8h[dh[_j[h J^[Cki_Y_WdiÊ9^e_Y[ Urtext Bärenreiter Sheet Music Choir Bärenreiter Kassel Choir Music Urtext Bärenreiter Urtext Bärenreiter M Piano Bärenreiter Orchestra Bärenreiter Urtext Strings Kassel Sheet Music Bärenreiter Bärenreiter Sheet Music Chamber Music Urtext Bärenreiter Urtext Bärenreiter Urtext Choir Strings Organ Urtext Bärenreiter Urtext Bärenreiter Chamber Music Publisher Bärenreiter Urtext
Bärenreiter Orchestra
Strings Bärenreiter Piano Kassel Bärenreiter Urtext Publisher
The Programme New Publications Sheet Music
2/2016 New Issue Title
1 New Publications 2/2016 · The Programme Contents
Piano Chamber Ensemble Bärenreiter Piano Kaleidoscope. BA 10900 ...... 3 Dvořák: Serenade op. 44. BA 10424 ...... 24 Beethoven: Sonatas for Pianoforte ...... 4–5 Sonata in E major op. 14 no. 1, Sonata in G major Orchestra op. 14 no. 2. BA 10855 Ravel: Concerto for the Left Hand. BA 7881 ...... 6–7 Grande Sonate in C major op. 53 “Waldstein”. Vaňhal: Concerto in C major for Viola and Orchestra BA 10856 BA 11531-90 ...... 13 Ravel: Concerto for the Left Hand. BA 7881 ...... 6–7 Martinů: Concertos for Violin and Orchestra ...... 14 Martinů: Easy Piano Pieces and Dances. - No. 1 H 226. BA 11527-90 BA 9586 ...... 8–9 - No. 2 H 293. BA 11529-90 Dušek: Complete Sonatas for Keyboard, Volume II Haydn: Symphony in F major Hob. I:89. BA 10979 .....25 BA 11514 ...... 10 Study Score Complete Editions ...... 11 Dvořák: Concerto for Violoncello in B minor op. 104. TP 620 ...... 26 Ready to Play Violin Masters for Violin and Piano. BA 10633 ...... 12 App Bärenreiter Study Score Reader ...... 27 Strings Vaňhal: Concerto in C major for Viola and Orchestra Organ BA 11531-90 ...... 13 Compendium of Organ Technique. Martinů: Concertos for Violin and Orchestra ...... 14 BA 11238 ...... 28–29 - No. 1 H 226. BA 11527-90 Dubois: Complete Organ Works, Volume VI. - No. 2 H 293. BA 11529-90 BA 9209...... 30–31 Hertl: Sonata for Double Bass and Piano Vierne: Complete Organ Works, Volume X. BA 11530 ...... 15 BA 9238 ...... 32 Organ Plus One: Reformation / Hymns by Martin Luther. BA 8508 ...... 33 Bärenreiter Notes ...... 16 Solo Voice Choir Rameau: Airs d'opéra : Basse-taille et basse / Telemann: Die Auferstehung und Himmelfahrt Jesu Operatic Arias: Bass Baritone and Bass TWV 6:6. BA 5851 ...... 17 BA 9198 ...... 34 Telemann: Christus, der ist mein Leben Rameau: Airs d'opéra: Dessus, volume 1 / TVWV 1:138. BA 5897...... 18 Operatic Arias: Soprano, volume 1 Telemann: Gott der Hoffnung erfülle euch BA 9191 ...... 34 TVWV 1:634. BA 5898 ...... 19 Mozart: Requiem K. 626. BA 4538-90...... 20–21 Jansson: Sacred Choral Works a cappella ...... 22–23 Photo Competition ...... 35 Missa brevis in E-flat minor. BA 8521 Ingenting utanför / Nothing Beyond. BA 8522 Your Contacts ...... 36
New Issue Title
New Publications 2/2016 · The Programme 2 Piano
A true piano appetiser! only € 5.00
BÄRENREITER PIANO KALEIDOSCOPE
BA 10900 · € 5.00 Already published
ISMN 979-0-006-56270-1
9 790006 562701
New Issue Title
Contents – listed alphabetically
A “special” edition in every sense Bach: Prelude in C major BWV 846 no. 1; Prelude in D minor BWV 851 / It’s not just the price that’s special, but also the well-selected Beethoven: Adagio sostenuto, mvt. 1 cross-section of our piano catalogue. No less eye-catching is the from the “Moonlight Sonata” op. 27/2 / multi-coloured cover based on the colours of our Urtext editions. Brahms: Waltz in B minor no. 11 from Waltzes op. 39; Album Leaf / Debussy: The pieces and movements in this edition range from the 18th century The Little Shepherd; Footsteps in the through to the first decades of the 20th century. During these snow / Handel: Sonatina in D minor, approximately 200 years keyboard playing developed considerably HWV 581 / Janáček: In the Mists No. 1 / and together with the unstoppable rise of the pianoforte since the Koželuch: Sonata in E-flat major op. 53/3, end of the 18th century, it became hugely popular. mvt. 1 / Mendelssohn Bartholdy: Venetian Gondola Song op. 30/6; The fifteen composers who are represented in this edition have each, Allegro non troppo op. 72/1 / Mozart: in their inimitable way, shaped the possibilities of sound and playing Allegro, mvt 1. from Sonata facile in C techniques of this instrument in their works. In our piano collection major / Mussorgsky: Tuilleries / Satie: you will find compositions from the Baroque, Classical, Romantic and 1ère Gymnopédie; En Plus / Schubert: Early Modern eras. The pieces also vary in national style and range Allegretto in C minor D 915; Hungarian from low through to high technical difficulty. Melody D 817 / Schulhoff: Blues / Schumann: Sicilienne; Farewell / An appetiser for our Urtext editions – give it a try! Smetana:New Issue Polka Title in E-flat major op. 8/1
3 New Publications 2/2016 · The Programme Piano
Virtuosic, lyrical …
Composed at about the same time as the Grande Sonate pathétique op. 13, the two op. 14 sonatas are among the easiest Beethoven ever wrote and an indispensable part of piano lessons. Their lyrical, almost chamber-like textures and moderate difficulty make them an ideal introduction to the rich legacy of Beethoven’s sonatas.
In contrast, the Sonata in C major op. 53 (1803-04) marks Beethoven’s turn towards large-scale symphonic influenced piano works. Since its first publication this highly virtuosic piece, dedicated to Beethoven’s friend and patron Ferdinand, Count Waldstein, has lost none of its magnetism. To this day it remains a pianistic challenge and a musical touchstone for every performer. Ludwig van Beethoven: Sonata in E major Jonathan Del Mar, a scholar second to none in his knowledge of Beethoven’s music, now presents these sonatas in cutting-edge op. 14 no. 1 Urtext editions based on the latest research findings and an intensive Sonata in G major study of the sources. Practical page turns and a fine engraving op. 14 no. 2 reflecting the character of the music ensure maximum enjoyment for every pianist.
BÄRENREITER URTEXT • Scholarly-critical Urtext edition based on the latest research
Edited by Jonathan Del Mar findings with an Introduction by Misha Donat • Enlightening Introductions and notes on period performance and notes on performance practice by practice (Eng/Ger) Jonathan Del Mar and • Well-presented engraving and practical page turns Misha Donat • Detailed Critical Commentary (Eng) with facsimiles
BA 10855 · approx. € 9.95
To appear in November 2016
ISMN 979-0-006-56189-6
9 790006 561896
New Issue Title Jonathan Del Mar
New Publications 2/2016 · The Programme 4 Piano
… and incomparable
Ludwig van Beethoven: Grande Sonate in C major for Pianoforte op. 53 “Waldstein”
BÄRENREITER URTEXT
Edited by Jonathan Del Mar with an Introduction by Misha Donat and notes on performance practice by Jonathan Del Mar and Misha Donat
BA 10856 · approx. € 9.95 Piano sonatas already published: Grande Sonate pathétique for Pianoforte in C minor op. 13 To appear in December 2016 BA 10851 · € 5.95 Sonate in F minor for Pianoforte op. 57 “Appassionata” BA 10852 · € 7.95 Sonata quasi una Fantasia in E-flat major op. 27 no. 1 for Pianoforte / Sonata quasi una Fantasia in C-sharp minor op. 27 no. 2 for Pianoforte “Moonlight Sonata” ISMN 979-0-006-56190-2 BA 10853 · € 11.50 Sonate in D major for Pianoforte op. 28 “Pastorale” BA 11814 · € 7.95 9 790006 561902 Sonate in A major for Pianoforte op. 101 BA 11811 · € 7.50 New Issue Title
5 New Publications 2/2016 · The Programme Piano
A masterpiece for Wittgenstein
In 1929 Paul Wittgenstein, a pianist and war veteran who lost his right arm in the Great War, commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravel’s most thrilling compositions and, for Wittgenstein, the most important of the many works he commissioned over the course of his career.
This scholarly-critical edition of Ravel’s Piano Concerto for the Left Hand is based on previously inaccessible and unknown sources. The editor, Douglas Woodfull-Harris, was able to consult manuscripts in the private library of the Paul Wittgenstein Estate which allowed him to retrace the work’s evolution from Ravel’s autograph working copy to the first printed edition. Maurice Ravel: Concerto for the Left Hand A source of key importance to our new edition is a handwritten French copy of Ravel’s own piano reduction (the autograph is inaccessible) that for Piano and Orchestra he gave to Wittgenstein to facilitate rehearsing the work. This copy is the sole source reflecting Wittgenstein’s own interpretation and BÄRENREITER URTEXT containing his corrections to the final cadenza. It also helps us to understand omissions in the first edition of the score as well as the Edited by Douglas Woodfull-Harris piano reduction, and enabled the editor, amongst other things, to With a Foreword by Christine Baur correct a great many notes which could be found in previous editions, including the solo piano part. Score BA 7881 · approx. € 39.95 The piano reduction in our edition contains both Ravel’s and Wittgenstein’s fingering. Also included is a solo part without Piano reduction by Maurice Ravel fingering, thereby giving pianists the opportunity to enter their own BA 7881-90 · approx. € 34.95 fingering after having studied those of Ravel and Wittgenstein.
Wind set BA 7881-65 · approx. € 79.00 • Score and orchestral parts in large format (25.5 x 32.5 cm) • Includes source descriptions and a Critical Commentary with Violin I BA 7881-74 · approx. € 6.50 alternative readings (Eng) Violin II BA 7881-75 · approx. € 6.50 • Informative Foreword on the work’s history and genesis Viola BA 7881-79 · approx. € 6.50 (Ger/Eng/Fr) Violoncello BA 7881-82 · approx. € 6.50 • Piano reduction with separate Urtext solo part enclosed Double bass BA 7881-85 · approx. € 6.50
To appear in November 2016 ISMN 979-0-006-50675-0 ISMN 979-0-006-50674-3 No distribution rights BA 7881 BA 7881-90 for Spain and the USA. New Issue Title 9 790006 506750 New Issue Title 9 790006 506743 New Issue Title
New Publications 2/2016 · The Programme 6 Piano
From: Ravel, Concerto for the Left Hand · Score BA 7881
Already published:
Maurice Ravel Pavane pour une infante défunte pour piano BA 9632 · € 9.50 No distribution rights for Spain.
Valses nobles et sentimentales for Piano BA 10826 · € 15.50 No distribution rights for France and Spain.
Tzigane Concert Rhapsody for Violin and Orchestra BA 8849 · € 27.95 Version for Violin and Piano BA 8849-90 · € 17.95 No distribution rights for France, Spain and the USA.
Sonata in Four parts for Violin and Violoncello BA 9417 · € 22.95 No distribution rights for France and Spain.
String Quartet BA 9413 · € 31.95 No distribution rights for Spain. New Issue TTitleitle
7 New Publications 2/2016 · The Programme Piano
Appealing pieces and new discoveries
Bohuslav Martinů: Easy Piano Pieces and Dances
Edited by Lucie Harasim Berná BA 9586 · approx. € 10.95
To appear in November 2016 Though Bohuslav Martinů produced a lot of didactic material for the piano, not all of it has been published and many delightful works have
ISMN 979-0-2601-0746-5 remained unknown.
In this Easy Piano Pieces and Dances album, Martinů’s four-part piano cycle Quarter and Eighth Notes, composed in Paris in 1937, appears 9 790260 107465 for the first time. It is devoted to changes of metre and tempo. New Issue Title The work, previously known only from his correspondence, was long considered lost until a copyist’s manuscript of it resurfaced in Brno in 2011. The jazz piece One Step, composed in 1921, is also made Contents accessible here for the first time. It hitherto only existed in the composer’s autograph. Quarter and Eighth Notes Along with these two “discoveries”, this album contains the dance (Čtvrtky a osminky) H 257 pieces that Martinů composed in Polička in the 1920s as well as the One Step H 127bis three-part cycle Christmas, composed in Paris in 1927. These were Foxtrot Born “On the Corner” previously available in Compositions for Polička. (Foxtrot narozený Na růžku) H 123bis Black Bottom H 165 • Includes original Martinů works, some published for the first time Foxtrot H 126bis • Foreword (Cz/Eng/Ger) and fingering by Lucie Harasim Berná Christmas (Le Noël/Vánoce)New Issue TitleH 167 • Easy to moderately difficult pieces
New Publications 2/2016 · The Programme 8 Piano
More original piano gems
From: Chopin, Easy Piano Pieces and Dances · BA 6565
Already published in the Easy Piano Pieces and Dances series:
Johann Sebastian Bach BA 6572 € 10.95 Ludwig van Beethoven BA 6560 € 10.95 Johannes Brahms BA 6566 € 10.95 Frédéric Chopin BA 6565 € 10.95 Claude Debussy BA 6573 € 10.95 Edvard Grieg BA 6575 € 10.95 George Frideric Handel BA 6578 € 10.95 Joseph Haydn BA 4631 € 10.95 Franz Liszt BA 6577 € 10.95 Felix Mendelssohn Bartholdy BA 6568 € 10.95 Wolfgang Amadeus Mozart BA 5327 € 10.95 Maurice Ravel * BA 6580 € 10.50 Erik Satie BA 6574 € 10.95 Franz Schubert BA 5639 € 10.95 Robert Schumann BA 6567 € 10.95 Peter Tchaikowsky BA 6576 € 10.95
* No distribution rights for Spain. New Issue Title
9 New Publications 2/2016 · The Programme Piano
Dušek’s sonatas in a complete scholarly-critical edition
František Xaver Dušek: Complete Sonatas for Keyboard, Volume II
BÄRENREITER URTEXT
Edited by Vojtěch Spurný
BA 11514 · approx. € 21.95 The Czech composer František Xaver Dušek (1731–1799) was one of the leading figures in the musical life of late 18th-century Prague. He was To appear in October 2016 an outstanding pianist, composer and teacher whose pupils included Leopold Koželuch.
ISMN 979-0-2601-0765-6 This edition in two volumes contains all 23 of his surviving piano sonatas, many of which were previously accessible only in old prints 9 790260 107656 or manuscripts. They are presented in chronological order by publication date and are all of easy technical difficulty. A Commentary New Issue Title by the editor offers useful tips on performance practice.
Volume II contains sonatas left unpublished in Dušek’s lifetime and preserved in manuscript form. Three of them appear here for the first time. Already published: • First complete scholarly-critical edition František Xaver Dušek: Complete Sonatas for Keyboard, • Five previously unpublished sonatas Volume I • Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) BANew 11513 Issue · € Title21.95 • Easy to play and suitable for teaching purposes
New Publications 2/2016 · The Programme 10 Complete Editions
New publications up to May 2016
Niels W. Gade Leoš Janáček Works Complete Critical Edition of the Works Series III:1 of Leoš Janáček Works for Piano, Volume 1 Series A, Volume 5 Edited by Niels Bo Foltmann Osud BA 7617 Edited by Jiří Zahrádka Text fehlt BA 9562-01 Niels W. Gade Works Monumenta Monodica Medii Aevi Series III:2 Volume IX Works for Piano, Volume 2 The Music of the Beneventan Rite Edited by Niels Bo Foltmann Edited by Thomas Forrest Kelly BA 7618 and Matthew Peattie BA 5700
George Frideric Handel Halle Handel Edition, Series II, Volume 28 Franz Schubert Orlando New Edition of the Complete Works Revised and amended texts and Critical Commentary Series VIII, Volume 9 by Terence Best Franz Schubert's Works in First Editions and BA 4087-41 Early Prints (Catalogue of Schubert Prints) Volumes 9a and 9b Presented by Michael Raab George Frideric Handel BA 5571-01 Halle Handel Edition, Series II, Volume 13 Te Deum for the Victory at the Battle of Dettingen Anthem for the Victory at the Battle of Dettingen Edited by Amanda Babington BA 10706-01 New Issue Title
11 New Publications 2/2016 · The Programme New in the Ready to Play series
Violin Masters for Violin and Piano
Edited by István Nagy
BA 10633 · approx. € 11.95 (replaces BA 8110)
To appear in October 2016 This volume offers a varied repertoire with works by famous composers. It presents 15 pieces from the 17th to 19th centuries ranging from Purcell through to Tchaikowsky. The piano accompaniments are not difficult to play, and the violin part itself can be mastered frequently in first position.
Contents Bourrée (from the Suite in G major) by Henry Purcell / Réjouissance (from Klingende Geographie) by Georg Philipp Telemann / Musette (from Alcina) by George Frideric Handel / Lied (from the Peasant Cantata) by Johann Sebastian Bach / Dance (from Sémiramide) by Christoph Willibald Gluck / Theme and Variations (from Baryton Trio No. 2) by Josef Haydn / Contredance (from Contredances for J. R. Count Czernin) by Wolfgang Amadeus Mozart / Minuet (from Serenade no. 1) ISMN 979-0-006-56168-1 by Ludwig van Beethoven / Allegramente (from Rondo for piano duet) by Carl Maria von Weber / Farewell to the Woods (from Six Songs op. 59) by Felix Mendelssohn / Romance (from Die Zauberharfe) by Franz 9 790006 561681 Schubert / Aria (from Il Corsaro) by Giuseppe Verdi / March (from Don Procopio) by Georges Bizet / Hoping in Vain (from Four Duets op. 3) by New Issue Title Antonín Dvořák / Song without Words op. 40 by Peter I. Tchaikowsky
New Publications 2/2016 · The Programme 12 Strings
The Bohemian touch
Jan Křtitel Vaňhal: Concerto in C major for Viola and Orchestra
Piano reduction by Vilém Blažek Viola part revised by Jan Plachta
BA 11531-90 · approx. € 14.95 (replaces H 3586) The Bohemian composer Jan Křtitel Vaňhal/Johann Baptist Vanhal (1739–1813) settled in Vienna around 1763. There he wrote several Performance material concertos for various instruments, of which two for viola have available on hire survived. Both are evidently not original compositions, but arrangements by Vaňhal of some of his own works, a common To appear in October 2016 practice of that time. The Viola Concerto in C major is based on Vaňhal's cello concerto in the same key.
Our new revised edition makes this Concerto available once again. The solo part contains cadenzas for each movement.
• Popular repertoire piece from the Viennese classical period • Idiomatic piano reduction • Solo part revised by Jan Plachta ISMN 979-0-2601-0797-7 • New trilingual Foreword by Phillip Schmidt (Ger/Cz/Eng)
9 790260 107977
New Issue Title
13 New Publications 2/2016 · The Programme Strings
Key violin concertos of the 20th century
Bohuslav Martinů wrote his First Violin Concerto in Paris in 1932–33, this work having been commissioned by the violin virtuoso Samuel Dushkin. However, it was never performed during his lifetime and was even considered lost after his death. Only in the late 1960s was the autograph rediscovered by the Belgian musicologist Harry Halbreich. The première was given by Georg Solti and the Chicago Symphony Orchestra in 1973 with Czech violinist Josef Suk as soloist.
After hearing the Boston Symphony Orchestra perform Martinů’s Symphony No. 1 in New York, Mischa Elman commissioned the Bohuslav Martinů: composer to write a violin concerto for him. Martinů thereupon composed his Second Violin Concerto in 1943. That same year Elman Concerto No. 1 for Violin played the solo part at the première, with Sergei Koussevitzky and Orchestra H 226 conducting the Boston Symphony Orchestra.
Our two publications of the piano reductions are based on the Piano reduction by Karel Šolc musical text of the respective first editions. Both solo parts have Violin part revised by Josef Suk been revised by leading Czech violinists and performers of Martinů’s BA 11527-90 · approx. € 24.95 music. (replaces H 5797)
th To appear in September 2016 • Major violin concertos of the 20 century • New Forewords by Martinů scholar Sandra Bergmannová (Cz/Eng/Ger) Concerto No. 2 for Violin and Orchestra H 293
Piano reduction by Karel Šolc Violin part revised by Bruno Bělčík BA 11529-90 · approx. € 21.95 (replaces H 5286)
To appear in September 2016
ISMN 979-0-2601-0794-6 ISMN 979-0-2601-0795-3 Performance material for both concertos is available on hire. The score for Concerto No. 1 is also 9 790260 107946 9 790260 107953 available on sale (H 5798/BA 6720New Issue · € 56.00) Title New Issue Title BA 11527-90 New Issue Title BA 11529-90
New Publications 2/2016 · The Programme 14 Strings
Virtuoso bowing!
František Hertl: Sonata for Double Bass and Piano
Score with part Double bass part revised by Jiří Hudec BA 11530 · € 21.95 (replaces H 2068) The renowned Czech bass player, composer and conductor František Hertl (1906–1973) led the double bass section of the Czech Already published Philharmonic during the Václav Talich era and later taught at the Conservatory and the Academy of Music in Prague. An outstanding virtuoso, he had a consummate mastery of his instrument’s expressive potential and sound qualities. He also wrote successful concert and teaching pieces for his instrument.
Composed in 1946, Hertl’s only Sonata for Double Bass and Piano in three movements is a work of artistic and technical challenges that has maintained its place in the double bass repertoire to the present day.
• New edition of a major repertoire piece for double bass ISMN 979-0-2601-0796-0 • Foreword (Cz/Eng/Ger) by Hertl’s last pupil, Jan Balcar
9 790260 107960
New Issue Title
15 New Publications 2/2016 · The Programme Bärenreiter NOTES
Bärenreiter € 0.75 NOTES each
• An on-the-counter product • A student lesson book • A general notebook • A gift or give-away
Format: DIN A 6 · 32 pages · binding stapled With musical staves and writing lines
Schubert yellow BA 8100-20 · € 0.75
Mozart red BA 8100 · € 0.75
These little notebooks are handsome as well as practical. The pages alternate with musical staves on the left side and writing lines on the right side. The superior quality of paper used for the notebooks matches that of our fi ne Urtext editions.
Minimum order quantity: 10 copies
Notes Notes
......
......
......
......
......
......
......
......
......
......
......
......
......
......
......
......
www.baerenreiter.com The Musicians’ Choice New Issue Title
New Publications 2/2016 · The Programme 16 250th anniversary of Telemann’s death
A festive piece for church and concert hall
Georg Philipp Telemann: Die Auferstehung und Himmelfahrt Jesu TWV 6:6
Oratorio for Mixed Choir and Orchestra
Composed around 1760, Die Auferstehung und Himmelfahrt Jesu is BÄRENREITER URTEXT one of Telemann’s last large-scale vocal works. The libretto, by Karl Edited by Ralph-Jürgen Reipsch Wilhelm Ramler, recounts the Biblical events from the Resurrection to Piano reduction by Andreas Köhs the Ascension in seven sections. Score Alternating between recitative, da capo arias and festive choruses, BA 5851 · approx. € 49.95 Telemann succeeds in producing a vivid and effective musical Vocal score (Ger) interpretation of the libretto. BA 5851-90 · approx. € 29.95
Our edition of this oratorio is based on the Urtext from Georg Philipp To appear in November 2016 Telemann Musical Works. The score contains a realisation of the continuo Performance material available part. The work is ideal for performances in church and concert hall alike. on hire
• Complete scholarly-critical edition based on Georg Philipp ISMN 979-0-006-49790-4 ISMN 979-0-006-56004-2 Telemann Musical Works • An attractive addition to the repertoire with a view to the 9 790006 497904 9 790006 560042 Telemann Year 2017 BA 5851 BA 5851-90 • Bilingual Foreword (Ger/Eng) • Idiomatic piano reduction New Issue Title New Issue Title
17 New Publications 2/2016 · The Programme 250th anniversary of Telemann’s death
Baroque magnificance
Georg Philipp Telemann: Christus, der ist mein Leben TVWV 1:138
Chorale Setting for Mixed Choir (SATB) and Orchestra
BÄRENREITER URTEXT Edited by Ute Poetzsch Piano reduction by Andreas Köhs Chorale settings form a central part of Telemann’s œuvre. His 1754 setting of the church hymn Christus, der ist mein Leben, based on Score BA 5897 · approx. € 19.95 Melchoir Vulpius’ melody from the Hamburg Hymnal, is especially Vocal score (Ger) BA 5897-90 · approx. € 12.95 well-suited to display his mastery in depicting the words of the chorale. The so-called “Ausfüllungsbass” (a vocal bass added to the Wind set BA 5897-65 · approx. € 15.95 principal bass in tutti passages) was probably necessitated by the Organo BA 5897-67 · approx. € 11.95 acoustical properties of Hamburg’s churches. Violino I BA 5895-74 · approx. € 4.95 Violino II BA 5897-75 · approx. € 4.95 This is the first Urtext edition of this highly successful chorale Viola BA 5897-79 · approx. € 4.95 setting which is based on Georg Philipp Telemann Musical Works. Bassi BA 5897-82 · approx. € 4.95 The score contains a realisation of the continuo part. To appear in October 2016 • First Urtext edition based on Georg Philipp Telemann
ISMN 979-0-006-56305-0 ISMN 979-0-006-56303-6 Musical Works • An attractive addition to the repertoire with a view to the Telemann Year 2017 9 790006 563050 9 790006 563036 • Bilingual Foreword (Ger/Eng) BA 5897-90 BA 5897 • Uncluttered idiomatic piano reduction New Issue Title New Issue Title
New Publications 2/2016 · The Programme 18 250th anniversary of Telemann’s death
Festive music for Whit Sunday
Georg Philipp Telemann: Gott der Hoff nung erfülle euch TVWV 1:634
Cantata for Whit Sunday for Soloists, Choir and Orchestra
BÄRENREITER URTEXT In 1717 Telemann composed his cantata Gott der Hoffnung erfülle euch for Whit Sunday based on a text by Erdmann Neumeister. It forms Edited by Maik Richter part of the Concerten-Jahrgang, also known as Das Harmonische Zion or Piano reduction by Andreas Köhs Italienischer Jahrgang where all the cantatas are conceived as concertos Score for vocal and instrumental parts and have been colourfully scored. BA 5898 · € 19,95 This particular work includes two oboes, two Corni da Caccia and strings. Vocal soloists, choir and instruments alternate and have equal Vocal score (Ger) musical standing in this festive Whit Sunday cantata which provides a BA 5898-90 · € 11.95 valuable addition to the church service or concert repertoire. Wind set • Urtext edition based on Georg Philipp Telemann Musical Works BA 5898-65 · € 15.95 • An attractive addition to the repertoire with a view to the Telemann Year 2017 Organo BA 5898-67 · € 11.95 • Bilingual Foreword (Ger/Eng) Violino I BA 5898-74 · € 4.95 Violino II BA 5898-75 · € 4.95 • Idiomatic piano reduction Viola BA 5898-79 · € 4.95
ISMN 979-0-006-56267-1 ISMN 979-0-006-56268-8 Bassi BA 5898-82 · € 4.95
BA 5898 BA 5898-90 Already published
9 790006 562671 New Issue Title 9 790006 562688 New Issue Title New Issue Title
19 New Publications 2/2016 · The Programme Choir
Mozart’s Requiem: revised piano reduction ...
Mozart’s final work, the Requiem K. 626, was left incomplete. The completion of the fragmentary score by his assistant Franz Xaver Süssmayr, who helped him with The Magic Flute, has the character of a historical source with utmost closeness to Mozart’s thoughts.
The completed Requiem score, published in the New Mozart Edition, serves as the basis for this vocal score edition which now appears in a revised form and newly engraved. Minor corrections have been made to the musical text, the vocal parts have been made easier to read and the piano accompaniment easier to play.
Wolfgang Amadeus Christoph Wolff, an authoritative Requiem connoisseur has supplied a Foreword with a clear and concise account of the work’s genesis and Mozart: its musical features. Requiem, K. 626 BA 4538-90 replaces the existing vocal score. The BA edition number BÄRENREITER URTEXT remains the same.
Edited by Leopold Nowak • Revised piano reduction • With a Foreword by Christoph Wolff (Ger/Eng) Piano reduction by Heinz Moehn • Compatible with all existing performance material (BA 4538) (Reviewed and revised • Improved readability and uncluttered piano reduction by Antje Wissemann) • Modern engraving
Vocal score (Lat) BA 4538-90 · approx. € 8.75
To appear in November 2016
ISMN 979-0-006-45015-2
9 790006 450152
New Issue Title
New Publications 2/2016 · The Programme 20 Choir
… compatible with all existing performance material
• Larger notation in the vocal parts
• Larger typeface
• Revised musical text • Improved readability
For connoisseurs and music lovers
Already published:
Wolfgang Amadeus Mozart Requiem K. 626 Facsimile of the autograph score held in the Austrian National Library With a commentary by Christoph Wolff and Günter Brosche BÄRENREITER FACSIMILE (2015). 200 pages of facsimile with individually trimmed pages, 35 pages of commentary (Eng/Ger), half-leather binding ISBN 978-3-7618-2346-0 · € 448.00
New Issue Title
21 New Publications 2/2016 · The Programme SACRED CHORAL WORKS
Video samples on
Mårten Jansson: The Missa brevis in E-flat minor for mixed choir a cappella has been composed in the tradition of the short Mass (without Credo) and can Choral Works a cappella be easily managed by most choirs. Thanks to its conciseness, it is suitable for use in church services, while its delightful harmonic Missa brevis in E-fl at minor layout and consciously simple melodies (with clear allusions to folk (SATB) (Lat) music) also make it perfect for concert performance. BA 8521 · approx. € 4.95 Ingenting utanför / Nothing Beyond is another collaboration between To appear in October 2016 Mårten Jansson and the Swedish poet Einar Askestad. This a cappella choral work deals with sorrow and loss. After a forceful, harmonically Ingenting utanför / ambiguous section and a clear break in the music, the piece ends with a comforting decrescendo of reconciliation. It was commissioned by Nothing Beyond the Uppsala female choir “La Cappella” and is dedicated to its choral director Tony Margeta. (SSMezAA) (Swed/Eng) BA 8522 · approx. € 3.95
ISMN 979-0-006-56320-3 ISMN 979-0-006-56321-0 To appear in October 2016 BA 8521 BA 8522
NewNew IIssuessue TitTitlele 9 790006 563203 New Issue Title 9 790006 563210 New Issue Title
New Publications 2/2016 · The Programme 22
Further information at: www.baerenreiter.com BY MÅRTEN JANSSON
Already published: I Never Saw a Moor God Rest Ye Merry, Gentlemen (SSMezMezAA) (Eng) (SATB) (Eng) Fear Thou Not (SSMezAA) BA 7415 · € 4.95 BA 7419 · € 4.95 (Eng) BA 7411 · € 3.95 Cantate Domino (TTBB) Missa Popularis Maria (IV) (SATB) (Swed/Eng) (Lat) [SSA (TB)] and String Quartet BA 7412 · € 3.95 BA 7416 · € 4.95 (VI, VII, Va, Vc) (Lat) Score The Choirmaster’s Burial In the Light of God (SMezATB) BA 7420 · € 24.95 (SSATBB) (Lat SSA/Eng TBB) (Swed/Eng) BA 7413 · € 5.95 BA 7417 · € 9.95 Vocal score BA 7420-90 · € 13.95 Cantate Domino (SSAATTBB) Es ist ein Ros entsprungen (Lat) (SSAATTBB) (Ger/Eng/Swed) PartsNewNew IIssuess Title BA 7414 · € 4.95 BA 7418 · € 6.95 BA 7420-22 · € 16.95
23 New Publications 2/2016 · The Programme
www.youtube.com/BaerenreiterVerlag www.facebook.com/baerenreiter www.twitter.com/BarenreiterUK Chamber Ensemble
First Urtext edition of the popular serenade
Antonín Dvořák: Serenade op. 44
for Wind Instruments, Violoncello and Double Bass
BÄRENREITER URTEXT
Edited by Robin Tait In 1878 Dvořák was in Vienna and was so impressed by a performance Score of Mozart’s Wind Serenade in B-flat major K. 361 that he wrote his BA 10424 · approx. € 27.95 own wind serenade within the space of two weeks after his return. Taking Mozart’s piece as his model, he supplemented the wind band Set of parts with a bass part for violoncello and double bass. BA 10424-22 · approx. € 43.95 The op. 44 Serenade, which also delighted Johannes Brahms, was To appear in September 2016 issued by Dvořák’s publisher Simrock shortly after its première. Our new Urtext edition draws on this first print while using the autograph to correct a number of mistakes and above all inconsistencies in articulation. ISMN 979-0-2601-0748-9
BA 10424 • First Urtext edition of Dvořák’s popular Serenade for winds
New Issue Title 9 790260 107489 • Detailed Foreword by Dvořák expert David R. Beveridge (Eng/Cz/Ger) • Critical Commentary by Robin Tait (Eng) ISMN 979-0-2601-0759-5
BA 10424-22
New Issue Title 9New 790260 Issue 107595 Title
New Publications 2/2016 · The Programme 24 Orchestra
Continuing the publication of Haydn symphonies
Haydn's Symphony Hob. I:89 belongs to a group of symphonies composed between the ‘Paris’ symphonies (Hob. I:82-87) and their ‘London’ counterparts (Hob. I: 93-104) – the last ones he wrote before his trips to England in 1791-92 and 1794-95.
The Symphony in F major is dated 1787 in the autograph score. In this work Haydn borrowed two movements from an earlier piece, possibly owing to deadline pressure. The second and fourth movements are arrangements of movements 2 and 3 from his Concerto in F major Hob. VIIh:5 for two “lire organizzate” and orchestra. The fact that he also arranged movements from his other lire concertos suggests that he regarded them as a sort of musical quarry. This at least allowed him to recycle parts of these works after his patron had probably Joseph Haydn: prohibited him from offering them commercially. Symphony in F major
This edition continues the collaboration with the Henle publishing Hob. I:89 company regarding Haydn's large-scale choral works, operas and symphonies. It is based on the Henle Complete Edition of the Works URTEXT of Joseph Haydn. The complete performance material for several Edited by Andreas Friesenhagen Sturm und Drang symphonies and all of the London and Paris symphonies is now available from Bärenreiter. Score BA 10979 € 37.95 • Based on the Henle Complete Edition of the Works of Joseph Haydn Wind set • Orchestral parts in a large format (25.5 x 32.5 cm) BA 10979-65 € 29.95
Violin I BA 10979-74 € 5.95 Violin II BA 10979-75 € 5.95 Viola BA 10979-79 € 5.95 Violoncello BA 10979-82 € 5.95 Double Bass BA 10979-85 € 5.95
Already published
ISMN 979-0-006-56277-0
9 790006 562770
New Issue Title BA 10979
25 New Publications 2/2016 · The Programme Study Score
One of the major Del Mar editions in a study score
This study score is based on the score and complete performance material of Dvořák’s famous B minor Cello Concerto (BA 9045) edited by Jonathan Del Mar and published in 2011. In addition the study score contains a Foreword by Dvořák scholar Jan Smaczny.
Like every other major 19th-century cello concerto, Dvořák’s concerto resulted from a collaboration between the composer and a virtuoso musician. Several passages in Dvořák’s autograph were written by the cellist Hanus Wihan but Bärenreiter’s edition now reveals that some details in the orchestral parts are also in his writing, showing just how closely the two musicians were working together.
Antonín Dvořák: The editor Jonathan Del Mar has conscientiously examined every Concerto for Violoncello available source, including two that have hitherto been either ignored or crucially undervalued. His research has led to a benchmark in B minor op. 104 edition that reconstructs, for the first time since its initial publication in 1896, Dvořák’s definitive version of the solo part. It differs from BÄRENREITER URTEXT previous editions in practically every measure and hundreds of corrections have also been made to the orchestral parts. Edited by Jonathan Del Mar With a Foreword by Jan Smaczny • Includes Dvořák’s final and definitive version of the solo cello part • Incorporates new discoveries regarding the collaboration between TP 620 · approx. € 18.50 Dvořák and Wihan
To appear in September 2016 • With Feuermann’s and Casals’s alternative versions of a passage in the first movement • Detailed Foreword (Eng/Cz/Ger)
Also available:
Antonín Dvořák ISMN 979-0-006-20544-8 Concerto for Violoncello and Orchestra op. 104 Facsimile of the autograph score. 9 790006 205448 34 pages of introduction (Eng/Ger/Cz) ISBN 978-3-7618-1849-7 · € 342.00 TP 620 New Issue Title
New Publications 2/2016 · The Programme 26 BärenreiterApp Bärenreiter Study Score Study Reader Score Reader
Quick start with a free demo version of the score to Debussy’s Prélude à l’après-midi d’un faune!
A large and constantly expanding ◼ Tried and trusted Bärenreiter Urtext library of significant works editions now available digitally, from Bach to Debussy anytime and anywhere
A razor-sharp presentation ◼ Personal markings, annotations possible
No internet connection is needed ◼ Indispensable for students, teachers, to use the scores musicians
New Issue Title Further information on our website: www.baerenreiter.com
27 New Publications 2/2016 · The Programme Organ
A reference work on organ playing
Compendium of Organ Technique
Volume 1: Exercise Units 1–30 Volume 2: Exercise Units 31–60
Edited by Peter Wagner
BA 11238 Introductory price until 30 June 2017: approx. € 69.00 From 1 July onwards: approx. € 84.00
Both volumes will appear in November 2016.
These volumes cannot be purchased individually.
Our two-volume edition is the first to offer a reference work on organ technique systematically subdivided into 60 exercise units. It provides an overview of all relevant topics on manual and pedal playing based on the tutors by Marcel Dupré, Fernando Germani, Charles-Louis Hanon and Johannes Brahms as well as on their sequels and supplements. There is also a comprehensive set of exercises to maintain the achieved performance level.
This compendium is a tutor for all levels of expertise and training from ambitious semi-professional organists through to fully professional church musicians and conservatory students. Furthermore it is aimed at all of those who teach the organ, whether privately or at academies, colleges, conservatories or universities.
• Two-volume reference work on organ technique (Ger/Eng) • Covers all relevant areas of manual and pedal playing • Includes a comprehensive set of exercises • Concise introductory text (Ger/Eng)
ISMN 979-0-006-56265-7 • Teaching and performance orientated subject as well as keyword indices • For every level of expertise and training 9 790006 562657
New IssueBA Title11238
New Publications 2/2016 · The Programme 28 Organ
from: Compendium of Organ Technique · BA 11238
Peter Wagner (b. Karlstadt, 1967) studied Catholic church music (A-level certification), organ improvisation, concert organ and music theory in Cologne, Würzburg and Salzburg. His later career led him to a wide variety of teaching, consultancy and jury activities in the areas of organ playing, music theory, choral and orchestral conducting, voice training and children’s choirs. He has also given concert tours in Germany and abroad. From 2001 to 2003 Wagner was an educational consultant and teacher at the Bavarian State Academy of Music in Peter Wagner Hammelburg. Since then he has been cathedral organist and choral director in Minden as well dean church musician for the archbishopric of Paderborn. New Issue Title
29 New Publications 2/2016 · The Programme Organ
First complete Urtext edition now comes to a close
Théodore Dubois: Complete Organ Works
Volume VI: 42 Pièces pour Orgue sans Pédales ou Harmonium
BÄRENREITER URTEXT
Volume VI presents 42 easy to moderately difficult pieces without Edited by pedal for organ or harmonium in every key, and brings the complete Helga Schauerte-Maubouet edition of Théodore Dubois’ organ works to a close. With their BA 9209 · approx. € 44.95 contrasting length and character, the pieces offer a wide range of performance possibilities both inside and outside the liturgy. Since To appear in September 2016 Dubois was a master of melody, several of the pieces can also be rendered on the piano, further enhancing the collection’s practical value.
• At the cutting edge of scholarship • Music in every key for church worship and concert performance • Detailed Foreword, Critical Commentary (Fr/Eng/Ger) and facsimiles
ISMN 979-0-006-56263-3
9 790006 562633
New Issue Title
New Publications 2/2016 · The Programme 30 Organ
Now available at a special set price:
Théodore Dubois Complete Organ Works in 6 Volumes BA 9220 only € 220 · instead of € 276.90
The set includes:
Volume I: Early Works and Works with Minimal or Optional Use of the Pedals BA 8468 · € 48.50
Volume II: Organist at the Church “La Madeleine” Douze Pièces pour Orgue ou Piano-Pédalier (1886) BA 8469 · € 48.50
Volume III: Organist at the Church “La Madeleine” Trois Pièces pour Grand Orgue (1890) / Messe de Mariage. Cinq Pièces pour Orgue (1891) BA 8470 · € 39.95
Volume IV: Organist at the Church "La Madeleine" Douze Pièces nouvelles (1893) / Ascendit Deus (Offertoire pour la fête de L' Ascension) (1902) BA 8471 · € 48.50
Volume V: His Last Organ Works Dix Pièces (nouvelles (1921) / Fantasietta avec Variations (1922) BA 9208 · € 46.50
Volume VI: 42 Pièces pour Orgue sans Pédales ou Harmonium BA 9209 · approx. € 44.95
ISMN 979-0-006-53778-5
9 790006 537785
BA 9220, special set price New Issue Titlee
31 New Publications 2/2016 · The Programme Organ
The close of the Vierne Complete Edition
Louis Vierne (1870–1937) brought symphonic French organ music to its stylistic climax.
Besides being a productive composer, he also gained a reputation as a brilliant improviser at his place of employment, the Notre Dame Cathedral in Paris, and throughout the world.
In 1928 Vierne, one of the best-known organists of his day, made one of the earliest organ recordings, playing Bach works and his own improvisations in Notre Dame.
Three improvisations released in 1929-30 were transferred to Louis Vierne: musical notation in 1954 by his pupil Maurice Duruflé. Another Complete Organ Works previously unpublished improvisation which was recently rediscovered among Vierne's posthumous papers was reconstructed and published Volume X: in musical notation in 2005 by Duruflé’s pupil Jean-Michel Louchart Improvisations and (b. 1946). These four improvisations join Vierne's transcriptions of Transcriptions works by Johann Sebastian Bach, César Franck and Sergei Rachmaninov in this volume, bringing our complete edition of his organ works to a close. BÄRENREITER URTEXT
Contents Edited by 1) Improvisations: Helga Schauerte-Maubouet - Three Improvisations (reconstructed by Maurice Duruflé in 1954) BA 9238 · approx. € 24.95 - Improvisation (reconstructed by Jean-Michel Louchart in 2005)
To appear in November 2016 2) Transcriptions: - Johann Sebastian Bach, Sicilienne BWV 1031 (1894) No distribution rights (mvt. 2 of the Sonata in E-flat major for flute and harpsichord) for France and Spain. - César Franck, 5 Pièces d′harmonium (1901) - Sergei Rachmaninov, Prélude in C-sharp minor op. 3 no. 2 (1932) (from: Morceaux de fantaisie)
• New source material incorporated • Extensive trilingual Foreword (Fr/Eng/Ger) with detailed ISMN 979-0-006-53589-7 notes on performance practice • Comprehensive Critical Commentary (Fr/Eng/Ger)
9 790006 535897 • Illustrations and facsimiles
New Issue Title
New Publications 2/2016 · The Programme 32 Organ
Luther 2017: 500th anniversary of the Reformation
The organ plus one series was specially conceived for semi-professional church musicians and instrumentalists. It takes its bearings from the liturgical calendar and the pieces can be easily played in church services, evening recitals or small concerts. Included are pieces which are freely-composed or based on chorales, either original works or arrangements by the editor. In this volume the works relate to hymns of the Reformation, including some composed by Martin Luther.
Enclosed in each edition are solo parts for C, B-flat, E-flat and F which can be played by violin, flute, oboe, clarinet, trumpet and horn in F. For use in church services, the chorale preludes are provided with accompaniments in the keys of the Lutheran hymnal. ORGAN PLUS ONE Reformation / A selection of the contents: Chorale preludes: Johann Sebastian Bach, Allein Gott in der Höh sei Hymns by Martin Luther Ehr BWV 675; Johann Gottfried Walther, Was Gott tut, das ist wohlgetan; Gottfried August Homilius, Nun freut euch, lieben Christen Original works and arrangements g’mein; Otto Dienel, Wer nur den lieben Gott lässt walten; Max Reger, for church services and concerts Ein feste Burg ist unser Gott. Freely composed works: Johann Sebastian Bach, Sinfonia in F major Edited by Carsten Klomp BWV 794 and Trio BWV 525; Sigfrid Karg-Elert, Benediction; Score with parts Théodore Dubois, Prélude. BA 8508 · approx. € 24.95
To appear in October 2016
Already published in the organ plus one series:
Advent / Christmas BA 8501 · € 18.50 ISMN 979-0-006-56319-7 Passion / Easter BA 8503 · € 18.50 Death and Eternity / Funeral Service BA 8504 · € 18.50 Praise and Thank / Baptism and Wedding BA 8505 · € 18.50 9 790006 563197 Divine Service BA 8506 · € 18.50 Communion BA 8507 · € 18.50 New Issue Title
33 New Publications 2/2016 · The Programme Solo Voice
Jean-Philippe Rameau: “Airs d’opéra” Series
Edition of the Centre de musique baroque de Versailles (CMBV) supported by the Société Jean-Philippe Rameau (SPJR) based on the works which form part of the Jean-Philippe Rameau Opera Omnia (OOR).
Airs d'opéra : Basse-taille et basse / Operatic Arias: Bass Baritone and Bass
Edited by Sylvie Bouissou, Benoît Dratwicki, Julien Dubruque. Piano reduction by François Saint-Yves Vocal score (Fr) BA 9198 / CAH.XXX/OORVIaX · € 52.00 Already published: To appear in July 2016
This volume contains the bass baritone and bass arias for the main Airs d’opéra, Grand dessus characters. (Soprano and Mezzo-soprano) Vocal score (Fr) BA 9195 · € 52.00 Airs d'opéra : Dessus, volume 1 / Operatic Arias: Soprano Airs d’opéra, Dessus (Soprano), Vol. 2 Vocal score (Fr) Edited by Sylvie Bouissou, Benoît Dratwicki, Julien Dubruque. BA 9192 · € 52.00 Piano reduction by François Saint-Yves Vocal score (Fr) Airs d’opéra, Haute-contre (Tenor), BA 9191 / CAH.XXX/OORVIaX · € 52.00 Vol. 1 To appear in December 2016 Vocal score (Fr) BA 9196 · € 52.00 This volume contains the soprano arias for the main characters.
• Detailed historical Introductions (Fr/Eng) Airs d’opéra, Haute-contre (Tenor), Vol. 2 • Well-presented idiomatic piano reductions based on Rameau’s Vocal score (Fr) Opera Omnia BA 9197 · € 52.00 • Each number is preceded by a brief account of the dramatic situation and an English translation of the vocal text • Co-edited by the Centre de musique baroque de Versailles and the Société Jean-Philippe Rameau (distributed exclusively by Bärenreiter)
ISMN 979-0-006-56140-7 ISMN 979-0-006-56139-1
BA 9198 BA 9191 1 • 16 1 • 16
New Issue Title 9 790006 561407 New Issue Title 9 790006 561391 New Issue Title
New Publications 2/2016 · The Programme 34 PPHOTOHOTO CCOMPETITIONOMPETFotowettbewerbITION
Do you love Bärenreiter editions? Are our music editions a trusty companion in your musical life?
Then grab your camera or your mobile/cellphone and send us a photo that captures your affi nity with Bärenreiter.
Your photo can be taken in whatever situation you like – while practising, teaching, making music at home, taking part in a concert, while spontaneously sight-reading with friends, during your travels or while on vacation. As far as creativity is concerned – the sky’s the limit.
You can win a total of ten vouchers for our publications: 1st prize: € 200 2nd prize: € 150 3rd prize: € 100 4th – 10th prize: € 50 each
The deadline for submitting your entry is 30 September 2016.
Further information at our website. We can’t wait to receive your photo and hope you have fun in the making of it!
New Issue Title
35 New Publications 2/2016 · The Programme Your Contacts
Sales and Marketing Sales and Marketing International Germany · Austria · Switzerland
Director of Sales and Marketing Director of Sales and Marketing Corinne Votteler Ivan Dorenburg Tel. ++49 (0) 561 3105-175 Tel. ++49 (0) 561 3105-162 [email protected] [email protected] Switzerland · France · Belgium · Luxembourg · Italy Institutions, Libraries Dr. Christiane Loskant Carolin Jetter Tel. ++49 (0) 561 3105-112 Tel. ++49 (0) 561 3105-177 [email protected] [email protected] Scandinavia · Netherlands · Spain · Public Relations Portugal · Latin America · Middle East Johannes Mundry Catriona Glatthaar Tel. ++49 (0) 561 3105-154 Tel. ++49 (0) 561 3105-179 Fax ++49 (0) 561 3105-310 [email protected] [email protected] USA · Canada · Greece Petra Woodfull-Harris Hire Material Tel. ++49 (0) 561 3105-173 Bärenreiter · Alkor [email protected] Alkor-Edition Asia Heinrich-Schütz-Allee 35 34131 Kassel Corinne Votteler Tel. ++49 (0) 561 3105-175 Tel. ++49 (0) 561 3105-288/289 [email protected] Fax ++49 (0) 561 3 77 55 [email protected] UK · British Commonwealth www.alkor-edition.com Bärenreiter Ltd. Burnt Mill, Elizabeth Way Harlow, Essex CM20 2HX, GB Christopher J. Jackson Patrick J. Abrams Tel. ++44 (0) 1279 828930 Fax ++44 (0) 1279 828931 [email protected] Central and Eastern Europe · Russia Bärenreiter Praha s. r. o. náměstí Jiřího z Poděbrad 112/19 Imprint 130 00 Praha 3 Bärenreiter-Verlag Cover Design: Czech Republic Karl Vötterle GmbH & Co. KG Bärenreiter-Verlag Heinrich-Schütz-Allee 35-37 Director of Sales and Promotion 34131 Kassel · Germany Central and Eastern Europe Errors excepted; price www.baerenreiter.com Maxim Belčikov changes and delivery terms [email protected] Tel. ++420 274 001 932 subject to change without notice. Content valid as of Printed in Germany Fax ++420 222 220 829 July 2016. 1/1607/4 · SPA 042 [email protected] Issue Title
New Publicationswww.facebook.com/baerenreiter 2/2016 · The Programme 36 www.twitter.com/BarenreiterUK www.youtube.com/BaerenreiterVerlag