Analysis on Fengshui Theory and Urban Planning in Ancient China
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M6.9 Southern Qinghai, China Earthquake of 13 April 2010 Network
U.S. DEPARTMENT OF THE INTERIOR EARTHQUAKE SUMMARY MAP XXX U.S. GEOLOGICAL SURVEY Prepared in cooperation with the Global Seismographic M6.9 Southern Qinghai, China Earthquake of 13 April 2010 Network Epicentral Region L. B Tectonic Setting alka 90° 92° 94° 96° 98° 100° 102° 104° 106° 70° sh 80° 90° 100° 110° 120° M O N G O L I A GOLMUD Shymkent Changchun Jilin Xinjiang Minhe Dzhambul Almaty 36° QABQA 2001 Urumqi LANZHOU Tashkent Bishkek 36° NamanganK ATE Fushun Y R T i a PL Gulistan G Y n S h a n MUR Kanggye Southern Qinghai Ningxia Z S T A 40° Andizhan A N Shenyang Osh Hamhung K U N L U N Fergana 40° F A U L T Anshan Sinuiju 13 April 2010 23:49:37 UTC Pingliang T Linxia A J Kashi T H Jingning I K I Huhot P'yongyang O R ZIKETAN Neiguanying S T N E A A N Baotou Beijing O R Dalian K 1937 Lintao 33.271° N., 96.629° E. Kulob Tangshan Maying Lung- EUR Kaesong Kagang Depth 10 km AS EXPLANATION shan- IA P H LA l t Tianjin U T Mw = 6.9 (USGS) TE a u Inch`on S O A chen h F R E Ta g Shijiazhuang K O Longxi y n Yinchuan Taiyuan Mag ≥ 7.0 Hezuo K A l t E Felt across the mountaiQnionuasn area in western China, over 400 u AT e PL killed, tens of thousands displaced. n H SIA Gangu RA j Eg U W 0 - 69 km u s n O i n a L TIANSHUI n t a Xining u L H u n Y E Gansu Rawalpindi M o K u n H A l u n F S E 70 - 299 Min Xian Tianshui Islamabad a u l t Lanzhou DAWU I Luoyang Zhengzhou 34° Li Xian M Xi'an 300 - 600 Qinghai Amritsar A C H I N A Tewo 34° Faisalabad TIBETAN PLATEAU Nanjing Volcanoes Lahore g Shanghai Hui-Xian Simla L Hefei in 30° Chandigarh a J A g -
Mammalia: Chiroptera: Rhinolophidae
Morphometric Variation in the Pusillus Group of the Genus Rhinolophus (Mammalia: Chiroptera: Rhinolophidae) in East Asia Author(s) :Yi Wu, Masaharu Motokawa, Masashi Harada, Vu Dinh Thong, Liang-Kong Lin and Yu- Chun Li Source: Zoological Science, 29(6):396-402. 2012. Published By: Zoological Society of Japan DOI: http://dx.doi.org/10.2108/zsj.29.396 URL: http://www.bioone.org/doi/full/10.2108/zsj.29.396 BioOne (www.bioone.org) is a nonprofit, online aggregation of core research in the biological, ecological, and environmental sciences. BioOne provides a sustainable online platform for over 170 journals and books published by nonprofit societies, associations, museums, institutions, and presses. Your use of this PDF, the BioOne Web site, and all posted and associated content indicates your acceptance of BioOne’s Terms of Use, available at www.bioone.org/page/terms_of_use. Usage of BioOne content is strictly limited to personal, educational, and non-commercial use. Commercial inquiries or rights and permissions requests should be directed to the individual publisher as copyright holder. BioOne sees sustainable scholarly publishing as an inherently collaborative enterprise connecting authors, nonprofit publishers, academic institutions, research libraries, and research funders in the common goal of maximizing access to critical research. ZOOLOGICAL SCIENCE 29: 396–402 (2012) ¤ 2012 Zoological Society of Japan Morphometric Variation in the pusillus Group of the Genus Rhinolophus (Mammalia: Chiroptera: Rhinolophidae) in East Asia Yi Wu1, -
Sichuan Q I N G H a I G a N S U Christian Percentage of County/City Ruo'ergai
Sichuan Q i n g h a i G a n s u Christian Percentage of County/City Ruo'ergai Shiqu Jiuzhaigou S h a a n x i Hongyuan Aba Songpan Chaotian Qingchuan Nanjiang Seda Pingwu Lizhou Rangtang Wangcang Dege Heishui Zhaohua Tongjiang Ma'erkang Ganzi Beichuan Jiangyou Cangxi Wanyuan Mao Jiange Bazhou Enyang Zitong Pingchang Luhuo Jinchuan Li Anzhou Youxian Langzhong Xuanhan Mianzhu Yilong Shifang Fucheng Tongchuan Baiyu Luojiang Nanbu Pengzhou Yangting Xiaojin Jingyang Santai Yingshan Dachuan Danba Dujiangyan Xichong Xinlong Wenchuan Guanghan Peng'an Kaijiang Daofu Shehong Shunqing Qu Pi Xindu Zhongjiang Gaoping Chongzhou Jialing DayiWenjiang Jintang Pengxi Guang'an Dazhu Lushan Daying Yuechi Qianfeng Shuangliu Chuanshan Baoxing Qionglai Huaying T i b e t Batang Xinjin Jianyang Anju Wusheng Pujiang Kangding Pengshan Lezhi Linshui Mingshan Yanjiang Tianquan DanlengDongpo H u b e i Litang Yajiang Yucheng Renshou Anyue Yingjing Qingshen Zizhong Luding Jiajiang Jingyan Hongya Shizhong Weiyuan Dongxing Hanyuan Emeishan Rong Shizhong WutongqiaoGongjing Da'an Longchang C h o n g q i n g Xiangcheng Shimian Jinkouhe Shawan Ziliujing Yantan Ebian Qianwei Lu Jiulong Muchuan Fushun Daocheng Ganluo Longmatan Derong Xuzhou NanxiJiangyang Mabian Pingshan Cuiping Hejiang Percent Christian Naxi Mianning Yuexi Jiang'an Meigu Changning (County/City) Muli Leibo Gao Gong Xide Xingwen 0.8% - 3% Zhaojue Junlian Xuyong Gulin Chengdu area enlarged 3.1% - 4% Xichang Jinyang Qingbaijiang Yanyuan Butuo Pi Puge Xindu 4.1% - 5% Dechang Wenjiang Y u n n a n Jinniu Chenghua Qingyang 5.1% - 6% Yanbian Ningnan Miyi G u i z h o u Wuhou Longquanyi 6.1% - 8.8% Renhe Jinjiang Xi Dong Huidong Shuangliu Renhe Huili Disputed boundary with India Data from Asia Harvest, www.asiaharvest.org. -
Ming China As a Gunpowder Empire: Military Technology, Politics, and Fiscal Administration, 1350-1620 Weicong Duan Washington University in St
Washington University in St. Louis Washington University Open Scholarship Arts & Sciences Electronic Theses and Dissertations Arts & Sciences Winter 12-15-2018 Ming China As A Gunpowder Empire: Military Technology, Politics, And Fiscal Administration, 1350-1620 Weicong Duan Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/art_sci_etds Part of the Asian History Commons, and the Asian Studies Commons Recommended Citation Duan, Weicong, "Ming China As A Gunpowder Empire: Military Technology, Politics, And Fiscal Administration, 1350-1620" (2018). Arts & Sciences Electronic Theses and Dissertations. 1719. https://openscholarship.wustl.edu/art_sci_etds/1719 This Dissertation is brought to you for free and open access by the Arts & Sciences at Washington University Open Scholarship. It has been accepted for inclusion in Arts & Sciences Electronic Theses and Dissertations by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS DEPARTMENT OF HISTORY Dissertation Examination Committee: Steven B. Miles, Chair Christine Johnson Peter Kastor Zhao Ma Hayrettin Yücesoy Ming China as a Gunpowder Empire: Military Technology, Politics, and Fiscal Administration, 1350-1620 by Weicong Duan A dissertation presented to The Graduate School of of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy December 2018 St. Louis, Missouri © 2018, -
Chinese Folk Art, Festivals, and Symbolism in Everyday Life
Chinese Folk Art, Festivals, and Symbolism in Everyday Life PHOEBE A. HEARST MUSEUM OF ANTHROPOLOGY Written and Designed by Nicole Mullen with contributions by Ching-chih Lin, PhD candidate, History Department, UC Berkeley. Additional contributors: Elisa Ho, Leslie Kwang, Jill Girard. Funded by the Berkeley East Asia National Resource Center through its Title VI grant from the U.S. Department of Education. Special thanks to Ching-chih Lin, for his extraordinary contributions to this teaching guide and the Taipei Economic and Cultural Office in San Francisco for its generous print and electronic media contributions. Editor: Ira Jacknis Copyright © 2005. Phoebe A. Hearst Museum of Anthropology and the Regents of the University of California. All rights reserved. 103 Kroeber Hall. #3712, Berkeley CA 94720 Cover image: papercut, lion dance performance, 9–15927c All images with captions followed by catalog numbers in this guide are from the collections of the Phoebe A. Hearst Museum of Anthropology. All PAHMA objects from Beijing and Nanking are from the museum's Ilse Martin Fang Chinese Folklore Collection. The collection was assembled primarily in Beijing between 1941 and 1946, while Ms. Fang was a postdoctoral fellow at the Deutschland Institute working in folklore and women's studies. PHOEBE A. HEARST MUSEUM OF ANTHROPOLOGY CHINA The People’s Republic of China is the third largest country in the world, after Russia and Canada. It is slightly larger than the United States and includes Hong Kong and Macau. China is located in East Asia. The capital city is Beijing, which is in the northeast part of the country. -
Copyrighted Material
INDEX Aodayixike Qingzhensi Baisha, 683–684 Abacus Museum (Linhai), (Ordaisnki Mosque; Baishui Tai (White Water 507 Kashgar), 334 Terraces), 692–693 Abakh Hoja Mosque (Xiang- Aolinpike Gongyuan (Olym- Baita (Chowan), 775 fei Mu; Kashgar), 333 pic Park; Beijing), 133–134 Bai Ta (White Dagoba) Abercrombie & Kent, 70 Apricot Altar (Xing Tan; Beijing, 134 Academic Travel Abroad, 67 Qufu), 380 Yangzhou, 414 Access America, 51 Aqua Spirit (Hong Kong), 601 Baiyang Gou (White Poplar Accommodations, 75–77 Arch Angel Antiques (Hong Gully), 325 best, 10–11 Kong), 596 Baiyun Guan (White Cloud Acrobatics Architecture, 27–29 Temple; Beijing), 132 Beijing, 144–145 Area and country codes, 806 Bama, 10, 632–638 Guilin, 622 The arts, 25–27 Bama Chang Shou Bo Wu Shanghai, 478 ATMs (automated teller Guan (Longevity Museum), Adventure and Wellness machines), 60, 74 634 Trips, 68 Bamboo Museum and Adventure Center, 70 Gardens (Anji), 491 AIDS, 63 ack Lakes, The (Shicha Hai; Bamboo Temple (Qiongzhu Air pollution, 31 B Beijing), 91 Si; Kunming), 658 Air travel, 51–54 accommodations, 106–108 Bangchui Dao (Dalian), 190 Aitiga’er Qingzhen Si (Idkah bars, 147 Banpo Bowuguan (Banpo Mosque; Kashgar), 333 restaurants, 117–120 Neolithic Village; Xi’an), Ali (Shiquan He), 331 walking tour, 137–140 279 Alien Travel Permit (ATP), 780 Ba Da Guan (Eight Passes; Baoding Shan (Dazu), 727, Altitude sickness, 63, 761 Qingdao), 389 728 Amchog (A’muquhu), 297 Bagua Ting (Pavilion of the Baofeng Hu (Baofeng Lake), American Express, emergency Eight Trigrams; Chengdu), 754 check -
Making the Palace Machine Work Palace Machine the Making
11 ASIAN HISTORY Siebert, (eds) & Ko Chen Making the Machine Palace Work Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Making the Palace Machine Work Asian History The aim of the series is to offer a forum for writers of monographs and occasionally anthologies on Asian history. The series focuses on cultural and historical studies of politics and intellectual ideas and crosscuts the disciplines of history, political science, sociology and cultural studies. Series Editor Hans Hågerdal, Linnaeus University, Sweden Editorial Board Roger Greatrex, Lund University David Henley, Leiden University Ariel Lopez, University of the Philippines Angela Schottenhammer, University of Salzburg Deborah Sutton, Lancaster University Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Amsterdam University Press Cover illustration: Artful adaptation of a section of the 1750 Complete Map of Beijing of the Qianlong Era (Qianlong Beijing quantu 乾隆北京全圖) showing the Imperial Household Department by Martina Siebert based on the digital copy from the Digital Silk Road project (http://dsr.nii.ac.jp/toyobunko/II-11-D-802, vol. 8, leaf 7) Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout isbn 978 94 6372 035 9 e-isbn 978 90 4855 322 8 (pdf) doi 10.5117/9789463720359 nur 692 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) The authors / Amsterdam University Press B.V., Amsterdam 2021 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise). -
The Symbol of the Dragon and the Tiger in Chinese and Japanese Art
THE RULERS OF SKY AND EARTH THE SYMBOL OF THE DRAGON AND THE TIGER IN CHINESE AND JAPANESE ART Grade Level This lesson is written for grades 9-12; it can be used in a World History or an Art class. Purpose To look at how symbols of power, the dragon and the tiger, are portrayed in the art of China and Japan; students will then compare and contrast this with the Western conception and portrayal of the dragon. Concepts In the Western world, dragons are portrayed as evil, fire-breathing creatures that must be subdued and killed by heroes. The Western dragon is seen as essentially negative, a symbol of evil and a sign of the devil. In Asia, the dragon is a positive force, a symbol of peace and harmony. Chinese and Japanese dragons are considered to be benevolent and auspicious. They breathe water rather than fire and have the power to bring rain, an important attribute in an agricultural society. The Chinese dragon is a supernatural, mythical creature that inhabits the sky and the waters and is connected with clouds, rains, and fertility on one hand and the emperor and his venerated ancestors on the other. For the last 4,000 years, the dragon has intertwined itself into all phases of China's social and political life as well as every form of art and literature. The dragon is the most important symbol of power, and the symbol of the emperor; no other animal has occupied such an important place in the thought and art of the Chinese people. -
The Dictionary of Chinese Deities
THE DICTIONARY OF CHINESE DEITIES HAROLD LIU For everyone who love Chinese myth A Amitabha Amitabha is is a celestial buddha described in the scriptures of the Mahayana school of Buddhism. Amitabha is the principal buddha in the Pure Land sect, a branch of Buddhism practiced mainly in East Asia. An Qisheng An immortal who had live 1.000 year at he time of Qin ShiHuang. According to the Liexian Zhuan, Qin Shi Huang spoke with him for three entire days (including nights), and offered Anqi jade and gold. He later sent an expedition under Xu Fu to find him and his highly sought elixir of life. Ao Guang The dragon king of East sea. He is the leader of four dragon king. His son Ao Bing killed by Nezha, when his other two son was also incapitated by Eight Immortals. Ao Run The dragon king of West Sea. His crown prine named Mo Ang and help Sun Wukong several times in journey to the West story.His 3th son follow monk XuanZhang as hisdragon horse during Xuan Zhang's journey to the West. Ao Qin The dragon king of South sea AoShun The dragon King of North sea. Azzure dragon (Qing Long) One of four mythical animal in China, he reincanated many times as warrior such as Shan Xiongxin and Yom Kaesomun, amighty general from Korea who foiled Chinese invasion. It eleemnt is wood B Bai He Tongzhu (white crane boy) Young deity disciple of Nanji Xianweng (god of longevity), he act as messenger in heaven Bai Mudan (White peony) Godess of temptress Famous prostitute who sucesfully tempt immortal Lu Dongbin to sleep with her and absorb his yang essence. -
The Symbol of the Dragon and Ways to Shape Cultural Identities in Institute Working Vietnam and Japan Paper Series
2015 - HARVARD-YENCHING THE SYMBOL OF THE DRAGON AND WAYS TO SHAPE CULTURAL IDENTITIES IN INSTITUTE WORKING VIETNAM AND JAPAN PAPER SERIES Nguyen Ngoc Tho | University of Social Sciences and Humanities, Vietnam National University – Ho Chi Minh City THE SYMBOL OF THE DRAGON AND WAYS TO SHAPE 1 CULTURAL IDENTITIES IN VIETNAM AND JAPAN Nguyen Ngoc Tho University of Social Sciences and Humanities Vietnam National University – Ho Chi Minh City Abstract Vietnam, a member of the ASEAN community, and Japan have been sharing Han- Chinese cultural ideology (Confucianism, Mahayana Buddhism etc.) and pre-modern history; therefore, a great number of common values could be found among the diverse differences. As a paddy-rice agricultural state of Southeast Asia, Vietnam has localized Confucianism and absorbed it into Southeast Asian culture. Therefore, Vietnamese Confucianism has been decentralized and horizontalized after being introduced and accepted. Beside the local uniqueness of Shintoism, Japan has shared Confucianism, the Indian-originated Mahayana Buddhism and other East Asian philosophies; therefore, both Confucian and Buddhist philosophies should be wisely laid as a common channel for cultural exchange between Japan and Vietnam. This semiotic research aims to investigate and generalize the symbol of dragons in Vietnam and Japan, looking at their Confucian and Buddhist absorption and separate impacts in each culture, from which the common and different values through the symbolic significances of the dragons are obviously generalized. The comparative study of Vietnamese and Japanese dragons can be enlarged as a study of East Asian dragons and the Southeast Asian legendary naga snake/dragon in a broader sense. The current and future political, economic and cultural exchanges between Japan and Vietnam could be sped up by applying a starting point at these commonalities. -
Dragon Fist Is a Trademark Owned by Wizards of the Coast, Inc
THE ROLEPLAYING GAME OF MARTIAL ARTS ACTION C D R E MARK A. JINDRA E S D I I CHRIS PRAMAS G T W S E JENNIFER CLARKE WILKES N B E DRAGON C R P A R R O T D G O W U R G E C A SAM WOOD R B E P A R H P P SUE COOK I H A C Y G E D E E D S I ACTION ARTS GAME OF MARTIAL THE ROLEPLAYING I SEAN GLENN T G O N R E R JD WIKER, AND SAM WOOD TWEET, JONATHAN JEFFERSON SHELLEY, NICOLE LINDROOS, RICH REDMAN, GROSS, MARK JESSUP, DAVE JENNIFER CLARKE WILKES, SEAN GLENN, PETER ARCHER, WOLFGANG BAUR, JIM BISHOP, YU, WANG YUQUN YU, WANG LI YOUSONG, KANG GAO YAN, SONGJIAN, CHEN WEIDONG, KEEFE, LIU SHANGYING, DING ZHANG JIAZHEN, CHRIS AU YEUNG, LIU JIANJIAN, TOREN ADKINSON, SOLOMON I S N P T ©1999 Wizards of the Coast, Inc.©1999 All rights reserved. Made in the U.S.A. writtenWizards of the Coast, Inc. permissiontained herein is prohibited without the express of of the United States America. laws copyright reproduction or unauthorized use of the material Any or artwork con- Wizards of the Coast, Inc. by thereof are trademarks owned likeness distinctive This material is protected under the Wizards of the Coast, Inc. by is a trademark owned and the names, character Wizards of the Coast characters, All AD&D E E C AND TOREN ADKINSON SEAN GLENN, CHRIS KEEFE, JENNIFER CLARKE WILKES, TWEET, COOK, JONATHAN NICOLE LINDROOS, SUE R and the Wizards of the Coast logo are registered trademarks owned by Wizards of the Coast, Inc. -
The Diary of a Manchu Soldier in Seventeenth-Century China: “My
THE DIARY OF A MANCHU SOLDIER IN SEVENTEENTH-CENTURY CHINA The Manchu conquest of China inaugurated one of the most successful and long-living dynasties in Chinese history: the Qing (1644–1911). The wars fought by the Manchus to invade China and consolidate the power of the Qing imperial house spanned over many decades through most of the seventeenth century. This book provides the first Western translation of the diary of Dzengmeo, a young Manchu officer, and recounts the events of the War of the Three Feudatories (1673–1682), fought mostly in southwestern China and widely regarded as the most serious internal military challenge faced by the Manchus before the Taiping rebellion (1851–1864). The author’s participation in the campaign provides the close-up, emotional perspective on what it meant to be in combat, while also providing a rare window into the overall organization of the Qing army, and new data in key areas of military history such as combat, armament, logistics, rank relations, and military culture. The diary represents a fine and rare example of Manchu personal writing, and shows how critical the development of Manchu studies can be for our knowledge of China’s early modern history. Nicola Di Cosmo joined the Institute for Advanced Study, School of Historical Studies, in 2003 as the Luce Foundation Professor in East Asian Studies. He is the author of Ancient China and Its Enemies (Cambridge University Press, 2002) and his research interests are in Mongol and Manchu studies and Sino-Inner Asian relations. ROUTLEDGE STUDIES