MISCHA ELMAN \Vednesday Evening, March 25, 1942
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Joseph Joachim, David Laurie, and Mischa Elman: Revising the Provenance
Joseph Joachim, David Laurie, and Mischa Elman: revising the provenance © Nicholas Sackman New version, 2020 Charles-Nicolas-Eugène Gand, in his Catalogue descriptif des Instruments de Stradivarius et J. Guarnerius, writes descriptions of four Stradivari violins belonging to Charles Lamoureux, the French conductor and violinist (1834-1899): Upper part of Gand’s Catalogue descriptif page 18 (hereafter G18U) (année 1870) Monsieur Lamoureux, Paris Violon Stradivarius, 13 pouces 1 ligne ½, année 1735 Fond de deux pièces presqu’uni, éclisse plus veinées, très-belle table et très-belle tête. Les filets sont un peu écartés dans certains endroits. Vernis rouge doré, très-beau. Complètement intact. Ex marquis de Louvencourt [this annotation written by Gand using red ink] (1870) Mr Lamoureux, Paris Antonio Stradivari violin, 13 pouces, 1½ lignes [355.3mm], year 1735 The back plate is made from two pieces; almost plain. The ribs are more flamed. Very beautiful front plate and very beautiful head. There are slight gaps in the purfling in some areas. The varnish is golden red, very beautiful. Completely intact. ex Marquis de Louvencourt. This 1735 violin has no association with Joseph Joachim, David Laurie, or Mischa Elman. ___________ Lower part of page 18 (G18L) [Monsieur Lamoureux] (année 1870) Violon Stradivarius, 13 pouces 2 lignes, année 1722 Fond de deux pièces, veines un peu serrées remontant un peu, belles éclisses, table de deux pièces ayant une petite cassure à l’âme, une petite au menton près du cordier, marque d’usure faite par l’archet, tête beau modèle. Vernis rouge doré clair. 187 M r Accursi, 5,000 } 1874 M r Laurie, 5,500 } red ink 1886 M r Joachim. -
95.3 Fm 95.3 Fm
October/NovemberMarch/April 2013 2017 VolumeVolume 41, 46, No. No. 3 1 !"#$%&'95.3 FM Brahms: String Sextet No. 2 in G, Op. 36; Marlboro Ensemble Saeverud: Symphony No. 9, Op. 45; Dreier, Royal Philharmonic WHRB Orchestra (Norwegian Composers) Mozart: Clarinet Quintet in A, K. 581; Klöcker, Leopold Quartet 95.3 FM Gombert: Missa Tempore paschali; Brown, Henry’s Eight Nielsen: Serenata in vano for Clarinet,Bassoon,Horn, Cello, and October-November, 2017 Double Bass; Brynildsen, Hannevold, Olsen, Guenther, Eide Pokorny: Concerto for Two Horns, Strings, and Two Flutes in F; Baumann, Kohler, Schröder, Concerto Amsterdam (Acanta) Barrios-Mangoré: Cueca, Aire de Zamba, Aconquija, Maxixa, Sunday, October 1 for Guitar; Williams (Columbia LP) 7:00 am BLUES HANGOVER Liszt: Grande Fantaisie symphonique on Themes from 11:00 am MEMORIAL CHURCH SERVICE Berlioz’s Lélio, for Piano and Orchestra, S. 120; Howard, Preacher: Professor Jonathan L. Walton, Plummer Professor Rickenbacher, Budapest Symphony Orchestra (Hyperion) of Christian Morals and Pusey Minister in The Memorial 6:00 pm MUSIC OF THE SOVIET UNION Church,. Music includes Kodály’s Missa brevis and Mozart’s The Eve of the Revolution. Ave verum corpus, K. 618. Scriabin: Sonata No. 7, Op. 64, “White Mass” and Sonata No. 9, 12:30 pm AS WE KNOW IT Op. 68, “Black Mass”; Hamelin (Hyperion) 1:00 pm CRIMSON SPORTSTALK Glazounov: Piano Concerto No. 2 in B, Op. 100; Ponti, Landau, 2:00 pm SUNDAY SERENADE Westphalian Orchestra of Recklinghausen (Turnabout LP) 6:00 pm HISTORIC PERFORMANCES Rachmaninoff: Vespers, Op. 37; Roudenko, Russian Chamber Prokofiev: Violin Concerto No. 2 in g, Op. -
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110895bk 12/11/04 3:04 pm Page 5 ADD Producer’s Note GREAT CONDUCTORS · TOSCANINI Great Conductors • Toscanini 8.110895 This CD gathers together all of Toscanini’s earliest (1938-39) studio recordings with the ensemble HAYDN: Symphony No. 88 in G major 20:40 created for him, the NBC Symphony, with the exception of the Beethoven Fifth and Eighth 1 Adagio – Allegro 5:54 Symphonies. There were additional live recordings made during his Beethoven cycle toward the end of 2 Largo 7:37 1939. 3 Menuetto: Allegretto – Trio 3:50 Perhaps in an attempt to duplicate the success of his first Victor recordings with the New York 4 Finale: Allegro con spirito 3:20 HAYDN Philharmonic some nine years earlier, the repertoire chosen included a symphony each by Haydn and Recorded 8th March, 1938 in NBC Studio 8-H, New York City Mozart, a Rossini overture and a virtuoso orchestral showpiece. Unlike those earlier sessions held in Matrices: CS-021306-2, 021307-1, 021308-1, 021309-1, 021310-1 and 021311-1 the expansive acoustic of Carnegie Hall, however, these early NBC recordings were made in the First issued as Victor 14928 through 14930 in album M-451 Symphony No. 88 reverberation-free zone of Studio 8-H. It would not be until May of 1940 (with the Brahms Second Piano Concerto with Horowitz) that Toscanini/NBC recording sessions would be moved to Carnegie MOZART: Symphony No. 40 in G minor, K.550 22:44 for the next few years. 5 Allegro molto 7:24 6 Andante 7:06 The sources for the restorations were pre-war U.S. -
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- PB - SYMPHONIES 1 & 2 The First and Second Symphonies of Sibelius Jean Sibelius (1865-1957) The music critic Neville Cardus, when reviewing a concert Besides considering the various influences on of the Sibelius First and Second Symphonies, remarked these two magnificent works, it is instructive to that he would be happy to discard the later symphonies understand the origins of both. Already 34 when in favour of the first two. He was referring to the his First Symphony was premiered in 1899, Sibelius Symphony No. 1 in E minor, Op. 39 * [34.17] emotional impact of these early works compared to the was known for a number of nationalistic orchestral 1 I. Andante, ma non troppo [9.39] more restrained glories of the later ones. Sometimes it is works heavily influenced by Finnish literature 2 hard to disagree with this opinion, particularly when both and landscape such as En Saga, Kullervo, the II. Andante (ma non troppo lento) [9.26] symphonies are given such overtly romantic readings Karelia Suite and the Lemminkainen Legends. 3 III. Scherzo–Allegro [4.45] as those conducted by Leopold Stokowski on this CD. Certain Finnish critics were, however, impatient with 4 IV. Finale (Quasi una Fantasia)–Andante [10.17] Sibelius himself turned to the high priests of romantic Sibelius for not writing an abstract symphony of music for his influences. With the First Symphony, he the kind traditionally associated with the musical sought guidance from the Russian school typified by capitals of Europe. Sibelius must also have been Symphony No. 2 in D major, Op. -
Philadelphia Orchestra
The Philadelphia Orchestra Yannick Nézet-Séguin Music director and conductor Lisa Batiashvili Violin September 25, 2018 7:30 pm Photo: Jan Regan 2018/2019 SEASON Great Artists. Great Audiences. Hancher Performances. THE PHILADELPHIA ORCHESTRA YANNICK NÉZET-SÉGUIN MUSIC DIRECTOR AND CONDUCTOR LISA BATIASHVILI VIOLIN Tuesday, September 25, 2018, at 7:30 pm Hancher Auditorium, The University of Iowa Liar, Suite from Marnie Nico Muhly (b. 1981) Violin Concerto in D Major, Op. 35 Pyotr Ilyich Tchaikovsky (1840–1893) I. Allegro moderato—Moderato assai II. Canzonetta: Andante III. Allegro vivacissimo INTERMISSION Symphonic Dances, Op. 45 Sergei Rachmaninoff (1873–1943) I. Non allegro II. Andante con moto (Tempo di valse) III. Lento assai—Allegro vivace—Lento assai, come prima—L’istesso tempo, ma agitato— Poco meno mosso—“Alliluya” 3 Photo: Jessica Griffin Jessica Photo: EVENT SPONSORS MACE AND KAY BRAVERMAN GRADUATE IOWA CITY GARY AND RANDI LEVITZ WILLIAM MATTHES AND ALICIA BROWN-MATTHES LAMONT D. AND VICKI J. OLSON MARY LOU PETERS JACK AND NONA ROE CANDACE WIEBENER HANCHER'S 2018/2019 SEASON IS DEDICATED TO THE MEMORY OF DICK AND MARY JO STANLEY 4 Photo: Jessica Griffin Jessica Photo: BUILDING COMMUNITY June 30, 2018–January 6, 2019 Stanley Visual Classroom Iowa Memorial Union Côte d’Ivoire; Baule peoples Asie usu (nature spirit) pair Wood 15” H The Stanley Collection, X1986.527 Individuals with disabilities are encouraged to attend all University of Iowa-sponsored events. If you are a person with a disability who requires a reasonable accommodation in order to participate in this program, please contact the SMA in advance at 319-335-1727. -
MUSIC in a WAR YEAR a Jewish Poet Remembered by DANIEL SHORR Turned to South America to an Unprecedented Degree
JS i iSS 27, 1940 Friday, September THE SOUTHERN JEWISH WEEKLY Page Nine MUSIC IN A WAR YEAR A Jewish Poet Remembered By DANIEL SHORR turned to South America to an unprecedented degree. Toscanini Writing this review ten years virtually devastated in Europe, as and his NBC Symphony Orchestra have much to say a «ro we would all culture lies in ruins. And even and Leopold Stokowski with a in Europe of 'musical activities to Palestine, where refugees had youth orchestra both of which during the past year, and of Jew- come and given promise of erect- included a goodly proportion of participation in these activi- ing a fine musical tradition, the Jewish musicians made highly ish write of the Salz- ties We would horrors of Hitler’s Europe fol- successful tours of Latin Ameri- iMeE Htt i burg festival, the Bayreuth festi- lowed them, overshadowing music ca, helping to solidify in the mu- Est .I val, of the work of the Paris Con- in the Holy Land with bombings. sical field the strengthening bond servatory, the Czech Philharmon- "Wars, revolutions, have not al- of pan-American unity. Such so- ic, the Warsaw Philharmonic, the ways affected arts, which seem to ¦oists as Jascha Heifetz also Vienna Opera. live their own life, according to oured South America, and Heifetz But this is October, 1940. There their own laws,” Ernest Bloch, the set new attendance records. La- famous composer, iare Saminsky has been a year of war. Music lies recently wrote was in South to us. “But this is more than an America conducting concerts and .” ordinary war. -
The Inventory of the Mischa Elman Collection #417
The Inventory of the Mischa Elman Collection #417 Howard Gotlieb Archival Research Center ! ELMAN, MISCHA Gift of 1969 from Mrs. Elman. A) Newsclippings. Box 1 1) Scrapbooks containing newsclips of ME's concert appearances and personal interest stories from the World's press. wrapped II l No. 1 "1958-1962" wrapped 112 No. 2 "1938-1939" No. 3 "1939-1944" No. 4 "June 1939-September 1939" wrapped II 3 No. 5 "1928-1938" Box 2 No. 6 "South America: 1934" No. 7 "South America: 1934" Box 3 No. 8 "January 1937-May 1939" No. 9 "1937-1939" Box 4 No. 10 "South Africa 1937" No. 11 "Chile: 1939'' No. 12 "1922-1923" Box 5 No. 13 II 1935" No. 14 "Japan; 1955" No. 15 "1923-1936" No. 16 "Chile: 1934" No. 17 "South Africa: 1953" No. 18 "South Africa: 1953" Box6-10 2) Newsclippings. Approximately 10,000 pieces relating to ME from the world's newspapers. Reviews, biographical stories, social notes. I Box 11 - 132) Printed concert programs. ME performed in many states of the USA, and a 12 variety of foreign countries~ all are represented in this group, 1906-1967. 286 items. Several signed. (Of special note: ME concert for President Franklin Delano Roosevelt, the White House, 1939). page2 ELMAN, MISCHA Gift of 1969 Box 13 C) Citations and honorary degrees awarded ME, 1924-1957. 8 items. D) 124 formal and informal photographs of ME, his parents, wife, children. E) 52 broadsides and advertisements announcing ME concerts. Circa 1936-1960. Box 14 • F) 8 posters announcing ME concerts. Various countries. -
THE NAFF COLLECTION (Location: Range 4, Section 5 – NR Workroom)
THE NAFF COLLECTION (Location: Range 4, Section 5 – NR Workroom) The Naff Collection is an accumulation of programs, autographed photographs, posters, folders, booklets, announcements and a few other items which tell the story of professional theater in Nashville between the years 1900 and 1960. This material was collected by the late Mrs. L. C. Naff during the period in which she served as secretary to the Rice Bureau and later as manager of the Ryman Auditorium. She bequeathed the collection to Francis Robinson, assistant manager of the Metropolitan Opera, who began his career as an usher at the Ryman. On March 27, 1967, Mr. Robinson made the formal presentation of the collection to the Public Library of Nashville and Davidson County, Charles C. Trabue, chairman of the board, and Marshall Stewart, chief librarian. The public was invited to this ceremony at which the collection was on display. The materials had been listed by chronological periods and arranged by Ann Dorsey, head of the reference department, Edward Durham and Terry Hudson. After the material had remained on exhibit for one month, it was packed for storage. In January 1971, it was decided that the collection should be classified and indexed so that it might be more readily available to researchers and other interested parties. The holdings in the Naff Collection have been classified as follows: NAFF COLLECTION CLASSIFICATIONS Advertising Announcements Descriptive Folders Letters and Telegrams Librettos Newspaper Clippings Photographs Posters Programs: Concerts Dances Lectures Miscellaneous Musical Comedies Operas Operettas Orchestras Plays Recitals Souvenirs Variety Realia Scripts Souvenir Booklets The subject headings of the various collections will most likely lead to desired information, particularly if the medium of a performer is known. -
July 1944) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 7-1-1944 Volume 62, Number 07 (July 1944) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Music Pedagogy Commons, and the Music Performance Commons Recommended Citation Cooke, James Francis. "Volume 62, Number 07 (July 1944)." , (1944). https://digitalcommons.gardner-webb.edu/etude/215 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. d ^BBSiSTj/n iVltS; : ATe 1 ""STDAvof s‘j SAVINGS SSsSSisa series 0t l'V«t0 , r BE 0y AN A J TV ° ON0 u R «* s « ACT ^ STATED ON Twr 'VMEN, ° WaShi NGTOn Thermo BUY ONE OF THESE BONDS TO-DAY C PHRASE FROM “THE STARS AMD STRIPES FOREVER." . PHILIP SOUSA USED BY "PERMISSION OF CO., OWNERS OF TMR COPYRIGHT >| CHURCH LEONARD BERNSTEIN'S “Symphony ” No. 1, ‘Jeremiah,’ has won the award of the New York Music Critics Circle as the season’s outstanding new orchestral work by an American composer. The composition had been given its first per- formance early in the season by the New York Philharmonic-Symphony Or- chestra, with the composer conducting. The award for the best piece of cham- ber music was given to the “String Quar- tet” composed by Sgt. -
Music for the Microphone: Network Broadcasts and the Creation of American Compositions in the Golden Age of Radio Akihiro Taniguchi
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2003 Music for the Microphone: Network Broadcasts and the Creation of American Compositions in the Golden Age of Radio Akihiro Taniguchi Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY SCHOOL OF MUSIC Music for the Microphone: Network Broadcasts and the Creation of American Compositions in the Golden Age of Radio By AKIHIRO TANIGUCHI A Dissertation submitted to the School of Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Summer Semester, 2003 Copyright ©2003 Akihiro Taniguchi All Rights Reserved The members of the Committee approve the dissertation of Akihiro Taniguchi defended on 15 May 2003. ______________________________ Charles E. Brewer Professor Directing Dissertation ______________________________ Jane Piper Clendinning Outside Committee Member ______________________________ Denise Von Glahn Committee Member ______________________________ Michael B. Bakan Committee Member Approved: ________________________________________________________ Jon Piersol, Dean, School of Music The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS List of Tables ........................................................................................................................ v List of Music Examples........................................................................................................ -
Robert Russell Bennett Page 24 Kirk Muspratt Wayne Abercrombie Lawrence J
.l Journal "f the G6 ;)illdi:b;$ GtililIffi 5300 Glenside Dr., Suite 2207, Table of Contents Richmond, VA 23228 T: (804) 553-1378; F: (804) 553-1876 Commentary page 1 E-mail: [email protected] . Advancing the Art and Profession [email protected] Arturo Toscanini as page 2 Website: www.conductorsguild.org an Anti-Fascist Officers by Edward P. Castilano Emily Freeman Brown, President Michael Griffith, Secretary Tonu Kalam, President-Elect Harlan D. Parker, Treasurer The Common Denominator page 8 Sandra Dackow, Vice-President Harlan D. Parker, Past President by Gustav Meier Board of Directors Robert Russell Bennett page 24 Kirk Muspratt Wayne Abercrombie Lawrence J. Fried (1894-1981), Orchestrator Lyn Schenbeck Kristian Alexander Otis French* and Composer Jonathan Sternberg* James Allen Anderson Jonathan D. Green* by George J. Ferencz James Ball Earl Groner Karen P. Thomas Chelsea Tipton, II Henry Bloch* Gordon Johnson Scores & Parts page 34 Michael Votta, Jr. John Boyd Thomas Joiner Claude Debussy’s Lisa White Mark Cedel John Koshak Prélude de l’après-mmidi d’un faune Burton Zipser* Allan Dennis Anthony LaGruth by Paul Vermel Duilio Dobrin Andrew Levin *Ex-Officio Advisory Council Books in Review page 35 Charles Ansbacher Adrian Gnam Maurice Peress Michael Charry Samuel Jones Donald Portnoy Maurice Peress, Dvorák to Sergiu Comissiona Wes Kenney Barbara Schubert Duke Ellington Harold Farberman Daniel Lewis Gunther Schuller reviewed by Thomas R. Erdmann Lukas Foss Larry Newland Lesley Stephenson, Symphony Theodore Thomas Award Winners of Dreams: The Conductor and Patron Claudio Abbado Frederick Fennell Robert Shaw Paul Sacher Maurice Abravanel Margaret Hillis Leonard Slatkin reviewed by Lance Friedel Leon Barzin James Levine Sir Georg Solti Leonard Bernstein Kurt Masur Pierre Boulez Max Rudolf Thelma A. -
The Orchestral Repertory; It Is Almost Always Turned to When American Orchestras Seek a Musical Work to Provide Beauty, Solace and Inspiration for Their Audiences
Feb. 23, 24, 25 classical series SEGERSTROM CENTER FOR THE ARTS Renée and henry segerstrom Concert hall Concert begins at 8 p.m.; Preview talk with alan Chapman at 7 p.m. presents 2011-2012 HAL & jEANETTE SEGERSTROM FAMILy FOUNDATION CLASSICAL SERIES carl St.clair • CONduCTOR Vadim Gluzman • viOliN | Paul jacOBS • ORGaN MiChael dauGheRTy The Gospel according to sister aimee (2012) (b. 1954) for Organ, brass and Percussion — WORld PReMieRe i. Knock Out the devil! ii. an evangelist drowns iii. desert dance iv. To the Promised land Paul Jacobs saMuel baRbeR adagio for strings (1910–1981) MiChael dauGheRTy Radio City (2011) for Orchestra: symphonic Fantasy on arturo Toscanini and the NbC symphony Orchestra — u.s. PReMieRe i. O brave New World (O Mirabile Nuovo Mondo) ii. Ode to the Old World (Ode al vecchio Mondo) iii. On the air (in Onda) iNTeRMissiON PiOTR ilyiCh TChaiKOvsKy Concerto in d Major for violin and Orchestra, Op. 35, Th 59 (1840–1893) allegro moderato Canzonetta: andante Finale: allegro vivacissimo Vadim Gluzman Patrons are cordially invited to remain after the performance for an organ postlude played by Paul Jacobs. The Friday, February 24, concert is generously sponsored by Dr. & Mrs. Stan Sirott. The Saturday, February 25, concert is generously sponsored by Tom and vina Williams Slattery. P acific S y mphon y P roudl y R ecogni z es its official partners Official airline Official hotel Official Television station Pacific symphony broadcasts are made possible by a generous grant from The saturday, February 25, performance is broadcast live on KusC, the official classical radio station of Pacific symphony.