DOCSLIB.ORG

A Knickerbocker Tour of New York State, 1822: "Our Travels, Statistical

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

••-.•••-• ° **U> f< s? : « £ ••> i ! •/ V^ ky <•> •lim ~h* \* - ^ < /. v 5 :-•••••••••• -"" • v f/Ni&k, ; £-.-, "*tB »•• "'.';.: •••-•'Jr - . <•• s&fttei. W? SfSgUj > .•. ^ I J.-X • •' )Barl6tdfm Tr-s 1*. fejg&C •• - •AX 7 /WAinA. ' Vi I-' U«r»u J : JEBS K V A Knickerbocker Tour of New York State, 1822 'Our Travels, Statistical, Geographical, Mineorological, Geological, Historical, Political and Quizzical' Written by mvself XYZ etc. Edited, with an Introduction and Notes. By Louis LEONARD TUCKER The University of the State of New York The State Education Department The New York State Library Albany 1968 9 r» O <» o n THE UNIVERSITY OF THE STATE OF NEW YORK • Regents of the I niversity (with years when terms expire) Preface 1969 JOSEPH W. MCGOVKRN. \.H.. LL.B., L.H.D.. LL.D., Chancellor New York In November. 1967. James E. Allen. Jr., Commissioner of Educa­ 1970 EVERETT J. PENNY, B.C.S., D.C.S., Vice Chancellor - White Plains tion, appointed a committee to develop a commemorative program for 1978 ALEXANDER J. ALLAN. JR., LL.D., Litt.D. .... Troy the sesquicentennial year of the New York State Library (April 1968 - 1973 CHARLES W. MILLARD, JR., A.B., LL.D., L.H.D. - • Buffalo 1972 CARL H. PFORZHEIMER, JR., A.B., M.B.A., D.C.S. - Purchase April 1969). The committee proposed that one facet of the program 1975 EDWARD M. M. WARBURC, B.S., L.H.D. New York involve publication of significant primary materials from the Library's 1977 JOSEPH T. KING, LL.B. Queens extensive collection. In selecting these materials, the committee was Brooklyn 1974 JOSEPH C. INDELICATO. M.D. guided by the consideration that they have value for scholars yet be of 1976 MRS. HELEN B. POWER, A.B., Litt.D.. L.H.D. - - - Rochester 1979 FRANCIS W. MCGINLEY, B.S., LL.B., LL.D. ... - Glens Falls interest to the general reader. ""Our Travels"' was deemed a "natural." 1981 GEORGE I). WEINSTEIN, LL.B. Hempstead A member of the committee, I "volunteered" to serve as editor of the 1980 MAX J. RUBIN, LL.B., L.H.D. New York project. 1971 KENNETH B. CI ARK. A.B.. M.S.. Ph.D.. Litt.D. - • Hastings Every primary document poses problems for an editor, but ''Our on Hudson Travels" has more than the usual share. It is not a conventional literary 1982 STEPHEN K. BAILEY. \.B., B.A., M.A., Ph.D., LL.D. - Syracuse tract. Structurally, it consists largely of short, incomplete thoughts President of the I niversity and Commissioner of Education separated by dashes. Moreover, it is characterized by the usual nine­ JAMES E. ALLEN, JR. teenth century superfluity of capital letters and other standard ortho­ Deputy Commissioner of Education EWAJ.I) B. MYQUIST graphic features. Associate Commissioner for Cultural Education In pursuing my editorial task, 1 kept in mind the fundamental tenet: HUGH M. FLICK Make necessary changes, but do not alter the meaning of the author. I Assistant Commissioner for Lihraries have made the following editorial adjustments. Wherever possible, I JOHN A. HUMPHRY have grouped related thoughts into a sentence pattern, substituting Director of State Library commas for dashes and replacing the final dash with the appropriate MASON TOLMAN terminal punctuation. This was done to make the narrative more read­ able. I have refrained from tampering with the author's orthographic system. Initially, as much as possible I wished to preserve the integrity of the original account. Secondly, observation revealed that the orthog- raphv would not confuse the modern reader. Such words as "gallopped," "waggan." '"hycrglyphics" and "underweigh" offer no problem. Capi­ talization did present problems, at least to the editor. Frequently, I could not determine conclusively whether a letter was capitalized or in the lower case. At such times, I gave the letter a long, hard look and relied on my best visual judgment. The author followed the practice of adding a flourish to "justify" a line. I have deleted these. I have changed ampersands to "and." In positioning quotation marks, and in other basic editorial matters. I have conformed to the principles out­ lined in The University of Chicago Press' A Manual of Style (eleventh edition, 1949, sixth impression. Chicago. 19591. • 1 • • - My work on this project was facilitated by a number of kind people and I am pleased to acknowledge their assistance. I am indebted to my colleagues on the Sesquicentennial Committee (particularly its chairman Hugh M. Flick, Mason Tolman and Peter J. Paulson of the New York State Library) for perceptive editorial comment and other favors. Contents I owe a special debt of gratitude to the Secretary of the Committee, Mrs. Mildred Ledden. Reference Librarian in the State Library, who cheer­ fully accepted my long lists of reference works, disappeared into the PAGE stacks and moments later miraculously produced the books. Preface I also wish to thank the staff members of the following libraries and iii research institutions: New York State Library (especially Miss Juliet F. Introduction Wolohan, Jonas Olsoff. Kenneth J. Siple, Miss Ida M. Cohen) ; Colum­ 2 bia University Library (especially Donald Anthony, Ken Lohf, Miss Footnotes for Introduction Alice Bonnell) ; New York Public Library (especially Gunther Pohl) ; 25 New-York Historical Society (especially James J. Heslin, Arthur J. 1. Our Travels . Part 1 Breton); New York Genealogical and Bibliographical Society (espe­ 35 cially Kenn Stryker-Roddal ; Albany Institute of History and Art 2. Our Travels . Part 2 (especially Norman S. Rice I : Buffalo and Erie County Historical Society 40 (especially Walter S. Dunn, Jr.. and Lester W. Smith). 3. Our Travels . Part 3 I offer profound thanks to the following individuals who provided aid 75 on specific problems: Professor Lewis Leary, Columbia University; 4. Our Travels . Part 4 Professor I. Frank Mogavero, Niagara University; Blake McKelvey, 01 City Historian. Rochester. New York; John K. Howatt, Metropolitan Museum of Art; Alfred Barragwaneth, City Museum of New York; 5. Our Travels . Part 5 107 Lloyd Goodrich, Whitney Museum; Miss Caroline Scoon and Richard Koch, New-York Historical Society; John G. Broughton and Donald Footnotes for Text of Our Travels 119 W. Fisher, New York State Education Department; William N. Fenton, State University of New York at Albany; Cecil R. Roseberry. I am also grateful to: Lester J. Cappon, Director of the Institute of Early American History and Culture (Williamsburg. Virginia) and one of the most accomplished historian-editors in the nation, who analyzed "Our Travels" and provided me with helpful hints on the editorial pro­ cedures I should follow: John H. Calam. Director of the Teachers College Press. Columbia University, who copy edited the introduction and all footnotes. Lastly, I am pleased to acknowledge the editorial assistance rendered by my wife. Louis LEONARD TUCKER Assistant Commissioner for State History Albany, New York August. 1968 IV i Perhaps there is no class of men to which the curious and literary arc more indebted than travellers:—I mean travel- mongers, who write whole volumes about themselves, their horses and their servants, interspersed with anecdotes of inn­ keepers.---droll savings of stage-drivers, and interesting mem­ ories of—the Lord knows who. Thev will give you a full account of a city, its manners, customs, and manufactures: though perhaps all their knowledge of it was obtained by a peep from their inn-windows, and an interesting conversa­ tion with the landlord or the waiter. America has had its share of these buzzards. Introduction to Salmagundi, Feb. 24. 1807 Our Travels Louis LEONARD TUCKER The) | Knickerbocker writers] were our first crop—to bor­ row a figure—and very properly were ploughed in. and though nothing ol just the same sort has come up since, and we may be permitted t<> hope that nothing of just the same sort will ever again come up, vet certainly thev did some­ thing toward fertilizing the soil from the products of which we are getting a part of our food. Nation, Dec. 5. 1807 •••••a^ Some tried garlic, either chewing or putting it in their shoes. Upon Introduction hearing a rumor that camphor was effective against the disease, some Periodically during the seventeenth, eighteenth and early nineteenth hung a great bag of it around their necks. Some gulped down pills centuries, New York City was ravaged bv a number of dread diseases. allegedly invested with like magical powers. Heavily advertised in news­ Yellow fever was one of these.1 It was a rare summer—and most of these papers, these miracle pills were peddled with abandon by a horde of diseases flared up during the summer months—when no yellow fever quacks who suddenly surfaced as a main chance for profit developed. cases developed. The disease almost always made its initial appearance "Dr. Evans' pill," for example, which sold for fifty cents a box. was: in the squalid residential sections of the waterfront where life was "nasty Warranted to prevent the YELLOW FEVER, if taken agree­ and brutish"; where the garbage in the streets2 (contemptuously referred able to directions. They are a very mild, Aperient and De- to as "Corporation pie" by the residents) complemented the filth within obstruent Medicine, and may be taken at any age with the the adjacent row houses: where it was common to have ten to twenty most perfect safety. They are excellent in Dyspepsia or Indi­ people residing in one-room hovels under primitive living conditions; gestion, and for weak and sour Stomachs. They will be found of infinite service at the commencement of Yellow or Bilious where survival was a grim business: where death came so easily. Fevers, and for all Bilious Diseases, Obstructions of the Because the city was concentrated in the southern tip of Manhattan Liver, Jaundice, etc.
Recommended publications
  • Gotham Knights

    Gotham Knights

    University of Denver Digital Commons @ DU Electronic Theses and Dissertations Graduate Studies 11-1-2013 House of Cards Matthew R. Lieber University of Denver Follow this and additional works at: https://digitalcommons.du.edu/etd Part of the Screenwriting Commons Recommended Citation Lieber, Matthew R., "House of Cards" (2013). Electronic Theses and Dissertations. 367. https://digitalcommons.du.edu/etd/367 This Thesis is brought to you for free and open access by the Graduate Studies at Digital Commons @ DU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. House of Cards ____________________________ A Thesis Presented to the Faculty of Social Sciences University of Denver ____________________________ In Partial Requirement of the Requirements for the Degree Master of Arts ____________________________ By Matthew R. Lieber November 2013 Advisor: Sheila Schroeder ©Copyright by Matthew R. Lieber 2013 All Rights Reserved Author: Matthew R. Lieber Title: House of Cards Advisor: Sheila Schroeder Degree Date: November 2013 Abstract The purpose of this thesis is to approach adapting a comic book into a film in a unique way. With so many comic-to-film adaptations following the trends of action movies, my goal was to adapt the popular comic book, Batman, into a screenplay that is not an action film. The screenplay, House of Cards, follows the original character of Miranda Greene as she attempts to understand insanity in Gotham’s most famous criminal, the Joker. The research for this project includes a detailed look at the comic book’s publication history, as well as previous film adaptations of Batman, and Batman in other relevant media.
  • Threat, Authoritarianism, and Depictions of Crime, Law, and Order in Batman Films Brandon Bosch University of Nebraska-Lincoln, Bbosch2@Unl.Edu

    Threat, Authoritarianism, and Depictions of Crime, Law, and Order in Batman Films Brandon Bosch University of Nebraska-Lincoln, [email protected]

    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Sociology Department, Faculty Publications Sociology, Department of 4-2-2016 “Why So Serious?” Threat, Authoritarianism, and Depictions of Crime, Law, and Order in Batman Films Brandon Bosch University of Nebraska-Lincoln, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/sociologyfacpub Part of the Criminal Law Commons, Criminology Commons, Family, Life Course, and Society Commons, Public Affairs, Public Policy and Public Administration Commons, and the Social Control, Law, Crime, and Deviance Commons Bosch, Brandon, "“Why So Serious?” Threat, Authoritarianism, and Depictions of Crime, Law, and Order in Batman Films" (2016). Sociology Department, Faculty Publications. 287. http://digitalcommons.unl.edu/sociologyfacpub/287 This Article is brought to you for free and open access by the Sociology, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Sociology Department, Faculty Publications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. VOLUME 17, ISSUE 1, PAGES 37–54 (2016) Criminology, Criminal Justice Law, & Society E-ISSN 2332-886X Available online at https://scholasticahq.com/criminology-criminal-justice-law-society/ “Why So Serious?” Threat, Authoritarianism, and Depictions of Crime, Law, and Order in Batman Films Brandon Bosch University of Nebraska-Lincoln A B S T R A C T A N D A R T I C L E I N F O R M A T I O N Drawing on research on authoritarianism, this study analyzes the relationship between levels of threat in society and representations of crime, law, and order in mass media, with a particular emphasis on the superhero genre.
  • Establishment and Implementation of a Conservation and Management Regime for High Seas Fisheries, with Focus on the Southeast Pacific and Chile

    Establishment and Implementation of a Conservation and Management Regime for High Seas Fisheries, with Focus on the Southeast Pacific and Chile

    ESTABLISHMENT AND IMPLEMENTATION OF A CONSERVATION AND MANAGEMENT REGIME FOR HIGH SEAS FISHERIES, WITH FOCUS ON THE SOUTHEAST PACIFIC AND CHILE From Global Developments to Regional Challenges M. Cecilia Engler UN - Nippon Foundation Fellow 2006-2007 ii DISCLAIMER The views expressed herein are those of the author and do not necessarily reflect the views of the Government of Chile, the United Nations, the Nippon Foundation of Japan or Dalhousie University. iii iv ACKNOWLEDGMENTS I would like to express my profound gratitude to the Division for Ocean Affairs and the Law of the Sea (DOALOS), Office of Legal Affairs, United Nations, and the Nippon Foundation of Japan for making this extraordinary and rewarding experience possible. I want to extend my deepest gratitude to the Marine and Environmental Law Institute of Dalhousie University, Canada, and the Sir James Dunn Law Library at the same University Law School, for the assistance, support and warm hospitality provided in the first six months of my fellowship. My special gratitude to my supervisor, Dr. Aldo Chircop, for all his guidance and especially for encouraging me to broaden my perspective in order to understand the complexity of the area of research. I would also like to extend my appreciation to those persons who, with no interest but that of helping me through this process, provided me with new insights and perspectives: Jay Batongbacal (JSD Candidate, Dalhousie Law School, Dalhousie University), Johanne Fischer (Executive Secretary of NAFO), Robert Fournier (Marine Affairs Programme, Dalhousie University), Michael Shewchuck (DOALOS), André Tahindro (DOALOS), and David VanderZwaag (Dalhousie Law School, Dalhousie University).
  • East-West Film Journal, Volume 5, No. 1

    East-West Film Journal, Volume 5, No. 1

    EAST-WEST FILM JOURNAL VOLUME 5 . NUMBER 1 SPECIAL ISSUE ON MELODRAMA AND CINEMA Editor's Note I Melodrama/Subjectivity/Ideology: The Relevance of Western Melodrama Theories to Recent Chinese Cinema 6 E. ANN KAPLAN Melodrama, Postmodernism, and the Japanese Cinema MITSUHIRO YOSHIMOTO Negotiating the Transition to Capitalism: The Case of Andaz 56 PAUL WILLEMEN The Politics of Melodrama in Indonesian Cinema KRISHNA SEN Melodrama as It (Dis)appears in Australian Film SUSAN DERMODY Filming "New Seoul": Melodramatic Constructions of the Subject in Spinning Wheel and First Son 107 ROB WILSON Psyches, Ideologies, and Melodrama: The United States and Japan 118 MAUREEN TURIM JANUARY 1991 The East-West Center is a public, nonprofit educational institution with an international board of governors. Some 2,000 research fellows, grad­ uate students, and professionals in business and government each year work with the Center's international staff in cooperative study, training, and research. They examine major issues related to population, resources and development, the environment, culture, and communication in Asia, the Pacific, and the United States. The Center was established in 1960 by the United States Congress, which provides principal funding. Support also comes from more than twenty Asian and Pacific governments, as well as private agencies and corporations. Editor's Note UNTIL very recent times, the term melodrama was used pejoratively to typify inferior works of art that subscribed to an aesthetic of hyperbole and that were given to sensationalism and the crude manipulation of the audiences' emotions. However, during the last fifteen years or so, there has been a distinct rehabilitation of the term consequent upon a retheoriz­ ing of such questions as the nature of representation in cinema, the role of ideology, and female subjectivity in films.
  • Apples Abound

    Apples Abound

    APPLES ABOUND: FARMERS, ORCHARDS, AND THE CULTURAL LANDSCAPES OF AGRARIAN REFORM, 1820-1860 A Dissertation Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy John Henris May, 2009 APPLES ABOUND: FARMERS, ORCHARDS, AND THE CULTURAL LANDSCAPES OF AGRARIAN REFORM, 1820-1860 John Henris Dissertation Approved: Accepted: ____________________________ ____________________________ Advisor Department Chair Dr. Kevin Kern Dr. Michael M. Sheng ____________________________ ____________________________ Committee Member Dean of the College Dr. Lesley J. Gordon Dr. Chand Midha ____________________________ ____________________________ Committee Member Dean of the Graduate School Dr. Kim M. Gruenwald Dr. George R. Newkome ____________________________ ____________________________ Committee Member Date Dr. Elizabeth Mancke ____________________________ Committee Member Dr. Randy Mitchell ____________________________ Committee Member Dr. Gregory Wilson ii ABSTRACT This dissertation argues that apple cultivation was invariably intertwined with, and shaped by, the seemingly discordant threads of scientific agricultural specialization, emigration, urbanization, sectionalism, moral reform, and regional identity in New England and Ohio prior to the American Civil War. As the temperance cause gained momentum during the 1820s many farmers abandoned their cider trees and transitioned to the cultivation of grafted winter apples in New England. In turn agricultural writers used
  • “Why So Serious?” Comics, Film and Politics, Or the Comic Book Film As the Answer to the Question of Identity and Narrative in a Post-9/11 World

    “Why So Serious?” Comics, Film and Politics, Or the Comic Book Film As the Answer to the Question of Identity and Narrative in a Post-9/11 World

    ABSTRACT “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD by Kyle Andrew Moody This thesis analyzes a trend in a subgenre of motion pictures that are designed to not only entertain, but also provide a message for the modern world after the terrorist attacks of September 11, 2001. The analysis provides a critical look at three different films as artifacts of post-9/11 culture, showing how the integration of certain elements made them allegorical works regarding the status of the United States in the aftermath of the attacks. Jean Baudrillard‟s postmodern theory of simulation and simulacra was utilized to provide a context for the films that tap into themes reflecting post-9/11 reality. The results were analyzed by critically examining the source material, with a cultural criticism emerging regarding the progression of this subgenre of motion pictures as meaningful work. “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Communications Mass Communications Area by Kyle Andrew Moody Miami University Oxford, Ohio 2009 Advisor ___________________ Dr. Bruce Drushel Reader ___________________ Dr. Ronald Scott Reader ___________________ Dr. David Sholle TABLE OF CONTENTS ACKNOWLEDGMENTS .......................................................................................................................... III CHAPTER ONE: COMIC BOOK MOVIES AND THE REAL WORLD ............................................. 1 PURPOSE OF STUDY ...................................................................................................................................
  • New Jersey State Research Guide Family History Sources in the Garden State

    New Jersey State Research Guide Family History Sources in the Garden State

    New Jersey State Research Guide Family History Sources in the Garden State New Jersey History After Henry Hudson’s initial explorations of the Hudson and Delaware River areas, numerous Dutch settlements were attempted in New Jersey, beginning as early as 1618. These settlements were soon abandoned because of altercations with the Lenni-Lenape (or Delaware), the original inhabitants. A more lasting settlement was made from 1638 to 1655 by the Swedes and Finns along the Delaware as part of New Sweden, and this continued to flourish although the Dutch eventually Hessian Barracks, Trenton, New Jersey from U.S., Historical Postcards gained control over this area and made it part of New Netherland. By 1639, there were as many as six boweries, or small plantations, on the New Jersey side of the Hudson across from Manhattan. Two major confrontations with the native Indians in 1643 and 1655 destroyed all Dutch settlements in northern New Jersey, and not until 1660 was the first permanent settlement established—the village of Bergen, today part of Jersey City. Of the settlers throughout the colonial period, only the English outnumbered the Dutch in New Jersey. When England acquired the New Netherland Colony from the Dutch in 1664, King Charles II gave his brother, the Duke of York (later King James II), all of New York and New Jersey. The duke in turn granted New Jersey to two of his creditors, Lord John Berkeley and Sir George Carteret. The land was named Nova Caesaria for the Isle of Jersey, Carteret’s home. The year that England took control there was a large influx of English from New England and Long Island who, for want of more or better land, settled the East Jersey towns of Elizabethtown, Middletown, Piscataway, Shrewsbury, and Woodbridge.
  • Washington Irving's Use of Historical Sources in the Knickerbocker History of New York

    Washington Irving's Use of Historical Sources in the Knickerbocker History of New York

    WASHINGTON IRVING’S USE OF HISTORICAL SOURCES IN THE KNICKERBOCKER. HISTORY OF NEW YORK Thesis for the Degree of M. A. MICHIGAN STATE UNIVERSITY DONNA ROSE CASELLA KERN 1977 IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIIIIIIIIIIIII 3129301591 2649 WASHINGTON IRVING'S USE OF HISTORICAL SOURCES IN THE KNICKERBOCKER HISTORY OF NEW YORK By Donna Rose Casella Kern A THESIS Submitted to Michigan State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS Department of English 1977 TABLE OF CONTENTS INTRODUCTION . CHAPTER I A Survey of Criticism . CHAPTER II Inspiration and Initial Sources . 15 CHAPTER III Irving's Major Sources William Smith Jr. 22 CHAPTER IV Two Valuable Sources: Charlevoix and Hazard . 33 CHAPTER V Other Sources 0 o o o o o o o o o o o o o o o o 0 Al CONCLUSION 0 O C O O O O O O O O O O O 0 O O O O O 0 53 APPENDIX A Samuel Mitchell's A Pigture 9: New York and Washington Irving's The Knickerbocker Histgrx of New York 0 o o o o o o o o o o o o o c o o o o 0 56 APPENDIX B The Legend of St. Nicholas . 58 APPENDIX C The Controversial Dates . 61 APPENDIX D The B00k'S Topical Satire 0 o o o o o o o o o o 0 6A APPENDIX E Hell Gate 0 0.0 o o o o o o o o o o o o o o o o 0 66 APPENDIX F Some Minor Sources .
  • Batman Miniature Game Standard List

    Batman Miniature Game Standard List

    BATMANMINIATURE GAME STANDARD DATE VER. MODELS LIST 2020.03.06 35DC176 BATGIRL REBIRTH (MV) STARTERS & BAT-BOXES BATBOX001 SUICIDE SQUAD 35DC177 TWO-FACE STARTER SET BATBOX002 THE JOKER: CLOWNS PARTY 35DC178 JOHN CONSTANTINE (MV) BATBOX003 THE RIDDLER: QUIZMASTERS 35DC179 ZATANNA (MV) BATBOX004 MILITIA: INVASION FORCE 35DC181 JASON BLOOD & DEMON (MV) BATBOX005 THE PENGUIN: CRIMELORD 35DC182 KNIGHTFALL BATMAN BATBOX006 THE COURT OF OWLS: TALON’S NIGHT 35DC183 BATMAN FLASHPOINT BATBOX007 BANE: VENOM OVERDRIVE 35DC185 KILLER CROC (MV) BATBOX008 LEAGUE OF ASSASSINS: DEMON’S HEIR 35DC188 DYNAMIC DUO, BATMAN AND ROBIN BATBOX009 KOBRA: KALI YUGA 35DC189 THE PARLIAMENT OF OWLS BATBOX010 TEEN TITANS 35DC191 GREEN ARROW TV SHOW (MV) BATBOX011 WATCHMEN 35DC192 HARLEY QUINN REBIRTH (MV) BATBOX012 DOOM PATROL 35DC194 CATWOMAN MODERN AGE (MV) BATBOX013 BIRDS OF PREY 35DC195 JUSTICE LEAGUE DARK (MV) BMG009 BMG THE DARK KNIGHT RISES GAME BOX 35DC198 THE BATMAN WHO LAUGHS (MV) BMG010 BMG BACK TO GOTHAM BOX 35DC199 VENTRILOQUIST & MOBSTERS 35DC200 L. LUTHOR ARMOR & HVY. TROOPER (MV) MODELS 35DC201 LEX LUTHOR & LEXCORP TROOPERS (MV) ¨¨¨¨¨¨¨¨ ALFRED (DKR PROMO) 35DC205 PENGUINS “““““““““ JOE CHILL 35DC211 FALCONE CRIME FAMILY 35DC170 BLACKGATE PRISONERS SET 35DC212 BATMAN (MV) 35DC171 NIGHTWING 35DC213 LEGION OF DOOM 35DC172 RED HOOD (MV) 35DC214 ROBIN & GOLIATH 35DC173 DEATHSTROKE (MV) 35DC215 CLAYFACE (MV) 1 BATMANMINIATURE GAME 35DC216 THE COURT OWLS CREW 35DC260 ROBIN (JASON TODD) 35DC217 OWLMAN (MV) 35DC262 BANE THE BAT 35DC218 JOHNNY QUICK (MV) 35DC263
  • The Poems of Ossian

    The Poems of Ossian

    0/^A\^, 1 / "-^//c-^^^^ t / //^^> ' ^^^' ; POEMS OF OSSIAN, TRANSLATKl) BY JAMES MACPHERSON, Esq. DISSERTATIONS (l?ra antr poem^ xi( 0ifiian DR. BLAIR'S CRITICAL DISSERTATION. GLASGOW: PRINTED BV THOMAS BRrCE, HIGH STREEX. J821. TEMOllA, AN EPIC POEM, BOOK I. ARGUMENT. Cairbar, the son of Borbar-duthiil, lord of A'Jia, in Con- naiiglit, the most potent chief of the race of the Fir- hol^S having murdered, at Temcra, the royal palace. Cormac, the son of Ariho, the young kirg of Ireland, usurped tlie throne. Cormac was lineally descended from Couar, the son of Trenmor, the great-grandfather of Fin^ral, king of those Caledonians who inhabited the western coast of Scotland. Fingal resented the be- haviour of Cairbar, and resolved to pass over into Ire- land with an army, to re-establish the royal family on the Irish throne. Early intelligence of his designs coming; to Cairbar, he assembled some of his tribes in Ulster, and at the same time ordered his brother Cath- mor to follow him speedily with an army from Temora. Such was the situation of affairs when the Caledoniaa invaders appearijd on the coast of Ulster. The poem opens in the morning. Cairbar is represented as retired from the rest of the army, when one of his scouts brouglit him news of the landing of Fingal. He assembles a council of his chiefs. Foldath, the chief of Jrloma, liaughtily despises the enemy ; and is repri- manded warmly by Malthos. Cairbar, after hearing their debate, orders a feast to be prepared, to which, by his bard Oila, he invites Oscar, the son ot Ossian ; resolving to pick a quarrel with that hero, snd so have home pretext for killing f^ist him.
  • Council Minutes 1655-1656

    Council Minutes 1655-1656

    Council Minutes 1655-1656 New Netherland Documents Series Volume VI ^:OVA.BUfi I C ^ u e W « ^ [ Adriaen van der Donck’s Map of New Netherland, 1656 Courtesy of the New York State Library; photo by Dietrich C. Gehring Council Minutes 1655-1656 ❖ Translated and Edited by CHARLES T. GEHRING SJQJ SYRACUSE UNIVERSITY PRESS Copyright © 1995 by The Holland Society of New York ALL RIGHTS RESERVED First Edition, 1995 95 96 97 98 99 6 5 4 3 21 The paper used in this publication meets the minimum requirements o f American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI Z 39.48-1984.@™ Produced with the support of The Holland Society o f New York and the New Netherland Project of the New York State Library The preparation of this volume was made possibl&in part by a grant from the Division of Research Programs of the National Endowment for the Humanities, an independent federal agency. This book is published with the assistance o f a grant from the John Ben Snow Foundation. Library of Congress Cataloging-in-Publication Data New Netherland. Council. Council minutes, 1655-1656 / translated and edited by Charles T. Gehring. — lsted. p. cm. — (New Netherland documents series ; vol. 6) Includes index. ISBN 0-8156-2646-0 (cloth : alk. paper) 1. New York (State)— Politics and government—To 1775— Sources. 2. New York (State)— History—Colonial period, ca. 1600-1775— Sources. 3. New York (State)— Genealogy. 4. Dutch—New York (State)— History— 17th century—Sources. 5. Dutch Americans—New York (State)— Genealogy.
  • Durham E-Theses

    Durham E-Theses

    Durham E-Theses Dracula's Inky Shadows: The Vampire Gothic of Writing OWEN, LAUREN,ELIZABETH,SARAH How to cite: OWEN, LAUREN,ELIZABETH,SARAH (2017) Dracula's Inky Shadows: The Vampire Gothic of Writing, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/12317/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 1 Dracula’s Inky Shadows: The Vampire Gothic of Writing Lauren Elizabeth Sarah Owen Abstract Always a story about a story, the vampire tale is forever in dialogue with the past, conscious of its own status as a rewrite. This makes the vampire a figure onto which readers and authors can project ambivalence about writing – the gothic of living with texts. Bram Stoker’s Dracula (1897) vividly illustrates this connection. The novel presents textual interactions as both dangerous and pleasurable.