DOCSLIB.ORG

Nosferatu. Revista De Cine (Donostia Kultura)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Nosferatu. Revista De Cine (Donostia Kultura) Nosferatu. Revista de cine (Donostia Kultura) Título: Índices Autor/es: Nosferatu Citar como: Nosferatu (2007). Índices. Donostia Kultura. Documento descargado de: http://hdl.handle.net/10251/41532 Copyright: Reserva de todos los derechos (NO CC) La digitalización de este artículo se enmarca dentro del proyecto "Estudio y análisis para el desarrollo de una red de conocimiento sobre estudios fílmicos a través de plataformas web 2.0", financiado por el Plan Nacional de I+D+i del Ministerio de Economía y Competitividad del Gobierno de España (código HAR2010-18648), con el apoyo de Biblioteca y Documentación Científica y del Área de Sistemas de Información y Comunicaciones (ASIC) del Vicerrectorado de las Tecnologías de la Información y de las Comunicaciones de la Universitat Politècnica de València. Entidades colaboradoras: Indice' filmográfico 1.3.6.: 173 Apetm seongsuk (véase Painful Big Swindle, The: 74, 80, 193, 202 3 p. m. Par:ulise: 205 i\ Ja turity) Bimil (véase Secret Tears) 4 1nyong shiktak (véase Uuinvited, Thc) Apocalypse Now: 93 Bimyong tosí (véase Dcad End) 4.9: 204 Ap.-il Suow: 11 0, 202 Bin-jip (véase Hierro 3) 7illui y eopolo (véase Seven Women Aralwn jangpung daejakjeon (véase Bird That Stops in the Air, Thc: 202 Prisone•·s) Ara han) Birdcage lnn: 152, 155 16 Tnl<cs on J<orean Society: 131, 132 Araban: 192, 193, 196, 197, 199, 203 Birtb: 11 6 20 sa/gajiman salgo shipeoyo (véase 1 Araug: 99 Bitter and Swcct: 206 Only Want lo Live to 20) Arco, El: 149, 150, 153, 154, 155 Bitter But Once Again: 31 1O 1 Dalmatiaus: 124 Anlour: 20 1 Bittcrsweet Life, A: 78. 79, 186, 187, 200 Pounds Beanty: 101, 103, 112, 11 3 Arirang: 62, 9 1 188, 190, 191, 199, 200 301/302: 207 Art i\luseum by the Zoo: 104, 205 Biyeollum geori (véase Dirty Carnival, A) 2001: A Space Odissey (véase 2001: Una A•·t of Sednction, T he: 108, 206 Bizane Love Triauglc, A : 159 odisea del espacio) Arthur: 122, 207 Blade Runne•·: 89 2001: Una odisea del espacio: 90 Asai<O in Ruby Shoes: 205 Blood Rain: 80, 8 1, 193, 203 2009: Lost Mernories: 82, 86, 87, 206 Attack tbc Gas Station! : 75, 76, 81, Blood: T be Last V:unpire: 108 108, 204 Bloody Aria, A : 80 A.P.T: 98, 99, 20 1 Autumu Fairy Tale: 38, 103, 172 Bloody Tic: 76, 79, 199 Aachi & Ssipak: 203 Avalon: 86 Blossom Again: 203 Abeoji (véase Fatber) Awcsome Story: 208 Blue Scagull: 119 Abeoji mollae (véase Uubeknowust lo Blue Sl<c lch: 206 Father) Babo: 115 Bine Swallow: 208 Acacia: 94, 200, 207 Bad Gny: 107, 108, 111, 153, 154, 155 Boksunen naui geot (véase Sympathy Ad Lib Night: 206 Bajo el peso de la ley: 200 fo•· i\11·. Vengeance) Addicted: 106 Baklw sata11g (véase Peppermint Caudy) Bom yeoreum gaeu/ gyeoul geurigo bom Adve ntures of Mrs. Parl<, Tbe: 9, 204 Baksu-chiltae deonara (véase Mnrder, (véase P rimavera, verano, oto1i o, Aerumtlawoon shhejul (véase Sp.-iug in Take O ue) invierno ... y Jlrimavcnl) My Hometown) Bal/egyoseupso (véase F lying Boys) Bomnaleun ganda (véase Bonito día de Affair, Au: 205 Bamimyeon naerineun bi (véase Rain at primavera, Un) Aft er War: 206 Night, T he) Bongja: 207 291 Agc of Success, T he: 63 , 144 Bamui yeo/gisokeuro (véase lnto the Bonito día de primavera, Un : 103, Agigong¡rong Doo/ie (véase Little Heat of tbe Night) 106, 11 0, 202 Dinosanr Doolie) Bancltikwang (véase Fonl King, T he) Boon-ltong-shin (véase Red Sbocs, T he) Agiug Grass Stays G rccner Wheu Barambuneun nalimyeo11 Bosr1ue de sombn1s: 81 Together : 204 apgujeongdopge gayalwnda (véase Boys of Tomorrow: 206 Ag-o (véase C rocodile) \Ve i\lust Go To Apgujung-dong on Bmvo, l\ly Lifc!: 207 Agrcssivcs, T he: 202 Wiudy Days) Breatb: 114 Ah-hop-sal-i11-saeng (véase When I Ba-ram-e Fa-ee-tult (véase Fightcr in Brick: 90 Turncd Niuc) the Wind) Brief Hist01·y of American War: 205 Airnless llnllet, Tbe: 45, 63 Barammm gajok (véase i\Jujer del Brol<en Heart (véase Wound) Aiqing wmtsui (véase Vive l'amour) abogado, La) BulletproofMonk (véase i\ lonj c, El) Aju teukbyeolhan sotmim (véase Ad Lib Baramui jeonseo/ (véase Dance With Bului nara (véase Couutry of Fire) Night) the Wind) llungee Jumpiug of Their Own: 111 , Akira: 90 lla rha rian Policewomau, T be (véase 1 16, 200, 203 Aladdin: 124 \Viudstrucl<) Busllinsaba (véase O uija 13oanl) All for Love: 95, 106 Ba.-l<.iug Dogs Ncvcr !lite: 18 1, 182, Butterfly, The: 206 All In: 38, 47, 48 183 Bystanders: 202 Alpllaville (véase Lemmy Cantion llarricade: 208 contra Alphaville) Basic lnstinct (véase Instinto básico) Cabinet des Doctor Caligari. Das (véase Aman!. L ·(véase Amante, El) Battle Royalc: 90 Gabinete del docto•· Caligari, El) Amante, El: 11 1, 15 1 Battoru rou·aiaru (véase Battle Royale) Calla: 11 O, 207 Amantes del Pont-Neuf, Los: 11 1, 15 1 Beat: 204 Calvair·e: 8 1 Ama/1/s du Pont-Neuf, Les (véase Because You Are a \\1oman: 204 Camels: 207 Amantes del Pont-Ncuf, Los) Bcd room a nd C ourtroom: 203 C ampanadas a media noche: 78 America, America: 202 Bcfo1·e the Stril<e: 201 Campeón: 197 American Pie: 108 Belle, La: 208 Can' t Live Witbout Robbcry: 202 Aual<iseuteu Anarchists : 158 Beonljweui jaeguseong (véase Big Captain of the Back Streets: 207 Aneun yeoja (véase Someone Special) Swindle, T he) Casa del lago, La: 105 Angae gidtmg (véase Pillar of Mist, A) Be01ljijeompeureu/ hada (véase Buugee Cello: 98, 99, 100 Ángel exterminador, El: 93 Jumping of Their Own) Centnry of Cinema, Tbc: 145 Angcl's Egg: 90 Bésame mucho: 202 Cltamgyeoneun 110 salaneun oll-yeah Auimanincs: 122 13cst, The: 208 (véase Love is O h-yeah) Année demiere it Marienbad, L ' (véase Bct on i\ly Disco: 108 Cllamp, Tite (véase Campeón) Afto pr1sado en i\Jarienbad, El) Betweeu: 125, 126, 127, 128, 205 C hampion: 200, 205 Annyong, Sayonara: 125, 128, 129, 204 Beyoud the Years: 11 5 C hattel"in g of Heroes, The: 170 Aiio 11asado en Marienbad, El: 139 Bichunmoo: 200, 205 Cllayubuin (véase Madame Frcedom) Another Public Enemy: 80, 203 Bidan gu-du (véase Silk Shoes) Cheob-sok (véase Coutact, The) Cheo/eobtneu11 mmeu·a pammanjanlwn Da/komlwn shinbudeul (véase Swccl Dri\•er: 193 nampyeon geurigo taeJm·on sonyeo Bl'iucs) Dnmken Master (véase i\ lono borracho (véase Bizarre Lo\'c Triangle, A) Da/maya nolja (véase Hi, Dhanua!) en el ojo del ligre, El) Cheongclum (véase Spring) Da/maya. Seoul grlja (véase Hi, Du yeojaui jib (véase 1[on se of l \vo Cheongugeui gyedan (véase Slainmys Dharma! 2) Women Lovc Triaugle, The) lo Hcaven) Dab)'eo-/a jangmi (véase Way lo Go, Duelist: 200, 206 Cheonnyeon ho (véase Thonsnnu Year- Rose) Dnst in the Wind: 166 Oiu Fox, A) Dance With !he Wind: 108 Cheot sarang (véase Fi •·sr love) Dmlji guedaega yeojakmeum Ebrio de mujeres y pinlura: 35, 66 Cheung Yeon (véase Blue Swallow) iyumaneulo (véase Decause You EDIT:205 Chico de m·o, El: 196 At·e a \\1oman) Empress Cbung: 11 7, 122, 123, 207 Chihll'aseon (véase Ebrio de mujeres y Daseot gae ui shiseon (véase If Yo u En algún lugar del licmpo: 11 5 pintura) Wcre l\le 2) Eoggaedongmu (véase Who's Gol the Childreu of !he Sun: 49, 50 Oasepo Nanghl)• Girls: 205 Tape?) Chingoo (véase Fricnd) Dasepo sonyo (véase Dasepo Naugbl)• Eokswang (véase 3 p.m. Paradise) Chinjeolhan geumjassi (véase Sympathy Girls) Eolguleobtnewt minyeo (véase fo•· Lady Vc ugeance) Day a Pig Fell into !he Well, The: Hypuolized) Chorok mulkogi (véase Grccu Fish) 135, 136, 137 Eomi (véase Motber) Cho•·ong & l\Je: 206 Dayereh (véase Círculo, E l) Eommaege aeini saenggyeoteoyo (véase Clw-seung da/ gwa Bam-bae (véase Days of Roses: 205 i\ lom llas a Lovcr) Ct·escent 1\loou, The) Ddaenljangi anae (véase Tiuket·'s Wife, Escalen-. d e Jacob, La: 99 Choyonghan kry·ok (véase Quiel Family, The) Eumrmtseosaeng (véase Forbiddcn The) Ddong gae (véase i\lull Boy) Q uest) C/um 1/el/11 yuh ooh yuh ooh bi (véase De aquí a la etemidad: 11 2 Eunlwengnamoo chimdae (véase Yobi, the Fivc-Tailed Fox) De cnlre los muertos: 156 Gingko Bcd, The) Clnmgyo (véase Iusect Womau) Dcad End: 204 E1111111011eum oji rmlmeunda (véase C hunhyang: 61, 62 Dead Friend: 99 S ilver Stallion, Tite) Clumyudleui j eony uksiksah (véase Girls' Deep SoJTow: 205 E\'il Slaircase: 93 Night Out) Defensa: 8 1 eXistenZ: 85 Churak/wneun geosheun nalgaega itda Deliverance (véase Defensa) Exorcist, Tite (véase Exorcista, El) (véase Whcu Falls Down Has Departed. The (véase lnfillrados) Exo•·cista, El: 94 Wings) Desengaíio: 102 F.xosq uad: 122 C inema ou the Roau: 145 Desire: 133, 204 Expediente X: 200 Cip eomneun cheonsa (véase Homclcss Deulgae (véase Stray Dogs) Exlraíios en el paraíso: 200 Augels) Diabólicas, Las: 93 292 Círculo, El: 149 Diaboliques, Les (véase, Diabólicas, Fa ce: 99, 100 C ily of Rising Sun, The: 204 Las) Faceless Beauty (véase H ypnotized) C ily of Violence, The: 74, 76, 78, 79, Diary of Juue (véase Dystamlcrs) Failau: J/, 105, 110, 116, 207 192, 193, 195, 198, 199, 200 Die Bad: 74, 75, 77, 192, 193, 194, 195, Fairy Tale of a Piclure Tree: 206 Classic: 104, 1 1O, 205 196, 197, 199, 200 Family Ties: 95, 204 Club de la lucha, E l: 96, 197 Die Hard (véase Jungla de cl'Ístal, La) Farewell l\Iy Darling: 207 Coacluuao, The: 45 Dirl)• Caruival, A: 74, 75, 77, 78, 79, Father: 202 Coasl Guard, The: 153 114, 199, 208 Featbers in the Wiud: 104, 112, 208 Colla lcral: 168 Ditto: 101 , 103, 11 4,1 15 Felicidad de los Katakul'is, La: 187 Couduct Zcro: 108 DMZ, bimtljangjidae (véase Dl\IZ) Fight Club (véase Club de la lucha, El) Contact, Thc: 104, 201 Dl\1Z: 206 Fighler in the Wind: 208 Country of Fire: 202 Do You Believe in Jazz: 170 First Kiss: 204 C.·azy fm· Love: 103 Doctor Strangelol'e (véase ¿Teléfono Firsl Love: 48, 206 Cn.•sceut Moon, The: 202 ¡·ojo? Volamos hacia l\l oscú) Flandersui gae (véase Barkiug Dogs Crocodile:
Load more

Recommended publications
  • East-West Film Journal, Volume 5, No. 1
    EAST-WEST FILM JOURNAL VOLUME 5 . NUMBER 1 SPECIAL ISSUE ON MELODRAMA AND CINEMA Editor's Note I Melodrama/Subjectivity/Ideology: The Relevance of Western Melodrama Theories to Recent Chinese Cinema 6 E. ANN KAPLAN Melodrama, Postmodernism, and the Japanese Cinema MITSUHIRO YOSHIMOTO Negotiating the Transition to Capitalism: The Case of Andaz 56 PAUL WILLEMEN The Politics of Melodrama in Indonesian Cinema KRISHNA SEN Melodrama as It (Dis)appears in Australian Film SUSAN DERMODY Filming "New Seoul": Melodramatic Constructions of the Subject in Spinning Wheel and First Son 107 ROB WILSON Psyches, Ideologies, and Melodrama: The United States and Japan 118 MAUREEN TURIM JANUARY 1991 The East-West Center is a public, nonprofit educational institution with an international board of governors. Some 2,000 research fellows, grad­ uate students, and professionals in business and government each year work with the Center's international staff in cooperative study, training, and research. They examine major issues related to population, resources and development, the environment, culture, and communication in Asia, the Pacific, and the United States. The Center was established in 1960 by the United States Congress, which provides principal funding. Support also comes from more than twenty Asian and Pacific governments, as well as private agencies and corporations. Editor's Note UNTIL very recent times, the term melodrama was used pejoratively to typify inferior works of art that subscribed to an aesthetic of hyperbole and that were given to sensationalism and the crude manipulation of the audiences' emotions. However, during the last fifteen years or so, there has been a distinct rehabilitation of the term consequent upon a retheoriz­ ing of such questions as the nature of representation in cinema, the role of ideology, and female subjectivity in films.
    [Show full text]
  • The Poems of Ossian
    0/^A\^, 1 / "-^//c-^^^^ t / //^^> ' ^^^' ; POEMS OF OSSIAN, TRANSLATKl) BY JAMES MACPHERSON, Esq. DISSERTATIONS (l?ra antr poem^ xi( 0ifiian DR. BLAIR'S CRITICAL DISSERTATION. GLASGOW: PRINTED BV THOMAS BRrCE, HIGH STREEX. J821. TEMOllA, AN EPIC POEM, BOOK I. ARGUMENT. Cairbar, the son of Borbar-duthiil, lord of A'Jia, in Con- naiiglit, the most potent chief of the race of the Fir- hol^S having murdered, at Temcra, the royal palace. Cormac, the son of Ariho, the young kirg of Ireland, usurped tlie throne. Cormac was lineally descended from Couar, the son of Trenmor, the great-grandfather of Fin^ral, king of those Caledonians who inhabited the western coast of Scotland. Fingal resented the be- haviour of Cairbar, and resolved to pass over into Ire- land with an army, to re-establish the royal family on the Irish throne. Early intelligence of his designs coming; to Cairbar, he assembled some of his tribes in Ulster, and at the same time ordered his brother Cath- mor to follow him speedily with an army from Temora. Such was the situation of affairs when the Caledoniaa invaders appearijd on the coast of Ulster. The poem opens in the morning. Cairbar is represented as retired from the rest of the army, when one of his scouts brouglit him news of the landing of Fingal. He assembles a council of his chiefs. Foldath, the chief of Jrloma, liaughtily despises the enemy ; and is repri- manded warmly by Malthos. Cairbar, after hearing their debate, orders a feast to be prepared, to which, by his bard Oila, he invites Oscar, the son ot Ossian ; resolving to pick a quarrel with that hero, snd so have home pretext for killing f^ist him.
    [Show full text]
  • Durham E-Theses
    Durham E-Theses Dracula's Inky Shadows: The Vampire Gothic of Writing OWEN, LAUREN,ELIZABETH,SARAH How to cite: OWEN, LAUREN,ELIZABETH,SARAH (2017) Dracula's Inky Shadows: The Vampire Gothic of Writing, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/12317/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 1 Dracula’s Inky Shadows: The Vampire Gothic of Writing Lauren Elizabeth Sarah Owen Abstract Always a story about a story, the vampire tale is forever in dialogue with the past, conscious of its own status as a rewrite. This makes the vampire a figure onto which readers and authors can project ambivalence about writing – the gothic of living with texts. Bram Stoker’s Dracula (1897) vividly illustrates this connection. The novel presents textual interactions as both dangerous and pleasurable.
    [Show full text]
  • Images of Women in Korean Movies
    Images of Women in Korean movies Gina Yu Women have always been part of the Korean cinema. However, for the most part, they were marginalized. Woman characters in black and white silent films made during the Japanese occupation were played by men, who were as pretty as women. As in Chen Kaige’s Farewell My Con- cubine (1993) or John Madden’s Shakespeare in Love (1998), women could not appear on screen or stage because of gender discrimination. Then, after Lee Wol-hwa debuted as the first actress playing a woman’s role in The Vow Made below the Moon (1923, Yoon Baek-nam), it became possible for women to appear on screen. Of course, it was possible only on the condition that women would play fictional images. The Divided Image of Women in Their Cruel History There are two major images of women in Korean movies, mainly found in the melodrama and horror genres. One is the “good wife and wise mother” who conforms to traditional Confucianism and is locked into the ideology of chastity. The other is the wicked woman who is ei- ther a femme fatale or a seductress. With the first kind of image, women were victims or the embodiment of endurance in the cruel history of women. As many movies of this type were screened at international film festivals in the 1980s, the im- 261 Spinning the Tales of Cruelty towards Women (Lee Doo-yong, 1983) Hanging Tree (Jung Jin-woo, 1984) A Good Lawyer’s Wife (Im Sang-soo, 2003) 262 | Introduction to Korean Film age of tragic and fettered women was thought to be characteristic of Korean cinema.
    [Show full text]
  • The Story of Sir Launcelot and His Companions
    The Story of Sir Launcelot And His Companions By Howard Pyle The Story of Sir Launcelot and His Companions PART I The Chevalier of the Cart. Here followeth the story of Sir Launcelot of the Lake, how he went forth to rescue Queen Guinevere from that peril in which she lay at the castle of Sir Mellegrans. Likewise it is told how he met with a very untoward adventure, so that he was obliged to ride to his undertaking in a cart as aforesaid. Chapter First How Denneys Found Sir Launcelot, and How Sir Launcelot Rode Forth for to Rescue Queen Guinevere from the Castle of Sir Mellegrans, and of What Befell him upon the Assaying of that Adventure. Now after that sad and sorrowful company of the Queen had thus been led away captive by Sir Mellegrans as aforetold of, they rode forward upon their way for all that day. And they continued to ride after the night had fallen, and at that time they were passing through a deep dark forest. From this forest, about midnight, they came out into an open stony place whence before them they beheld where was built high up upon a steep hill a grim and forbidding castle, standing very dark against the star-lit sky. And behind the castle there was a town with a number of lights and a bell was tolling for midnight in the town. And this town and castle were the town and the castle of Sir Mellegrans. How Denneys escaped. Now the Queen had riding near to her throughout that doleful journey a young page named Denneys, and as they had ridden upon their way, she had taken occasion at one place to whisper to him: "Denneys, if thou canst find a chance of escape, do so, and take news of our plight to some one who may rescue us." So it befel that just as they came out thus into that stony place, and in the confusion that arose when they reached the steep road that led up to the castle, Denneys drew rein a little to one side.
    [Show full text]
  • The Poetical Works of Ossian by James Macpherson
    THE POETICAL WORKS OF OSSIAN BY JAMES MACPHERSON WITH A CRITICAL DISSERTATION BY HUGH BLAIR, D.D. Published by the Ex-classics Project, 2009 http://www.exclassics.com Public Domain JAMES MACPHERSON -2- THE POETICAL WORKS OF OSSIAN CONTENTS FRONTISPIECE............................................................................................................4 Introduction....................................................................................................................5 Bibliographic Note.........................................................................................................6 A PRELIMINARY DISCOURSE .................................................................................7 PREFACE....................................................................................................................23 A DISSERTATION CONCERNING THE ÆRA OF OSSIAN. ................................26 A DISSERTATION CONCERNING THE POEMS OF OSSIAN. ............................33 A CRITICAL DISSERTATION ON THE POEMS OF OSSIAN, THE SON OF FINGAL.......................................................................................................................49 CATH-LODA — DUAN I. .......................................................................................100 CATH-LODA — DUAN II. ......................................................................................104 CATH-LODA — DUAN III......................................................................................107 COMALA, A DRAMATIC POEM...........................................................................110
    [Show full text]
  • A Knickerbocker Tour of New York State, 1822: "Our Travels, Statistical
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Electronic Texts in American Studies Libraries at University of Nebraska-Lincoln 1822 A Knickerbocker tour of New York State, 1822: "Our Travels, Statistical, Geographical, Mineorological, Geological, Historical, Political and Quizzical"; Written by Myself XYZ etc. Johnston Verplanck New York American Louis Leonard Tucker , editor The New York State Library Follow this and additional works at: https://digitalcommons.unl.edu/etas Part of the American Studies Commons Verplanck, Johnston and Tucker, Louis Leonard , editor, "A Knickerbocker tour of New York State, 1822: "Our Travels, Statistical, Geographical, Mineorological, Geological, Historical, Political and Quizzical"; Written by Myself XYZ etc." (1822). Electronic Texts in American Studies. 61. https://digitalcommons.unl.edu/etas/61 This Article is brought to you for free and open access by the Libraries at University of Nebraska-Lincoln at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Electronic Texts in American Studies by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. I iC 1\ N A D I I I 0 iI I' I ~ I A Knickerbocker tour of New York State, 1822 ~~Our Travels, Statistical, Geographical, Mineorological, Geological, Historical, Political and "Quizzical" Written by myself XYZ etc. Edited, with an Introduction and Notes, By LoUIS LEONARD TUCKER The University of the State of New York The State Education Department The New York State Library Albany 1968 THE UNIVERSITY OF THE STATE OF NEW YORK Regents of the University (with years when terms expire) 1969 JOSEPH W. MCGOVERN, A.B., LL.B., L.H.D., LL.D., Chancellor · New York 1970 EVERETT J.
    [Show full text]
  • Windabyne a Record of By-Gone Times in Australia
    Windabyne A Record of By-gone Times in Australia Ranken, George A digital text sponsored by Australian Literature Gateway University of Sydney Library Sydney 2003 http://purl.library.usyd.edu.au/setis/id/ranwind © University of Sydney Library. The texts and images are not to be used for commercial purposes without permission Source Text: Prepared from the print edition published by Remington and Company London 1895 357pp. All quotation marks are retained as data. First Published: 1895 823.89A/C899/J1/1 Australian Etext Collections at novels 1890-1909 Windabyne A Record of By-gone Times in Australia Related by in 1880, edited by London Remington and Company 1895 Dedication. To Our Friends at Home, this Volume is inscribed as a record of Australian life, written at the birth-place of Southern Colonisation, by one who has done his share in the work of the pioneer. It tells of actual occurrences, under a thin veil of fiction. Beginning with the history of a “Station,” or pastoral holding, the narrative traces the fortunes of the characters introduced through various scenes, and ends with a description of the old homestead, Windabyne, revisited, after an interval of twenty-five years. It may not be out of place to point out to Home readers that the topics which rise to the surface in carrying out the work of colonisation, are very different from the “parish jobs and parish politics,” to which Colonial questions have been at times likened, by a portion of the English Press. In these Colonies, we are dealing with a territory, measuring two-thirds of the size of Europe, the outskirts of which are sparsely settled by a population of almost purely British origin, numbering four millions.
    [Show full text]
  • New Goddesses on Mt. Paektu: Transformation, Myth and Gender in Korean Landscape
    New Goddesses on Mt. Paektu: Transformation, Myth and Gender in Korean Landscape By Victoria Ten (Jeon Yeon Hwa) and Robert Winstanley- Chesters Edited by Alla Burman Artwork by Lee Sumi Table of Contents Abstract ................................................................................................................................................... 3 Prefatory Note ......................................................................................................................................... 3 Chapter One: Introduction ...................................................................................................................... 5 Transformation and Technologies of the self.................................................................................... 10 Mountain Practices ............................................................................................................................ 13 Chapter Outline ................................................................................................................................. 17 Chapter Two: Mountain Paektu ............................................................................................................ 21 Mt. Paektu History and Mythology................................................................................................... 22 Mt. Paektu and Tan’gun Traditions in North Korea ......................................................................... 30 Chapter Three: Mountain Gods and Immortals ...................................................................................
    [Show full text]
  • The Oxford Democrat
    The Oxford Democrat. NUMBER 7 VOLUME 80. SOUTH PARIS, MAINE, TUESDAY, FEBRUARY 18, 1913. the fui! b»»nefit of the wnshhouse prlv tlu'Ir face» in tbei: rubbing his Ktouiiicb with oue bund, one Into the yellow haze of light and entry, holding I»· Gasoline Traction on a Maine Farm. and found him with had swerved told liim. "Me si<-k. Thees place ιιυ Ibwt ί AMONG THE FARMERS. sank again into darkness behind us us Ilexes, morning hands. when rli*· flame * and of the work of the ttieui. We jot steam: no can work." and demand· Auctioneer. we walked. the dirt grime suddenly down Hint caught icenaed to leave the " still on his face. lie It—the trickling, like •ni that he be allowed MAIN.- TUB fLUW." ADVANTAGES AND DISADVANTAGES AS The air was cool and dump. but as previous day could always hoar wns a short, with a thin, black over and some- mine. There were others who would '*l- we the last corner the daiup- (ïrvek. water ntnnliur pebbles Ti;rnéM _ SHOWN AT HIGH MOOR. turned which down into as we «at and waited we work at night in addition to the day uess seemed suddenly gone from It. It mustache, droo|>ed timeM. loo. CorTeeuoMeiKc on a Au old Kus· practical agricultural topic Here the two "rat tall" points. Around eacb could hear far up in the strata above if they were permitted. L."IXK la Mllctte<l· Address all oommunlcattoaa Id was 'warmer and closer. 'YfARfr- of enter the ρ tended (or this In it· work at Farm the a black line of coal dust was as the pressure sian and hi* son.
    [Show full text]
  • The Fox Woman; and Other Stories
    THE FOX WOMAN; AND OTHER STORIES BY ABRAHAM MERRITT The Fox Woman CHAPTER I THE ANCIENT STEPS wound up the side of the mountain through the tall pines, patience trodden deep into them by the feet of twenty centuries. Some soul of silence, ancient and patient as the steps, brooded over them. They were wide, twenty men could have marched abreast upon them; lichens brown and orange traced strange symbols on their grey stones, and emerald mosses cushioned them. At times the steps climbed steep as stairs, and at times they swept leisurely around bastions of the mountain, but always on each side the tall pines stood close, green shoulder to shoulder, vigilant. At the feet of the pines crouched laurels and dwarfed rhododendrons of a singular regularity of shape and of one height, that of a kneeling man. Their stiff and glossy leaves were like links on coats-of-mail . like the jade-lacquered scale-armor of the Green Archers of Kwanyin who guard the goddess when she goes forth in the Spring to awaken the trees. The pines were like watchful sentinels, and oddly like crouching archers were the laurels and the dwarfed rhododendrons, and they said as plainly as though with tongues: Up these steps you may go, and down them — but never try to pass through us! A woman came round one of the bastions. She walked stubbornly, head down, as one who fights against a strong wind — or as one whose will rides, lashing the reluctant body on. One white shoulder and breast were bare, and on the shoulder was a bruise and blood, four scarlet streaks above the purpled patch as though a long- nailed hand had struck viciously, clawing.
    [Show full text]
  • Robinson Jeffers - Poems
    Classic Poetry Series Robinson Jeffers - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Robinson Jeffers(10 January 1887 – 20 January 1962) John Robinson Jeffers was an American poet, known for his work about the central California coast. Most of Jeffers' poetry was written in classic narrative and epic form, but today he is also known for his short verse, and considered an icon of the environmental movement. Life Jeffers was born in Allegheny, Pennsylvania (now part of Pittsburgh), the son of a Presbyterian minister and biblical scholar, Reverend Dr. William Hamilton Jeffers, and Annie Robinson Tuttle. His brother was Hamilton Jeffers, who became a well- known astronomer, working at Lick Observatory. His family was supportive of his interest in poetry. He traveled through Europe during his youth and attended school in Switzerland. He was a child prodigy, interested in classics and Greek and Latin language and literature. At sixteen he entered Occidental College. At school, he was an avid outdoorsman, and active in the school's literary society. After he graduated from Occidental Jeffers went to the University of Southern California to study medicine. He met Una Call Kuster in 1906; she was three years older than he was, a graduate student, and the wife of a Los Angeles attorney. In 1910 he enrolled as a forestry student at the University of Washington in Seattle, a course of study that he abandoned after less than one year, at which time he returned to Los Angeles. Sometime before this, he and Una had begun an affair that became a scandal, reaching the front page of the Los Angeles Times in 1912.
    [Show full text]