ARTHUR WINDUS VFX Producer

Total Page:16

File Type:pdf, Size:1020Kb

ARTHUR WINDUS VFX Producer ARTHUR WINDUS VFX Producer PROJECTS DIRECTORS PRODUCERS/STUDIOS 12/24 Clay Kaytis Netflix /1492 Pictures / Madhouse Entertainment OKJA Bong Joon Ho Dooho Choi, Dede Gardner, Stan Wlodkowski Official Selection – Cannes Film Festival 2017 Netflix / Plan B Entertainment PETE’S DRAGON David Lowery Barrie Osborne, Jim Whitaker / Disney JACK THE GIANT SLAYER Bryan Singer New Line Cinema / Warner Bros. 20,000 LEAGUES UNTER THE SEA: TBD Disney CAPTAIN NEMO Budget and Prep SURROGATES Jonathan Mostow Max Handelman, David Hoberman Todd Lieberman / Disney THE IMAGINARIUM OF Terry Gilliam Amy Gilliam, Samuel Hadida DOCTOR PARNASSUS CineFinance / Sony THE CHRONICLES OF NARNIA: Andrew Adamson Mark Johnson, Philip Steuer PRINCE CASPIAN Walden Media / Disney Additional VFX Producer FRED CLAUS David Dobkin Jessie Nelson, Joel Silver / Warner Bros. ERAGON Stefen Fangmeier John Davis, Wyck Godfrey / 20th Century Fox AVP: ALIEN VS PREDATOR Paul Anderson 20th Century Fox LARA CROF TOMB RAIDER: Jan de Bont Lawrence Gordon, Lloyd Levin CRADLE OF LIFE Paramount PINOCCHIO Roberto Benigni Gianluigi Braschi, Nicoletta Braschi, Elda Ferri Melampo Cinematografica / Miramax LARA CROFT TOMB RAIDER Simon West Lawrence Gordon, Lloyd Levin, Colin Wilson Paramount THE BROTHERHOOD OF THE WOLF Christophe Gans Richard Grandpierre, Samuel Hadida StudioCanal / Universal Pictures JASON AND THE ARGONAUTS Series Nick Willing Dyson Lovell / Hallmark / NBC Nominated, Best Visual Effects – Emmy Awards THE 10TH KINGDOM Mini-series David Carson Brian Eastman, Simon Moore, Jane Prowse & Herbert Wise Carnival Films / NBC LOST IN SPACE Stephen Hopkins New Line Cinema DARK CITY Alex Proyas Andrew Mason, Alex Proyas VFX Supervisor, VFX Producer New Line Cinema THE SAINT (MPC) Phillip Noyce Paramount THE ENGLISH PATIENT (MPC) Anthony Minghella Saul Zaentz / Miramax Digital Line Producer EXECUTIVE DECISION (MPC) Warner Bros. RICHARD III (MPC) Richard Loncraine Stephen Bayly, Lisa Katselas United Artists / British Screen MUPPET TREASURE ISLAND (MPC) Brian Henson Martin Baker / Henson Productions GOLDENEYE (MPC) Martin Campbell Barbara Broccoli, Michael Wilson Eon Productions / United Artists HACKERS (MPC) Iain Softley Michael Peyser, Ralph Winter MGM / United Artists .
Recommended publications
  • Pr-Dvd-Holdings-As-Of-September-18
    CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd.
    [Show full text]
  • The Rise of Controversial Content in Film
    The Climb of Controversial Film Content by Ashley Haygood Submitted to the Department of Communication Studies in partial fulfillment of the requirements for the degree of Masters of Arts in Communication at Liberty University May 2007 Film Content ii Abstract This study looks at the change in controversial content in films during the 20th century. Original films made prior to 1968 and their remakes produced after were compared in the content areas of profanity, nudity, sexual content, alcohol and drug use, and violence. The advent of television, post-war effects and a proposed “Hollywood elite” are discussed as possible causes for the increase in controversial content. Commentary from industry professionals on the change in content is presented, along with an overview of American culture and the history of the film industry. Key words: film content, controversial content, film history, Hollywood, film industry, film remakes i. Film Content iii Acknowledgements I would like to thank my family for their unwavering support during the last three years. Without their help and encouragement, I would not have made it through this program. I would also like to thank the professors of the Communications Department from whom I have learned skills and information that I will take with me into a life-long career in communications. Lastly, I would like to thank my wonderful Thesis committee, especially Dr. Kelly who has shown me great patience during this process. I have only grown as a scholar from this experience. ii. Film Content iv Table of Contents ii. Abstract iii. Acknowledgements I. Introduction ……………………………………………………………………1 II. Review of the Literature……………………………………………………….8 a.
    [Show full text]
  • Feature Films
    NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 ..........................
    [Show full text]
  • MARCUS ALEXANDER Stereographer/Stereo Producer/Stereo Supervisor
    MARCUS ALEXANDER Stereographer/Stereo Producer/Stereo Supervisor PROJECTS DIRECTOR STUDIO & PRODUCERS “WARCRAFT” DUNCAN JONES ATLAS ENTERTAINMENT Stereo Consultant LEGENDARY PICTURES Alex Gartner, Jon Jashni, Charles Roven, Thomas Tull “GODZILLA” GARETH EDWARDS WARNER BROS. PICTURES Stereo Consultant LEGENDARY PICTURES Jon Jashni, Mary Parent, Brian Rogers, Thomas Tull LEGENDARY PICTURES LOGO EMILY CASTEL LEGENDARY PICTURES Stereo Consultant TRAILER PARK Jake Rice “THE SEVENTH SON” SERGEI BODROV LEGENDARY PICTURES Stereographic Supervisor Basil Iwanyk, Thomas Tull, Lionel Wigram “WRATH OF THE TITANS” JONATHAN LIEBESMAN WARNER BROS. PICTURES Post Stereographer/Stereo Producer Basil Iwanyk, Polly Johnsen Film nominated for I3DS Callum McDougall (Best Post Supervision 2D to 3D) “STAR WARS: EPISODE I – GEORGE LUCAS TWENTIETH CENTURY FOX THE PHANTOM MENACE 3D” LUCASFILM Stereo Producer (Prime Focus) Rick McCallum + Stereography Support - UC “THE CHRONICLES OF NARNIA:THE MICHAEL APTED TWENTIETH CENTURY FOX VOYAGE OF THE DAWN TREADER” WALDEN MEDIA Stereoscopic Support Andrew Adamson, Mark Johnson, (Prime Focus) Philip Steuer “DEAD CRAZY” FRANK SCANTORI THE FILM THEATRE COMPANY Cinematographer “YELLING TO THE SKY” VICTORIA MAHONEY ELEPHANT EYE FILMS Digital Intermediate Producer (Deluxe NYC) “LAST NIGHT” MASSY TADJEDIN GAUMONT/NICK WECHSLER PRODS. D. I. Manager (Deluxe New York) "SHANGHAI" MIKAEL HAFSTROM PHOENIX PICTURES Digital Intermediate Manager (Deluxe NYC) “LETTERS TO JULIETTE” GARY WINICK SUMMIT ENTERTAINMENT Digital Intermediate Manager (Deluxe NYC) "THE BOUNTY HUNTER" ANDY TENNANT COLUMBIA PICTURES D. I. Manager (UC) (Deluxe New York) Marcus Alexander -Continued- "REMEMBER ME" ALLEN COULTER SUMMIT ENTERTAINMENT D. I. Manager (Deluxe New York) "GREENBERG" NOAH BAUMBACH FOCUS FEATURES Digital Intermediate Producer (EFILM) "THE LAST SURVIVOR" (Documentary) MICHAEL KLEIMAN RIGHTEOUS PICTURES D.I.
    [Show full text]
  • Ciné Récré Des Films Pour Les Enfants Dans Les Cinémas De Nice
    CINÉ RÉCRÉ DES FILMS POUR LES ENFANTS DANS LES CINÉMAS DE NICE 9 - 10 - 16 - 17 NOVEMBRE 2019 CINÉMATHÈQUE - MERCURY - RIALTO - VARIÉTÉS PATHÉ LINGOSTIÈRE - PATHÉ MASSÉNA - PATHÉ GARE DU SUD LES AVANT-PREMIÈRES Le Cristal magique Dès 3 ans Sortie le 11 décembre 2019 de Nina Wels et Regina Welker / 2019/ Animation / Allemagne /1h21 Bantour, le roi des ours, a volé le cristal magique qui permet de faire revenir l’eau dans la forêt. Amy la petite hérissonne et son ami Tom l’écureuil décident de partir à sa recherche… Samedi 16 novembre à 13h40/ Dimanche 17 novembre à 15h40 RIALTO La Famille Addams Dès 6 ans Sortie le 4 décembre 2019 de Conrad Vernon et Greg Tiernan / 2019 / Animation / USA /1h27 Les nouvelles aventures étranges, drôles et mobides de la Famille Addams. Dimanche 17 novembre à 16h45 PATHÉ LINGOSTIÈRE / PATHÉ MASSÉNA / PATHÉ GARE DU SUD Mission Yéti Dès 3 ans Sortie le 29 janvier 2020 de Pierre Gréco et Nancy Florence Savard / 2017 / Animation / Canada / 1h20 Nelly, détective privée, et Simon, assistant de recherche, partent à l’aventure au cœur de l’Himalaya à la rencontre du Yéti. Samedi 9 novembre à 13h40 / Dimanche 10 novembre à 15h40 Samedi 16 novembre à 15h40 / Dimanche 17 novembre à 13h40 VARIÉTÉS SamSam Dès 3 ans Sortie le 5 février 2020 de Tanguy de Kermel / 2019/ Animation / France, Belgique. SamSam, le plus petit des grands héros, part à la recherche son premier super pouvoir… Avec l’aide de Méga, la nouvelle élève mystérieuse de son école, il se lance dans une aventure pleine de monstres cosmiques.
    [Show full text]
  • Download (68Kb)
    THE ANXIETY OF ROSE DA SILVA IN SILENT HILL MOVIE: A PSYCHOANALYTIC APPROACH RESEARCH PAPER Submitted as a Partial Fulfillment of the Requirement for Getting Bachelor Degree in English Department by: DWI PRASETYO A. 320 020 071 ENGLISH DEPARTMENT SCHOOL OF TEACHER TRAINING AND EDUCATION MUHAMMADIYAH UNIVERSITY OF SURAKARTA 2008 1 CHAPTER I INTRODUCTION A. Background of the Study One of the real problems in human’s daily life is anxiety. Anxiety can include many aspects of life such as social, economic, religious and cultural aspect. Everyone ever has anxiety in his life. Commonly people does not like problem because they tend to get pleasure in their life. When human gets problem in his life and cannot solve it, he tries as far as he can to avoid it. But human cannot escape from this problem. By avoiding it, human will get anxiety in his life. Problem cannot be avoided. Human must overcome it and handle his problem because it can reduce the anxiety. As one of the psychoanalytic principles, anxiety is part of psychology study. The foremost investigator of the psychoanalytic is Vienna neurologist and psychologist Sigmund Freud. Freud (in Feist, 1985: 25) theorized that the root of human problems was psychological, not physical. He divides the psyche into three parts: id, ego, and superego. In literature, human problem sometimes become the interesting things to explore. The problem is sometimes pictured by an author. The problem is then developed by an author to create a story of his own. An author blends it in a story that becomes one of work of arts.
    [Show full text]
  • Lafininvestcorrompeva
    ARRETRATI L IRE 3.000 – EURO 1.55 SPEDIZ. IN ABBON. POST. 45\% anno 78 n.224 venerdì 9 novembre 2001 lire 1.500 (euro 0.77) www.unita.it ART. 2 COMMA 20/B LEGGE 662/96 – FILIALE DI ROMA «La decisione italiana a Berlusconi di distogliere di interesse». Titolo di inviare truppe l’attenzione dalle accuse del Washington Post, in Afghanistan consente di corruzione e dai conflitti 8 novembre, pag. 19. Powell: poi tocca all’Irak. Blair: l’Irak no Indecifrabili contrasti tra Usa e Inghilterra sul proseguimento della guerra al terrorismo Ancora bombardamenti sull’Afghanistan e scontri con i taleban, ma si ignorano i risultati Bruno Marolo so di un incontro con George W. Bush. Sul fronte di guerra quella di NOI, WASHINGTON Sarà l’Irak il prossimo ieri è stata una “ordinaria” giornata obiettivo della guerra contro il terro- di bombardamenti. Nel Nord del- L’AMERICA rismo? A lanciare il segnale è stato il l’Afghanistan sono entrati nuova- segretario di Stato Colin Powell, fi- mente in azione i bombardieri B 52. no a ieri molto prudente riguardo Secondo il Pentagono i taleban ar- LE AMERICHE all’ipotesi di estensione del conflit- mati sono circa 50mila. to. «Le nazioni come l’Irak, che cer- Intanto i rapporti tra il Pakistan Gian Giacomo Migone cano di procurarsi armi di stermi- e il regime di Kabul diventano sem- nio - ha detto Colin Powell - non pre più tesi. Ieri Islamabad ha chiu- idurre il dibattito sulla lotta al ter- devono pensare che non faremo i so un consolato dei Taleban, men- rorismo ad uno scontro tra filo conti anche con loro.
    [Show full text]
  • Open Pbaxter Thesis Final110308.Pdf
    The Pennsylvania State University The Graduate School College of Communications A COMPARATIVE STUDY OF THE U.S. AND KOREAN FILM INDUSTRIES: HISTORY, STRUCTURE, AND FINANCE A Thesis in Media Studies by Patrick D. Baxter © 2008 Patrick D. Baxter Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts December 2008 This thesis of Patrick D. Baxter was reviewed and approved* by the following: Krishna Jayakar Associate Professor of the Department of Telecommunications Thesis Adviser Amit Schejter Assistant Professor of the Department of Telecommunications C. Michael Elavsky Assistant Professor of the Department of Film-Video and Media Studies John S. Nichols Professor of the Department of Film-Video and Media Studies Associate Dean for Graduate Studies and Research *Signatures are on file in the Graduate School iii ABSTRACT This project is a comparative case-study of the U.S. and Korean (South Korea) film industries along historical, structural, and financial dimensions. The genesis of this thesis came through an overall fascination with the film industry globally as nations compete and cooperate with each other, as well as contend with the dominance of the U.S. film industry. It uses the industrial organization model focusing primarily on "market structure." Further, it applies A.J. Scott’s bipartite (major, independent) and tripartite (major, subsidiary, independent) models of the U.S. film industry. The analysis is mainly descriptive being informed by historical development. To elaborate on market structure, samples of studio/mainstream and independent films were collected in both the U.S. and Korean film industries. The samples were analyzed along production company affiliation, distribution affiliation, sources of funding, and other elements.
    [Show full text]
  • Promo Screening
    LINE-UP2013 AFM PATHÉ INTERNATIONAL 03 MARKET SCREENINGS WEDNESDAY THURSDAY FRIDAY SATURDAY SUNDAY 06/11 07/11 08/11 09/11 10/11 MANDELA: 8:30AM LONG WALK Broadway TO FREEDOM Cineplex 1 11AM PHILOMENA Broadway Cineplex 1 1PM QUAI D’ORSAY AMC Santa Monica 1 ROCK 1PM THE CASBAH AMC Santa Monica 7 3PM PALO ALTO AMC 3PM Double Tree 1 Santa Monica 7 5PM ATTILA MARCEL Laemmle Monica 1 03 Promo screening 2014 ESKWAD2014 - PATHÉ PRODUCTION - TF1 FILMS PRODUCTION - ACHTZEHNTE BABELSBERG FILM © Love Story LA BELLE ET LA BÊTE (BEAUTY AND THE BEAST) DIRECTOR CAST Christophe Gans (Silent Hill, Brotherhood of the Wolf) Vincent Cassel (Black Swan, Mesrine, Eastern Promises) Léa Seydoux (Inglorious Basterds, Mission: Impossible - Ghost Protocol, SCREENPLAY Midnight in Paris) Christophe Gans (Brotherhood of the Wolf) André Dussollier (A Very Long Engagment, Tell No One) Sandra Vo-Anh PRODUCER Richard Grandpierre (Brotherhood of the Wolf, Zulu) 1720. After the wreck of his ships, a financially-ruined merchant exiles himself in the countryside with his six children. Among them is Beauty, his youngest daughter, a joyful girl full of grace. One day, during an arduous journey, the merchant stumbles across the magical domain of the Beast, who sentences him to death for stealing a rose. Feeling responsible for the terrible fate which has befallen her family, Beauty decides to sacrifice herself and take her father’s place. At the Beast’s castle, it is not death that awaits Beauty, but a strange life in which fantastical moments mingle with gaiety and melancholy. Every night, at dinner, Beauty and the Beast sit down together.
    [Show full text]
  • DAVID WITZ PRODUCER/UPM DGA FEATURES SHAZAM New Line Cinema Prod: Peter Safran, Geoff Johns, Dir: David Sandberg (Co-Producer/UPM) Jeffrey Chernov DUNKIRK Warner Bros
    DAVID WITZ PRODUCER/UPM DGA FEATURES SHAZAM New Line Cinema Prod: Peter Safran, Geoff Johns, Dir: David Sandberg (Co-Producer/UPM) Jeffrey Chernov DUNKIRK Warner Bros. Pictures Prod: Emma Thomas, Jake Myers Dir: Christopher Nolan (UPM) *Nominated for the 2018 Academy Award for Best Picture *Nominated for the 2018 DGA Award for Outstanding Directorial Achievement in Feature Film *Nominated for the 2018 PGA Award for Best Picture *Nominated for the 2018 Golden Globe Awards for Best Drama and Best Director of Motion Picture BAYWATCH Paramount Pictures Prod: Beau Flynn, Ivan Reitman Dir: Seth Gordon (Co-Producer/UPM Reshoot) GHOSTBUSTERS Sony Pictures Prod: Ivan Reitman, Michelle Imperato-Stabile Dir: Paul Feig (UPM) PIXELS Sony Pictures/1492 Pictures Prod: Barry Bernardi, Christopher Columbus Dir: Christopher Columbus (Assoc. Producer) Adam Sandler GONE GIRL 20th Century Fox Prod: Cean Chaffin, Joshua Donen, Arnon Milchan Dir: David Fincher (UPM) WHAT TO EXPECT Lionsgate Prod: Mike Medavoy, Mark Bakshi Dir: Kirk Jones WHEN YOU’RE EXPECTING Douglas McKay (UPM) MONEYBALL Columbia Pictures Prod: Michael De Luca, Scott Rudin Dir: Bennett Miller (UPM) DUE DATE Warner Bros. Pictures Prod: Scott Budnick, Daniel Goldberg Dir: Todd Phillips (Co-Producer/UPM) STAR TREK Paramount Pictures Prod: Roberto Orci, Alex Kurtzman Dir: J.J. Abrams (Co-Producer/UPM) Jeffrey Chernov TIN TIN DreamWorks Prod: Kathleen Kennedy, Peter Jackson Dir: Steven Spielberg (Line Producer/UPM – Test Shoot) SPIDERWICK CHRONICLES Paramount Pictures Prod: Kathleen Kennedy, Larry Franco Dir: Mark Waters (UPM) THE HEARTBREAK KID DreamWorks Prod: Bradley Thomas, Mark Charpentier Dir: Bobby Farrelly (Co-Producer/UPM – Reshoots) Peter Farrelly MISSION IMPOSSIBLE 3 Paramount Pictures Prod: Paula Wagner, Tom Cruise Dir: J.J.
    [Show full text]
  • Waimea Ocean Film Festival Experience
    THIRD ANNUAL OCEAN FILM FESTIVAL January 3-6, 2013 Waimea, Mauna Kea Resort + Kohala Coast January 7-11, 2013 Four Seasons Resort Huala¯ lai sponsors contents + about our area LODGING AND VENUE SPONSORS contents 4 About the Festival 5 Letter from the Director 6 Host Venues and Map 8 Films 23 Waimea Morning Activities KOHALA COAST 24 Waimea Schedule 28 Waimea Breakfast Talks 30 Four Seasons Schedule 32 Four Seasons Breakfast Talks 34 Jake Eberts Tribute 36 Guest Speakers and Presentations INNER CIRCLE SPONSORS 60 Artists and Exhibits Artwork by Becky Holman 65 About Our Leaders 68 Thank You to Our Contributors about our area The Island of Hawai’i, known as The else in the world, inhabit these reefs Big Island to avoid confusion with the along side Hawaiian Hawksbill turtles, state, was formed as five volcanoes octopuses, eels and smaller reef sharks. MEDIA SPONSORS overlapped one another and became Spinner dolphins come to rest in shallow one land mass. The still active Kı¯ lauea bays during the day before returning sits at the heart of Volcanoes National to deeper waters to hunt at night. Park, while Mauna Kea, Mauna Loa and Humpback whales frolic along the coast Hual¯a lai rise above the Kohala and Kona during winter months filling the ocean coastline, where stark lava fields meet with the sound of their beautiful song. turquoise waters and white and black People watch enthralled as they breach sand beaches. The gentle slopes of the or surface for air. Kohala Mountains, now extinct, provide FOOD AND BEVERAGE SPONSORS the backdrop to the town of Waimea The town of Waimea, also known as and to Hawi and Kapa’au in the north.
    [Show full text]
  • Hliebing Dissertation Revised 05092012 3
    Copyright by Hans-Martin Liebing 2012 The Dissertation Committee for Hans-Martin Liebing certifies that this is the approved version of the following dissertation: Transforming European Cinema : Transnational Filmmaking in the Era of Global Conglomerate Hollywood Committee: Thomas Schatz, Supervisor Hans-Bernhard Moeller Charles Ramírez Berg Joseph D. Straubhaar Howard Suber Transforming European Cinema : Transnational Filmmaking in the Era of Global Conglomerate Hollywood by Hans-Martin Liebing, M.A.; M.F.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2012 Dedication In loving memory of Christa Liebing-Cornely and Martha and Robert Cornely Acknowledgements I would like to thank my committee members Tom Schatz, Charles Ramírez Berg, Joe Straubhaar, Bernd Moeller and Howard Suber for their generous support and inspiring insights during the dissertation writing process. Tom encouraged me to pursue this project and has supported it every step of the way. I can not thank him enough for making this journey exciting and memorable. Howard’s classes on Film Structure and Strategic Thinking at The University of California, Los Angeles, have shaped my perception of the entertainment industry, and having him on my committee has been a great privilege. Charles’ extensive knowledge about narrative strategies and Joe’s unparalleled global media expertise were invaluable for the writing of this dissertation. Bernd served as my guiding light in the complex European cinema arena and helped me keep perspective. I consider myself very fortunate for having such an accomplished and supportive group of individuals on my doctoral committee.
    [Show full text]