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Universidade do Estado do Rio de Janeiro Centro de Educação e Humanidades Instituto de Letras Pilar Castro Pereira Re-memory and construction of the Romani identity: a reading of The Eighth Sin, by Stefan Kanfer, and Zoli, by Colum McCann Rio de Janeiro 2010 Pilar Castro Pereira Re-memory and construction of the Romani identity: a reading of The Eighth Sin, by Stefan Kanfer, and Zoli, by Colum McCann Dissertação apresentada, como requisito parcial para obtenção do título de Mestre, ao Programa de Pós-Graduação em Letras da Universidade do Estado do Rio de Janeiro. Área de concentração: Literaturas de Língua Inglesa. Orientadora: Profa. Dra. Ana Lucia de Souza Henriques Rio de Janeiro 2010 CATALOGAÇÃO NA FONTE UERJ/REDE SIRIUS/CEHB K16 Pereira, Pilar Castro Re-memory and construction of the Romani identity: a reading of the Eighth Sin , by Stefan Kanfer, and Zoli, by Colum McCann / Pilar Castro Pereira. – 2010. 98 f. : il. Orientadora: Ana Lúcia de Souza Henriques. Dissertação (mestrado) – Universidade do Estado do Rio de Janeiro, Instituto de Letras. 1. Kanfer, Stefan. The Eighth Sin – Teses. 2. McCann, Colum, 1965 - . Zoli – Teses. 3. Ciganos – Teses. 4. Identidade social – Teses. 5. Memória coletiva – Teses. 6. Guerra Mundial, 1939 – 1945 - Ciganos – Teses. 7. Guerra Mundial, 1939 – 1945 - Atrocidades – Teses. 8. Genocídio – Teses. I. Henriques, Ana Lúcia de Souza. II. Universidade do Estado do Rio de Janeiro. Instituto de Letras. III. Título. CDU 820:397 Autorizo, apenas para fins acadêmicos e científicos, a reprodução total ou parcial desta dissertação desde que citada a fonte __________________________ __________________ Assinatura Data Pilar Castro Pereira Re-memory and construction of the Romani identity: a reading of The Eighth Sin, by Stefan Kanfer, and Zoli, by Colum McCann Dissertação apresentada, como requisito parcial para obtenção do título de Mestre, ao Programa de Pós-Graduação em Letras da Universidade do Estado do Rio de Janeiro. Área de concentração: Literaturas de Língua Inglesa. Aprovado em 09 de dezembro de 2010. Banca examinadora: ______________________________________________ Profª. Drª. Ana Lúcia de Souza Henriques (Orientadora) Instituto de Letras da UERJ ______________________________________________ Profa. Drª. Henriqueta do Couto Prado Valladares Instituto de Letras da UERJ ______________________________________________ Prof. Dr. Anderson Soares Gomes Faculdade de Letras da UFRRJ Rio de Janeiro 2010 ACKNOWLEDGEMENTS I would like to express my deepest feelings of love and gratitude to: God, Our Lady Mary and Sarah the Kali for life, inspiration and protection. All my family; my parents, Suely and José Pedro, my sister, Núbia and my cousin, Igor, for their unconditional love and support. My boyfriend, Marcelo, for his love, care and tons of patience with me. All my close friends, particularly Aline Almada, Barbara Neves, Sara Simões, and Silvia Rodrigues for rooting for me and for understanding my “disappearances” over the last two years. All Professors in the English Literature Master’s Program at UERJ for their availability and helpfulness, and especially my advisor, Prof. Ana Lucia de Souza Henriques, who, with a blend of kindness, generosity, patience and organization, helped me achieving my goals in this phase of my academic life and managed to keep me sane during the process. My colleagues at INPI and specially Director Terezinha Guimarães, Coordinator Deyse Macedo, future Head of department Christiano Timbó, my dear “boss” Adalberto de Souza and my “stepmother” Esperança Valente, without whom this work would never be possible. My dance friends at Sol y Luna, and specially Liane de Luna for introducing me to the Roma world and for teaching me a thing or two about dignity, perseverance and faith. My late grandparents, Ruben and Ruth, and my spiritual protectors for showing me the right path to follow. Thank you. There are crimes that must not be forgotten, victims whose suffering cries less for vengeance than for narration Paul Ricoeur RESUMO PEREIRA, Pilar Castro. Re-memory and Construction of the Romani Identity: a reading of The Eighth Sin, by Stefan Kanfer, and Zoli, by Colum McCann. 2010. 98 f. Dissertação (Mestrado em Literaturas de Língua Inglesa) - Instituto de Letras, Universidade do Estado do Rio de Janeiro, Rio de Janeiro, 2010. Através dos séculos, em locais e tempos distintos, o povo Romá (comumente conhecido como cigano) foi alvo de discriminações e de visões estereotipadas: tidos como ladrões e enganadores; ou como magos com poderes sobrenaturais de prever o futuro e de conjurar maldições; ou ainda como pessoas livres e sem destino, nômades em caravanas coloridas vivendo uma vida romântica fora da “civilização”. Durante a Segunda Guerra Mundial estima-se que mais de 250.000 Romás1 foram assassinados em campos de concentração - fato não muito conhecido ou divulgado. A Porrajmos (a “Devoração”, denominação do Holocausto em romanês) promovida pelo regime nazista marcou profundamente a história deste povo como um dos mais tristes e cruéis episódios de todo o histórico de ódio e perseguição sofridos pelos Romás. Os romances The Eighth Sin (1978) e Zoli (2006) lidam de diferentes maneiras com este momento específico da história, oferecendo uma outra imagem dos Romás, diferente daqueles estereótipos tão comumente encontrados na literatura mundial. Assim, a intenção desta pesquisa é investigar como os protagonistas das obras indicadas foram construídos e como a herança cultural do povo cigano é descrita e transmitida por Stefan Kanfer e Colum McCann, respectivamente, com base em canções, poemas, tradições, memórias e relatos de sobreviventes que atestam a perseguição e o genocídio do povo Romá durante a Segunda Guerra. Palavras-chave: Ciganos-Romá. Identidade-memória. Holocausto-Porrajmos. 1 Fonte: http://romafacts.uni-graz.at/for-Rhistory/for-Rhist-50.htm ABSTRACT Throughout the ages, in different places, the Roma people (commonly known as gypsies) have been object of stereotyped views, either seen as thieves and masters in the art of deception; as conjurers, working in magical and mysterious ways; or as untamed free souls, leading a romantic life as nomads in colorful caravans outside the so-called “civilization”. During the II World War it is estimated that over 250.000 Roma were murdered in concentration camps – a fact that is rarely touched upon. The Porrajmos (the “Devouring”, denomination of the Holocaust in Romani) promoted by the Nazi has deeply marked the Roma history as one of the cruellest and saddest points in the history of hatred and persecution endured by this people. The novels The Eighth Sin and Zoli deal in different ways with this specific moment in world history, depicting a different image of the Roma. Therefore, it is our intention to investigate how the protagonists in both novels are constructed and how the Romani cultural heritage is portrayed and conveyed by Stefan Kanfer and Colum McCann, respectively, relying on songs, poems, traditions, memories and real life testimonies of the persecution the Roma people suffered during II World War. Keywords: Gypsy-Roma. Identity-memory. Holocaust-Porrajmos. SUMMARY INTRODUCTION 10 1 HISTORICAL BACKGROUND: THE ORIGINS OF THE ROMANI DIASPORA 17 2 HISTORY, ORAL TRADITION AND MEMORY 27 2.1 The Roma: a people without history? 27 2.2 Memory and oral tradition 29 2.3 Memory and forgetting 32 2.4 Memory, forgetting and the Roma 34 3 THE STRANGER AND NATION-STATES 36 3.1 The stranger 36 3.2 The building of nation-states 37 3.3 Nation-states, ethnic groups and the stranger 39 3.4 Building of nation-states and nomadism 41 3.5 The case of Nazi Germany and the Roma 43 3.6 A nation without a state? 46 4 THE NOVELS 49 4.1 The Eighth Sin 49 4.1.1 Brief considerations on Stefan Kanfer and The Eighth Sin 49 4.1.2 Fiction in dialog with history in The Eighth Sin 50 4.1.3 Romani identity 58 4.1.4 Memory: remembrance and forgetting 63 4.2 Zoli 67 4.2.1 Brief considerations on Colum McCann and Zoli 67 4.2.2 Fiction in dialog with history in Zoli 68 4.2.3 Romani identity 73 4.2.4 Memory: remembrance and forgetting 80 5 CONCLUSION 85 REFERENCES 90 ANNEX A - Routes of Romani Diaspora 95 ANNEX B – Papusza’s photo 96 ANNEX C - Roma in concentration camps/ badges used in concentration camps 97 ANNEX D - Roma flag and anthem proposed by the 1971 World Romani Congress 98 10 INTRODUCTION The Gypsy Stereotype: Madonna was booed by thousands of fans at a concert in Romania after condemning discrimination against Gypsies. The pop star was accompanied on stage at the Bucharest park by Roma musicians and a dancer who were initially welcomed with enthusiastic applause. But the crowd turned on the singer when she paused during the two-hour show on Wednesday night to speak out against prejudice suffered by Roma people. "It has been brought to my attention...that there is a lot of discrimination against Romanies and Gypsies in general in Eastern Europe," she said. "It made me feel very sad." Boos and jeers resounded from the 60,000 strong crowd. Some applauded when she added: "We don't believe in discrimination … we believe in freedom and equal rights for everyone." But there were more boos when she mentioned discrimination against gay people.1 They are known as gypsies, ciganos, tsiganes, bohemians, athiganoi, among other names. Throughout the centuries, the Roma people2 have been the object of fascination and fear to the Western civilization. Misunderstandings and misinterpretations worked both ways since the first encounter of the gadjé3 with the “children of the wind” coming from the East, around the 14th century. The curiosity and strangeness of local populations coupled with the “uncommon” ways and habits of the Roma – a closed community based on habits of the caste system in India, with its own set of laws and language – opened a great field for constructions on the part of outsiders of what a gypsy is, does and looks like.