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Making Our Own—Two Ethnographies of the Vernacular in New Zealand Music: Tramping Club Singsongs and the Māori Guitar Strumming Style
Making our own—two ethnographies of the vernacular in New Zealand music: tramping club singsongs and the Māori guitar strumming style by Michael Brown A thesis submitted to Victoria University of Wellington/Massey University in fulfilment of the requirements for the degree of Doctor of Philosophy in Music New Zealand School of Music 2012 ii Abstract This work presents two ethnographies of the vernacular in New Zealand music. The ethnographies are centred on the Wellington region, and deal respectively with tramping club singsongs and the Māori guitar strumming style. As the first studies to be made of these topics, they support an overall argument outlined in the Introduction, that the concept of ―vernacular‖ is a valuable way of identifying and understanding some significant musical phenomena hitherto neglected in New Zealand music studies. ―Vernacular‖ is conceptualised as an informal, homemade approach that enables people to customise music-making, just as language is casually manipulated in vernacular speech. The different theories and applications which contribute to this perspective, taken from music studies and other disciplines, are examined in Chapter 1. A review of relevant New Zealand music literature, along with a methodological overview of the ethnographies is presented in Chapter 2. Each study is based upon different mixtures of techniques, including participant-observer fieldwork, oral history, interviews, and archival research. They can be summarised as follows: Tramping club singsongs: a medium of informal self-entertainment among New Zealand wilderness recreationists in the mid-twentieth century. The ethnography focuses on two clubs in the Wellington region, the Tararua Tramping Club and the Victoria University College Tramping Club, during the 1940s-1960s period, when changing social mores, tramping‘s camaraderie and individualism, and the clubs‘ different approaches, gave their singsongs a distinctive character. -
MAKING MAORI AD 1000-1200 1642 1769 ENTER EUROPE 1772 1790S
© Lonely Planet Publications 30 lonelyplanet.com HISTORY •• Enter Europe 31 THE MORIORI & THEIR MYTH History James Belich One of NZ’s most persistent legends is that Maori found mainland NZ already occupied by a more peaceful and racially distinct Melanesian people, known as the Moriori, whom they exterminated. New Zealand’s history is not long, but it is fast. In less than a thousand One of NZ’s foremost This myth has been regularly debunked by scholars since the 1920s, but somehow hangs on. years these islands have produced two new peoples: the Polynesian Maori To complicate matters, there were real ‘Moriori’, and Maori did treat them badly. The real modern historians, James and European New Zealanders. The latter are often known by their Maori Belich has written a Moriori were the people of the Chatham Islands, a windswept group about 900km east of the name, ‘Pakeha’ (though not all like the term). NZ shares some of its history mainland. They were, however, fully Polynesian, and descended from Maori – ‘Moriori’ was their number of books on NZ with the rest of Polynesia, and with other European settler societies, but history and hosted the version of the same word. Mainland Maori arrived in the Chathams in 1835, as a spin-off of the has unique features as well. It is the similarities that make the differences so Musket Wars, killing some Moriori and enslaving the rest (see the boxed text, p686 ). But they TV documentary series interesting, and vice versa. NZ Wars. did not exterminate them. The mainland Moriori remain a myth. -
Newslist Drone Records 31. January 2009
DR-90: NOISE DREAMS MACHINA - IN / OUT (Spain; great electro- acoustic drones of high complexity ) DR-91: MOLJEBKA PVLSE - lvde dings (Sweden; mesmerizing magneto-drones from Swedens drone-star, so dense and impervious) DR-92: XABEC - Feuerstern (Germany; long planned, finally out: two wonderful new tracks by the prolific german artist, comes in cardboard-box with golden print / lettering!) DR-93: OVRO - Horizontal / Vertical (Finland; intense subconscious landscapes & surrealistic schizophrenia-drones by this female Finnish artist, the "wondergirl" of Finnish exp. music) DR-94: ARTEFACTUM - Sub Rosa (Poland; alchemistic beauty- drones, a record fill with sonic magic) DR-95: INFANT CYCLE - Secret Hidden Message (Canada; long-time active Canadian project with intelligently made hypnotic drone-circles) MUSIC for the INNER SECOND EDITIONS (price € 6.00) EXPANSION, EC-STASIS, ELEVATION ! DR-10: TAM QUAM TABULA RASA - Cotidie morimur (Italy; outerworlds brain-wave-music, monotonous and hypnotizing loops & Dear Droners! rhythms) This NEWSLIST offers you a SELECTION of our mailorder programme, DR-29: AMON – Aura (Italy; haunting & shimmering magique as with a clear focus on droney, atmospheric, ambient music. With this list coming from an ancient culture) you have the chance to know more about the highlights & interesting DR-34: TARKATAK - Skärva / Oroa (Germany; atmospheric drones newcomers. It's our wish to support this special kind of electronic and with a special touch from this newcomer from North-Germany) experimental music, as we think its much more than "just music", the DR-39: DUAL – Klanik / 4 tH (U.K.; mighty guitar drones & massive "Drone"-genre is a way to work with your own mind, perception, and sub bass undertones that evoke feelings of total transcendence and (un)-consciousness-processes. -
Our Finest Illustrated Non-Fiction Award
Our Finest Illustrated Non-Fiction Award Crafting Aotearoa: Protest Tautohetohe: A Cultural History of Making Objects of Resistance, The New Zealand Book Awards Trust has immense in New Zealand and the Persistence and Defiance pleasure in presenting the 16 finalists in the 2020 Wider Moana Oceania Stephanie Gibson, Matariki Williams, Ockham New Zealand Book Awards, the country’s Puawai Cairns Karl Chitham, Kolokesa U Māhina-Tuai, Published by Te Papa Press most prestigious awards for literature. Damian Skinner Published by Te Papa Press Bringing together a variety of protest matter of national significance, both celebrated and Challenging the traditional categorisations The Trust is so grateful to the organisations that continue to share our previously disregarded, this ambitious book of art and craft, this significant book traverses builds a substantial history of protest and belief in the importance of literature to the cultural fabric of our society. the history of making in Aotearoa New Zealand activism within Aotearoa New Zealand. from an inclusive vantage. Māori, Pākehā and Creative New Zealand remains our stalwart cornerstone funder, and The design itself is rebellious in nature Moana Oceania knowledge and practices are and masterfully brings objects, song lyrics we salute the vision and passion of our naming rights sponsor, Ockham presented together, and artworks to Residential. This year we are delighted to reveal the donor behind the acknowledging the the centre of our influences, similarities enormously generous fiction prize as Jann Medlicott, and we treasure attention. Well and divergences of written, and with our ongoing relationships with the Acorn Foundation, Mary and Peter each. -
Dunedin Sound Sources at the Hocken Collections
Reference Guide Dunedin Sound Sources at the Hocken Collections ‘Thanks to NZR Look Blue Go Purple + W.S.S.O.E.S Oriental Tavern 22-23 Feb’, [1985]. Bruce Russell Posters, Hocken Ephemera Collection, Eph-0001-ML-D-07/09. (W.S.S.O.E.S is Wreck Small Speakers on Expensive Stereos). Permission to use kindly granted by Lesley Paris, Norma O’Malley, Denise Roughan, Francisca Griffin, and Kath Webster. Hocken Collections/ Uare Taoka o Hākena, University of Otago Library Nau Mai Haere Mai ki Te Uare Taoka o Hākena: Welcome to the Hocken Collections He mihi nui tēnei ki a koutou kā uri o kā hau e whā arā, kā mātāwaka o te motu, o te ao whānui hoki. Nau mai, haere mai ki te taumata. As you arrive We seek to preserve all the taoka we hold for future generations. So that all taoka are properly protected, we ask that you: place your bags (including computer bags and sleeves) in the lockers provided leave all food and drink including water bottles in the lockers (we have a researcher lounge off the foyer which everyone is welcome to use) bring any materials you need for research and some ID in with you sign the Readers’ Register each day enquire at the reference desk first if you wish to take digital photographs Beginning your research This guide gives examples of the types of material relating to the Dunedin Sound held at the Hocken. All items must be used within the library. As the collection is large and constantly growing not every item is listed here, but you can search for other material on our Online Public Access Catalogues: for books, theses, journals, magazines, newspapers, maps, and audiovisual material, use Library Search|Ketu. -
Salvati Dal Rock and Roll
SENTIREASCOLTARE online music magazine GIUGNO N. 32 Wilco salvati dal rock and roll Hans Appelqvist King Kong Laura Veirs Valet Keren Ann Feist Low PelicanStars Of The Art Lid Of Fighting Smog I Nipoti Marino del CapitanoJosé Malagnino Cristina Zavalloni Parts & Labor Billy Nicholls Dead C The Sea And Cake Labrador Akoustic Desease Buffys eSainte-Marie n t i r e a s c o l t a r e WWW.AUDIOGLOBE.IT VENDITA PER CORRISPONDENZA TEL. 055-3280121, FAX 055 3280122, [email protected] DISTRIBUZIONE DISCOGRAFICA TEL. 055-328011, FAX 055 3280122, [email protected] MATTHEW DEAR JENNIFER GENTLE STATELESS “Asa Breed” “The Midnight Room” “Stateless” CD Ghostly Intl CD Sub Pop CD !K7 Nuovo lavoro per A 2 anni di distan- Matthew Dear, uno za dal successo di degli artisti/produt- critica di “Valende”, È pronto l’omonimo tori fra i più stimati la creatura Jennifer debutto degli Sta- del giro elettronico Gentle, ormai nelle teless, formazione minimale e spe- sole mani di Mar- proveniente da Lee- rimentale. Con il co Fasolo, arriva al ds. Guidata dalla nuovo lavoro, “Asa Breed”, l’uomo di Detroit, si nuovo “The Midnight Room”, sempre su Sub voce del cantante Chris James, voluto anche rivela più accessibile che mai. Sì certo, rima- Pop. Registrato presso una vecchia e sperduta da DJ Shadow affinché partecipasse alle regi- ne il tocco à la Matthew Dear, ma l’astrattismo casa del Polesine ed ispirato forse da questa strazioni del suo disco, la formazione inglese usuale delle sue produzioni pare abbia lasciato sinistra collocazione, il nuovo album si districa mette insieme guitar sound ed elettronica, ri- uno spiraglio a parti più concrete e groovy. -
In This Issue: the Art of Flying Nun 01 Being an Urban Artist 02 the Den 03 at the Galleries 03 Place in Time, Tūranga 05 Reviews 08 Ronnie Van Hout 10
Issue 31 Exhibitions Ōtautahi www.artbeat.org.nz August 2021 Galleries Christchurch Studios Waitaha Street Art Canterbury Art in Public Places ARTBEAT In this issue: The Art of Flying Nun 01 Being an Urban Artist 02 The Den 03 At The Galleries 03 Place in Time, Tūranga 05 Reviews 08 Ronnie van Hout 10 Hellzapoppin’! The Art of Flying Nun writer Warren Feeney The opening of Hellzapoppin’! The Art of → Flying Nun Sneaky Feelings in August 2021 at the Christchurch Be My Friend Art Gallery Te Puna o Waiwhetū is no coinci- 1982. 7-inch dence. It celebrates to the month, forty years single, designed by Ronnie van ago that Roger Shepherd, then a record Hout store manager in Christchurch established →→ Flying Nun, its first ten years of recording the Tall Dwarfs Slug- predominant subject of a survey exhibition of buckethairy- the original artwork, record covers, posters, breathmonster videos, photographs, design and paintings by 1984. EP Designed by members of the labels’ various bands, musi- Chris Knox cians and associated designers and artists. While debate still fires up among music critics and musicians in Aotearoa about the critical role that Flying Nun played in the post-punk music scene in the 1980s, while Wellington and Auckland saw the emergence of bands that included Beat Rhythm Fashion and The Mockers, (both from Wellington) the anchor of a record label with a distinct attitude and personality has seen Shepherd’s Flying Nun remembered as the sound of that period. Certainly, The Clean, Straitjacket Fits and The Chills are high on the list of bands contributing to such perceptions and memories. -
2015 Interview.Pdf
Interview from Spew, #87 February 2015 (originally published in abridged form) 2014’s triple disc behemoth Harshest Realm is the self-titled debut release of a musical project spearheaded by one Garret Kriston, a Chicago based musician whose formative years were split between formal studies and basement recording before toiling within the city’s DIY/punk scene. Now he has emerged with a sprawling document of what surely is a vast arsenal of artistic capabilities. Harshest Realm is now available via Coolatta Lounge CDs, along with fellow traveler Marshall Stacks’s latest jammers Lost in Sim City and the Snake Eyes/Point Blank single. ___________________________________________ Let’s start by giving the folks at home some background information. I’m particularly interested in learning how your relationship with music has developed over the years, so as to better understand where the music on the Harshest Realm album came from. No problem. I’m going to not hold back from rattling off influences and favorites, if that’s okay. Totally. The more the merrier. I was born at home on March 3rd, 1990 in Oak Park, down the street from Chicago’s west side, near Harlem between Harrison and Roosevelt. My earliest memory of music was seeing archival footage of The Beatles playing on the Ed Sullivan Show, which made playing guitar in a band and singing original songs seem like the most appealing activity in existence. I might have been two going on three, and I don’t remember much else from then besides puking in my crib and seeing carrots in it (the puke.) My older brother was discovering “classic rock,” so there were rock related bootleg VHS tapes in the house that would get played over and over. -
Te Oro O Te Ao the Resounding of the World
Te Oro o te Ao The Resounding of the World Rachel Mary Shearer 2018 An exegesis submitted to Auckland University of Technology in fulfilment of the requirements for the degree of Doctor of Philosophy School of Art and Design 1 2 ABSTRACT criteria of ihi—in this context, the intrinsic power of an event that draws a re- sponse from an audience, along with wehi—the reaction from an audience to this intrinsic power, and wana—the aura that occurs during a performance that encompasses both performer and audience, contribute to a series of sound events that aim at evocation or affect rather than interpretable narratives, stories or closed meanings. The final outcome of this research is realised as a sound installation, an exegesis and a 12” vinyl LP. Together these sound practices form a research-led practice document that demonstrates how and why listening to the earth matters, and pro- poses a multi-knowledge framework for understanding sound, space and environ- ment. Nō reira And so Tēnā koutou, tēnā koutou, tēnā tātou katoa Greetings, greetings, greetings to us all Tēnā koutou, tēnā koutou, tēnā tātou katoa Greetings, greetings, greetings to us all This practice-led PhD is a situated Pacific response to international critical dia- logues around materiality in the production and analysis of sonic arts. At the core of this project is the problem of what happens when questions asked in contexts of Pākehā knowledge frameworks are also asked within Māori knowledge frameworks. I trace personal genealogical links to Te Aitanga ā Māhaki, Rongowhakaata and Ngāti Kahungunu iwi. -
BEST BAND YOU've EVER HEARD in YOUR LIFE (Live) 45
===== ELEPHANT TALK ===== <http://www.burioni.it/forum/ridi/et/ethome.htm> rivista musicale elettronica diretta da Riccardo Ridi <[email protected]> vicedirettore Filippo Tagliaferri -------------------------------------------------- Anno XIII Numero 73 (8 Luglio 2008) -------------------------------------------------- INDICE - I MIGLIORI ALBUM DEGLI ANNI 90: INTRODUZIONE / di FT - I MIGLIORI ALBUM STRANIERI DEGLI ANNI 90: LA METACLASSIFICA / a cura di FT - I MIGLIORI ALBUM ITALIANI DEGLI ANNI 90: LA METACLASSIFICA / a cura di FT - I MIGLIORI MUSICISTI DEGLI ANNI 90: LA METACLASSIFICA / a cura di FT - I MIGLIORI ALBUM DEGLI ANNI 90: LE CLASSIFICHE DEI LETTORI E DEI REDATTORI / a cura di RR - ELEGIA PER IL CD / di RR - DOUBLE ZERO: COLORS & WINE (2007) / di MM - RECENSIONI IN BRANDELLI 36 / di RR -------------------------------------------------- - I MIGLIORI ALBUM DEGLI ANNI 90: INTRODUZIONE / di Filippo Tagliaferri Vincono i soliti noti. Potremmo così riassumere il commento ai risultati di questo nostro ennesimo poll, stavolta dedicato agli anni 90. Nessuna sorpresa di rilievo, quanto meno ai piani alti. I Radiohead confermano la loro statura di gruppo guida del decennio, seguiti a breve distanza dai Nirvana. Pur potendo votare più album per ciascun autore, la maggior parte dei votanti ha optato per votare “OK Computer”, piuttosto che “The Bends” (solo 66°), un disco che comunque negli anni, rispetto al primo, ha visto salire le proprie quotazioni. Nessuna preferenza per il debutto degli inglesi, “Pablo Honey”, da sempre considerato unanimemente poco più di un buon debutto. In rapporto al peso che acquisisce nella discografia dei Nirvana il classico “Nevermind”, può semmai meravigliare il buon risultato raggiunto dall'anomalo live album “Unplugged In New York” (un disco dei Nirvana che non contiene una versione di “Smells Like Teen Spirit”, il brano di punta del repertorio, al 19° posto). -
Chris Knox Is a New Zealand Musician, Songwriter, Cartoonist & Critic
Becoming Something Other I gotta call - I got a phone call from my mother Your dad is changing - he is becoming something other & you may not recognise him when you come & he may not realise it's you There's part of him that is completely numb He'd not been well - his eyes & legs were almost useless He'd been depressive - he hated looking so damn foolish & the cat-scan showed his brain was losing mass & he didn't know each morning Where he was or how he'd come to this impasse He took the phone - his voice was querulous & distant I heard an old man - & I knew it in an instant & he told me how it was to be so blind & he told me how it was to know Precisely how it felt to lose his mind I asked my dad - how much his vision was impaired He said he sees things - but that the things he sees are things that are not there Then he paused & quietly spoke these words that chilled... He said 'I have my own small thoughts about that' & I felt the air around me grow quite still For my dad was telling me that he was dying He was telling me in such a gentle way & I couldn't stop myself from softly crying As he formed the mindless words that had their say Chris Knox is a New Zealand musician, songwriter, cartoonist & critic. Chris is a pivotal figure of the Flying Nun record label. He gained prominence with The Enemy then Toy Love and later formed the Tall Dwarfs with guitarist Alec Bathgate, as well as releasing several solo albums. -
The Glue of the World : Popular Music in Film Soundtracks
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. 'The Glue of the World': Popular music in film soundtracks. A thesis presented in partial fulfilment of the requirements for the degree of Master of Arts m Media Studies at Massey University, Palmerston North New Zealand. Lauren Anderson 1999 Abstract. Popular music has a strong presence in many contemporary films, frequently replacing, or displacing, the 'classical' soundtrack. The question arises of whether a popular music soundtrack achieves similar functions to traditional, 'classical' film music. Investigating this question is the primary aim of this thesis. An outline of film music theory is followed by an overview of how meaning is produced in popular music. These two areas of discussion are then brought together in the neoformalist analyses of the textual relations between the popular music soundtrack and the narrative, characterisation, and themes of three contemporary films: Sliding Doors (1997, Peter Howitt), Empire Records (1995, Allan Moyle), and Topless Women Talk About Their Lives (1997, Harry Sinclair). The uses and functions of the music in these soundtracks are then compared to the conventions of 'classical' Hollywood film music. This thesis will show that the popular songs in the soundtracks of the three films generally fulfil one or more of six functions which are usually performed by 'classical' Hollywood film music. There are some important differences, however, as the songs frequently draw on features which are specific to popular music.