The Movement of Roma from New EU Member States
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'Race' and Diaspora: Romani Music Making in Ostrava, Czech Republic
Music, ‘Race’ and Diaspora: Romani Music Making in Ostrava, Czech Republic Melissa Wynne Elliott 2005 School of Oriental and African Studies University of London PhD ProQuest Number: 10731268 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10731268 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract This thesis is a contribution towards an historically informed understanding of contemporary music making amongst Roma in Ostrava, Czech Republic. It also challenges, from a theoretical perspective, conceptions of relationships between music and discourses of ‘race’. My research is based on fieldwork conducted in Ostrava, between August 2003 and July 2004 and East Slovakia in July 2004, as well as archival research in Ostrava and Vienna. These fieldwork experiences compelled me to explore music and ideas of ‘race’ through discourses of diaspora in order to assist in conceptualising and interpreting Romani music making in Ostrava. The vast majority of Roma in Ostrava are post-World War II emigres or descendants of emigres from East Slovakia. In contemporary Ostrava, most Roma live on the socio economic margins and are most often regarded as a separate ‘race’ with a separate culture from the dominant population. -
Romani Society and Culture
Romani society and culture From Wikipedia, the free encyclopedia (Redirected from Roma society and culture) Jump to: navigation, search 1552 woodcut of A Gipsy Family The culture of the Romani people is rich and various because of peculiar properties of Romani history. In spite of big variety of Romani culture all the Romani peoples have similar values system and world perception. Contents [hide] · 1 Indian heritage · 2 Moral values o 2.1 Being a part of Romani society o 2.2 Family and life stages o 2.3 Profession o 2.4 Faith o 2.5 Philosophical terms that are important for Romani culture § 2.5.1 Romanipe § 2.5.2 Gadjee · 3 Romani Code · 4 Romani names · 5 Traditional culture o 5.1 Folklore o 5.2 Romano costume o 5.3 Romano home o 5.4 Romani cuisine o 5.5 Etiquette · 6 Romani dance · 7 Romani music o 7.1 Roma in classical music o 7.2 Other music · 8 Theatre, circus and cinema · 9 Romani literature · 10 Romanies in fine arts · 11 Romane mass-media · 12 Relations with other peoples o 12.1 Roma in Eastern Europe [edit] Indian heritage Linguistical and cultural researches shows that ancestors of Romani people lived in Northern part of India. It seems that genetical researches confirm that. Romani ancestors belonged to a Dom caste. They used a language which had come from Sanskrit and was related to modern Hindustani. Their traditional occupation was singing, dancing, music, smith's and jeweller's arts. There is some heritage of Indian ancestors in modern Romani culture. -
Roma Population FULL BOOK 2.Pdf
ROMA POPULATION ON THE PERIPHERIES OF THE VISEGRAD COUNTRIES Integration Issues and Possible Solutions 1 ROMA POPULATION ON THE PERIPHERIES OF THE VISEGRAD COUNTRIES Integration Issues and Possible Solutions Edited by: János PÉNZES and Zsolt RADICS The project was financed and supported by the Standard Grant (no. 21120080) of the International Visegrad Fund. Debrecen, 2012 2 Project partners: Jagiellonian J. E. Purkinje University of Presov University University University University in Presov of Miskolc of Debrecen in Krakow in Usti nad Labem (Slovakia) (Hungary) (Hungary) (Poland) (Czech Republic) Edited by: János PÉNZES and Zsolt RADICS Lectored by: Gábor KOZMA and Csaba PATKÓS Technical Editor: Erzsébet ERDELICSNÉ VIRÁGOS ISBN 978-615-5212-10-9 Kiadta a DIDAKT Kft., Debrecen Felelős kiadó: a DIDAKT Kft. ügyvezetője Nyomdai munkák: Center-Print Kft., Debrecen 3 TABLE OF CONTENTS FOREWORD János PÉNZES – Zsolt RADICS INTEGRATION ISSUES……………………………………………….7 Maria SOJA – Andrzej ZBOROWSKI: Selected aspects of social situation and living conditions of Roma in Poland……………………………………………………………………………..8 Darina POSOVA: Residential segregation: the case studies of spatial segregation of Roma population in the Czech Republic…………………………………….20 Ildikó PETŐ: Being in Voluntary Segregation: Gypsies on the Way to the Secondary School Leaving Examination………………………………..27 Attila PAPP Z.: The results of competency tests in relation with the proportion of roma students in Hungary……………………………………………………..40 István Zoltán PÁSZTOR – János PÉNZES: Employment crisis -
Eva-Liisa Roht-Yilmaz ‘God Is My Bosom Buddy’: Experiencing Faith and the Role of Ethnicity in Roma and Kaale Missionizing Among Roma in Estonia and Latvia
Eva-Liisa Roht-Yilmaz ‘GOD IS MY BOSOM BUDDY’: EXPERIENCING FAITH AND THE ROLE OF ETHNICITY IN ROMA AND KAALE MISSIONIZING AMONG ROMA IN ESTONIA AND LATVIA abstract This article examines the mission encounter between Kaale (Finnish Roma) missionaries and Roma in Estonia and the Vidzeme region of Latvia. The article analyses the importance of ethnicity in the Pentecostal mission work conducted by the Kaale and by the local Roma. I pay particular attention to the way God’s presence among the born-again Roma community in Estonia and Latvia is embodied and emotionally experienced and argue that in the current multicultural and multilingual mission setting sensations, affects, and aesthetics become especially influential. The article concludes that despite Pentecostalism’s transnational message, ethnicity remains for the Roma/Kaale missionaries a key category that is not only used to attract attention, but in some cases is combined into the mission and contributes to the creation of local versions of being a Pentecostal Roma believer. The inclusion of ethnic elements into the mission, especially in the sensory forms of experiencing religion, and combining it with the usage of the methods that are culture specific, is also a contributing factor to the acceptance of the missionaries. Keywords: Roma in the Baltics, Finnish Kaale, ethnicity, Pentecostal mission, embodied and experienced faith INTRODUCTION Mary3, the wife of former Romani pastor Gregory, would be there. Soon after arriving The first time I attended a Finnish Kaale1 in town, I noticed people distributing flyers of organised mission event called Romani Days, the event I was looking for. -
BECOMING ROMA: GYPSY IDENTITY, CIVIC ENGAGEMENT, and URBAN RENEWAL in TURKEY by Danielle V. Schoon
Becoming Roma: Gypsy Identity, Civic Engagement, and Urban Renewal in Turkey Item Type text; Electronic Dissertation Authors Schoon, Danielle van Dobben Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 23/09/2021 15:00:21 Link to Item http://hdl.handle.net/10150/579020 BECOMING ROMA: GYPSY IDENTITY, CIVIC ENGAGEMENT, AND URBAN RENEWAL IN TURKEY By Danielle V. Schoon __________________________ Copyright © Danielle V. Schoon 2015 A Dissertation Submitted to the Faculty of the SCHOOL OF ANTHROPOLOGY AND SCHOOL OF MIDDLE EASTERN AND NORTH AFRICAN STUDIES In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2015 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Danielle V. Schoon, titled Becoming Roma: Gypsy Identity, Civic Engagement, and Urban Renewal in Turkey, and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy. ________________________________________________________________Date: 04/30/2015 Brian Silverstein ________________________________________________________________Date: 04/30/2015 Salih Can Açıksöz ________________________________________________________________Date: 04/30/2015 Anne Betteridge ________________________________________________________________Date: 04/30/2015 Zehra Aslı Iğsız ________________________________________________________________Date: 04/30/2015 Carol Silverman Final approval and acceptance of this dissertation is contingent upon the candidate’s submission of the final copies of the dissertation to the Graduate College. -
Roads of the Roma
The Washington Revels PRESENTS A Celebration of The Winter Solstice 2003 Roads of the Roma INTRODUCING Khanci˘ Dos˘ Romani band from Budapest, Hungary in their premier visit to the United States WITH Anna Menendez Alexander Fedoriouk dancing flamenco cimbalom Richard Marlow Susan Worland guitar violin AND Oran Sandel as Old Rom FEATURING T he Revels Kumpania (Chorus, Dancers, Children & Teens) with the Zlatni Vetar Brass and the Nritya-Tarangi Dance Troupe Roberta Gasbarre artistic director Judith Harrison & Charlie Pilzer music directors Cindy Speas executive director & producer Autumn Wilson production manager December 5-7 and 12-14, 2003 Matinees Saturdays and Sundays Lisner Auditorium The George Washington University and the Places They Call Home magine a people without a country searching for a home, steeped in family tradition and music, pursued by prejudice and misunderstanding: Imagine a people forced into many migrations Iover the centuries, first searching for a new homeland, then enslaved, then wandering to avoid slavery and then “settling” in a modern, ghettoized way. Imagine that throughout all the cen- turies, at the heart of everything, is the love of community and music. Many call them Gypsies, travelers, wanderers — they call themselves...the Roma. This year’s Christmas Revels follows the path of the great migration of the Roma in an era that is timeless. The journey begins with folk dancing from the western Indian province of Gujarat, and the Indian New Year’s Festival of Lights (Diwali). The Roma left India in the tenth century and traveled west to Persia and Turkey, where we will celebrate the Festival of Eid that ends the fasts of Ramadan. -
Universidade Do Estado Do Rio De Janeiro Centro De Educação E Humanidades Instituto De Letras
Universidade do Estado do Rio de Janeiro Centro de Educação e Humanidades Instituto de Letras Pilar Castro Pereira Re-memory and construction of the Romani identity: a reading of The Eighth Sin, by Stefan Kanfer, and Zoli, by Colum McCann Rio de Janeiro 2010 Pilar Castro Pereira Re-memory and construction of the Romani identity: a reading of The Eighth Sin, by Stefan Kanfer, and Zoli, by Colum McCann Dissertação apresentada, como requisito parcial para obtenção do título de Mestre, ao Programa de Pós-Graduação em Letras da Universidade do Estado do Rio de Janeiro. Área de concentração: Literaturas de Língua Inglesa. Orientadora: Profa. Dra. Ana Lucia de Souza Henriques Rio de Janeiro 2010 CATALOGAÇÃO NA FONTE UERJ/REDE SIRIUS/CEHB K16 Pereira, Pilar Castro Re-memory and construction of the Romani identity: a reading of the Eighth Sin , by Stefan Kanfer, and Zoli, by Colum McCann / Pilar Castro Pereira. – 2010. 98 f. : il. Orientadora: Ana Lúcia de Souza Henriques. Dissertação (mestrado) – Universidade do Estado do Rio de Janeiro, Instituto de Letras. 1. Kanfer, Stefan. The Eighth Sin – Teses. 2. McCann, Colum, 1965 - . Zoli – Teses. 3. Ciganos – Teses. 4. Identidade social – Teses. 5. Memória coletiva – Teses. 6. Guerra Mundial, 1939 – 1945 - Ciganos – Teses. 7. Guerra Mundial, 1939 – 1945 - Atrocidades – Teses. 8. Genocídio – Teses. I. Henriques, Ana Lúcia de Souza. II. Universidade do Estado do Rio de Janeiro. Instituto de Letras. III. Título. CDU 820:397 Autorizo, apenas para fins acadêmicos e científicos, a reprodução total ou parcial desta dissertação desde que citada a fonte __________________________ __________________ Assinatura Data Pilar Castro Pereira Re-memory and construction of the Romani identity: a reading of The Eighth Sin, by Stefan Kanfer, and Zoli, by Colum McCann Dissertação apresentada, como requisito parcial para obtenção do título de Mestre, ao Programa de Pós-Graduação em Letras da Universidade do Estado do Rio de Janeiro. -
Gypsy Music” and Deejays Orientalism, Balkanism, and Romani Musicians Ioana Szeman
“Gypsy Music” and Deejays Orientalism, Balkanism, and Romani Musicians Ioana Szeman Figure 1. Fanfare Cioca˘rlia, Queens and Kings tour concert, 7 December 2006, Bucharest, Sala Palatului. (Photo by Sonja Balcells, courtesy of Asphalt Tango Management) Romanian Romani bands such as Taraf de Haïdouks, Fanfare Cioca˘rlia, and Mahala Raï Banda have become popular in the West in the last decade, playing at prestigious venues in interna- tional festivals and featured in documentaries and Hollywood films. Taraf de Haïdouks, who hail from southern Romania, with their furious violin playing, flute, accordions, and cimbalom, count stars like Johnny Depp among their most famous fans. Fanfare, a group from northeastern Romania, play brass and percussion instruments and are known for their irresistible beat. Both Taraf and Fanfare won BBC Radio 3 World Music Awards in 2002 and 2006, respectively. Ioana Szeman is a Senior Lecturer in Drama, Theatre, and Performance Studies at Roehampton University, London. She is currently completing a book project based on fieldwork carried out over a 10-year period called Stages of Erasure: Performing Romani Culture and Gypsiness in and out of Post-Communist Romania. TDR: The Drama Review 53:3 (T203) Fall 2009. ©2009 98 New York University and the Massachusetts Institute of Technology Downloaded from http://www.mitpressjournals.org/doi/pdf/10.1162/dram.2009.53.3.98 by guest on 28 September 2021 The popularity of “Gypsy music”1 performances in the West in the last decade has created not exactly a scene, but what the Guardian has identified as “something in the air, something that is hard to label, let alone define” that spreads from “world music” performances with “authentic” Gypsy musicians to electronic and dance music (Lynskey 2006:6).