JMD 8 Ways to Set Stones with JMD Bezel Setting and Other Stone
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The Jewelry Department
I)1:PARTMEM STORE MERCll'Vs'DlSE TWA-NUALS i-,:i!.iiililliliiil!i:i: Courtesy of International Studio Coml) in Gold and Horn ( Frcncli Design) DEPARTMENT STORE MERCHANDISE MANUALS THE JEWELRY DEPARTMENT BEULAH ELFRETH KENNARD, M.A. Editor of Series; Director of Department Store Courses, New York University; Chairman of Committee on Merchan- dise Courses for New York City Public Schools; Former Educational Director of the Department Store Education Association. ASSISTED BY E. LILLIAN HUTCHINSON, B. A. Secretary Department Store Education Association CONSULTING EDITOR LEE GALLOWAY, Ph.D. Associate Professor Commerce and Industry, New York University; Secretary of National Association of Corpora- tion Schools; Director Educational Courses, National Commercial Gas Association. NEW YORK THE RONALD PRESS COMPANY 1917 40fX>G Copyright, 1917, by The Ronald Press Company ^^ \"\ X Sljia ^tv\SB tfl Sfbtrat^b to Mrs. Henry Ollesheimer, Miss Virginia Potter, Miss Anne Mor- gan, and other organizers of the Department Store Education As- sociation, who desiring to give greater opportunity for advance- ment to commercial employees and believing that all business efficiency must rest upon a solid foundation of training and education gave years of enthusiastic service to the testing of this belief. EDITOR'S PREFACE This series of department store manuals has been pre- pared for the purpose of imparting definite and authen- tic information to that growing army of salespeople who are not satisfied to be mere counter servers — to those who realize that their vocation is one of dignity and opportunity, and that to give satisfactory service to the customer they must possess a thorough knowledge of the goods they sell, as well as a knowledge of how best to P^ f\ sell them. -
Hollow Comb Rivets Made from Stripdrawn Copper Wire and Two Possible Antler Draw Plates from 11Th–12Th C. Sigtuna, Sweden
Omslag 2019/2_Omslag 3/2004 (kopia) 2019-05-20 11:32 Sida 1 Innehåll F 57 Gardeła, L. et al. The spur goad from kort meddelande O R Skegrie in Scania, Sweden. Evidence of 115 Scheglov, A. Omarbetning av Olaus Petris N elite interaction between Viking Age krönika: Ett politiskt vittnesbörd – och V Ä Scandinavians and Western Slavs. heraldiskt? N N 75 Loftsgarden, K. The prime movers of iron E production in the Norwegian Viking and recensioner N 2 Middle Ages. 118 Larsson, B.T. & Broström, S-G. Nämforsens 0 1 9 88 Wärmländer, S.K.T.S. & Söderberg, A. Hällristningar – Sveriges största och äldsta / 2 Hollow comb rivets made from strip- hällristningsområde med 2600 figurer FORN drawn copper wire and two possible ant- (The rock of Nämforsen). Anmälan av ler draw plates from 11th–12th c. Sigtuna, V. Mantere. Sweden. 120 Ahlström, C. The Viking Age. A time of many faces. Anmälan av L. Gardeła. debatt 123 Ljung, C. Under runristad häll: Tidig- 100 Kjellström, R. Stalofrågan – en personlig kristna gravmonument i 1000-talets slutkommentar. Sverige. Anmälan av P. Carelli. VÄNNEN 107 Lovén, C. Var Beowulf gute? JOURNAL OF SWEDISH ANTIQUARIAN RESEARCH 2019/2 issn 0015-7813 Omslag 2019/2_Omslag 3/2004 (kopia) 2019-05-20 11:32 Sida 2 Utgiven av Till författaren Kungl. Vitterhets Historie och Antikvitets Akademien i samarbete med Historiska museet. fornvännen välkomnar manuskript i nordisk arkeologi och äldre tiders konstvetenskap med an grän sande Fornvännen finns på webben i sin helhet från första årgången och publiceras löpande där ämnen. Bidrag kan vara avfattade på de skandinaviska språken samt engelska, tyska och franska. -
Setting Stones in Metal Clay Jeanette Landenwitch
Setting Stones in Metal Clay Jeanette Landenwitch Brynmorgen Press portland, maine Copyright 2008 Brynmorgen Press Drawings Tim McCreight All rights reserved. No part of this publication may be Design, edit & layout Tim McCreight reproduced or transmitted in any form or by any means, Abby Johnston electronic or mechanical, including photocopying, Michael Deles recording, or any storage and retrieval system except Index Jamie Kingman-Rice by a reviewer who wishes to quote brief passages in connection with a review written for inclusion in a Designs of all the jewelry shown in this book belong magazine, newspaper, web posting, or broadcast. to the artists. Unless otherwise noted, photos are courtesy of the artists. ISBN 978-1-929565–29–0 Preceding page: Pendant, Hiroaki Shinonome, “Kugi” Printed in Hong Kong Fine silver, diamond. 2¼” x 1¼” Second printing Front cover: Brooch, Tim McCreight Fine silver, malachite, moonstones. 2½" by 1 ¾" For ordering and permissions, visit www. brynmorgen.com CONTENTS 1 Gemstones 9 2 Tools & Materials 17 3 Choosing the Right Setting 29 4 Bezels 41 5 Prongs 67 6 Other Setting Options 79 7 The Work Behind the Work 98 Appendix 106 Acknowledgements This book is dedicated to all artists working in metal clay. It is exciting to be part of the evolution of this wonderful material, watching as the field has developed from basics to the ad- vanced work that we are seeing today. I hope this book will encourage the creation of innovative settings, and inspire su- perior work with gemstones of all kinds. I’d like to say a special thank-you to my editor, Tim Mc- Creight, whose confidence gave me the opportunity to ex- periment and describe the stonesetting ideas I was collecting. -
Silverwork and Jewelry, H Wilson Edited by W R Lethaby, 1903
NYPL RESEARCH LIBRARIES 3 3433 07217841 V THE ARTISTIC CRAFTS SERIES OF TECHNICAL HANDBOOKS EDITED BY W. R. LETHABY SILVERWORK AND JEWELRY THE ARTISTIC CRAFTS SERIES OF TECHNICAL HANDBOOKS. Edited by W. R. Lethaby. TTHE series will appeal to handicraftsmen in the industrial -'- and mechanic arts. It will consist of authoritative state- ments by experts in every field for the exercise of ingenuity, taste, imagination—the whole sphere of the so-called "de- pendent arts." BOOKBINDING AND THE CARE OF BOOKS. A Handbook for Amateurs, Bookbinders, and Librarians. By Douglas Cpckerell. With 1 20 Illustrations and Diagrams by Noel Rooke, and 8 collotype reproductions of bindings. i2mo. net postage, 12 cents additional. ^1.25 ; SILVERWORK AND JEWELRY. a Text- Book for Students and Workers in Metal. By H. Wilson. With 160 Diagrams and 16 full-page Illustrations. i2mo. $1.40 net; postage, 12 cents additional. In Preparation : CABINET-MAKING AND DESIGNING. By C. Spooner. D. APPLETON AND COMPANY, NEW YORK. I THE NEW YORK PUBLIC LIBRAP'"' ASTOR, LENOX AND TILDEN FOUNDATIONS. Cambridge. The Foundress' Cup : Christ's College, SILVERWORK AND JEWELRY A TEXT-BOOK FOR STUDENTS AND WORKERS IN METAL BY H. WILSON. WITH DIAGRAMS BY THE AUTHOR AND OTHER ILLUSTRATIONS NEW YORK D. APPLETON AND COMPANY 1903 THE NEW YORK P!ir^''- LIBRARY 357689 ASTOR, LENOX AND T1LD€N FOUWPATION8. R 1503. L Copyright, 1903 By D. Appleton and Company c, .... -'y^ii fights reserved ' r c Published February, 1903 "An Art can only be learned in the workshop of those who are winning their bread by itJ*^ —Samuel Butler (* Erewhon "). -
Jewelers' Equipment & Tools
PAGE 109 Jewelers’ Equipment & Tools Saw Blades Anchor brand jeweler’s saw blades. Sizes: #4, #3, #2, 1/0, #2/0, #3/0, #4/0, #5/0, #6/0 - from largest (#4) to finest (#6/0) $3.75/144 10% discount assortable/12 gross Deluxe Saw Frame Throat and front mounted screw to adjust blade ten- Hardwood sion precisely. 3” throat. Sawblade $10.75 each Holder Rotates for easy selection. $13.50 each Adjustable Sawframe With 2.75” throat. $ 5.95 each WIRE DRAWING PLATES 8.5” specially hardened steel for shaping and reduc- ing jewelry wire. Round Hole Draw Plate, 82 holes (pictured above) $10.80 each, $116.64/12 Chromed Steel Sawframes Half-Round Hole Draw Plate, 30 holes Top Quality; great value! $12.50 each, $135.00/12 Hexagon Hole Draw Plate, 30 holes Adjustable sawframe with a 3” throat $12.50 each, $135.00/12 $ 8.50 each Marquise Hole Draw Plate, 30 holes $12.50 each, $135.00/12 Pear-shape Hole Draw Plate, 30 holes $12.50 each, $135.00/12 6” Adjustable Rectangle Hole Draw Plate, 30 holes Saw Frame $12.50 each, $135.00/12 $11.95 each Square Hole Draw Plate, 30 holes $ 12.50 each, $135.00/12 Triangle Hole Draw Plate, 30 holes $12.50 each, $135.00/12 PAGE 110 Tungsten Soldering Pick Draw Tongs Perfect for platinum’s higher temperatures. Non- Heavy duty, hand-forged. stick. Will not discolor or contaminate gold, silver 8” Draw Tongs ............$14.85 each or platinum. 10” Draw Tongs ..........$18.95 each $ 5.50 each Best Quality Titanium Solder Pick With anodized, non-roll hexagonal handles for non- stick use with gold & silver. -
A Case Study: Tiffany &
F I R S T M E D I A Design Management Paper A CASE STUDY: TIFFANY & CO. PREPARED BY: TAN PEI LING DAPHNE TAN SHU MIN Introduction Tiffany & Co. (henceforth referred as “Tiffany”) is America’s premier purveyor of jewels and time- pieces, as well as luxury table, personal and household accessories. Founded in 1837 by Charles Lewis Tif- fany, Tiffany’s design philosophy has been based mainly on the central tenet that “good design is good busi- ness”1. All Tiffany’s designs are presented in the Tiffany Blue Box, recognized around the world as an icon of distinction and a symbol of the ultimate gift to celebrate life’s most joyous occasions. Today, the company’s 100 plus boutiques in 17 counties continue the company’s tradition of excellence2. This paper consists of several segments: (1) brief history of Tiffany; (2) organizational structure of the company; (3) marketing and product attributes; (4) target audience; (5) the unique selling proposition of its products; before concluding the paper. Brief History of Tiffany: 1837, Tiffany & Young is established Tiffany & Co. is a U.S. jewellery and silverware company founded by Charles Lewis Tiffany and Teddy Young in New York City in 1837 as a “stationery and fancy goods emporium.” The store initially sold a wide variety of stationery items, and operated as Tiffany, Young and Ellis in lower Manhattan. The name was shortened to Tiffany & Co in 1853 when Charles Tiffany took control, and the firm’s emphasis on jewel- lery was established. Tiffany & Co. has since opened stores in major cities all over the world. -
Jza Magazine Issue 2021
Officially endorsed by the Jewellery Council of South Africa (JCSA) Regency Rocks 2021 AUTUMN Magical win charms with Tsogo Sun Silver Linings Storybook Now serving fabulousness! Photo by Karina Tess on Unsplash All that glitters . and more Subscribe for FREE! Email your full name and contact number to [email protected] 2 Of course, in a world which is frequently resetting itself – A note from the regardless of season – and in which we ourselves search for different ways to re-emerge, EDITOR- colour is a welcome tonic for the body, mind and soul. So the canvas of the storybook IN-CHIEF you're about to feast your eyes upon has been painted with passion, life, love and even laughter. Our paintbrush Saturday, 20 March is the is called “jewellery” and it’s all in colour! autumnal equinox in South Africa. And Team JZA is rather delighted Across the blue seas, we welcome Smitha Sadanandan as that this issue not only echoes our Editor-at-Large, who reminded me: “It doesn’t matter if the spectrum of the season’s it’s autumn – who doesn’t like ice-cream!?” gorgeous hues of gold, orange, And on that note, enjoy our serving of fabulousness! yellow, burgundy and brown, but pays equal attention to the rest of nature’s wonderful palette. Although, with the autumn breezes in the air, we might sway over a little to the odd Editor-in-Chief favourite or two (or three)… Jason Aarons Smitha Sadanandan Adri Viviers Gill Hyslop JZA's Editor-at-Large is Chicago- Adri is Editor of JZA’s sister Gill has been in the publishing based Smitha – a freelance magazine, SA Jewellery News industry for more than 30 years, journalist specialising in the (SAJN), the official publication of having worked on numerous B2B luxury industry. -
Basic Metal Toolkit
Intro to Metalsmithing Basic Metal Toolkit Jeweler’s Saw $20.00 Saw Blades 4.75 Vernier Caliper 10.50 Steel Metric Ruler 7.95 Hardwood Ring Mandrel 16.00 Scribe 8.95 Plier & Cutter Kit 29.00 Needle File Kit 14.95 Dividers 11.00 Bur Life 5.50 A Pin Vise 9.95 Bench Pin with Anvil 16.95 Twist Drills 6.45 Center Punch 8.95 B Hammer Kit 59.00 C Sand Paper Assortment 17.60 D Pocket Wire Gauge 14.95 Steel Square 4.55 Optivisor 6.45 Metalsmith Essentials - Tim McCreight 15.00 Estimated Total $288.45 ! A. Can substitute beeswax for Bur Life! B. Can make your own from an old nail.! C. You can pick up hammers from home improvement stores and alter them.! !D. You can buy sandpaper at home improvement stores for less and in bulk.! ! "1 of "7 Intro to Metalsmithing Measurement Resources Conversion Website www.convert-me.com Will convert units of distance and length instantly. Metric Conversions www.metric-conversions.org Excellent free resource to convert from Imperial to Metric ! ! Formulas! ! "2 of "7 Intro to Metalsmithing ! Terminology (Small List)! ! Alloy Mixture of metals; sterling silver is an allow of fine silver and copper. Annealing The process of heating and then cooling metal to make it softer and thus easier to work with. Base Metal Nonprecious metal, such as aluminum, copper, iron and nickel. Bezel The rim of metal that is used to secure a stone in a rub-over setting. Blank A flat shape cut from sheet metal. -
Jewellery Making and Essential Skills
Literacy and Essential Skills in Industrial Arts JEWELLERY MAKING COURSE Student Notes A project of Literacy Ontario Central South This project is funded by the Government of Canada’s Office of Literacy and Essential Skills ACKNOWLEDGEMENTS LOCS would like to gratefully acknowledge the Office of Literacy and Essential Skills, Human Resources Development Canada for funding this project. The Literacy and Essential Skills Project Team Lesley Hamilton – Project Manager David Haw – Project Coordinator Shelley McCarrell – Project Assistant Elise Noriega – Project Assistant Carrie Wakeford – Project Writer Brigid Hayes – Project Evaluator Advisory Committee Andrew Rothfischer – Ministry of Natural Resources Doug Noyes – Literacy Link Eastern Ontario Kathy Neill – John Howard Society of Peterborough Sheila Cowan – LOCS Board of Directors Walter Johnstone – Youth Emergency Shelter LOCS would like to extend a heartfelt thanks to David Haw the Project Coordinator without whom this project would not have been successful. The vision that David brought to this project was the driver that made everything happen. LOCS would like to thank Valerie Davidson of Valerie Davidson Jewellery who worked with us to create course material. Not only did she work with the writer but she delivered a pilot course of the material created. © 2010 Literacy Ontario Central South Literacy and Essential Skills in Industrial Arts – Jewellery Making The following participants took part in the piloting of the material. Dennis Laroche Murdock McNeil Shane Edwards Janet Marfleet Don Lester Afson Tahery Their participation in the pilot was extremely helpful. Their feedback helped us create the final version of this course. These students all deserve a big thank you for the time and effort they put into assisting us with this project. -
Spool Knit Jewelry: Make Beautiful Bracelets, Anklets and Rings Free
FREE SPOOL KNIT JEWELRY: MAKE BEAUTIFUL BRACELETS, ANKLETS AND RINGS PDF Anne Akers Johnson | 50 pages | 01 Mar 2004 | Scholastic US | 9781570548048 | English | New York, United States Spool Knit Jewelry: Make Beautiful Bracelets, Anklets and Rings - Anne Akers Johnson - Google книги I love knitting spools. I had one as a child and made knitted projects with yarn. Knitting spools are a fantastic way to teach children how to knit and be creative. This can be life changing for a little one. The will to create and make beautiful things can be a life long pursuit. I believe that's because I first learned to knit on a spool using flexible Spool Knit Jewelry: Make Beautiful Bracelets wire, Anklets and Rings has give to it. Craft Wire is of course, rigid by nature. Spool Knit Jewelry: Make Beautiful Bracelets struggled a few times and finally decided I would make it work. Thank you for Anklets and Rings gem of a saying, Tim Gunn. It helped me see that with craft wire you pull the wire out to the edge of your spool with your stylus, then flip the wire up and over your pin with your fingers. The tension is carried from one pin to the next - not through pulling on the tail as it is with flexible beading wire. String the wire down through the center of the knitting spool leaving about a 2" tail. Wrap the wire around your pins in the same manner as this Beaducation video minus the addition of beads. Step 2: Once you have completed your desired length of wire knitting, cut off about 2" extra wire from the spool and Spool Knit Jewelry: Make Beautiful Bracelets remove your knitted wire tube from the spool. -
22 2. E? (2%Zee//7Z 66W6
J. M. CLARK. MANUFACTURE OF ORNAMENTAL TUBIN G. No. 174,117. Patented Feb. 29, 1876. oly2. 8 A. %zele, .. o/zverzów 22 2. e? (2%zee//7z 66w6. UNITED STATES PATENT OFFICE. JAMES M. CLARK, OF JERSEY CITY, NEW JERSEY. IMPROVEMENT IN THE MANUFACTURE OF oRNAMENTAL TUBING. Specification forming part of Letters Patent No. 174.1 17, dated February 29, 1876; application filed February 3, 1876. To all whom it may concern: the angle of the inclination of the grooves is Be it known that I, JAMES M. CLARK, of the reverse. Jersey City, in the county of Hudson and State The thin sheet-metal tube is inserted through of New Jersey, have invented an Improve this die at upon the draw bench, and pulled ment in the Manufacture of Ornamental Tub through such die. Either the tube or the die ing, of which the following is a specification: must be allowed to revolve in consequence Ornamental tubing for pencil-cases has been of the screw form of the grooves. This op made with grooves and ribs similar to a three, eration imparts to the tube the form shown four, or more threaded screw, and this orna in Fig. 2, and it is to be understood that a mentation has been done by a draw-plate die tube in the form shown in Fig. 2 has before properly shaped, and a spiral or twist man been made, and I do not claim the same. drel upon which the tube has been placed. The tube is to be run through the second Tubes and pencil - cases have been orna draw-plate die b, in which the grooves stand mented by an engraved figure put upon the at the opposite angle, the result of which is same by an engraving-engine, such figure be that the first ribs are crossed by a second set ing composed of ranges of diamond forms in of grooves that divide such ribs into quad relief. -
Precious Metal Arts Class Brochure 2019
Where do I start? Our technique based classes are structured for virtually any skill level, which means almost ANY class can be your first class. Since space is limited, you may just want to jump in at the first available opportunity. If you enjoy experimenting, soft wax or wax carving will allow you to create a variety of designs before deciding which one to commit to silver, gold, or platinum. If you are more of an “immediate gratification” creator, metal will allow you to see your Do your ideas designs take form before your exceed your abilities? eyes in the metal of your choice. Whichever medium you choose, we offer At Precious Metal Arts, we specialize in helping different sections of all three. Each section presents basic techniques used individuals realize their artistic goals, whether in slightly different ways, through individual projects that are specific to that you want to make a single piece or design an class. Though classes are designated A, B, C, or D , they are NOT sequential Metalsmithing entire line of jewelry. and may be taken in any order. We offer classes and workshops covering all fundamental aspects of jewelry design and creation, and provide customized continuing What can I learn? education through our unique small group Pretty much anything you can think of, at least tutoring. We even offer bench rental for you to practice your developing skills at a professional where jewelry creation is concerned. If your jeweler’s bench as you learn, without having to particular mission isn’t covered by what’s on the invest hundreds of dollars in tools.