RDE 2017 Programme 24
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Digital Switchover of Television and Radio in the United Kingdom
HOUSE OF LORDS Select Committee on Communications 2nd Report of Session 2009–10 Digital switchover of television and radio in the United Kingdom Report with Evidence Ordered to be printed 18 March 2010 and published 29 March 2010 Published by the Authority of the House of Lords London : The Stationery Office Limited £price HL Paper 100 The Select Committee on Communications The Select Committee on Communications was appointed by the House of Lords with the orders of reference “to consider communications”. Current Membership Baroness Bonham-Carter of Yarnbury Baroness Eccles of Moulton Lord Fowler (Chairman) Lord Gordon of Strathblane Baroness Howe of Idlicote Lord Inglewood Lord King of Bridgwater Lord Macdonald of Tradeston Baroness McIntosh of Hudnall Bishop of Manchester Lord Maxton Lord St John of Bletso Baroness Scott of Needham Market Publications The report and evidence of the Committee are published by The Stationery Office by Order of the House. All publications of the Committee are available on the intranet at: http://www.parliament.uk/parliamentary_committees/communications.cfm General Information General information about the House of Lords and its Committees, including guidance to witnesses, details of current inquiries and forthcoming meetings is on the internet at: http://www.parliament.uk/about_lords/about_lords.cfm Contact details All correspondence should be addressed to the Clerk of the Select Committee on Communications, Committee Office, House of Lords, London SW1A 0PW The telephone number for general enquiries is -
Audio-Based Fingerprinting for Radio Station Recommendations
AUDIO-BASED FINGERPRINTING FOR RADIO STATION RECOMMENDATIONS Stefan Langer, Markus Friedrich, Liza Obermeier, Emma Munisamy Andre´ Ebert Claudia Linnhoff-Popien∗ inovex GmbH LMU Munich, Mobile and Distributed Data Management and Analytics Systems Group andre.ebert@ifi.lmu.de [first name].[last name]@ifi.lmu.de ABSTRACT and precise station recommendations. This paper focuses on the latter and thus on the question how The world of linear radio broadcasting is characterized by a to generate meaningful recommendations for radio stations. wide variety of stations and played content. That is why find- Two main types of approaches can be distinguished for that: ing stations playing the preferred content is a tough task for a Recommendations based on Collaborative Filtering (CF) and potential listener, especially due to the overwhelming number Content-based Filtering (CBF) approaches. CF focuses on of offered choices. Here, recommender systems usually step user opinions and behavior, which can lead to privacy issues in but existing content-based approaches rely on metadata and as well as the Cold Start Problem (see Section 2). Thus, a thus are constrained by the available data quality. Therefore, CBF based recommender system working with characteris- we propose a new pipeline for the generation of audio-based tics derived from available station data is preferred in context radio station fingerprints relying on audio stream crawling of this work. In [1], it could be shown that station recom- and a deep autoencoder. We show that the proposed finger- mendation based on available metadata is possible, but only prints are especially useful for characterizing radio stations if the metadata reaches a certain quality level. -
13Th May 2019 for Release 12:00 (CEST) RADIOPLAYER to LAUNCH in DENMARK Radioplayer Worldwide Has Signed a Licensing Agreement
13th May 2019 For release 12:00 (CEST) RADIOPLAYER TO LAUNCH IN DENMARK Radioplayer Worldwide has signed a licensing agreement with Danish broadcasters, to form Radioplayer Denmark. The new collaboration will use Radioplayer technology, designed and developed in partnership with broadcasters worldwide over the past eight years; enabling Danes to access radio stations across the country, with high quality sound, all in one place. Denmark will become the tenth country to join the international Radioplayer platform, and there will be around 60 stations at launch, drawn from across the public service, private, and non-profit sectors. Marianne Bugge Zederkof, Director of Danske Medier, said: “Danish broadcasters are proud to be joining the Radioplayer family. We’re looking forward to adding our weight to the crucial work that Radioplayer is doing, to secure radio’s place in the car dashboards and connected devices of the future.” Radioplayer will launch in Denmark later this summer across multiple platforms, including an industry-wide web player, and world-leading apps for iOS and Android. The agreement will also see Danish broadcasters benefit from Radioplayer’s partnership with the Audi/VW group, DTS/Xperi, and other car manufacturers, ensuring that radio maintains its prominence in car dashboards with a smooth listener experience. The Radioplayer model was first developed as a unique collaboration between the BBC and commercial radio in the UK, creating an innovative listening platform for the digital age. Unlike other radio aggregation models, each Radioplayer system is specific to the country in which it is launched, and operated by the stations it serves. -
Download Radioplayer Launches on Bose Speakers.Pdf , Opens in a New Window
Press release for immediate use RADIOPLAYER LAUNCHES ON BOSE SPEAKERS Above: Speakers from the BOSE SoundTouch and Soundbar range Radioplayer, the international radio platform backed by public service and commercial radio groups, has partnered with BOSE to bring high-quality radio streams to their home speakers. The integration will make all stations available to listeners with BOSE SoundTouch and Soundbar speakers, across the 10 countries currently part of the Radioplayer platform. Using the BOSE controller app, listeners can browse stations alphabetically, see recommendations, search for something to listen to, listen to catch-up programmes and podcasts, and set Radioplayer stations as presets, so that their favourite stations can be played at the touch of a button on the speaker. As Radioplayer is the radio industry’s official distribution platform, BOSE listeners will benefit from hearing higher- quality audio streams and uninterrupted content, including live sports coverage that’s unavailable on other integrations. Michael Hill, Radioplayer Managing Director said: ”This new partnership between Radioplayer and BOSE will open up a world of excellent, high-quality audio for listeners - whether they like music, sport, podcasts, or any other kind of radio. We love working with people who understand about great sound quality.” Mike Angelo, Director of Product Management at BOSE said. “We’re excited to add Radioplayer as a partner on our SoundTouch products! This partnership unlocks high quality content for our customers globally, with a particular focus on regions such as the UK, Belgium, and Germany, and we’re confident they’ll enjoy this new addition.” ENDS Notes to editors For more press information about Radioplayer please contact: [email protected]. -
Content-Based Recommendations for Radio Stations with Deep Learned Audio Fingerprints
Herausgeber et al. (Hrsg.): Informatik 2020, Lecture Notes in Informatics (LNI), Gesellschaft für Informatik, Bonn 2020 1 Content-based Recommendations for Radio Stations with Deep Learned Audio Fingerprints Stefan Langer ,1 Liza Obermeier ,2 André Ebert ,3 Markus Friedrich ,4 Emma Munisamy ,5 Claudia Linnhoff-Popien 6 Abstract: The world of linear radio broadcasting is characterized by a wide variety of stations and played content. That is why finding stations playing the preferred content is a tough task for a potential listener, especially due to the overwhelming number of offered choices. Here, recommender systems usually step in but existing content-based approaches rely on metadata and thus are constrained by the available data quality. Other approaches leverage user behavior data and thus do not exploit any domain-specific knowledge and are furthermore disadvantageous regarding privacy concerns. Therefore, we propose a new pipeline for the generation of audio-based radio station fingerprints relying on audio stream crawling and a Deep Autoencoder. We show that the proposed fingerprints are especially useful for characterizing radio stations by their audio content and thus are an excellent representation for meaningful and reliable radio station recommendations. Furthermore, the proposed modules are part of the HRADIO Communication Platform, which enables hybrid radio features to radio stations. It is released with a flexible open source license and enables especially small- and medium-sized businesses, to provide customized and high quality radio services to potential listeners. Keywords: Hybrid Radio, Multimedia Services, Recommender Systems, Unsupervised Learning, Deep Audio Fingerprints, Deep Learning 1 Introduction Despite emerging competition from on-demand content services, linear radio broadcasting still remains one of the most popular entertainment and information media in Europe. -
Craft Focus Magazine
www.craftfocus.com April/May 2010 April/May CRAFTFOCUS Issue 18 www.craftfocus.com MAGAZINE Happy Birthday Craft Focus! REVIEWS • Craft Hobby + Stitch International • CHA Winter Show TRIED AND TESTED KNITTING YARN How card making is evolving Does e-commerce work for your business? PLUS WIN! Latest products £500 worth of Numberjacks craft Industry profiles kits from Creativity International News & views Position Yourself for the Economic Recovery! Just turn the page to discover how leading UK retailers and manufacturers plan to grow their business in 2010! Give Your Business a Competitive Join us on a Special Reader Trip to the 27-29 Stephens Con Rosemont, Illinois - j “It’s the ideal platform for UK manufacturers and retailers to learn more about the US craft business and the way it operates. Many UK companies that have ventured into the important US market have used the Show as a starting point before committing full-scale.” - Sara Davies, Sales Director at Crafter’s Companion Discover Trends Before Your Competitors X Superb access to craft industry design, manufacturing and retail trends from across the globe X Engage with hundreds of exhibitors and thousands of attendees representing a vast selection of product categories across: B Scrapbooking and Papercrafts B Fabric, Quilting and Needlecrafts B Art Materials and Framing B General Crafts Edge and Find Inspiration in Chicago CHA 2010 Summer Convention & Trade Show July 2010 nvention Center just outside of Chicago Build Your Business with World Class Education X Business building seminars that provide attendees with ideas and strategies they can immediately apply to their own businesses. -
Worlddab Automotive – DAB Digital Radio in Car User Experience Design Guidelines
WorldDAB Automotive – DAB Digital Radio In Car User Experience Design Guidelines Version 2 - February 2019 1. Background a) Radio in-car b) In car user experience Group c) Document status and future work 2. A hybrid radio future in connected cars 3. WorldDAB in-car DAB user experience research 4. Consumer use cases 5. Design guidelines 6. Hybrid Radio and voice 7. Performance of DAB in-car 8. Annex – Glossary of terms 1. Background – Radio in-car • Consumers love radio in their cars: • Live broadcast radio is the most popular source for entertainment on the road* • 82% of people wouldn’t buy a car without a radio** • 75% of all audio consumed in the car is live radio** • 84% of people “always” or “mostly” listen to the radio on every journey** • Radio in-car is going digital***: • 4.4 Million cars with DAB+ were sold in 2018, 7% more than in 2017 • In Norway (98%), The UK (92%), Switzerland (85%), Australia (60%), Italy (46%), Germany (39%), Netherlands (38%), Belgium (30%), Denmark (24%) and France (20%) cars have DAB as standard • European Electronics Communications Code Directive mandates digital radio in new cars • Came in to force on 20 December 2018 • Member States then have two years to transpose rules into national legislation • All new car radios sold or rented in the EU will need to have digital terrestrial radio by end 2020 • See the WorldDAB fact sheet here *EBU IN-car radio study Jan 2018 https://tech.ebu.ch **Radioplayer research 2016 http://www.radioplayer.co.uk/great-cars-need-great-radios ***Source: WorldDAB, national industry associations, JATO 1. -
Radioplayer to Launch in Switzerland
June 13, 2018 RADIOPLAYER TO LAUNCH IN SWITZERLAND Radioplayer Worldwide (RPW) has signed a licensing agreement with Switzerland to form Swiss Radioplayer. The platform will use the Radioplayer technology, designed and developed in partnership with broadcasters over the past seven years. Swiss Radioplayer will feature around 150 stations in French, German, and Italian, for Switzerland and Principality of Liechtenstein in a collaboration between public service and private radio groups. It brings together the Swiss Association of Private Radios (VSP), the Union of Local Non-commercial Radio Stations (Unikom) and the Regional Radio Union of the French part of Switzerland (RRR) as well as the Swiss Broadcasting Corporation (SRG SSR). The three private associations, together with the public service SRG SSR, have created "Swiss Radioplayer GmbH", in which they each have a 25% stake. Jürg Bachmann, President of the Swiss Private Radio Association (VSP) and Chairman of Swiss Radioplayer said: "I am glad that so many radio stations have joined this industry project in such a short time. This joint appearance and integration into a European solution will do much to ensure that Swiss radio stations are also found on all digital platforms." Switzerland represents an important new market for Radioplayer, as it not only helps to broaden its European collaborations, but also adds Italian language radio stations to its growing list of services. Swiss Radioplayer will launch later this summer across multiple platforms, including an industry-wide web player, and world-leading apps for iOS and Android. The agreement will also see Swiss broadcasters benefit from Radioplayer’s partnership with the Audi/VW group and other car manufacturers. -
QUARTERLY SUMMARY of RADIO LISTENING Survey Period Ending 22Nd June 2008
QUARTERLY SUMMARY OF RADIO LISTENING Survey Period Ending 22nd June 2008 PART 1 - UNITED KINGDOM (INCLUDING CHANNEL ISLANDS AND ISLE OF MAN) Adults aged 15 and over: population 50,735,000 Survey Weekly Reach Average Hours Total Hours Share in Period '000 % per head per listener '000 TSA % ALL RADIO Q 45117 89 20.0 22.5 1016681 100.0 ALL BBC Q 33323 66 11.1 16.9 564476 55.5 ALL BBC 15-44 Q 15362 61 8.0 13.1 201224 44.6 ALL BBC 45+ Q 17961 71 14.3 20.2 363252 64.3 All BBC Network Radio¹ Q 29611 58 9.2 15.8 467328 46.0 BBC Local/Regional Q 9504 19 1.9 10.2 97148 9.6 ALL COMMERCIAL Q 30984 61 8.5 13.9 431081 42.4 ALL COMMERCIAL 15-44 Q 17465 69 9.5 13.7 239533 53.1 ALL COMMERCIAL 45+ Q 13519 53 7.5 14.2 191547 33.9 All National Commercial¹ Q 13760 27 2.2 8.3 114002 11.2 All Local Commercial Q 24992 49 6.2 12.7 317079 31.2 Other Listening Q 2978 6 0.4 7.1 21124 2.1 Source: RAJAR/Ipsos MORI/RSMB ¹ See note on back cover. For survey periods and other definitions please see back cover. Embargoed until 7.00 am Enquires to: RAJAR, Paramount House, 162-170 Wardour Street, London W1F 8ZX 24th July 2008 Telephone: 020 7292 9040 Facsimile: 020 7292 9041 e mail: [email protected] Internet: www.rajar.co.uk ©Rajar 2008. -
Codes Used in D&M
CODES USED IN D&M - MCPS A DISTRIBUTIONS D&M Code D&M Name Category Further details Source Type Code Source Type Name Z98 UK/Ireland Commercial International 2 20 South African (SAMRO) General & Broadcasting (TV only) International 3 Overseas 21 Australian (APRA) General & Broadcasting International 3 Overseas 36 USA (BMI) General & Broadcasting International 3 Overseas 38 USA (SESAC) Broadcasting International 3 Overseas 39 USA (ASCAP) General & Broadcasting International 3 Overseas 47 Japanese (JASRAC) General & Broadcasting International 3 Overseas 48 Israeli (ACUM) General & Broadcasting International 3 Overseas 048M Norway (NCB) International 3 Overseas 049M Algeria (ONDA) International 3 Overseas 58 Bulgarian (MUSICAUTOR) General & Broadcasting International 3 Overseas 62 Russian (RAO) General & Broadcasting International 3 Overseas 74 Austrian (AKM) General & Broadcasting International 3 Overseas 75 Belgian (SABAM) General & Broadcasting International 3 Overseas 79 Hungarian (ARTISJUS) General & Broadcasting International 3 Overseas 80 Danish (KODA) General & Broadcasting International 3 Overseas 81 Netherlands (BUMA) General & Broadcasting International 3 Overseas 83 Finnish (TEOSTO) General & Broadcasting International 3 Overseas 84 French (SACEM) General & Broadcasting International 3 Overseas 85 German (GEMA) General & Broadcasting International 3 Overseas 86 Hong Kong (CASH) General & Broadcasting International 3 Overseas 87 Italian (SIAE) General & Broadcasting International 3 Overseas 88 Mexican (SACM) General & Broadcasting -
Performing Right Society Limited Distribution Rules
PERFORMING RIGHT SOCIETY LIMITED DISTRIBUTION RULES PRS distribution policy rules Contents INTRODUCTION...................................................................................... 12 Scope of the PRS Distribution Policy ................................................................................ 12 General distribution policy principles ............................................................................. 12 Policy review and decision-making processes ............................................................. 13 DISTRIBUTION CYCLES AND CONCEPTS ................................................. 15 Standard distribution cycles and frequency .................................................................. 15 Distribution basis ..................................................................................................................... 15 Distribution sections ............................................................................................................... 16 Non-licence revenue ............................................................................................................... 16 Administration recovery rates ............................................................................................ 16 Donation to the PRS Foundation and Members Benevolent Fund ........................ 17 Weightings .................................................................................................................................. 17 Points and point values ......................................................................................................... -
BBC Annual Report 2020/11 Part
PART 2 THE BBC EXECUTIVE’S REVIEW AND ASSESSMENT Overview Delivering our strategy Managing the business Governance Managing our finances Part 2 BBC Executive Overview Managing the business 2-1 Director-General’s introduction 2-38 Chief Operating Officer’s review 2-2 Understanding the BBC’s finances 2-39 Increasing value 2-4 Performance by service 2-50 Looking forward 2-8 Television Governance 2-9 Radio 2-52 Executive Board 2-10 News 2-54 Risks and opportunities 2-11 Future Media 2-56 Governance report 2-12 Nations and Regions Managing our finances Delivering our strategy 2-68 Chief Financial Officer’s review 2-14 Meeting the BBC’s Purposes 2-69 Summary financial performance 2-16 The best journalism in the world 2-70 Financial overview 2-20 Inspiring knowledge, culture and music 2-79 Looking forward 2-24 Ambitious UK drama and comedy 2-80 Beyond broadcasting 2-28 Outstanding children’s content 2-82 Glossary 2-32 Bringing the nation together 2-83 Contact us/More information 2-36 Delivering Quality First objectives Subject index Part 1 Part 2 Appreciation index by service 2-4 to 2-7 Audience approval – KPI 1-6 2-23 Board remuneration from 2011/12 2-61 Board remuneration 2010/11 1-20 2-60 Commercial companies 1-19 2-46/2-69 Content spend by service 1-19 2-4 to 2-7 Delivering Quality First 1-7 2-36 Digital switchover 1-9 2-40 Distinctiveness – KPI 1-6/1-25 2-31 Efficiencies 1-7 2-69/2-71 Innovation 2-45 Licence fee 1-24 2-3 Licence fee spend 1-17 2-69/2-73 News audiences 1-8/1-13 2-19 Public purposes 1-8 2-14 Quality – KPI 1-6 2-27 Radio from