Modern Nations series. Westport, CT: Greenwood, 2009. Print. Call Number : F3431 .M38 2009 McNulty, Stephanie L. Voice and Vote: Decentralization and Participation in Post-Fujimori Peru . Stanford: Stanford Univeristy Press, 2011. Call Number: JL3429 .D42 M39 2011 Moseley, Michael Edward. The Incas and their Ancestors: The Archaeology of Peru. Revised edition. New York: Thames & Hudson, 2001. Print. Call Number : F3429 .M848 2001 Pillsbury, Joanne. Moche Art and Archaeology in Ancient Peru . Washington, DC: National Gallery of Art, 2001. Print. Call Number: F3430.1.M6 M62 2001 (Stacks) Polia, Mario. Peru: An Ancient Andean Civilization . Vercelli, Italy: White Star, 2006. Print. Call Number: F3410 .P6413 2006 Prescott, William H. The History of the Conquest of Peru: With a Preliminary View of the Civilization of the Incas . Reprint: n.p.: Digireads.com, 2011. Print. Call Number: F3442 .P933 2011 Robins, Nicholas A. Priest-Indian Conflict in Upper Peru: The Generation of Rebellion, 1750- 1780 . Syracuse: Syracuse University Press, 2007. Print. Call Number: F3320.1 .M47 R63 2007 Scott, Heidi V. Contested Territory: Mapping Peru in the Sixteenth and Seventeenth Centuries . History, Languages, and Cultures of the Spanish and Portuguese Worlds. Notre Dame, IN: University of Notre Dame Press, 2009. Print. Call Number: F3442 .S36 2009 4 She-Calf and Other Quechua Folk Tales . Compiled, translated, and edited by Johnny Payne. Albuquerque: University of New Mexico Press, 2000. Print. Call Number: F3429.3 .F6 S47 2000 Silverman, Gail P. A Woven Book of Knowledge: Textile Iconography of Cuzco, Peru . Salt Lake City: University of Utah Press, 2008. Print. Call Number: F3430.1 .Q47 S55 2008 Spence, Lewis. The Myths of Mexico and Peru . New York: Dover, 1994. Print. Unabridged republication of The Myths of Mexico & Peru , originally published by Harrap, in London, in 1913. Call
Load more

Recommended publications
  • Juan E. De Castro. Mario Vargas Llosa. Public Intellectual in Neoliberal Latin America
    Juan E. De Castro. Mario Vargas Llosa. Public Intellectual in Neoliberal Latin America. Tucson: University of Arizona Press, 2011. Print. 179 Pp. ──────────────────────────────── CARLOS AGUIRRE UNIVERSITY OF OREGON Mario Vargas Llosa, one of Latin America’s most important writers and intellectuals and the recipient of, among numerous other awards, the 2010 Nobel Prize in literature, is not only the author of an admirable corpus of novels, theater plays, and essays on literary criticism, but also somebody that has been at the center on countless political and literary controversies ever since he came into the literary and political spotlight in 1962 when he won the Biblioteca Breve award for his novel Time of the Hero at the age of twenty-six: the novel was received with great hostility in his home country, Peru, where prominent members of the military accused him of being a Communist and a traitor; in 1967, when he won the Rómulo Gallegos prize for his novel The Green House, he engaged in a dispute (at that time private) with Cuban officials such as Haydeé Santamaría who allegedly wanted him to make a fake donation of the cash prize to Che Guevara’s guerrilla movements; in 1971, he publicly and loudly denounced the Cuban government after the imprisonment and public recounting of Heberto Padilla and other writers accused of counter-revolutionary activities; in 1974, he criticized the confiscation of media in Peru by a military regime that he had hitherto supported and became the subject of a fierce polemic in his country; in 1976, he was
    [Show full text]
  • The Cambridge Companion to Mario Vargas Llosa Edited by Efraín Kristal and John King Frontmatter More Information
    Cambridge University Press 978-0-521-86424-4 - The Cambridge Companion to Mario Vargas Llosa Edited by Efraín Kristal and John King Frontmatter More information the cambridge companion to mario vargas llosa One of the major novelists in world literature over the last five decades, Mario Vargas Llosa (b. 1936) is also one of Latin America’s leading public intellectuals, a critic of art and culture, and a playwright of distinction. This Companion’s chapters chart the development of Vargas Llosa’s writings, from his rise to prominence in the early 1960s to the award of the Nobel Prize in Literature in 2010. The volume traces his literary trajectory, and the ways in which he has reinvented himself as a writer. His vast output of narrative fiction is the main focus, but the connections between his concerns as a creative writer and his rich career as a cultural and political figure are also teased out in this engaging, informative book. efraı´n kristal is Professor and Chair in Comparative Literature at UCLA. john king is Professor of Latin American Cultural History at the University of Warwick. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-86424-4 - The Cambridge Companion to Mario Vargas Llosa Edited by Efraín Kristal and John King Frontmatter More information © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-86424-4 - The Cambridge Companion to Mario Vargas Llosa Edited by Efraín Kristal and John King Frontmatter More information THE
    [Show full text]
  • In Praise of Reading and Fiction the Nobel Lecture
    In Praise of Reading and Fiction The Nobel Lecture Mario Vargas Llosa Route 1 First Published in 2011 by Route www.route-online.com [email protected] The text included here is used with kind permission from the Nobel Foundation. Text © The Nobel Foundation 2010 Further presentations and lectures by Nobel Prize recipients can be found on the website www.nobelprize.org Full details of the Route programme of books can be found on our website www.route-online.com All Rights Reserved No reproduction of this text in any other form of publication is allowed without written permission 2 Contents Telephone Interview 5 In Praise of Reading and Fiction 10 Biobibliographical notes 26 3 The Nobel Prize in Literature for 2010 is awarded to the Peruvian author Mario Vargas Llosa ‘for his cartography of structures of power and his trenchant images of the individual’s resistance, revolt, and defeat’. 4 Telephone Interview Telephone interview with Mario Vargas Llosa following the announcement of the 2010 Nobel Prize in Literature, 7 October 2010. The interviewer is Adam Smith, Editor-in-Chief of Nobelprize.org. [Mario Vargas Llosa] Hello? [Adam Smith] Oh, hello, is that Mario Vargas Llosa? [MVL] Yes, speaking? [AS] Oh, hello, my name is Adam Smith. I’m calling from the Nobel Prize website in Stockholm. My congratulations on the news of the award. [MVL] Well, so, is it true then? Ha ha! [AS] Ha, ha! It most certainly… [MVL] Because, I received a call from the Secretary General of the Academy, and I was wonder if it was true or joke of a friend! [AS] Well, I can confirm that it has just been announced to the public in Stockholm.
    [Show full text]
  • Press Release
    NEWS FROM THE GETTY news.getty.edu | [email protected] DATE: March 21, 2017 MEDIA CONTACT FOR IMMEDIATE RELEASE Julie Jaskol (310) 440-7607 [email protected] J. PAUL GETTY TRUST ANNOUNCES J. PAUL GETTY MEDAL TO GO TO ARTIST ANSELM KIEFER AND WRITER MARIO VARGAS LLOSA Awards to be presented at a celebratory dinner at the Morgan Library in New York City, November 13, 2017 Mario Vargas Llosa Anselm Kiefer LOS ANGELES – The J. Paul Getty Trust announced today it will present the annual J. Paul Getty Medal to artist Anselm Kiefer and writer Mario Vargas Llosa at a dinner in New York City on November 13, 2017. Since it was established in 2013 by the trustees of the J. Paul Getty Trust, the medal has been awarded to six individuals to honor their extraordinary contributions to the practice, understanding and support of the arts. “We shall honor two of the world’s great artists. Anselm Kiefer and Mario Vargas Llosa are both engaged in big ideas and historic moments, and they share with the Getty a passionate commitment to global culture,” said Maria Hummer-Tuttle, chair, J. Paul Getty Board of NEWS FROM THE GETTY news.getty.edu | [email protected] Trustees. Mario Vargas Llosa is a Peruvian writer, politician, journalist, college professor and recipient of the 2010 Nobel Prize in Literature. His books have been translated into more than 40 languages. “Mario Vargas Llosa shares with the Getty an unshakeable commitment to the moral and intellectual value of the arts,” said James Cuno, president of the J.
    [Show full text]
  • Vargas Llosa
    Vargas Llosa ● The Cubs and Other Stories ● The Time of the Hero ○ Leoncio Prado Military Academy ○ gang called The Circle ● The Green House ○ Aquilino ○ Antonia Tonita ○ Anselmo ○ Juana Barra ○ Chunga ○ Lituma ○ Fushia ● Conversation in the Cathedral ○ Santiago Zavala ○ Ambrosio ○ meet at a dog pound ● Captain Pantoja and the Special Service ○ Pantaleon ○ The Brazilian ○ Pochita ● Aunt Julia and the Scriptwriter ○ radio Panamericana ○ Pascual ○ Pedro Camacho ● The War of the End of the World ○ Antonio Conselheiro ○ Canudos (place) ● The Real Life of Alejandro Mayta ● Who Killed Palomino Molero? ● The Storyteller ○ Saul Zuratas ○ Tasurinchi ○ Machiguenga Indians ○ Mascarita ● In Praise of the Stepmother ○ Fonchito ○ Lucrecia and Rigoberto ● Death in the Andes ○ Corporal Lituma ○ Tomas Carreno ○ Naccos (town) ● Notebooks of Don Rigoberto ● The Feast of the Goat ○ Urania Cabral ○ Agustin Cabral ○ Rafael Trujilllo ○ Johnny Abbes Garcia ○ Joaquin Balaguer ○ Antonio Imbert Barrera ○ Salvador Estrella Sadhala ○ Amado Garcia Guerrero ● The Way to Paradise ○ biography of Paul Gauguin and Flora Tristan ● The Bad Girl ○ very similar to Madame Bovary ● The Dream of the Celt ● The Discrete Hero ● The Perpetual Orgy ○ analysis of Flaubert and Madame Bovary ● A Writer's Reality ● A Fish in the Water ● Archaic utopia ● Letters to a Young Novelist ● Nationalism as a new threat ● The Language of Passion ● The Temptation of the Impossible ○ examines Hugo’s Les Miserables ● Touchstones: Essays on Literature, Art, and Politics ● In Praise of Reading and Fiction: The Nobel Lecture ● The basis for interpretation of Ruben Dario ● Garcia Marquez: Story of a Deicide .
    [Show full text]
  • MARIO VARGAS LLOSA and the POLITICS of LITERATURE By
    MARIO VARGAS LLOSA AND THE POLITICS OF LITERATURE By David P. Wiseman Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in Spanish December, 2010 Nashville, Tennessee Approved: Professor William Luis Professor Earl E. Fitz Professor Edward H. Friedman Professor Marshall C. Eakin Copyright © 2010 by David P. Wiseman All Rights Reserved ACKNOWLEDGMENTS Above all, I recognize my God, without whose many tender mercies none of this would have been possible. I acknowledge His hand throughout my life and certainly in the completion of this dissertation. My most sincere appreciation goes to my wife, Heather, an exceptionally talented helpmeet and my best friend. Her support for this project and our growing family is more significant than even she knows. I express my gratitude to Sarah, Joseph, Kathryn, and Baby David for the many wuvs that their Daddy needed to complete his ―book report.‖ All other family members have also been a constant support. I sincerely appreciate the years of encouragement, advice, prayers, and financial contributions that have made my graduate experience possible. William Luis has been a skilled mentor and a valued friend. I will always be indebted to him for his guidance with this project and so many others. Earl Fitz, Edward Friedman, and Marshall Eakin have also provided invaluable feedback as members of my dissertation committee. More importantly, however, they have been models for the type of professional and person that I hope to become. I would also like to thank Douglas Weatherford for his constant support of my development as a scholar and an individual.
    [Show full text]
  • In 'Prison-House of Love'i: the Bad Girl and Bad Girls of Mario Vargas Llosa
    In ‘prison-house of love’i: The Bad Girl and bad girls of Mario Vargas Llosa Tajuddin Ahmed Netaji Subhas Ashram Mahavidyalaya, India Abstract Mario Vargas Llosa’s recent novel The Bad Girl centers around a sexually liberated woman who is in search of individual emancipation through transgressions of all social norms. The issue of female sexuality and its relation with woman liberation occupies an important and debatable position in Feminist discourse. Llosa’s own attitude to liberated female sexuality had been an ambivalent one. In this paper I would like analyse and explore the question of woman’s liberation in the novel of Mario Vargas Llosa, taking into account the major conflicting Feminist discourses as well as the presence and erasure of female sexuality in the history of Latin American novels. [Keywords: Sexuality, Transgression, Feminism, Identity, Emancipation, Oppression, Eroticism] One must wear one's vices like a royal mantle, with poise. Like an aureole that one is unaware of, that one pretends not to perceive. It is only natures entirely given over to vice whose contours do not grow blurred in the hyaline mire of the atmosphere. Beauty is a marvelous vice of form.ii The above representative fragment from a poem by Cesar Moro was used by Mario Vargas Llosa as an epigraph to his novel In Praise of the Stepmother (1988). The poem by Moro shows the poet’s personal obsession with two, “recurrent and related themes: a disdain for the rational elements and social conventions that censure the imagination and an exploration of forbidden experiences…” (Kristal, p.13).
    [Show full text]
  • NEWS from the GETTY News.Getty.Edu | [email protected]
    NEWS FROM THE GETTY news.getty.edu | [email protected] DATE: November 14, 2017 MEDIA CONTACTS FOR IMMEDIATE RELEASE Alexandria Sivak (310) 440-6473 o (480) 239-4324 c [email protected] Julie Jaskol (310) 975-9493 c [email protected] J. PAUL GETTY TRUST PRESENTS J. PAUL GETTY MEDAL TO ARTIST ANSELM KIEFER AND WRITER MARIO VARGAS LLOSA Attendees include Adam Gopnik, Christo Javacheff, Karl Ove Knausgaard, Richard Meier, Simon Schama, Carrie M. Weems (L-R) Jim Cuno, Anselm Kiefer, Maria Hummer-Tuttle and Mario Vargas Llosa at the Getty Medal Dinner 2017 (Photo by Dia Dipasupil/Getty Images for J. Paul Getty Trust) NEW YORK – The J. Paul Getty Trust presented the annual J. Paul Getty Medal to artist Anselm Kiefer and writer Mario Vargas Llosa at a dinner at the Morgan Library and Museum in New York City on November 13, 2017. Page 2 of 4 Writer and essayist Adam Gopnik gave the introduction of Mr. Vargas Llosa, who was honored for his commitment to the moral and intellectual value of the arts. Historian Simon Schama presented Mr. Kiefer, who was honored for his powerful work and complex subject matter, dealing with controversial issues from recent history. More than 200 guests from the worlds of art, literature, and philanthropy attended the dinner, including Kwame Anthony Appiah, Tina Barney, Eli Broad, Peter Chernin, Larry Gagosian, Agnes Gund, Christo Javacheff, Karl Ove Knausgaard, Thomas Krens, Nicola Lopez, Richard Meier, Carrie M. Weems, and Shelby White. “This year we held our annual dinner in New York for the first time because New York, as another international center of the arts, aligns with the Getty’s commitment to the worldwide preservation of our collective cultural heritage through collections, exhibitions, conservation, research, scholarship, and philanthropy,” said Maria Hummer- Tuttle, chair of the J.
    [Show full text]
  • The Journalists of Mario Vargas Llosa
    Reception: May 4, 2018 | Acceptance: September 3, 2018 THE JOURNALISTS OF MARIO VARGAS LLOSA — Sarelly Martínez Mendoza [email protected] José Martínez Torres [email protected] Antonio Durán Ruiz [email protected] Facultad de Humanidades Universidad Autónoma de Chiapas, México ESPACIO I+D, Innovación más Desarrollo • Vol. viii, N° 19, February 2019 • ISSN: 2007-6703 The JournalistS of Mario Vasgas Llosa 85 To quote this article: Durán, A., Martínez, J. y Martínez, S. (2019). Los periodistas de Mario Vargas Llosa. Espacio I+D, Innovación más Desarrollo. Vol. VIII (19). Recuperado de: http://dx.doi. org/10.31644/IMASD.19.2019.a06 — Abstract— In Mario Vargas Llosa’s novels a few journalist characters can be found. Sometimes they are just part of the environment, but at times they are just an important role in his work’s development, for example, in Conversation in the Cathedral (1969), Captain Pantoja and the Special Service (1973), Aunt Julia and the Scripwriter (1977) and The War of the End of the World (1981), the perception of these novels does not necessarily converge with what Vargas Llosa thinks about them, since the novel transfigure the events and includes points of view which are not those of the author, who is interested on the verisimilitude of the his stories. These pages explore the journalists as char- acters, as well as journalism in press and on radio, in some of the Peruvian Nobel Prize’s novels. Keywords Journalists; journalism; literature. ESPACIO I+D, Innovación más Desarrollo • Vol. viii, N° 19, February 2019 • ISSN: 2007-6703 The JournalistS of Mario Vasgas Llosa 86 ario Vargas Llosa has combined his writing career with that of collaborator of newspapers, radio and television stations.
    [Show full text]
  • Vargas Eng.Pdf
    Table of Contents THE LIMA OF MARIO VARGAS LLOSA ................... 2 Día Domingo (Los Jefes) – Los Cachorros ............... 10 The Bourgeois Miraflores ........................................ 12 La Playa Herradura: beach and drinking ................. 21 La ciudad y los perros .............................................. 25 The Diego Ferre Barrio ........................................... 27 The Finger of Manco Capac, in La Victoria ............. 35 Scenes from the Center of Lima ............................. 39 The Long Gone Barranco ....................................... 43 Parade at Campo de Marte .................................... 45 Downtown and outskirts ......................................... 45 Leoncio Prado Military School ................................ 46 Conversación en La Catedral ................................... 50 A different version of Miraflores ............................... 51 The core, the center ............................................... 52 La Catedral: not a church ....................................... 54 Biography .................................................................. 60 Works by Mario Vargas Llosa ................................... 61 Façade of the San Marcos National University where Mario Vargas Llosa studied Law and Literature M. Carrillo / PP 1 There are many reasons for reading a novel: sharing a fantastic story with the author, reconnecting with reality through fiction, clearing the mind, searching for something beyond the routine, passing the time, entertaining yourself,
    [Show full text]
  • Biobibliographical Notes
    Biobibliographical notes Mario Vargas Llosa was born on March 28, 1936 in Arequipa, Peru to Ernesto Vargas Maldonado and Dora Llosa Ureta. After his parents divorced, he grew up with his mother and grandfather in the city of Cochabamba in Bolivia. The family moved to Piura, Peru in 1946 where his grandfather held an appointment as a civil servant. His parents were reunited in 1947 and settled in Lima. Mario Vargas Llosa went to a Catholic school in Lima. Later his father sent him to the military school, Leoncio Prado. After graduating from Colegio Nacional San Miguel in Piura, Mario Vargas Llosa studied law and literature in Lima and Madrid. In 1955, he married Julia Urquidi. In 1959, he moved to Paris where he worked as a language teacher and as a journalist for Agence-France-Presse and the national television service of France. As an author, he had an international breakthrough with the novel La ciudad y los perros (1963; The Time of the Hero , 1966). This novel, which builds on experiences from Leoncio Prado, was considered controversial in his home land. A thousand copies were burnt publicly by officers from Leoncio Prado. In 1964 Mario Vargas Llosa divorced Julia Urquidi. The following year, he married his cousin, Patricia Llosa. After having lived alternately in Paris, Lima, London and Barcelona, he returned to Lima in 1974. In 1975 he was elected to the Peruvian Academy. He has lectured and taught at a number of universities in the USA, South America and Europe. In 1990 he ran for the Presidency representing the FREDEMO alliance in Peru, but lost the election.
    [Show full text]
  • The Nobel Prizes 2010
    CONTRIBUTIONS to SCIENCE, 7 (2): 155–161 (2011) Institut d’Estudis Catalans, Barcelona DOI: 10.2436/20.7010.01.121 ISSN: 1575­6343 The Nobel Prizes 2010 www.cat-science.cat The role of autobiography, biography, and history in the works of Mario Vargas Llosa. On the Nobel Prize in Literature awarded to Mario Vargas Llosa* Joaquim Marco Department of Spanish Literature, Faculty of Philology, University of Barcelona, Barcelona Resum. Aquesta vegada el Premi Nobel de Literatura ha estat Summary. On this occasion the Nobel Prize for Literature was concedit a un autor que els lectors de llengua castellana conei­ awarded to an author that Spanish readers know very well. xen molt bé. D’una manera significativa, la carrera d’aquest es­ This author’s career has been significantly linked to the city of criptor està lligada a la ciutat de Barcelona des de ben aviat. Nas­ Barcelona since its early stages. Born in Peru (Arequipa, 1936), cut al Perú (Arequipa, 1936), universitari a San Marcos de Lima i he was both student and worked as an instructor for a short professor en aquesta mateixa universitat durant un curt temps, time at San Marcos University in Lima, but soon won a scholar­ obtingué aviat una beca que li permeté traslladar­se a Espanya ship that allowed him to move to Madrid to write his doctoral per fer una tesi doctoral i s’instal·là a Madrid. Ja l’any 1959 rebé thesis. As early as 1953 he received the Leopoldo Alas Prize for el Premi Leopoldo Alas, per a contes, a Barcelona, per Los jefes; stories, in Barcelona, for Los jefes, and a few years later he i, pocs anys després, guanyà el Premi Biblioteca Breve 1962 won the Biblioteca Breve Prize in 1962 for La ciudad y los per- amb La ciudad y los perros.
    [Show full text]