DOCSLIB.ORG

Pacific Coast Sat in Judgment

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Pacific Coast Sat in Judgment II _._._. __ ._----- _.--_ .... ___. ___._ ... c ___ . __ ---.~----.. ) I -, ". '- ,• : - .~ \ PAGE 8 THE JEWISH POST Elman was willing in the interest THE JEWISH POST ( PAGE 2 of art and in order to expand hi. own ing up the tune, stood singing, thus vast knowl,edge, of music to sacrifice not only of ralsmg Zionist sentiment ~, a great deal of money and time. For __ O_'_O_O_O_O_O_O_O_'-'--'-'-'-'-'-'-'-'-'-'-'-'-'j and confidence in the rebuilding of pel'mitting calm to return. The blaze LOCAL NEWS was extinguished' and the mooting re­ two years the qunrt-et gave immacu­ Zion, but also as a calming influence J I late recitals of b~autiful chamber , I ~ J ewishN ews in Brief .~ on Zionists in assembly~ when a Keren sumed. B. Shops, in a .humorous 1'eading; music throughout America . i Hn:y,esod . conference in session here CHANUKAH PLAY AT , Joseph Sera, in a vocal solo; Dance, by' "I' hop-ed, through my quartet, to \ • .'1 was thrown· into panic by the outcry CRESCENT THEATRE Empire was officially incorporated Miss Buchwald; One act play by 1>he create a new.enthus-insm, not only for 1 "Fire. " the latest compositions but also for Jewish Children· into the progra mof. the League of The man who put the Zionist hymn Alloway & Champion The Oh'.nukah play and entertain-· childr·en of the school. I the old established classfcs. And I ! Zionist Revisionists, -at a conference to this test was Col. Josiah Wedg­ Limited ment to be given Dec. 9 hy the Sun­ Beaten for Missing of Palestinian Revisionists held here. ELMAN TO APPEAR wished to stay the prejudice that a wood, British Labor M.P. who is noW Established 1879 day School club of the Beth Sholem .' Vladimir hb~tfnsky, president of congregation, will be held at· the IN CONCERT HERE virtuoso cannot subordin~te hims-elf touring Roumania on behalf of the to an ensemble. Nothing makes a School on Sabbath the League, now "0. resident in Pales­ CONSULT US Crescent th·eatre, corner Corydori and ON NOVEMBER 28th Kel'Cn Hayesod. During the confer­ man progress like a new repertory, a tine, presided over the conference, ence which was attended by a thous­ Daly stre'ets, instead of at the Assem­ before making your purchase of varied mus·leal litel'atul~e, a differ-ent BUCHAREST.-Medical aid had to which adopted a resolution welcoming u bly hall of the synagogue, as first an­ and people, the cry of. "Fir.a threw STOCKS, BONDS OR MINING field of interpretative art." . be administered to 15 Jewish pupils of the seventh dominion idea advocated nounced. The change is made for the the audience into turmoil. People SHARES Mr. Elman hopes some day to re­ the secondary school in a Transyl":' by Col. Josiah Wedgwood in his re­ a~commodation of the larg€ attend­ rushed for the doors, many were Alloway & Champion, Ltd. organiz.e the quad-et for appeal'ances van ian to~n because of terrific beat­ cently published book of that name ance expect.ed. trampled. Wedgwood, from the plat­ in musical centers like New York, ings at the hands of a Roumanian concerning the subject. 362 Main St. Winnipeg, Man. form, sensing the danger, ,began to Phone 23311 Baston, Chicago, Philadelphia, and to Another resolution urges Palestine teacher. sing "Hatikva·h.u The audioeTIce tak~ MRS. DAVID DAVIS make it part of the musical life in . The "Yiddishe Valkszeitung" of Jewry to conduct "its own political DIES AT AGE OF 66 activity" and to establish a perman­ those cities. MarmOl'DSh reports this fact from ------ ALD. W. B. SIMPSON Upper Vishov, Transylvania. Semyan ent political representation in Lon­ Sadie Davis, wife of David Davis, ANTI-SEMITISM IS , , Tancu, the teacher, beat the Jewish don, independent of the Zionist Exe­ 286 Aik€lls Street, died Tuesday :at is standing for re-election in Ward 3 . , , SUBJECT OF DEBATE I~ children for refu'sing to attend school cutive. the St. Boniface hospital; The de­ He has been 14 y.ears in the Winnipeg -, ., I, ceased was 66 years of age and is sur" BEFORE MENORAH Council and has served in practically I I on Saturday: East ., Going viv.ed by her husband, a son and five ev-ery capacity ill civic administration. "Is anti-Semitism Necessary for the I Anti~Semites daughters, as well as by a large fam­ He is on the Independent Lwbor Party In Pr-cservation of the Jewish Rac-e," on your annual buying trip ily. Interment was made in the Shaa­ ticket. I, I Prosecute Bibical proved to be a subjeCt of vital inter­ Roumania Threaten Take advantage of rey Zedek cemetery, Kildonan. I'I : • est as indicated by the lively discus­ Scholar for New shin it evoked at the M-enol'ah meet­ New Government Y.M.H.A. TO FETE Book on Christ CANADIAN YICTORIOUS TEAMS ing' on Sunday, Nov. 18. The ques­ BUCHAREST-A threat made pub­ THURSDAY, NOV. 29 tion was put before the meeting by Dr. Feldm,an, who is an able and BERLIN. - Blasphemy proceedings licly by Octavian Gaga, Roumanian NATIONAL forceful manner showed himself in fa­ were instituted by the Berlin authori­ poet and former Minister of ihe In­ A banquet in honor of the senior vor of the negative of the question. ;;. ties against . Dr. Werner Hegemann, terior, notorious anti-Semitic agitator, football and baseball teams of the 1) MISCHA ELMAN Following him the matter was dis­ author and philosopher, ·a member of that 'anti-Jewish excesse& will be ar­ EXCURSIONS Y. IvI. H. A. will be held at the Royal Mischa Elman, world~fam-ed violin­ cussed from various angles by the fol­ the Evangelical Church, for asserting ranged to embarrass the new govern.. Alexandra hotel· Thursday evening, ist, will app... r in l'ecital at Central lowing: Gertrude lVIorganstel'll, Lil­ that Jesus of Nazareth was not cruci­ ment, bronght forth official and semi­ DAILY Nov. 29. Both teams led their respec­ Church, Wednesday, November 28th, lian Arkin, Brownie Udow, Sam fied. 'Leading liberal newspapers in official statements. DEC. 1 to JAN. Ii tive divisions and established a l'ecord under the mnagement of Fred M. Swartz, Louis Levy, Lawrence Rabin­ . , GOl:many criticized the action of the The Manin Government is determin­ in the Winnipeg athletic world. To all points in Eastern Canada Gee, owitch, Saul Kanee, Leslie Plottel, . '," authorities for instituting . the suit. -ed'to proceed vigorously and merci­ A large attendance of men promi­ \ ' From all points in Prairie Provinces· The programme is as follows: Isadore. Dorfman, Sam Posner, Sam .\ .'... In a book recently published, entitled lessly against the intentions of the nent in local Jewish circles is expect­ '1 :. • i-Sonata, D major, Handel-Adagio, - Fre-edn~.an, Julius Hayman, .Alex Bel- 1'.'- If The Saved Christ," H,egemann Averescu party and 1>he Cuza group ·ed. Res-ervations_must be made in ad­ ~.i Allegro, (Larghetto, Allegro. evolves a new theory concerning the to interfere with the constructive pro­ vance to -ensure plac-es at the affair. apowsl",. 2-Sonata No. 5 in F (for piano and Following this Mr. Marcus Hyman de­ origin of Christianity and puts a neW gram of the new Government by stag­ Those planning to go to Tickets may be secured from Ben Ka­ livered the decision of the judges, de­ .interpl'etation on the scenes recorded ing anti-Semitic ~ttacksJ states a hana, secretary, 01' other officel's of / claring Sam Freedman, Max Cohen in "the New Testament as having oc­ semi-official declaration appearing in (,~ :the organizations. OMIT FEATURE and Sanl Kanee the debaters chosen to curred before the palace of the Roman in the organs of the National Peasant uphold the banners of. the Manitoba procurator, Pontius Pilate, when h£ Party. ~~ Owing to going to press one day CANTOR GLANZ WILL lVIenorah Society in a debate againsf , . .. Pacific Coast sat in judgment. A statement to the same effect was R~· carlier . this weelc, we have been ADDRESS ZIERE ZION th,e IVIinncsota Menorah Soci-ety,' to -Jesus was not crucified. Ban-abas made by Prim-e Minister ,Maniu to. a compelled to omit one of our fea- . We Represent Should Enquire take· place in Minneapolis during J. A. CHERNIACI( I',I never· ·existed. The crowd of Jews group of Zionists whom he- received Cantor Lieb Glantz, who is a prom­ ture stories, "Random Thoughts" , which assembled in front of the pal­ in audience today. The head of the About January. -'Vinnipeg, Jewish barrister who is ALL STEAMSHIP inent memb-er of th-e Ziere Zion c-en­ ) At the conclusion of t·he meeting -ace, according to the Gospels, implor­ government promised the delegation making a strong' Tun for one of the tral committee for United States and tea was served at the Roseland Dance ed Pilate to free Jesus who was known that his cabinet will take all steps ne­ LINES violin), Beethoven.-Allegro, Adag­ aldermanic seats in 'Vanl S. Mr. During Canada, will address a m-ceting on' Gardens. The engagement of this among the p'oople of Judea as "the cessary to guard the interests of the to and· from io malto -espressivo, .scherzo, Rondo. Ch21'niack is a candidate on the Inde­ DECEMBER Wednesday, November 28th, at 9 p.m. social hour was greatly enhanced .by sori o'f man." In the Aramaic vernac­ Jewish population in Roumania. FARES S-Concerto In A minor, Vieuxtemps. pendent Labor ticket. I i JANUARY at the Talmud Torah Hall, on "The a piano solo l'endered by Miss Char­ ular, they shouted "Give us Bar-Nash Jewish Agency and its Opponents;' 4-a.
Load more

Recommended publications
  • Joseph Joachim, David Laurie, and Mischa Elman: Revising the Provenance
    Joseph Joachim, David Laurie, and Mischa Elman: revising the provenance © Nicholas Sackman New version, 2020 Charles-Nicolas-Eugène Gand, in his Catalogue descriptif des Instruments de Stradivarius et J. Guarnerius, writes descriptions of four Stradivari violins belonging to Charles Lamoureux, the French conductor and violinist (1834-1899): Upper part of Gand’s Catalogue descriptif page 18 (hereafter G18U) (année 1870) Monsieur Lamoureux, Paris Violon Stradivarius, 13 pouces 1 ligne ½, année 1735 Fond de deux pièces presqu’uni, éclisse plus veinées, très-belle table et très-belle tête. Les filets sont un peu écartés dans certains endroits. Vernis rouge doré, très-beau. Complètement intact. Ex marquis de Louvencourt [this annotation written by Gand using red ink] (1870) Mr Lamoureux, Paris Antonio Stradivari violin, 13 pouces, 1½ lignes [355.3mm], year 1735 The back plate is made from two pieces; almost plain. The ribs are more flamed. Very beautiful front plate and very beautiful head. There are slight gaps in the purfling in some areas. The varnish is golden red, very beautiful. Completely intact. ex Marquis de Louvencourt. This 1735 violin has no association with Joseph Joachim, David Laurie, or Mischa Elman. ___________ Lower part of page 18 (G18L) [Monsieur Lamoureux] (année 1870) Violon Stradivarius, 13 pouces 2 lignes, année 1722 Fond de deux pièces, veines un peu serrées remontant un peu, belles éclisses, table de deux pièces ayant une petite cassure à l’âme, une petite au menton près du cordier, marque d’usure faite par l’archet, tête beau modèle. Vernis rouge doré clair. 187 M r Accursi, 5,000 } 1874 M r Laurie, 5,500 } red ink 1886 M r Joachim.
    [Show full text]
  • Philadelphia Orchestra
    The Philadelphia Orchestra Yannick Nézet-Séguin Music director and conductor Lisa Batiashvili Violin September 25, 2018 7:30 pm Photo: Jan Regan 2018/2019 SEASON Great Artists. Great Audiences. Hancher Performances. THE PHILADELPHIA ORCHESTRA YANNICK NÉZET-SÉGUIN MUSIC DIRECTOR AND CONDUCTOR LISA BATIASHVILI VIOLIN Tuesday, September 25, 2018, at 7:30 pm Hancher Auditorium, The University of Iowa Liar, Suite from Marnie Nico Muhly (b. 1981) Violin Concerto in D Major, Op. 35 Pyotr Ilyich Tchaikovsky (1840–1893) I. Allegro moderato—Moderato assai II. Canzonetta: Andante III. Allegro vivacissimo INTERMISSION Symphonic Dances, Op. 45 Sergei Rachmaninoff (1873–1943) I. Non allegro II. Andante con moto (Tempo di valse) III. Lento assai—Allegro vivace—Lento assai, come prima—L’istesso tempo, ma agitato— Poco meno mosso—“Alliluya” 3 Photo: Jessica Griffin Jessica Photo: EVENT SPONSORS MACE AND KAY BRAVERMAN GRADUATE IOWA CITY GARY AND RANDI LEVITZ WILLIAM MATTHES AND ALICIA BROWN-MATTHES LAMONT D. AND VICKI J. OLSON MARY LOU PETERS JACK AND NONA ROE CANDACE WIEBENER HANCHER'S 2018/2019 SEASON IS DEDICATED TO THE MEMORY OF DICK AND MARY JO STANLEY 4 Photo: Jessica Griffin Jessica Photo: BUILDING COMMUNITY June 30, 2018–January 6, 2019 Stanley Visual Classroom Iowa Memorial Union Côte d’Ivoire; Baule peoples Asie usu (nature spirit) pair Wood 15” H The Stanley Collection, X1986.527 Individuals with disabilities are encouraged to attend all University of Iowa-sponsored events. If you are a person with a disability who requires a reasonable accommodation in order to participate in this program, please contact the SMA in advance at 319-335-1727.
    [Show full text]
  • The Inventory of the Mischa Elman Collection #417
    The Inventory of the Mischa Elman Collection #417 Howard Gotlieb Archival Research Center ! ELMAN, MISCHA Gift of 1969 from Mrs. Elman. A) Newsclippings. Box 1 1) Scrapbooks containing newsclips of ME's concert appearances and personal interest stories from the World's press. wrapped II l No. 1 "1958-1962" wrapped 112 No. 2 "1938-1939" No. 3 "1939-1944" No. 4 "June 1939-September 1939" wrapped II 3 No. 5 "1928-1938" Box 2 No. 6 "South America: 1934" No. 7 "South America: 1934" Box 3 No. 8 "January 1937-May 1939" No. 9 "1937-1939" Box 4 No. 10 "South Africa 1937" No. 11 "Chile: 1939'' No. 12 "1922-1923" Box 5 No. 13 II 1935" No. 14 "Japan; 1955" No. 15 "1923-1936" No. 16 "Chile: 1934" No. 17 "South Africa: 1953" No. 18 "South Africa: 1953" Box6-10 2) Newsclippings. Approximately 10,000 pieces relating to ME from the world's newspapers. Reviews, biographical stories, social notes. I Box 11 - 132) Printed concert programs. ME performed in many states of the USA, and a 12 variety of foreign countries~ all are represented in this group, 1906-1967. 286 items. Several signed. (Of special note: ME concert for President Franklin Delano Roosevelt, the White House, 1939). page2 ELMAN, MISCHA Gift of 1969 Box 13 C) Citations and honorary degrees awarded ME, 1924-1957. 8 items. D) 124 formal and informal photographs of ME, his parents, wife, children. E) 52 broadsides and advertisements announcing ME concerts. Circa 1936-1960. Box 14 • F) 8 posters announcing ME concerts. Various countries.
    [Show full text]
  • MISCHA ELMAN \Vednesday Evening, March 25, 1942
    MISCHA ELMAN \Vednesday Evening, March 25, 1942 THE BROOKLYN INSTITUTE OF ARTS AND SCIENCES COMPRISING THB BROOKLYN MUSBUM, THB BROOKLYN CHILDRBN's MUSBUM, THB BROOKLYN BOTANIC GARDBN, AND THB INSTITUTB AT THB ACADBMY OF MUSIC EowAnu C. BLuM, Chairman of the Board ADRIAN VAN SINDERbN, Pr cstderd PBRMANBNT MEMBERSHIP, $2500 LIFB MBMBBUHIP, $500 CONTRIBUTING MBMBBRSHIP1 $100 PBR YBAR SUSTAINING MBMBBRSHIP, $25 PBR YBAR THE INSTITUTE AT THE ACADEMY OF MUSIC 30 LAFAYBTTII AVBNUB-BROOKLYN-STBRLING 3-6700 AuHIAN VAN SINUI Rl N , Chc1mnan, (jovenunq Comn11tlee Juttlh Bt.o0/11, D11n ''" ANNUAL MBMBBRSHIP, $10. MBMBERSIIIP I'RIVILBGBS INCLUDB FRBB ADMISSION TO MORH THAN TWO HUNDRBD BVBNTS: LBCTURBS, RBCITALS, PRO· GRAMS FOR YOUNG PBOPLB, MOTION PICTURBS, FIBLD TRIPS, BTC. MBMBBRSHIP MAY BB TAKBN OUT ANY TIMB DURING THB YBAR. THE BROOKLYN ACADEMY OF MUSIC 30 LAFAYBTTB AVBNUB-IIROOKLYN-STBRLING 3-6700 WILLIAM T. HuNTIIR, Chairman, Buildin§ Committu HBRBBRT T. SwiN, JWnttagittg Superinlettdefll THB OPERA HOUSE, MUSIC HALL, AND BALLROOM OF THB ACADBMY OF MUSIC ARB AVAILABLB FOR CONCBRTS1 PLAYS, LBCTURBS, DANCBS, AND OTHBR BVENTS. INQUIRB: MANAGING SUPBRINTBNOENT. PUBLICATION AND ADVERTISING OFFICES CONCERT PROGRAM MAGAZINES SIGMUND GoTTLOBBR, Publisher 30 Lafayette Ave., Brooklyn, STerling 3-6700 258 Fifth Ave., Manhattan, CAledonia 5-6690 W ALTBR H. MoRIN, Production JWana§er FREDA RoYCE, .Advertisin§ Director PUBLISHERS OF STADIUM CONCERTS REVIEW BERKSHIRE SYMPHONIC FESTIVAL PROGRAM ESSEX COUNTY SYMPHONY SOCIETY MAGAZINE WESTCHESTER COUNTY MUSIC CENTER CONCERT NEWS THE PROGRAM AND MAGAZINE OF BROOKLYN ACADEMY OF MUSIC .3 AMERICAN PIIOTOGRAPIIY A r TilE BROOKLYN MUSEUM "A Spinster," by E. F. Raynolds 4 The New President ADRIAN VAN SINDEREN ASSUMES OFFICE AS INSTITUTE 'S CHIEF EXECUTIVE F OLLOWING IllS ELECTION AT !"IlL LAS! J\IEET- Yale in 1()10, he served in the last \XIar with the ing of the Board of Trustees, held on January 8, Adrian Van Sinderen assumes the presidency rank of Major and was decorated with the Dis of the In stitute as of March, 1942.
    [Show full text]
  • THE NAFF COLLECTION (Location: Range 4, Section 5 – NR Workroom)
    THE NAFF COLLECTION (Location: Range 4, Section 5 – NR Workroom) The Naff Collection is an accumulation of programs, autographed photographs, posters, folders, booklets, announcements and a few other items which tell the story of professional theater in Nashville between the years 1900 and 1960. This material was collected by the late Mrs. L. C. Naff during the period in which she served as secretary to the Rice Bureau and later as manager of the Ryman Auditorium. She bequeathed the collection to Francis Robinson, assistant manager of the Metropolitan Opera, who began his career as an usher at the Ryman. On March 27, 1967, Mr. Robinson made the formal presentation of the collection to the Public Library of Nashville and Davidson County, Charles C. Trabue, chairman of the board, and Marshall Stewart, chief librarian. The public was invited to this ceremony at which the collection was on display. The materials had been listed by chronological periods and arranged by Ann Dorsey, head of the reference department, Edward Durham and Terry Hudson. After the material had remained on exhibit for one month, it was packed for storage. In January 1971, it was decided that the collection should be classified and indexed so that it might be more readily available to researchers and other interested parties. The holdings in the Naff Collection have been classified as follows: NAFF COLLECTION CLASSIFICATIONS Advertising Announcements Descriptive Folders Letters and Telegrams Librettos Newspaper Clippings Photographs Posters Programs: Concerts Dances Lectures Miscellaneous Musical Comedies Operas Operettas Orchestras Plays Recitals Souvenirs Variety Realia Scripts Souvenir Booklets The subject headings of the various collections will most likely lead to desired information, particularly if the medium of a performer is known.
    [Show full text]
  • Cello Concerto (1990)
    RUSSIAN, SOVIET & POST-SOVIET CONCERTOS A Discography of CDs and LPs Prepared by Michael Herman Edited by Stephen Ellis Composers A-G RUSTAM ABDULLAYEV (b. 1947, UZBEKISTAN) Born in Khorezm. He studied composition at the Tashkent Conservatory with Rumil Vildanov and Boris Zeidman. He later became a professor of composition and orchestration of the State Conservatory of Uzbekistan as well as chairman of the Composers' Union of Uzbekistan. He has composed prolifically in most genres including opera, orchestral, chamber and vocal works. He has completed 4 additional Concertos for Piano (1991, 1993, 1994, 1995) as well as a Violin Concerto (2009). Piano Concerto No. 1 (1972) Adiba Sharipova (piano)/Z. Khaknazirov/Uzbekistan State Symphony Orchestra ( + Zakirov: Piano Concerto and Yanov-Yanovsky: Piano Concertino) MELODIYA S10 20999 001 (LP) (1984) LEV ABELIOVICH (1912-1985, BELARUS) Born in Vilnius, Lithuania. He studied at the Warsaw Conservatory and then at the Minsk Conservatory where his composition teacher was Vasily Zolataryov. After graduation from the latter institution, he took further composition courses with Nikolai Miaskovsky at the Moscow Conservatory. He composed orchestral, vocal and chamber works. Piano Concerto in E minor (1976) Alexander Tutunov (piano)/ Marlan Carlson/Corvallis-Oregon State University Symphony Orchestra ( + Piano Trio, Aria for Viola and Piano and 10 Romances) ALTARUS 9058 (2003) Aria for Violin and Chamber Orchestra (1973) Mikhail Shtein (violin)/Alexander Polyanko/Minsk Chamber Orchestra ( + Vagner: Clarinet Concerto and Alkhimovich: Concerto Grosso No. 2) MELODIYA S10 27829 003 (LP) (1988) MusicWeb International Last updated: August 2020 Russian, Soviet & Post-Soviet Concertos A-G ISIDOR ACHRON (1891-1948) Piano Concerto No.
    [Show full text]
  • MISCHA ELMAN Interview 1919
    Interviewed by Frederick Martens, 1919 AUER AS A TEACHER "Take Auer for example. I may call myself the first real exponent of his school, in the" sense of making his name widely known. Auer is a great teacher, and leaves much to the individuality of his pupils. He first heard me play at the Imperial Music School in Odessa, and took me to Petrograd to study with him, which I did for a year and four months. And he could accomplish wonders! That one year he had a little group of four pupils each one better than the other—a very stimulating situation for all of them. There was a magnetism about him: he literally hypnotized his pupils into doing better than their best— though in some cases it was evident that once the support of his magnetic personality was withdrawn, the pupil fell back into the level from which he had been raised for the time being. "Yet Auer respected the fact that temperamentally I was not responsive to this form of appeal. He gave me of his best. I never practiced more than two or three hours a day —just enough to keep fresh. Often I came to my lesson unprepared, and he would have me play things—sonatas, concertos— which I had not touched for a year or more. He was a severe critic, but always a just one. "I can recall how proud I was when he sent me to beautiful music-loving Helsingfors, in Finland—where all seems to be bloodshed and confusion now—to play a recital in his own stead on one occasion, and how proud he was of my success.
    [Show full text]
  • Tchaikovsky Violin Concerto in D Major, Op
    23 Season 2018-2019 Thursday, September 20, at 7:30 The Philadelphia Orchestra Friday, September 21, at 2:00 Saturday, September 22, Yannick Nézet-Séguin Conductor at 8:00 Lisa Batiashvili Violin Berwald Symphony No. 3 in C major (“Sinfonie singulière”) I. Allegro fuocoso II. Adagio III. Finale: Presto First Philadelphia Orchestra performances Sibelius Symphony No. 7, Op. 105 (In one movement) Intermission Tchaikovsky Violin Concerto in D major, Op. 35 I. Allegro moderato—Moderato assai II. Canzonetta: Andante— III. Allegro vivacissimo This program runs approximately 1 hour, 50 minutes. LiveNote® 2.0, the Orchestra’s interactive concert guide for mobile devices, will be enabled for these performances. The September 20 concert is sponsored by Mrs. Lyn M. Ross in memory of George M. Ross. The September 21 concert is sponsored by Edith R. Dixon. The September 22 concert is sponsored by David Haas. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM, and are repeated on Monday evenings at 7 PM on WRTI HD 2. Visit www.wrti.org to listen live or for more details. ® Getting Started with LiveNote 2.0 » Please silence your phone ringer. » Make sure you are connected to the internet via a Wi-Fi or cellular connection. » Download the Philadelphia Orchestra app from the Apple App Store or Google Play Store. » Once downloaded open the Philadelphia Orchestra app. » Select the LiveNote tab in the bottom left corner. » Tap “OPEN” on the Philadelphia Orchestra concert you are attending. » Tap the “LIVE” red circle. The app will now automatically advance slides as the live concert progresses.
    [Show full text]
  • 3. Pablo De Sarasate 76 3.1 a Short Biography 77
    City Research Online City, University of London Institutional Repository Citation: Askin, C. (1996). Early Recorded Violinists. (Unpublished Doctoral thesis, City University London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/7937/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] EARLY RECORDED VIOLINISTS CIHAT AS KIN 1996 EARLY RECORDED VIOLINISTS Cihat Askin Thesis submitted in partial fulfilment of the requirements for the degree of Doctorate of Musical Arts City University Music Department April 1996 2 CONTENTS Acknowledgements 25 Abstract 26 Preface 27 Introduction 29 Abbreviations & Symbols 32 1. Joseph Joachim 33 1.1 A Short Biography 34 1.2 Joachim: Beethoven and Brahms Concertos 35 1.3 Joachim as Performer 39 1.4 Joachim as Teacher 40 1.5 Analysis of Joachim's Recordings 43 1.5.1 Bach Adagio and Tempo di Borea 44 1.5.2 Vibrato 60 1.5.3 Chords 61 1.5.4 Perfect Rubato 62 1.5.5 Agogic Accents 62 1.5.6 Intonation 63 1.6 Conclusion 66 2.
    [Show full text]
  • STRING PLAYERS by David Milsom of STRING PLAYERS CONTENTS
    STRING PLAYERS by David Milsom of STRING PLAYERS CONTENTS Acknowledgements ...................................................................................................5 CD Track Lists ...................................................................................................................6 Bonus Area Website .................................................................................................18 Preface ..............................................................................................................................20 BIOGRAPHIES ................................................................................................................27 Credits ............................................................................................................................. 664 About the Author .................................................................................................... 665 3 of STRING PLAYERS of STRING PLAYERS ACKNOWLEDGEMENTS Thanks are due to the editorial team at Naxos for their unfailing patience and humour in a lengthy and, at times, frustrating project – my particular gratitude goes to Genevieve Helsby and Pamela Scray!eld. I would also like to thank all those who have given me the bene!t of their wisdom and expertise including, notably, George Kennaway, David Patmore, Tully Potter and Jonathan Summers – all of whom have provided elusive missing information and a considerable amount of helpful advice – as well as Robert Webb, who gave me a useful boost in terms of research
    [Show full text]
  • The Franco-Belgian Violin School: Pedagogy, Principles, and Comparison with the German and Russian Violin Schools, from the Eighteenth Through Twentieth Centuries
    The Franco-Belgian Violin School: Pedagogy, Principles, and Comparison with the German and Russian Violin Schools, from the Eighteenth through Twentieth Centuries A document submitted to The Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS in the Performance Studies Division of the College-Conservatory of Music Violin 2019 by Gyu Hyun Han B.A., Korean National University of Arts, Korea, 2005 M.M., Korean National University of Arts, Korea, 2007 Committee Chair: Kurt Sassmannshaus, MM Abstract The Franco-Belgian violin school, famed for its elegance, detailed tone, polished sound, and variety of bow strokes, dominated violin performance at the turn of the twentieth century. Yet despite this popularity, and the continuing influence of the school as reflected in the standard violin repertoire, many violinists today do not know what constitutes the Franco-Belgian violin style. Partly, this is due to a lack of contextual information; while many scholars have written about the history of the violin and violin playing techniques, there is currently very little literature comparing the principles and performance characters of specific violin schools. This study therefore introduces the principles and techniques of the Franco-Belgian violin school, presented in comparison with those of the German and Russian violin schools; these features are catalogued and demonstrated both through examinations of each school’s treatises and analyses of video recordings by well-known violinists from each school. ii iii Table of Contents Abstract ii List of Tables vi List if Figures vi List of Musical Examples vii I.
    [Show full text]
  • 95646 Digibooklet Lucerne Festival Vol. XIII
    HISTORIC PERFORMANCES Nathan Milstein Mendelssohn Violin Concerto in E minor, Op. 64 Swiss Festival Orchestra | Igor Markevitch Dvoˇrák Violin Concerto in A minor, Op. 53 Swiss Festival Orchestra | Ernest Ansermet Felix Mendelssohn (1809–1847) Violin Concerto in E minor, Op. 64 I. Allegro molto appassionato – 11:53 II. Andante – 7:58 III. Allegretto non troppo – Allegro molto vivace 7:02 Nathan Milstein VIOLIN Swiss Festival Orchestra | Igor Markevitch Antonín Dvorák (1841–1904) Violin Concerto in A minor, Op. 53 I. Allegro, ma non troppo – Quasi moderato – attacca: 10:19 II. Adagio, ma non troppo 10:02 III. Finale. Allegro giocoso, ma non troppo 9:59 Nathan Milstein vIOLIN Swiss Festival Orchestra | Ernest Ansermet recorded live at LUCERNE FESTIVAL (Internationale Musikfestwochen Luzern) Previously unreleased “It is the music which takes a lifetime” Nathan Milstein: Views of a Violinist There are historical recordings which seem historical not merely due to their sound qual- ity. And there are others which, with a bit of imagination, could be current interpreta- tions, which have not acquired either an aesthetic or a stylistic patina, but which appear astonishingly timeless. Listening to Nathan Milstein’s performance of the famous violin concerto in E minor by Felix Mendelssohn, recorded live on 12 August 1953 together with the Swiss Festival Orchestra under the baton of Igor Markevitch, one is in for a surprise. Was this violinist, whose style is so lean and svelte, truly a representative of the fabled Russian violin school that advocated a full tone, broad vibrato and a sense of passion? Milstein’s Mendelssohn features hardly any portamento, no sighs, and especially no sensu- ous indulgence in sickly-sweet sounds; instead, his playing is characterised by fast tempi, a sinewy tone and razor-sharp accuracy in the realisation of filigree figurations.
    [Show full text]