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Lightning Bolt: Ecologia De Imagens, Ruídos E Sonoridades Extremas1
Lightning Bolt: ecologia de imagens, ruídos e sonoridades extremas1 FABRÍCIO LOPES DA SILVEIRA Resumo O artigo se detém, exclusivamente, no vídeo “Dracula Mountain”, para a música homônima do duo de noise-rock norte-americano Lightning Bolt. A intenção, de fato, é bastante restrita: trata-se de descrevê-lo e problematizá-lo, pensando-o em contraponto à sonoridade e à performance musical da banda. Ao final, sustenta-se que o vídeo é sintoma e fruto de uma ecologia midiática muito particular e contemporânea, na qual produtos e gêneros (musicais e audiovisuais), bem como Palavras-chave: hábitos de consumo (musicais e audiovisuais), são refeitos e Noise-rock, audiovisual, (re)potencializados, às vezes invertidos. ecologia da mídia VISUALIDADES, Goiânia v.9 n.2 p. 157-175, jul-dez 2011 157 Lightning Bolt: an ecology of imagens, noises and extremes sounds FABRÍCIO LOPES DA SILVEIRA Abstract The article is focused exclusively on the music video “Dracula Mountain”, by north American noise-rock band Lightning Bolt. The aim is, in fact, sufficiently restricted: to describe the video and call it in question, considering it as a counterpoint to the band sonority and musical performance. At the end, we state that the video is both a symptom and a product of a very particular and contemporary media ecology, in which musical and audiovisual products and Keywords: genres, as well as musical and audiovisual consumption Noise-rock, audiovisual, media ecology habits are rebuilt and (re)potentialized, sometimes inverted. 158 VISUALIDADES, Goiânia v.9 n.2 p. 157-175, jul-dez 2011 VISUALIDADES, Goiânia v.9 n.2 p. -
Brian Gibson (Musician)
Brian Gibson (musician) Brian Gibson (born July 25, 1975) is a musician and artist based out of Providence, Rhode Island. Gibson is best known as the bassist for the band Lightning Bolt. Sound[edit]. Brian Gibson is particularly known for his unique and complex set-up, tuning, and use of his bass guitar. The majority of Gibson's playing draws on fairly simple loops and major/minor chord structures, yet also employs more advanced guitar techniques, such as tapping. Gibson uses a high amount of distortion, feedback and effects. Brian Gibson (born July 25, 1975) is a musician and artist based out of Providence, Rhode Island. Gibson is best known as the bassist for the band Lightning Bolt. In the summer of 2015 he co-founded the game development company Drool. At Drool, he created the art and music for the video game Thumper and co-designed the game alongside Marc Flury. Thumper was released with critical acclaim in October 2016. Bryan Gibson grew up playing baseball, riding BMX bikes, and exploring the woods of the quaint town of Orangeburg, SC. It wasnâ™t until fourteen years after his birth on New Yearâ™s Eve that he picked up a guitar and tried his hand at a set of strings. That was also the year his grandmother Gibson passed awayâ”the first major death in his life. âœUp until that time, I hadnâ™t really been exposed to mortality,â says Bryan. âœI was nowhere near being able to grasp the idea that this all wasnâ™t forever. Brian Gibson is a musician and artist based out of Providence, Rhode Island. -
Nero Magazine
2 / QUI GIACE L’HARD ROCK 4 / BRENT GREEN 8 / EARTH 10 / POLAROID 12 / SILENCE IS SEXY 16 / TO BE CONTINUED... 19 / RIMEDIARE LA REALTA NER O 21 / GARDAR EIDE EINARSSON 26 / SPLITTING 29 / FIGLI DI NUGGETS Neromagazine.it 30 / ALICE IN SYNCHRONICITY 32 / JAPAN DIGITAL MUTATION GIRLS: SAWAKO 34 / WHITE E PORK 36 / RECENSIONI 44 / NERO INDEX 45 / NERO TAPES BIMESTRALE A DISTRIBUZIONE GRATUITA NUMERO 7 DICEMBRE / GENNAIO 2006 Direttore Responsabile: Giuseppe Mohrhoff Direzione Editoriale: Francesco de Figueiredo ([email protected]) Luca Lo Pinto ([email protected]) Valerio Mannucci ([email protected]) Lorenzo Micheli Gigotti ([email protected]) Staff di Redazione: Emiliano Barbieri, Rudi Borsella, Marco Cirese, Ilaria Gianni, Andrea Proia, Francesco Tatò, Francesco Ventrella Collaboratori: Gianni Avella, Marco Costa, Silvia Chiodi, France- sco Farabegoli, Roberta Ferlicca, Francesca Izzi, Alberto Lo Pinto, Federico Narracci,Anna Passarini, Silvia Pirolli, Leandro Pisano, Marta Pozzoli, Francesco M. Russo,Giordano Simoncini, Davide Talia Grafica: Daniele De Santis ([email protected] Industrie Grafiche di Roma) Responsabile Illustrazioni: Carola Bonfili (carolabonfi[email protected]) Invio Materiale: Via degli Scialoja,18 - 00196 ROMA Pubblicità: [email protected] Lorenzo Micheli Gigotti 3391453359 Distribuzione: [email protected] Editore: Produzioni NERO soc. coop. a r.l. Iscrizione Albo Cooperative n° A116843 NERO Largo Brindisi, 5 - 00182 ROMA Tel. / Fax 06 97271252 [email protected] Registrazione al Tribunale di Roma n. 102/04 del 15 marzo 2004 Stampa: OK PRINT via Calamatta 16, ROMA Distribuzione a Milano a cura di Promos Comunicazione www.promoscomunicazione.it copertina di Nicola Pecoraro www.hopaura.org – [email protected] sommario di Carola Bomfili NERO A CASA. -
Newslist Drone Records 31. January 2009
DR-90: NOISE DREAMS MACHINA - IN / OUT (Spain; great electro- acoustic drones of high complexity ) DR-91: MOLJEBKA PVLSE - lvde dings (Sweden; mesmerizing magneto-drones from Swedens drone-star, so dense and impervious) DR-92: XABEC - Feuerstern (Germany; long planned, finally out: two wonderful new tracks by the prolific german artist, comes in cardboard-box with golden print / lettering!) DR-93: OVRO - Horizontal / Vertical (Finland; intense subconscious landscapes & surrealistic schizophrenia-drones by this female Finnish artist, the "wondergirl" of Finnish exp. music) DR-94: ARTEFACTUM - Sub Rosa (Poland; alchemistic beauty- drones, a record fill with sonic magic) DR-95: INFANT CYCLE - Secret Hidden Message (Canada; long-time active Canadian project with intelligently made hypnotic drone-circles) MUSIC for the INNER SECOND EDITIONS (price € 6.00) EXPANSION, EC-STASIS, ELEVATION ! DR-10: TAM QUAM TABULA RASA - Cotidie morimur (Italy; outerworlds brain-wave-music, monotonous and hypnotizing loops & Dear Droners! rhythms) This NEWSLIST offers you a SELECTION of our mailorder programme, DR-29: AMON – Aura (Italy; haunting & shimmering magique as with a clear focus on droney, atmospheric, ambient music. With this list coming from an ancient culture) you have the chance to know more about the highlights & interesting DR-34: TARKATAK - Skärva / Oroa (Germany; atmospheric drones newcomers. It's our wish to support this special kind of electronic and with a special touch from this newcomer from North-Germany) experimental music, as we think its much more than "just music", the DR-39: DUAL – Klanik / 4 tH (U.K.; mighty guitar drones & massive "Drone"-genre is a way to work with your own mind, perception, and sub bass undertones that evoke feelings of total transcendence and (un)-consciousness-processes. -
A Large Shipment of Swimsuits Has Dropped in the Lap of Greek Artist Ioanna Pantazopoulou, Facilitating the Creation of Her Latest Ephemeral Monument
A large shipment of swimsuits has dropped in the lap of Greek artist Ioanna Pantazopoulou, facilitating the creation of her latest ephemeral monument. Pantazopoulou has a knack of masterfully mining the detritus of our everyday consumer culture and transforming it into epic sensation. For this exhibition the artist has created a temporary residence in the gallery by altering the space with a large-scale hut. Ioanna’s sculptures are created on site, therefore the space becomes a vital component to the development of the work. The outcome, simultaneously rough, fragile, and ambiguous, provides a trace of her activity. The viewer will be presented with a hypnotic web of interlocking bikinis used as a curtain wall for the structure. The roof of the dwelling is composed of an excess of tinsel streamers. Pantazopoulou became fascinated with the material after visiting a variety of used car dealerships. The overabundance of bikinis and streamers subvert their original leisurely intentions, and in this new incarnation are used to build an eerie setting. According to the artist the experience of disorder and unexpected combinations is manifested throughout by the re-inventing of rules. In addition to the large scale work there will be a variety of smaller works sculpted from discarded rope climbing gear, hundreds of smuggled Cuban cigar labels, and cast aside piano keys. Brian Chippendale's airy new paintings unveil a secret inner world assembled from raw drawing, scrawled notes, and compulsive doodles. By shedding the density of his past work, Chippendale trades out his heavily-populated collages for visually lighter canvases. The artist’s characteristic rainbow-hued palette remains at play as he edits out the layered space with white to carve out a new arena for expression. -
Dunedin Sound Sources at the Hocken Collections
Reference Guide Dunedin Sound Sources at the Hocken Collections ‘Thanks to NZR Look Blue Go Purple + W.S.S.O.E.S Oriental Tavern 22-23 Feb’, [1985]. Bruce Russell Posters, Hocken Ephemera Collection, Eph-0001-ML-D-07/09. (W.S.S.O.E.S is Wreck Small Speakers on Expensive Stereos). Permission to use kindly granted by Lesley Paris, Norma O’Malley, Denise Roughan, Francisca Griffin, and Kath Webster. Hocken Collections/ Uare Taoka o Hākena, University of Otago Library Nau Mai Haere Mai ki Te Uare Taoka o Hākena: Welcome to the Hocken Collections He mihi nui tēnei ki a koutou kā uri o kā hau e whā arā, kā mātāwaka o te motu, o te ao whānui hoki. Nau mai, haere mai ki te taumata. As you arrive We seek to preserve all the taoka we hold for future generations. So that all taoka are properly protected, we ask that you: place your bags (including computer bags and sleeves) in the lockers provided leave all food and drink including water bottles in the lockers (we have a researcher lounge off the foyer which everyone is welcome to use) bring any materials you need for research and some ID in with you sign the Readers’ Register each day enquire at the reference desk first if you wish to take digital photographs Beginning your research This guide gives examples of the types of material relating to the Dunedin Sound held at the Hocken. All items must be used within the library. As the collection is large and constantly growing not every item is listed here, but you can search for other material on our Online Public Access Catalogues: for books, theses, journals, magazines, newspapers, maps, and audiovisual material, use Library Search|Ketu. -
2015 Interview.Pdf
Interview from Spew, #87 February 2015 (originally published in abridged form) 2014’s triple disc behemoth Harshest Realm is the self-titled debut release of a musical project spearheaded by one Garret Kriston, a Chicago based musician whose formative years were split between formal studies and basement recording before toiling within the city’s DIY/punk scene. Now he has emerged with a sprawling document of what surely is a vast arsenal of artistic capabilities. Harshest Realm is now available via Coolatta Lounge CDs, along with fellow traveler Marshall Stacks’s latest jammers Lost in Sim City and the Snake Eyes/Point Blank single. ___________________________________________ Let’s start by giving the folks at home some background information. I’m particularly interested in learning how your relationship with music has developed over the years, so as to better understand where the music on the Harshest Realm album came from. No problem. I’m going to not hold back from rattling off influences and favorites, if that’s okay. Totally. The more the merrier. I was born at home on March 3rd, 1990 in Oak Park, down the street from Chicago’s west side, near Harlem between Harrison and Roosevelt. My earliest memory of music was seeing archival footage of The Beatles playing on the Ed Sullivan Show, which made playing guitar in a band and singing original songs seem like the most appealing activity in existence. I might have been two going on three, and I don’t remember much else from then besides puking in my crib and seeing carrots in it (the puke.) My older brother was discovering “classic rock,” so there were rock related bootleg VHS tapes in the house that would get played over and over. -
The Bard Observer Is Free."
OBSERVER Vol. 8 No. 12 May 19, 1998 Page 1 Computer Center Staffing Debacle Leads to Upgrades Make way for tech-dom: Bard’s Henderson Computer Resources Center revamps Joe Stanco Getting It Done, Tivoli Style Mayor Marc Molinero is building a town his way. Don’t like it? Leave. Jeremy Dillahunt Firing Line Protestors Force Botstein’s Silence Demonstrators interrupt debate on the ACLU by chanting, read demands, and prevent the President from participating Anna-Rose Mathieson Page 2 The Demands [of the Firing Line Protestors] Page 3 Bard Community Reacts to the Firing Line Protest Page 5 The Bard Community Expanding to Virginia Rick Eichler Page 6 Drug Raids, Militias, and Whorehouses: Bard’s Glorious Past? Wiles spins nostalgic tales of a bygone era Nadja Carneol Upcoming Events Page 7 Security Guard Daugherty: Baddest Man in the Whole Damn Town B24 bombers and bull-riding prepared him for twelve years at Bard Abigail Rosenberg Car Caravan Keeps Pressure On Northern Dutchess Hospital Nadja Carneol Page 8 Professor Albert Reid: An Interview After nearly thirty years at Bard, he strikes out into new territory, heading for California Rosalie Purvis Page 9 Record Reviews Thirty Things That (May) Change Your Life Joel Hunt Cartoon Page 10 Mozart’s Don Comes to Annandale The full score of the nearly four hour opera is sung in English with charm, bawdy humor and passion Miciah Gault Page 11 Anatol Disappoints With Inconsistent, Dragging Delivery Yet the performance had a few breathtaking moments Joe Smith Erotic Obsessions Sardonic and Proud of -
Gigs of My Steaming-Hot Member of Loving His Music, Mention in Your Letter
CATFISH & THE BOTTLEMEN Van McCann: “i’ve written 14 MARCH14 2015 20 new songs” “i’m just about BJORK BACK FROM clinging on to THE BRINK the wreckage” ENTER SHIKARI “ukiP are tAKING Pete US BACKWARDs” LAURA Doherty MARLING THE VERDICT ON HER NEW ALBUM OUT OF REHAB, INTO THE FUTURE ►THE ONLY INTERVIEW CLIVE BARKER CLIVE + Palma Violets Jungle Florence + The Machine Joe Strummer The Jesus And Mary Chain “It takes a man with real heart make to beauty out of the stuff that makes us weep” BLACK YELLOW MAGENTA CYAN 93NME15011142.pgs 09.03.2015 11:27 EmagineTablet Page HAMILTON POOL Home to spring-fed pools and lush green spaces, the Live Music Capital of the World® can give your next performance a truly spectacular setting. Book now at ba.com or through the British Airways app. The British Airways app is free to download for iPhone, Android and Windows phones. Live. Music. AustinTexas.org BLACK YELLOW MAGENTA CYAN 93NME15010146.pgs 27.02.2015 14:37 BAND LIST NEW MUSICAL EXPRESS | 14 MARCH 2015 Action Bronson 6 Kid Kapichi 25 Alabama Shakes 13 Laura Marling 42 The Amorphous Left & Right 23 REGULARS Androgynous 43 The Libertines 12 FEATURES Antony And The Lieutenant 44 Johnsons 12 Lightning Bolt 44 4 SOUNDING OFF Arcade Fire 13 Loaded 24 Bad Guys 23 Lonelady 45 6 ON REPEAT 26 Peter Doherty Bully 23 M83 6 Barli 23 The Maccabees 52 19 ANATOMY From his Thai rehab centre, Bilo talks Baxter Dury 15 Maid Of Ace 24 to Libs biographer Anthony Thornton Beach Baby 23 Major Lazer 6 OF AN ALBUM about Amy Winehouse, sobriety and Björk 36 Modest Mouse 45 Elastica -
Journal Adult Providence .Indd
PROVIDENCE FRACAS PSYCHÉDÉLIQUE EN NOUVELLE-ANGLETERRE DU 4 DÉCEMBRE 2015 AU 22 MAI 2016 MUSÉE INTERNATIONAL DES ARTS MODESTES À SÈTE LE MIAM FÊTE SES 15 ANS À PROVIDENCE 15 ans de découvertes et de recherches pour ouvrir les horizons de l’art contemporain. 15 ans d’expositions pour changer notre regard et faire tomber les frontières. 15 ans à l’affût de créateurs inclassables et d’œuvres rebelles à la taxinomie. Depuis quelques années, le MIAM a prêté ses clés (ainsi que ses équipes et ses modestes budgets) à des artistes qui nous ont dévoilé leurs influences et ont partagé leur biotope artistique avec le public. En 2015, l’exploration continue sous la houlette de l’artiste-commissaire Jonas Delaborde, jeune pousse des années 90, rompu à une pratique de l’art collective qui lui a permis en particulier de tresser des liens transatlantiques avec des dessinateurs et artistes de la ville de Providence aux États-Unis. L’année dernière, j’ai visité cette ville, capitale de l’État de Rhode Island, une des plus anciennes des États-Unis, jamais vraiment remise de son déclin industriel à partir des années 20. J’y allais sur la piste de l’écrivain Lovecraft *, le « reclus de Providence » qui y était né, y avait passé le plus clair de son temps et était devenu l’écrivain mythique qu’on redécouvre aujourd’hui. La mémoire de l’écrivain est discrète dans cette petite ville de province où un café Starbucks occupe sa maison natale. En revanche son héritage est bien présent, vivant dans les œuvres des artistes que j’ai eu la chance de rencontrer et que Jonas Delaborde nous convie à découvrir dans l’exposition Providence : fracas psychédélique en Nouvelle-Angleterre. -
Les Trinitaires Septembre / Décembre 2013
LES TRINITAIRES SEPTEMBRE / DÉCEMBRE 2013 +++++++++++++++++++++++++++++++++++++ LES TRINITAIRES 12, rue des Trinitaires 57000 Metz Contact Presse : Pauline Husser T. : 03 87 201 084 [email protected] www.lestrinitaires.com Aaaah la rentrée. C’est toujours un peu stressant, la rentrée. Alors on regarde autour de soi pour voir si l’on va passer toute cette année en bonne compagnie. Là, on est vite rassuré, avec quelques têtes connues : Zikametz va forcément mettre les petits plats dans les grands pour la boum de son 10e anniversaire, comme vous allez le voir dans les pages qui suivent. Et Musiques Volantes atteint la majorité avec sa 18e édition, mais c’est chaque année comme une renaissance, un foisonnement de découvertes musicales. Et il y a ces cases de l’emploi du temps que l’on connaît déjà un peu : les soirées Jazz, les Release Party, les soirées Puissance, … Quant aux petits nouveaux, ils ne sont pas en reste : le festival Freeeze, qui s’installe en Lorraine et rayonne maintenant jusqu’au Luxembourg, revient cette année pour la deuxième fois aux Trinitaires. La Chapelle accueillera également pour la seconde fois la finale régionale du BuzzBooster. Mais rapidement, on se projette un peu plus loin. Est-ce que l’on va faire aussi bien que l’an dernier au moment du conseil de classe (avec 22 000 spectateurs en 2012, les Trinitaires avaient atteint leur record absolu de fréquentation) ? Est-ce que la fête de fin d’année sera aussi réussie (plus de 20 000 personnes sur la semaine Musiques Hors Format, notre festival gratuit du mois de juin) ? Et puis l’on sait déjà que l’an prochain, on retrouvera à nouveau des têtes connues et des nouveaux, mais que tout ce petit monde change de section : la BAM ouvrira ses portes en 2014 et viendra compléter le Pôle Musiques Actuelles – avec les Trinitaires – et plus largement tout le dispositif Metz en Scènes, avec l’Arsenal. -
Winter 2015/2016
N N December 2015 January/February 2016 Volume 44, No. 2 Winter Orgy® Period N 95.3 FM Mussorgsky: Pictures at an Exhibition; Reiner, Chicago WHRB Program Guide Symphony Orchestra (RCA) Bach: Violin Concerto No. 1 in a, S. 1041; Schröder, Hogwood, Winter Orgy® Period, December, 2015 Academy of Ancient Music (Oiseau-Lyre) Gershwin: Rhapsody in Blue; Katchen, Kertesz, London with highlights for January and February, 2016 Symphony Orchestra (London) Chopin: Waltzes, Op. 64; Alexeev (Seraphim) Rimsky-Korsakov: Scheherazade, Op. 35; Staryk, Beecham, Wednesday, December 2 Royal Philharmonic Orchestra (EMI) Strauss, J., Jr.: On the Beautiful Blue Danube, Op. 314; Karajan, Berlin Philharmonic Orchestra (DG) 6:45 pm HARVARD MEN’S BASKETBALL Tchaikovsky: Ouverture solennelle, 1812, Op. 49; Bernstein, Harvard at Northeastern. Israel Philharmonic Orchestra (DG) 6:45 pm HARVARD MEN’S HOCKEY Harvard at Union. Thursday, December 3 10:00 pm BRIAN CHIPPENDALE (cont.) 10:00 pm BRIAN CHIPPENDALE Hailing from Providence, Rhode Island, drummer Brian Saturday, December 5 Chippendale has been churning out an endless wall of noise since the late 90s. Using a hand-painted and well-beaten drum 5:00 am PERDIDO EN EL SIGLO: A MANU CHAO kit, homemade masks equipped with contact mics, and an ORGY (cont.) array of effect and synthesizer pedals, his sound is powerful, 9:00 am HILLBILLY AT HARVARD relentless, and intensely unique. Best known for his work with 12:45 pm PRELUDE TO THE MET (time approximate) Brian Gibson as one half of noise-rock duo Lightning Bolt, 1:00 pm METROPOLITAN OPERA Chippendale also works with Matt Brinkman as Mindflayer and Puccini: La Bohème; Barbara Frittoli, Ana Maria solo as Black Pus.