The Story of Sir Launcelot and His Companions
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Stratford's the Merchant of Venice and Alabama Shakespeare Festival's the Winter's Tale
Vol. XVI THE • VPSTART • CR.OW Editor James Andreas Clemson University Founding Editor William Bennett The University of Tennessee at Martin Associate Editors Michael Cohen Murray State University Herbert Coursen Bowdoin College Charles Frey The University of Washington Marjorie Garber Harvard University Walter Haden The University of Tennessee at Martin Chris Hassel Vanderbilt University Maurice Hunt Baylor University Richard Levin The University of California, Davis John McDaniel Middle Tennessee State University Peter Pauls The University of Winnipeg Jeanne Roberts American University Production Editors Tharon Howard, Suzie Medders, and Deborah Staed Clemson University Editorial Assistants Martha Andreas, Kelly Barnes, Kati Beck, Dennis Hasty, Victoria Hoeglund, Charlotte Holt, Judy Payne, and Pearl Parker Copyright 1996 Clemson University All Rights Reserved Clemson University Digital Press Digital Facsimile Vol. XVI About anyone so great as Shakespeare, it is probable that we can never be right, it is better that we should from time to time change our way of being wrong. - T. S. Eliot What we have to do is to be forever curiously testing new opinions and courting new impressions. -Walter Pater The problems (of the arts) are always indefinite, the results are always debatable, and the final approval always uncertain. -Paul Valery Essays chosen for publication do not necessarily represent opin ions of the editor, associate editors, or schools with which any contributor is associated. The published essays represent a diver sity of approaches and opinions which we hope will stimulate interest and further scholarship. Subscription Information Two issues- $14 Institutions and Libraries, same rate as individuals- $14 two issues Submission of Manuscripts Essays submitted for publication should not exceed fifteen to twenty double spaced typed pages, including notes. -
University Microfilms International 300 North Zeeb Road Ann Arbor, Michigan 48106 USA St
ISOLATION AND COMMUNITY: THE THEME AND FORM OF WILLIAM MORRIS' POETRY AND PROSE Item Type text; Dissertation-Reproduction (electronic) Authors Balch, Dennis Robert, 1949- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 09/10/2021 07:25:50 Link to Item http://hdl.handle.net/10150/289550 INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. -
East-West Film Journal, Volume 5, No. 1
EAST-WEST FILM JOURNAL VOLUME 5 . NUMBER 1 SPECIAL ISSUE ON MELODRAMA AND CINEMA Editor's Note I Melodrama/Subjectivity/Ideology: The Relevance of Western Melodrama Theories to Recent Chinese Cinema 6 E. ANN KAPLAN Melodrama, Postmodernism, and the Japanese Cinema MITSUHIRO YOSHIMOTO Negotiating the Transition to Capitalism: The Case of Andaz 56 PAUL WILLEMEN The Politics of Melodrama in Indonesian Cinema KRISHNA SEN Melodrama as It (Dis)appears in Australian Film SUSAN DERMODY Filming "New Seoul": Melodramatic Constructions of the Subject in Spinning Wheel and First Son 107 ROB WILSON Psyches, Ideologies, and Melodrama: The United States and Japan 118 MAUREEN TURIM JANUARY 1991 The East-West Center is a public, nonprofit educational institution with an international board of governors. Some 2,000 research fellows, grad uate students, and professionals in business and government each year work with the Center's international staff in cooperative study, training, and research. They examine major issues related to population, resources and development, the environment, culture, and communication in Asia, the Pacific, and the United States. The Center was established in 1960 by the United States Congress, which provides principal funding. Support also comes from more than twenty Asian and Pacific governments, as well as private agencies and corporations. Editor's Note UNTIL very recent times, the term melodrama was used pejoratively to typify inferior works of art that subscribed to an aesthetic of hyperbole and that were given to sensationalism and the crude manipulation of the audiences' emotions. However, during the last fifteen years or so, there has been a distinct rehabilitation of the term consequent upon a retheoriz ing of such questions as the nature of representation in cinema, the role of ideology, and female subjectivity in films. -
On the Laws and Practice of Horse Racing
^^^g£SS/^^ GIFT OF FAIRMAN ROGERS. University of Pennsylvania Annenherg Rare Book and Manuscript Library ROUS ON RACING. Digitized by the Internet Archive in 2009 with funding from Lyrasis IVIembers and Sloan Foundation http://www.archive.org/details/onlawspracticeOOrous ON THE LAWS AND PRACTICE HORSE RACING, ETC. ETC. THE HON^T^^^ ADMIRAL ROUS. LONDON: A. H. BAILY & Co., EOYAL EXCHANGE BUILDINGS, COENHILL. 1866. LONDON : PRINTED BY W. CLOWES AND SONS, STAMFORD STREET, AND CHAKING CROSS. CONTENTS. Preface xi CHAPTER I. On the State of the English Turf in 1865 , . 1 CHAPTER II. On the State of the La^^ . 9 CHAPTER III. On the Rules of Racing 17 CHAPTER IV. On Starting—Riding Races—Jockeys .... 24 CHAPTER V. On the Rules of Betting 30 CHAPTER VI. On the Sale and Purchase of Horses .... 44 On the Office and Legal Responsibility of Stewards . 49 Clerk of the Course 54 Judge 56 Starter 57 On the Management of a Stud 59 vi Contents. KACma CASES. PAGE Horses of a Minor Age qualified to enter for Plates and Stakes 65 Jockey changed in a Race ...... 65 Both Jockeys falling abreast Winning Post . 66 A Horse arriving too late for the First Heat allowed to qualify 67 Both Horses thrown—Illegal Judgment ... 67 Distinction between Plate and Sweepstakes ... 68 Difference between Nomination of a Half-bred and Thorough-bred 69 Whether a Horse winning a Sweepstakes, 23 gs. each, three subscribers, could run for a Plate for Horses which never won 50^. ..... 70 Distance measured after a Race found short . 70 Whether a Compromise was forfeited by the Horse omitting to walk over 71 Whether the Winner distancing the Field is entitled to Second Money 71 A Horse objected to as a Maiden for receiving Second Money 72 Rassela's Case—Wrong Decision ... -
INFORMATION to USERS This Manuscript Has Been Reproduced from the Microfilm Master. UMI Films the Text Directly from the Origina
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. A Bell & Howell Information Company 300 North Z e e b Road. Ann Arbor. Ml 48106-1346 USA 313/761-4700 800/521-0600 THE FEMINIZATION OF WIT: SATIRE BY BRITISH WOMEN WRITERS, 1660-1800 DISSERTATION Presented in Partial Fulfillment of the Requirements for the degree Doctor of Philosophy in the Graduate School of the Ohio State University By Carol M. -
The Horse-Breeder's Guide and Hand Book
LIBRAKT UNIVERSITY^' PENNSYLVANIA FAIRMAN ROGERS COLLECTION ON HORSEMANSHIP (fop^ U Digitized by the Internet Archive in 2009 with funding from Lyrasis IVIembers and Sloan Foundation http://www.archive.org/details/horsebreedersguiOObruc TSIE HORSE-BREEDER'S GUIDE HAND BOOK. EMBRACING ONE HUNDRED TABULATED PEDIGREES OF THE PRIN- CIPAL SIRES, WITH FULL PERFORMANCES OF EACH AND BEST OF THEIR GET, COVERING THE SEASON OF 1883, WITH A FEW OF THE DISTINGUISHED DEAD ONES. By S. D. BRUCE, A.i3.th.or of tlie Ainerican. Stud Boole. PUBLISHED AT Office op TURF, FIELD AND FARM, o9 & 41 Park Row. 1883. NEW BOLTON CSNT&R Co 2, Entered, according to Act of Congress, in the year 1883, By S. D. Bruce, In the Office of the Librarian of Congress, at Washington, D. C. INDEX c^ Stallions Covering in 1SS3, ^.^ WHOSE PEDIGREES AND PERFORMANCES, &c., ARE GIVEN IN THIS WORK, ALPHABETICALLY ARRANGED, PAGES 1 TO 181, INCLUSIVE. PART SECOISTD. DEAD SIRES WHOSE PEDIGREES AND PERFORMANCES, &c., ARE GIVEN IN THIS WORK, PAGES 184 TO 205, INCLUSIVE, ALPHA- BETICALLY ARRANGED. Index to Sires of Stallions described and tabulated in tliis volume. PAGE. Abd-el-Kader Sire of Algerine 5 Adventurer Blythwood 23 Alarm Himvar 75 Artillery Kyrle Daly 97 Australian Baden Baden 11 Fellowcraft 47 Han-v O'Fallon 71 Spendthrift 147 Springbok 149 Wilful 177 Wildidle 179 Beadsman Saxon 143 Bel Demonio. Fechter 45 Billet Elias Lawrence ' 37 Volturno 171 Blair Athol. Glen Athol 53 Highlander 73 Stonehege 151 Bonnie Scotland Bramble 25 Luke Blackburn 109 Plenipo 129 Boston Lexington 199 Breadalbane. Ill-Used 85 Citadel Gleuelg... -
The Poems of Ossian
0/^A\^, 1 / "-^//c-^^^^ t / //^^> ' ^^^' ; POEMS OF OSSIAN, TRANSLATKl) BY JAMES MACPHERSON, Esq. DISSERTATIONS (l?ra antr poem^ xi( 0ifiian DR. BLAIR'S CRITICAL DISSERTATION. GLASGOW: PRINTED BV THOMAS BRrCE, HIGH STREEX. J821. TEMOllA, AN EPIC POEM, BOOK I. ARGUMENT. Cairbar, the son of Borbar-duthiil, lord of A'Jia, in Con- naiiglit, the most potent chief of the race of the Fir- hol^S having murdered, at Temcra, the royal palace. Cormac, the son of Ariho, the young kirg of Ireland, usurped tlie throne. Cormac was lineally descended from Couar, the son of Trenmor, the great-grandfather of Fin^ral, king of those Caledonians who inhabited the western coast of Scotland. Fingal resented the be- haviour of Cairbar, and resolved to pass over into Ire- land with an army, to re-establish the royal family on the Irish throne. Early intelligence of his designs coming; to Cairbar, he assembled some of his tribes in Ulster, and at the same time ordered his brother Cath- mor to follow him speedily with an army from Temora. Such was the situation of affairs when the Caledoniaa invaders appearijd on the coast of Ulster. The poem opens in the morning. Cairbar is represented as retired from the rest of the army, when one of his scouts brouglit him news of the landing of Fingal. He assembles a council of his chiefs. Foldath, the chief of Jrloma, liaughtily despises the enemy ; and is repri- manded warmly by Malthos. Cairbar, after hearing their debate, orders a feast to be prepared, to which, by his bard Oila, he invites Oscar, the son ot Ossian ; resolving to pick a quarrel with that hero, snd so have home pretext for killing f^ist him. -
The History of Don Quixote, Volume II., Complete, by Miguel De Cervantes
The History of Don Quixote, Volume II., Complete, By Miguel de Cervantes 1 DON QUIXOTE Volume II. Complete by Miguel de Cervantes 2 CONTENTS Part II. CHAPTER I OF THE INTERVIEW THE CURATE AND THE BARBER HAD WITH DON QUIXOTE ABOUT HIS MALADY CHAPTER II WHICH TREATS OF THE NOTABLE ALTERCATION WHICH SANCHO PANZA HAD WITH DON QUIXOTE'S NIECE, AND HOUSEKEEPER, TOGETHER WITH OTHER DROLL MATTERS CHAPTER III OF THE LAUGHABLE CONVERSATION THAT PASSED BETWEEN DON QUIXOTE, SANCHO PANZA, AND THE BACHELOR SAMSON CARRASCO CHAPTER IV IN WHICH SANCHO PANZA GIVES A SATISFACTORY REPLY TO THE DOUBTS AND QUESTIONS OF THE BACHELOR SAMSON CARRASCO, TOGETHER WITH OTHER MATTERS WORTH KNOWING AND TELLING CHAPTER V OF THE SHREWD AND DROLL CONVERSATION THAT PASSED BETWEEN SANCHO PANZA AND HIS WIFE TERESA PANZA, AND OTHER MATTERS WORTHY OF BEING DULY RECORDED CHAPTER VI OF WHAT TOOK PLACE BETWEEN DON QUIXOTE AND HIS NIECE AND HOUSEKEEPER; ONE OF THE MOST IMPORTANT CHAPTERS IN THE WHOLE HISTORY CHAPTER VII OF WHAT PASSED BETWEEN DON QUIXOTE AND HIS SQUIRE, TOGETHER WITH OTHER VERY NOTABLE INCIDENTS 3 CHAPTER VIII WHEREIN IS RELATED WHAT BEFELL DON QUIXOTE ON HIS WAY TO SEE HIS LADY DULCINEA DEL TOBOSO CHAPTER IX WHEREIN IS RELATED WHAT WILL BE SEEN THERE CHAPTER X WHEREIN IS RELATED THE CRAFTY DEVICE SANCHO ADOPTED TO ENCHANT THE LADY DULCINEA, AND OTHER INCIDENTS AS LUDICROUS AS THEY ARE TRUE CHAPTER XI OF THE STRANGE ADVENTURE WHICH THE VALIANT DON QUIXOTE HAD WITH THE CAR OR CART OF "THE CORTES OF DEATH" CHAPTER XII OF THE STRANGE ADVENTURE WHICH BEFELL THE VALIANT -
Animal Painters of England from the Year 1650
JOHN A. SEAVERNS TUFTS UNIVERSITY l-IBRAHIES_^ 3 9090 6'l4 534 073 n i«4 Webster Family Librany of Veterinary/ Medicine Cummings School of Veterinary Medicine at Tuits University 200 Westboro Road ^^ Nortli Grafton, MA 01536 [ t ANIMAL PAINTERS C. Hancock. Piu.xt. r.n^raied on Wood by F. Bablm^e. DEER-STALKING ; ANIMAL PAINTERS OF ENGLAND From the Year 1650. A brief history of their lives and works Illustratid with thirty -one specimens of their paintings^ and portraits chiefly from wood engravings by F. Babbage COMPILED BV SIR WALTER GILBEY, BART. Vol. II. 10116011 VINTOX & CO. 9, NEW BRIDGE STREET, LUDGATE CIRCUS, E.C. I goo Limiiei' CONTENTS. ILLUSTRATIONS. HANCOCK, CHARLES. Deer-Stalking ... ... ... ... ... lo HENDERSON, CHARLES COOPER. Portrait of the Artist ... ... ... i8 HERRING, J. F. Elis ... 26 Portrait of the Artist ... ... ... 32 HOWITT, SAMUEL. The Chase ... ... ... ... ... 38 Taking Wild Horses on the Plains of Moldavia ... ... ... ... ... 42 LANDSEER, SIR EDWIN, R.A. "Toho! " 54 Brutus 70 MARSHALL, BENJAMIN. Portrait of the Artist 94 POLLARD, JAMES. Fly Fishing REINAGLE, PHILIP, R.A. Portrait of Colonel Thornton ... ... ii6 Breaking Cover 120 SARTORIUS, JOHN. Looby at full Stretch 124 SARTORIUS, FRANCIS. Mr. Bishop's Celebrated Trotting Mare ... 128 V i i i. Illustrations PACE SARTORIUS, JOHN F. Coursing at Hatfield Park ... 144 SCOTT, JOHN. Portrait of the Artist ... ... ... 152 Death of the Dove ... ... ... ... 160 SEYMOUR, JAMES. Brushing into Cover ... 168 Sketch for Hunting Picture ... ... 176 STOTHARD, THOMAS, R.A. Portrait of the Artist 190 STUBBS, GEORGE, R.A. Portrait of the Duke of Portland, Welbeck Abbey 200 TILLEMAN, PETER. View of a Horse Match over the Long Course, Newmarket .. -
The Figure of Stigma in Shakespeare's Drama
The Figure of Stigma in Shakespeare’s Drama jeffrey r. wilson This article theorizes a tradition in William Shakespeare’s drama involving some of his greatest and most captivating characters, including, among others, Rich- ard III, Aaron the Moor, Shylock the Jew, Edmund the Bastard, Falstaff, Ther- sites, and Caliban. With some rotations in the cast, this set of characters was frst dubbed “the evil” by Bernard Spivack (1958), then “the strangers” by Leslie A. Fiedler (1972), and most recently “the villains” by Maurice Charney (2012) and “the outsiders” by Marianne Novy (2013). These characters point back to the Vice of earlier English drama, as Spivack observes, but Novy deserves special recogni- tion for her argument that their identities are not fxed but relative. Shakespeare’s outsiders become insiders, she points out, and some are outsiders among the other characters in the drama yet insiders with us in the audience, a characteristic inherited from the Vice. Yet Novy’s own use of the label “outsiders,” like Fiedler’s “strangers,” gives the impression of a certifable character type on par with the braggart soldier or the clever slave. If the identities of these characters are indeed relative, then we need a way to think about them not only as characters but also as components of cultural paradigms and artistic designs. In this article therefore I combine the literary historian Erich Auerbach’s ([1946] 1953) account of “fgural realism” with the sociologist Erving Goffman’s (1963) theory of “stigma” to establish a vocabulary to explain how Shakespeare applied, rearranged, avoided, and dis- mantled what I call the “fgure of stigma.” I would like to thank Victoria Silver, Julia Reinhard Lupton, audiences at Case Western Reserve University and Harvard University’s Renaissance Colloquium, and the anonymous readers at Genre for comments and conversations about the ideas presented in this essay. -
Durham E-Theses
Durham E-Theses Dracula's Inky Shadows: The Vampire Gothic of Writing OWEN, LAUREN,ELIZABETH,SARAH How to cite: OWEN, LAUREN,ELIZABETH,SARAH (2017) Dracula's Inky Shadows: The Vampire Gothic of Writing, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/12317/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 1 Dracula’s Inky Shadows: The Vampire Gothic of Writing Lauren Elizabeth Sarah Owen Abstract Always a story about a story, the vampire tale is forever in dialogue with the past, conscious of its own status as a rewrite. This makes the vampire a figure onto which readers and authors can project ambivalence about writing – the gothic of living with texts. Bram Stoker’s Dracula (1897) vividly illustrates this connection. The novel presents textual interactions as both dangerous and pleasurable. -
Images of Women in Korean Movies
Images of Women in Korean movies Gina Yu Women have always been part of the Korean cinema. However, for the most part, they were marginalized. Woman characters in black and white silent films made during the Japanese occupation were played by men, who were as pretty as women. As in Chen Kaige’s Farewell My Con- cubine (1993) or John Madden’s Shakespeare in Love (1998), women could not appear on screen or stage because of gender discrimination. Then, after Lee Wol-hwa debuted as the first actress playing a woman’s role in The Vow Made below the Moon (1923, Yoon Baek-nam), it became possible for women to appear on screen. Of course, it was possible only on the condition that women would play fictional images. The Divided Image of Women in Their Cruel History There are two major images of women in Korean movies, mainly found in the melodrama and horror genres. One is the “good wife and wise mother” who conforms to traditional Confucianism and is locked into the ideology of chastity. The other is the wicked woman who is ei- ther a femme fatale or a seductress. With the first kind of image, women were victims or the embodiment of endurance in the cruel history of women. As many movies of this type were screened at international film festivals in the 1980s, the im- 261 Spinning the Tales of Cruelty towards Women (Lee Doo-yong, 1983) Hanging Tree (Jung Jin-woo, 1984) A Good Lawyer’s Wife (Im Sang-soo, 2003) 262 | Introduction to Korean Film age of tragic and fettered women was thought to be characteristic of Korean cinema.