Contemporary Mongolian Wedding Ceremonies in Inner Mongolia
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The Cartographic Steppe: Mapping Environment and Ethnicity in Japan's Imperial Borderlands
The Cartographic Steppe: Mapping Environment and Ethnicity in Japan's Imperial Borderlands The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Christmas, Sakura. 2016. The Cartographic Steppe: Mapping Environment and Ethnicity in Japan's Imperial Borderlands. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:33840708 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA The Cartographic Steppe: Mapping Environment and Ethnicity in Japan’s Imperial Borderlands A dissertation presented by Sakura Marcelle Christmas to The Department of History in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of History Harvard University Cambridge, Massachusetts August 2016 © 2016 Sakura Marcelle Christmas All rights reserved. Dissertation Advisor: Ian Jared Miller Sakura Marcelle Christmas The Cartographic Steppe: Mapping Environment and Ethnicity in Japan’s Imperial Borderlands ABSTRACT This dissertation traces one of the origins of the autonomous region system in the People’s Republic of China to the Japanese imperial project by focusing on Inner Mongolia in the 1930s. Here, Japanese technocrats demarcated the borderlands through categories of ethnicity and livelihood. At the center of this endeavor was the perceived problem of nomadic decline: the loss of the region’s deep history of transhumance to Chinese agricultural expansion and capitalist extraction. -
From Idol to Art: African 'Objects with Power': a Challenge for Missionaries, Anthropologists and Museum Curators
From idol to art African ‘objects with power’: a challenge for missionaries, anthropologists and museum curators African Studies Centre African Studies Collection, vol. 59 From idol to art African ‘objects with power’: a challenge for missionaries, anthropologists and museum curators Harrie Leyten Published by: African Studies Centre P.O. Box 9555 2300 RB Leiden The Netherlands [email protected] http://www.ascleiden.nl Cover design: Heike Slingerland Cover photos: Left: An Ikenga of the Igbo, Nigeria. Courtesy of the Pitt Rivers Museum, University of Oxford Middle: Asuman, probably of the Ashanti, Fanti and Sefwi, Ghana. Courtesy of the Afrika Museum, Berg en Dal Right: Nkisi mabiala ma ndembe of the Yombe, Congo. Courtesy of the Katholieke Universiteit Leuven Author has made all reasonable efforts to trace all rights holders to any copyrighted ma- terial used in this work. In cases where these efforts have not been successful the pub- lisher welcomes communications from copyright holders, so that the appropriate acknowledgements can be made in future editions, and to settle other permission mat- ters. Maps: Nel de Vink (DeVink Mapdesign) Printed by Ipskamp Drukkers, Enschede ISSN: 1876-018x ISBN: 978-94-6173-720-5 © Harrie M. Leyten, 2015 For Clémence Contents Glossary vi Foreword xv 1. FROM IDOL TO ART:INTRODUCTION 1 1.1 Two Epa masks in a missionary museum: A case study 1 1.2 From Idol to Art: Research question 11 1.3 Theoretical framework 15 1.4 Objects with power 29 1.5 Plan and structure of this book 35 2. IKENGA,MINKISI AND ASUMAN 40 2.1 Ikenga 40 2.2 Minkisi 49 2.3 Asuman 65 3. -
Mongolian Place Names in Fernão Mendes Pinto's Peregrinação
Acta Orientalia Hung. 74 (2021) 2, 223–239 DOI: 10.1556/062.2021.00013 Mongolian place names in Fernão Mendes Pinto’s Peregrinação AFONSO XAVIER CANOSA*1 and BENJAMIN BROSIG2 1 Facultade de Filoloxía e Tradución; Tradución e Paratradución (TI4), Universidade de Vigo, Campus Universi- tário Lagoas-Marcosende, C.P. 36310 Vigo (Galiza) 2 Institute of Linguistics, Academia Sinica, 128, Section 2, Academia Road 115, Taipei, Taiwan, R.O.C. E-mail: [email protected] Received: December 12, 2019 • Accepted: August 11, 2020 © 2021 The Authors ABSTRACT Th e Mongolic term khaan (‘king’), for which there is full correspondence, semantic and phonological, in sixteenth century Portuguese cão, is used as a starting-point to identify the graphemes that correspond to several Mongolic consonants in place names transcribed in the chapters related to the Tartars in Fernão Mendes Pinto’s Peregrinação (1614). With the deduced rules of pronunciation at hand, it is possible to estab- lish new pairs of lexical correspondences and solve a brief lexicon extracted from the list of Tartar toponyms. KEYWORDS Fernão Mendes Pinto, Classical Mongol, Portuguese, historical geography, Mongolian place names, Asian toponymy, Peregrinação * Corresponding author. E-mail: [email protected] Unauthenticated | Downloaded 09/30/21 09:23 AM UTC 224 Acta Orientalia Hung. 74 (2021) 2, 223–239 1. INTRODUCTION Peregrinação (Pilgrimage) is the title given in Portuguese (original first edition, 1614; translated into English in 1653) to a long report, written as memories in the last period of his life, by Fernão Mendes Pinto (c. 1510–1583), a Portuguese sailor, diplomat and merchant who spent 21 years of his life in Asia. -