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The International Society for the Social Studies Annual Conference Proceedings
Volume 2010, Issue 1 THE INTERNATIONAL SOCIETY FOR THE SOCIAL STUDIES ANNUAL CONFERENCE PROCEEDINGS EDITOR: WILLIAM BENEDICT RUSSELL III February 25-26, 2010 – Orlando, FL Volume THE INTERNATIONAL SOCIETY FOR THE SOCIAL 2010, Issue 1 STUDIES ANNUAL CONFERENCE PROCEEDINGS The International Society for the Social Studies Annual Conference Proceedings VOLUME 2010, ISSUE 1 Editor WILLIAM BENEDICT RUSSELL III University of Central Florida Editorial Assistant CHRISTOPHER LAMMONS BUSEY University of Central Florida 2 THE INTERNATIONAL SOCIETY FOR THE SOCIAL Volume 2010, STUDIES ANNUAL CONFERENCE PROCEEDINGS Issue 1 The ISSS Annual Conference Proceedings is a peer-reviewed professional publication published once a year following the annual conference. All members of the International Society for the Social Studies receive an electronic version of The ISSS Annual Conference Proceedings. ISSS membership and business communications should be sent to The International Society for the Social Studies, University of Central Florida, College of Education, 4000 Central Florida Blvd., Orlando, FL 32816- 1250 or via email [email protected]. Visit www.TheISSS.org for more information. The views expressed herein are solely those of the individual author/s and do not represent official views of The International Society for the Social Studies, the University of Central Florida, the editor, the staff, or the review board. The ISSS Annual Conference Proceedings disclaims responsibility for statements either fact or opinion, made by contributing authors. Copyright © 2010 left to the individual author/s. All rights reserved. Cover image courtesy of Shutter Images, used with permission. Suggested Citation: Russell, W. (Ed.). (2010). The International Society for the Social Studies Annual Conference Proceedings, Orlando, FL: The International Society for the Social Studies. -
America's Hardcore.Indd 278-279 5/20/10 9:28:57 PM Our First Show at an Amherst Youth Center
our first show at an Amherst youth center. Scott Helland’s brother Eric’s band Mace played; they became The Outpatients. Our first Boston show was with DYS, The Mighty COs and The AMERICA’S HARDCORE FU’s. It was very intense for us. We were so intimidated. Future generations will fuck up again THE OUTPATIENTS got started in 1982 by Deep Wound bassist Scott Helland At least we can try and change the one we’re in and his older brother Eric “Vis” Helland, guitarist/vocalist of Mace — a 1980-82 — Deep Wound, “Deep Wound” Metal group that played like Motörhead but dug Black Flag (a rare blend back then). The Outpatients opened for bands like EAST COAST Black Flag, Hüsker Dü and SSD. Flipside called ’em “one of the most brutalizing live bands In 1980, over-with small cities and run-down mill towns across the Northeast from the period.” 1983’s gnarly Basement Tape teemed with bored kids with nothing to do. Punk of any kind earned a cultural demo included credits that read: “Play loud in death sentence in the land of stiff upper-lipped Yanks. That cultural isolation math class.” became the impetus for a few notable local Hardcore scenes. CANCEROUS GROWTH started in 1982 in drummer Charlie Infection’s Burlington, WESTERN MASSACHUSETTS MA bedroom, and quickly spread across New had an active early-80s scene of England. They played on a few comps then 100 or so inspired kids. Western made 1985’s Late For The Grave LP in late 1984 Mass bands — Deep Wound, at Boston’s Radiobeat Studios (with producer The Outpatients, Pajama Slave Steve Barry). -
Motion City Soundtrack Tour Dates – 2012 Motion City Memories
Motion City Soundtrack Tour Dates – 2012 Motion City Memories - http://www.motioncitysoundtrack.net JANUARY FEBRUARY MARCH 3/11/12: Austin, TX - Palmer Events Center, West Canopy - w/ I Fight Dragons (SXSW Power Up! Party) 3/13/12: San Antonio, TX - The Korova - The Big Spill Music Festival w/ Big Freedia, Doomtree, Crystal Antlers, Pictureplane, The Velvet Teen, Gauntlet Hair, Sleepy Son, The Ton Tons, Juston Stens and The Get Real Gang, French Cassettes, The Big Sleep, Muldoon, The Soft White Sixties, Me You Us Them, The Curious Mystery, Maus Haus, Un, White Arrows, Cure For The Radio, Milli Mars, Buho 3/14/12: Austin, TX - Rusty's - SXSW Festival w/ Foxy Shazam, Gold Fields, For the Foxes, Menew, The Royalty, Young Hines, Victorian Halls, Sydney Wayser, Lily & The Parlour Tricks, Queen Caveat, A House for Lions, Ferocious Few, Cairo Knife Fight, Jack Littman, Thomas Wynn & The Believers, Rosie & Me, Vas Defrans, Fox & The Law, Strange Vine, Sound Advice 3/14/12: Austin, TX - Clive Bar - SXSW Festival w/ Goldrush, The Skies Revolt, The Company We Keep, Brick + Mortar, A Great Big Pile of Leaves 3/15/12: Austin, TX - Latitude 30 - SXSW Festival w/ Foxy Shazam, Crystal Fighters, Twin Atlantic, Jonquil and The Chevin 3/16/12: Austin, TX - PureVolume House - SXSW Festival w/ Arrange, The Front Bottoms, Hellogoodbye, Doomtree 3/17/12: Grand Prairie, TX - QuikTrip Park - South by So What Festival w/ Asking Alexandria, The Early November, We Came As Romans, Hellogoodbye, Emmure, For Today, Cartel, Sleeping with Sirens, Set Your Goals, Abandon -
Atom and His Package Possibly the Smallest Band on the List, Atom & His
Atom and His Package Possibly the smallest band on the list, Atom & his Package consists of Adam Goren (Atom) and his package (a Yamaha music sequencer) make funny punk songs utilising many of of the package's hundreds of instruments about the metric system, the lead singer of Judas Priest and what Jewish people do on Christmas. Now moved on to other projects, Atom will remain the person who told the world Anarchy Means That I Litter, The Palestinians Are Not the Same Thing as the Rebel Alliance Jackass, and If You Own The Washington Redskins, You're a ****. Ghost Mice With only two members in this folk/punk band their voices and their music can be heard along with such pride. This band is one of the greatest to come out of the scene because of their abrasive acoustic style. The band consists of a male guitarist (I don't know his name) and Hannah who plays the violin. They are successful and very well should be because it's hard to 99 when you have such little to work with. This band is off Plan It X records and they put on a fantastic show. Not only is the band one of the leaders of the new genre called folk/punk but I'm sure there is going to be very big things to come from them and it will always be from the heart. Defiance, Ohio Defiance, Ohio are perhaps one of the most compassionate and energetic leaders of the "folk/punk" movement. Their clever lyrics accompanied by fast, melodic, acoustic guitars make them very enjoyable to listen to. -
The History of American Punk Rock 1980 – 1986
THE HISTORY OF AMERICAN PUNK ROCK 1980 – 1986 A documentary film by Paul Rachman Inspired by the book American Hardcore: A Tribal History by Steven Blush A SONY PICTURES CLASSICS RELEASE East Coast Publicity: West Coast Publicity: Distributor: Falo Ink. Block Korenbrot Sony Pictures Classics Shannon Treusch Melody Korenbrot Carmelo Pirrone Betsy Rudnick Lisa Danna Angela Gresham 850 7th Ave, Suite 1005 110 S. Fairfax Ave, #310 550 Madison Ave New York, NY 10019 Los Angeles, CA 90036 New York, NY 10022 212-445-7100 tel 323-634-7001 tel 212-833-8833 tel 212-445-0623 fax 323-634-7030 fax 212-833-8844 fax Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com SYNOPSIS Generally unheralded at the time, the early 1980s hardcore punk rock scene gave birth to much of the rock music and culture that followed. There would be no Nirvana, Beastie Boys or Red Hot Chili Peppers were it not for hardcore pioneers such as Black Flag, Bad Brains and Minor Threat. Hardcore was more than music—it was a social movement created by Reagan-era misfit kids. The participants constituted a tribe unto themselves—some finding a voice, others an escape in the hard-edged music. And while some sought a better world, others were just angry and wanted to raise hell. AMERICAN HARDCORE traces this lost subculture, from its early roots in 1980 to its extinction in 1986. Page 2 ABOUT THE PRODUCTION Paul Rachman and Steven Blush met through the hardcore punk rock scene in the early 1980s. Steven promoted shows in Washington, DC, and Paul directed the first music videos for bands like Bad Brains and Gang Green. -
Local Punks Start a Movement
Local Punks Start a Movement Peter & the Test Tube Babies Local punks have joined forces to create a monthly event, called PVD Punk Night, with the first installment coming March 31 at PVD Social Club. Former Hell owner John ‘Cyco’ DiFruscio, Drunk Robb, Brass ‘N’ Ammo, Done Right, and American Pride among others are off to an awesome start. This will be the type of night that punk rock dreams are made of. The 1980’s punk legends, Peter and The Test Tube Babies are on their first US tour in more than 10 years, which includes a stop at the PVD Social Club. Peter and The Test Tube Babies are known for blistering punk rock anthem like “Intensive Care,” “Run Like Hell,” and my personal favorite, “Banned From The Pubs.” I remember getting a punk compilation mixed tape with no song names in high school and “Banned From The Pubs” was the first song and just listening to that song and hitting rewind over and over. I didn’t actually find out until an embarrassing amount of years later that it was Peter and The Test Tube Babies and not The Exploited. Hey, there was no internet back then. Sometimes it is hit or miss when the punk rock titans of the past come to town but Peter and The Test Tube Babies have enjoyed a solid reputation on the European festival circuit and look to be a sure bet. If that wasn’t enough throw in a second headliner in NYC hardcore legends, Murphy’s Law, and you got the punk rock show of the spring, possibly the year. -
New York City Hardcore Punk and the Struggle for Inclusive Space
De Urbanitate. Tales of Urban Lives and Spaces 133 Don’t Forget the Streets: New York City Hardcore Punk and the Struggle for Inclusive Space Alan Parkes History Instructor, Long Beach Community College & California State University, Long Beach [email protected] KEYWORDS: New York City; punk; hardcore; youth crew; subculture; masculinity; straight edge; neoliberalism Mike Ferrero, a self-described “fucked up kid” from a small working class town in Connecticut, recalls his life changing after the first time he encountered hardcore punk in New York City in the early 1980s; “I walked away from my first CBGB’s matinee blown away. I was never going to miss another one of these. I could be half dead, but I’m going to make it to every matinee forever.”1 Hardcore, as the louder, faster, and more politically infused successor to punk, from then on played no small role in Ferrero’s life. It offered him a reprieve from difficulties at home and high school, which he described as a torture chamber. At matinees, he let out the week’s aggression on hardcore’s dancefloor and began to express himself through the creation of his own music. The formation of his band symbolized the actualization of a dream he conjured up to escape the realities of his life. In New York hardcore, bands, only distinct from fans by the instruments in their hands, shouted cries of “unity” amongst kids who wanted something more than the urban decay that surrounded their revered, egalitarian hardcore space. As Ferrero recalls, “All of a sudden I found this group of other fucked up kids, and then I didn’t feel so alone. -
Katalog Download
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Mptyzine37-2017 Net
MPTYZINE 37/2017 // FACEBOOK.COM/MPTYZINEROMANIA From all the places that i have seen, all the people that i have meet across the road, one thing is Oi you! coming in my mind, HOME. Bad or good, whatever is the situation, it will change, people will come and go, the only constant should be your way. The music is changing and it will change more, the memories will remain. With every album you will hear “this band was so hardcore back in the days...not anymore” is not about that, is about the feeling inside, this is the soundtrack of your life, the path that drives you to became a better person. I have learn a lot in the past years, regarding friends and not only, we all change in a way or another, but how nice it is to share some nice memories with your old friends along a table with a coffee?.Trains, long roads, concerts, nice people, my hometown, family everything brings back memories, full of stories from the past with a unwritten future we need to move on with a smile on our face. Keep it simple always and always remember you! THIS IS THE SOUNDTRACK OF YOUR EDITOR: MIRCEONE (MPTYZINE) LIFE!. LAYOUT: FACEBOOK.COM/COJOCEARO MAIL US AT: [email protected] WEB AT: MPTYZINE.WORDPRESS.COM MIRCEONE - MAY 2017 - MIAMI FACEBOOK.COM/MPTYZINEROMANIA THANK YOU: CTHC,KOB RECORDS, MAD BUTCHER RECORDS, 3 CEASURI RELE, PARCHEZ CA UN BOU, VERDE URBAN, OLD JUNKS CONSTANTA, SCANDAL, FAT WRECK CHORDS, IORISKA, HELLCAT RECORDS. OUR FRIENDS ALL OVER: ROMANIA, UK, US, AUSTRALIA, MEXICO, CANADA, GERMANY, AUSTRIA, UKRAINE, RUSSIA, NEW ZEALAND, FRANCE, SPAIN, PORTUGAL, ITALY AND ALL THE GOOD LABELS AND BANDS THAT WE HAVE PROMOTED ACROSS THE YEARS. -
Razorcake Issue #84 As A
RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California non-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS. -
Issue #12, Feb
PO Box 42129, Los Angeles, CA 90042 #12 www.razorcake.com few months ago, Todd and I got a chance to see two legendary Last week, I ran into a guy I know: a forty-something maintenance East LA punk bands – Los Illegals and The Brat – play at a worker in East LA, a Mexican immigrant, and also a student. He was Japanese American Museum. It was a strange place to see punk reading an issue of the zine Nervy Girl. He told me that I’d inspired him to AA bands. Their sets were incredibly short. It was an amazing show, pick up a copy of the zine. Since I’d never hear of it, I asked him what he anyway. After the show, Todd spotted The Brat’s guitarist walking around meant. He told me that all my talk of a media monopoly and the need for with copies of the only record they’ve released. I looked at Todd to make independent voices to balance out the mainstream corporate voices got to sure I wasn’t hallucinating. Because I have to admit, I’ve dreamed of him. He was in Hollywood and saw the zine and never would’ve picked it seeing this record in record stores so many times without actually seeing it up if not for me. He felt embarrassed purchasing it, he said, but now he that I’d begun to believe that the record only existed in dreams (and was glad he did. “Have you heard about all these women getting killed in Jimmy Alvarado’s record collection). -
Family Album
1 Cover The Crocodiles - Magnolia (MI) Pic Rigablood Below Michele “poops” Cannatà - Aosta Pic Luca Benedet WHAT’S HOT 5 THE FEST PT.1 8 MONOTONIX 10 RAEKWON 12 TAMA SUMO 14 DMC 16 ALEXISONFIRE BACKSTAGE 17 GET UP KIDS 19 MONDO TOY Editor in Chief / Executive Producer - Andrea Rigano 20 TWTTR RCRD RVWS Art Director - Alexandra Romano, [email protected] 22 ATOMIC BITCHWAX Managing Director - Luca Burato, [email protected] 24 CLOAK DAGGER Editing - Silvia Rapisarda Photo Editor - Rigablood 27 VALIENT THORR 30 MADBALL English Version - Laura Manganaro 32 THURSDAY Photographers - Luca Benedet, Giuliano Berarducci, Mattia Cabani, 34 SMART COPS Lance 404, Marco Marzocchi, Alex Ruffini, Alex “Zuek” Simonetti, 36 THE FEST PT.2 Tiberio Sorvillo 40 ANDY IRONS VS BENJAMIN SANCHIS Illustrations - Marcello Crescenzi/Rise Above 44 LO SPIRITO NELLA FORMA Contributors - Milo Bandini, Dario “Dax DJ” Bedin, 46 HEIDI MINX Maurice Bellotti/Poison For Souls, Andrea Cantelli, 48 ANDREA MUNARI 2 Marco Capelli, Marcello Crescenzi, Mat The Cat, Elisa Covino, GianGiacomo De Stefano, Fra, Valentina Grugnaletti, Flavio Ignelzi, 50 THE POOL - BMX Martina Lavarda, il Senor Lopez, Lupo Horiokami, Andrea Mazzoli, 58 KILLED BY PRESS Filippo Mursia, Eros Pasi, Davide Pettenuzzo, Giovanna Serblin,Vallo, 68 THE CROCODILES Alex ‘Wizo’, Marco ‘X-Man’ Xodo 70 CHUCK RAGAN Stampa - Tipografia Nuova Jolly 72 THE DOPAMINES viale Industria 28 35030 Rubano (PD) 74 DOWN TO NOTHING 76 LIVING WITH LIONS Salad Days Magazine è una rivista FREE PRESS. 77 HARDCORE SUPERSTAR Get in touch - www.saladdaysmag.com 78 NOSAJ THING [email protected] 80 THE FEST PT.3 Tutti i contenuti di questa pubblicazione sono soggetti a copyright, é 84 KORALIE vietata la riproduzione anche parziale di testi, documenti e foto senza 88 DROP DEAD CLOTHING l’autorizzazione dell’editore.