Edward Stephenson Collection of Set Design Drawings for Television Shows, 1956-1986
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The Norman Conquest: the Style and Legacy of All in the Family
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Boston University Institutional Repository (OpenBU) Boston University OpenBU http://open.bu.edu Theses & Dissertations Boston University Theses & Dissertations 2016 The Norman conquest: the style and legacy of All in the Family https://hdl.handle.net/2144/17119 Boston University BOSTON UNIVERSITY COLLEGE OF COMMUNICATION Thesis THE NORMAN CONQUEST: THE STYLE AND LEGACY OF ALL IN THE FAMILY by BAILEY FRANCES LIZOTTE B.A., Emerson College, 2013 Submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts 2016 © 2016 by BAILEY FRANCES LIZOTTE All rights reserved Approved by First Reader ___________________________________________________ Deborah L. Jaramillo, Ph.D. Assistant Professor of Film and Television Second Reader ___________________________________________________ Michael Loman Professor of Television DEDICATION This thesis is dedicated to Jean Lizotte, Nicholas Clark, and Alvin Delpino. iv ACKNOWLEDGMENTS First, I’m exceedingly thankful for the guidance and patience of my thesis advisor, Dr. Deborah Jaramillo, whose investment and dedication to this project allowed me to explore a topic close to my heart. I am also grateful for the guidance of my second reader, Michael Loman, whose professional experience and insight proved invaluable to my work. Additionally, I am indebted to all of the professors in the Film and Television Studies program who have facilitated my growth as a viewer and a scholar, especially Ray Carney, Charles Warren, Roy Grundmann, and John Bernstein. Thank you to David Kociemba, whose advice and encouragement has been greatly appreciated throughout this entire process. A special thank you to my fellow graduate students, especially Sarah Crane, Dani Franco, Jess Lajoie, Victoria Quamme, and Sophie Summergrad. -
Available Videos for TRADE (Nothing Is for Sale!!) 1
Available Videos For TRADE (nothing is for sale!!) 1/2022 MOSTLY GAME SHOWS AND SITCOMS - VHS or DVD - SEE MY “WANT LIST” AFTER MY “HAVE LIST.” W/ O/C means With Original Commercials NEW EMAIL ADDRESS – [email protected] For an autographed copy of my book above, order through me at [email protected]. 1966 CBS Fall Schedule Preview 1969 CBS and NBC Fall Schedule Preview 1997 CBS Fall Schedule Preview 1969 CBS Fall Schedule Preview (not for trade) Many 60's Show Promos, mostly ABC Also, lots of Rock n Roll movies-“ROCK ROCK ROCK,” “MR. ROCK AND ROLL,” “GO JOHNNY GO,” “LET’S ROCK,” “DON’T KNOCK THE TWIST,” and more. **I ALSO COLLECT OLD 45RPM RECORDS. GOT ANY FROM THE FIFTIES & SIXTIES?** TV GUIDES & TV SITCOM COMIC BOOKS. SEE LIST OF SITCOM/TV COMIC BOOKS AT END AFTER WANT LIST. Always seeking “Dick Van Dyke Show” comic books and 1950s TV Guides. Many more. “A” ABBOTT & COSTELLO SHOW (several) (Cartoons, too) ABOUT FACES (w/o/c, Tom Kennedy, no close - that’s the SHOW with no close - Tom Kennedy, thankfully has clothes. Also 1 w/ Ben Alexander w/o/c.) ACADEMY AWARDS 1974 (***not for trade***) ACCIDENTAL FAMILY (“Making of A Vegetarian” & “Halloween’s On Us”) ACE CRAWFORD PRIVATE EYE (2 eps) ACTION FAMILY (pilot) ADAM’S RIB (2 eps - short-lived Blythe Danner/Ken Howard sitcom pilot – “Illegal Aid” and rare 4th episode “Separate Vacations” – for want list items only***) ADAM-12 (Pilot) ADDAMS FAMILY (1ST Episode, others, 2 w/o/c, DVD box set) ADVENTURE ISLAND (Aussie kid’s show) ADVENTURER ADVENTURES IN PARADISE (“Castaways”) ADVENTURES OF DANNY DEE (Kid’s Show, 30 minutes) ADVENTURES OF HIRAM HOLLIDAY (8 Episodes, 4 w/o/c “Lapidary Wheel” “Gibraltar Toad,”“ Morocco,” “Homing Pigeon,” Others without commercials - “Sea Cucumber,” “Hawaiian Hamza,” “Dancing Mouse,” & “Wrong Rembrandt”) ADVENTURES OF LUCKY PUP 1950(rare kid’s show-puppets, 15 mins) ADVENTURES OF A MODEL (Joanne Dru 1956 Desilu pilot. -
Antenna TV Program Schedule
Antenna TV Program Schedule East MON TUE WED THU FRI SAT SUN West 5:00 AM BACHELOR FATHER 2:00 AM SUSPENSE THEATRE THE THREE STOOGES 5:30 AM BACHELOR FATHER 2:30 AM 6:00 AM FATHER KNOWS BEST 3:00 AM SUSPENSE THEATRE THE THREE STOOGES 6:30 AM FATHER KNOWS BEST 3:30 AM 7:00 AM 4:00 AM IT TAKES A THIEF HERE COME THE BRIDES 7:30 AM 4:30 AM ANTENNA TV THEATER 8:00 AM 5:00 AM IT TAKES A THIEF HERE COME THE BRIDES 8:30 AM 5:30 AM 9:00 AM TOTALLY TOONED IN TOTALLY TOONED IN 6:00 AM 9:30 AM TOTALLY TOONED IN TOTALLY TOONED IN 6:30 AM ANTENNA TV THEATER 10:00 AM ANIMAL RESCUE CLASSICS (E/I) THE MONKEES 7:00 AM 10:30 AM ANIMAL RESCUE CLASSICS (E/I) THE MONKEES 7:30 AM 11:00 AM HAZEL SWAP TV (E/I) THE FLYING NUN 8:00 AM 11:30 AM HAZEL SWAP TV (E/I) THE FLYING NUN 8:30 AM 12:00 PM MCHALE'S NAVY WORD TRAVELS (E/I) GIDGET 9:00 AM 12:30 PM MCHALE'S NAVY WORD TRAVELS (E/I) GIDGET 9:30 AM 1:00 PM THE PATTY DUKE SHOW THE PATTY DUKE SHOW THE PATTY DUKE SHOW 10:00 AM 1:30 PM THE PATTY DUKE SHOW THE PATTY DUKE SHOW THE PATTY DUKE SHOW 10:30 AM 2:00 PM DENNIS THE MENACE MCHALE'S NAVY MCHALE'S NAVY 11:00 AM 2:30 PM DENNIS THE MENACE MCHALE'S NAVY MCHALE'S NAVY 11:30 AM 3:00 PM MISTER ED MISTER ED MISTER ED 12:00 PM 3:30 PM MISTER ED MISTER ED MISTER ED 12:30 PM 4:00 PM GREEN ACRES CIRCUS BOY CIRCUS BOY 1:00 PM 4:30 PM GREEN ACRES CIRCUS BOY CIRCUS BOY 1:30 PM 5:00 PM I DREAM OF JEANNIE ADV. -
LGBTQ Episodic Television Study Guide
Archive Study Guide: LESBIAN, GAY, BISEXUAL AND TRANSGENDER TELEVISION: SITCOMS AND EPISODIC DRAMAS ARCHIVE STUDY GUIDE The representation of Lesbian, Gay, Bisexual and Transgender (LGBT) communities on television is marked by a history of stereotypes and inexplicable invisibility. By the 1970s, gay media-watch groups communicated their concerns to the television industry and a sense of cooperation began to emerge between the LG BT community and broadcasters. During the 1980s, the AIDS crisis and resulting prejudices ushered in a new era of problematic and offensive portrayals. In the late 1990s, Ellen Degeneres' landmark coming out, (both in real- life, and through the character she portrayed in her sitcom), generated much controversy and discussion, ultimately paving the way for well -developed gay characters in prominent primetime TV roles. Despite such advances, stereotypes continue to resurface and perpetuate, and the full diversity of the LGBT community is more often than not underrepresented in the mass media. This is only a partial list – consult the Archive Research and Study Center for additional titles, including relevant materials held in the Outfest Legacy Collection. HEARST NEWSREEL Hearst Newsreel Footage. Movie Stars Join Circus for Charity! Los Angeles, California (1948-09-04). Wrestling telecasts of the late 1940s and early 1950s often featured flamboyant characters with (implied) gay personas. Features Bob Hope acting as manager of outlandish TV wrestler Gorgeous George, who faces actor Burt Lancaster in a match. Study Copy: VA6581 M Hearst Newsreel Footage. Wrestling from Montreal, Quebec, Canada (1948-10-22). Gorgeous George vs. Pete Petersen. Study Copy: VA8312 M TELEVISION (Please note some titles may require additional lead-time to make available for viewing) 1950s Western Main Event Wrestling. -
Ksanfordarmseteylovet
Black Sitcoms - Free Printable Wordsearch KSANFORD ARMS E T E YLOVETHATGIRL H MM PFAMILYMATTE RSECHEWINGGUMIA EINSTANTMOMBENSO NPSMARTGUYTSL EBI RYN C LEN KENANKELOL OO ETT T UISWL THWHG H DMRHM FHEEADIFF ERENTWORLDAFE AE REHFEHR PFFA TD AGOINAT LJ FTMSD NAURBLH FSE HIHI KMSSRFFE RTJW ALAE SMEETOOH RIHEO TYP PEFB TRAEEEHH SCP LEAA HYLDNTSSSS OE ATAMMBTC EOFDDYOYOST TN CTSLIAYH ORUFBSUORBH HI EHALRI EUSRSOBL AYEENA ENYOTM PSOLXEMV AVHGR BFF IBACIOHXS AEIUBE ROU ANAERNTVES NLGLW OBRSI HCEDSIEHI HAE WLDLE TKNNTKOE LCT NAWUAN ANTERWR EKH SCJEON EEHEE ENYJE KNBD MWOHT LONSER IOS STWO ELASE SET O DRNUY HN EN AESE O R MKT THE REDD FOXX SHOW THE JEFFERSONS THE SOUL MAN SMART GUY A DIFFERENT WORLD COUSIN SKEETER CHEWING GUM THE GAME THE PROUD FAMILY THE COSBY SHOW BLACK JESUS TWENTIES ARE WE THERE YET FAMILY MATTERS INSTANT MOM WEBSTER THE FIRST FAMILY LOVE THAT GIRL GIRLFRIENDS THE PJS WHAT S HAPPENING FRANK S PLACE FAMILY TIME MARLON BETWEEN BROTHERS MALCOLM EDDIE ONE ON ONE MARTIN MEET THE BROWNS BABY I M BACK BLACK ISH BENSON THE PARENT HOOD FOR YOUR LOVE KEY PEELE COSBY SANFORD AND SON WHERE I LIVE HALF HALF KENAN THAT S SO RAVEN THE HUGHLEYS KENAN KEL JULIA ME AND THE BOYS SANFORD ARMS ALL OF US THEA IN THE HOUSE REL Free Printable Wordsearch from LogicLovely.com. Use freely for any use, please give a link or credit if you do. Black Sitcoms - Free Printable Wordsearch TT HH EEALLOFUS GOODTIMESHJM UEIMOES HA GGF GFLLOVETHATGIRL IIRK HFL FB LMWRAELE ETBAL CIMHKLNNER NHEMA HVEEFKAY SNENIC H EIRANRSNSO IGSLK THEA WNBOEBAIPRNA AOYJ L IGLNIRNEL -
Incidental Social Learning Among Black and White Viewers in Relation to Luthorit Rian S Characterizations in Pripe-Rise Ntertaiiment
DOCUMENT RESUME. ED 122 279 CS 202 O84 AUTHOR Leckenby, John .D.'; Su'rlin Stuart 0. : 'TITLE incidental Social Learning Among Black and White Viewers in Relation to luthorit rian s Characterizations in Pripe-rise ntertaiiment . Programmidg. PUB DATE 75 4 NOTE 25p.: Paper presedted at th nnual Meeting of the Association for Education in Journalism (Ottawa, Ontario, August 1975) 0 'EDRS PRICt 3?-$0.83 5C$1.67 Plus Postage DESCiIPTORS Adult Learning; *Authoritarianism; Caucasian Race; *Incidental Learning; sass Media; Negro Attitudes; Observational Learning; *Racial Attitudes; Social ittitudes; Social ?actors; Social Influences; *Social Values; Television Research; Television Shrveys; *Television Viewing IDENTIFIERS All in the Family; Sanford and Son ABSTRACT The nature of incidental social learning in 'television viewers in the Fasily" and "Sanford and Son" was the focus of this invLigation. Seven hundred and eight-one racially and'econosically AO-Zed respondents fro. Chicago and Atlanta provided the data source. Telephone interviews attempted ta-assess viewer opinions of the reality of characters po rayed and racial' attitudes assumed, entertainment value of the progTa sing, and presende of a moral lesson. Frequency of viewing, identi ication with a.specific character, and levels of cultural estrang sent, powerlessness, and meaninglessness Were also assessed.:Pindin ggest that high frequency viewers of both programs find the programming t b t . entertaining and revealing of actual behavior of the-gro s 'portrayed. These individuals are inclined to agree with the authoritarian views of the major characters in the two prograps4 ,"Fred" and "Archie." In addition, a'high correlation existed between high4frequency viewing and viewer self-perception of alienation and estrangement from the outside world. -
Objectivity Lies: the Rhetoric of Anthropology,” in the Rhetoric of the Human Sciences: Language and Argument in Scholarship and Public Affairs, Eds
ABSTRACT HUMANITIES JONAS-FOWLER, JOYCELYN J. B.A. CLARK ATLANTA UNIVERSITY, 1996 M.P.A. TROY STATE UNIVERSITY, 2005 IS THIS BLACK ENOUGH FOR YOU? A COMPARATIVE ANALYSIS OF AFRICAN-AMERICAN FAMILIES PORTRAYED IN BLACK FAMILY TELEVISION COMEDIES BETWEEN 1980 AND 2000 Committee Chair: Charmayne Patterson, Ph.D. Dissertation dated May 2018 Research shows that black people watch more television than any other race of people, and, given that television is the most influential media tool, the content of what may affect an audience’s behavior and beliefs deserves analysis. This study examines the black family, alleged pathology, strengths that are specifically associated with them, its portrayal on television, and how television is used as a tool for socialization and influence. A content analysis of the top thirty black family shows that appeared on major network television between 1980 and 2000 was conducted to determine if the family framed was portrayed realistically. Each show analyzed was found to portray some characteristic of strong black families, attributes some media and social critics had not previously recognized or acknowledged. This study suggests that further research is warranted from black family, cultural, and media scholars, as well as social policy and i program makers, and on how television influences entire cultures to shift socially and economically. ii IS THIS BLACK ENOUGH FOR YOU? A COMPARATIVE ANALYSIS OF AFRICAN-AMERICAN FAMILIES PORTRAYED IN BLACK FAMILY TELEVISION COMEDIES BETWEEN 1980 AND 2000 A DISSERTATION SUBMITTED TO THE FACULTY OF CLARK ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY BY JOYCELYN JONAS-FOWLER DEPARTMENT OF HUMANITIES ATLANTA, GEORGIA MAY 2018 © 2018 JOYCELYN JONAS-FOWLER All Rights Reserved ACKNOWLEDGMENTS I thank God for his favor and blessings and for being a God of thousands of chances. -
21L 432/932 American Television
21L 432/CMS 915 Understanding Television Spring 2004 http://web.mit.edu/21l.432/www/home.html T, Th 2:30-4, 1-150 Prof. David Thorburn Screenings: w, 7-9, 14E-310 Schedule of Classes and Topics Tue Thurs Feb 3 Prologue: The Continuity Principle Thorburn and Jenkins, "Toward an Aesthetics of Transition" I. The Wasteland Mythology 5 Kosinski, "A Nation of Videots" Gerbner and Gross, "Living With Television" Paul Klein, "The Men Who Run TV ..." Barnouw, ch 1-2 II. Television As A Cultural Form 10 12 James Carey, "A Cultural Approach to Communication" in Communication As Culture Roland Barthes, "The World of Wrestling" in Mythologies David Thorburn, "Television As An Aesthetic Medium" Newcomb and Hirsch, "TV as a Cultural Forum" in Newcomb Tony Bennett, "Theories of the Media, Theories of Society" in Gurevitch et. al, Culture, Society and the Media -- 19 Guest Appearance: John Romano, writer-producer: how we make "American Dreams" [special meeting in Bartos Theater, MIT Media Lab. class: 2:30-4pm; Forum: 5-7pm] III. The Broadcast Era 24 26 Barnouw, ch. 3-4 Anderson, “Disneyland,” in Newcomb Spigel, “Women’s Work,” in Newcomb Brooks and Marsh, "Introduction" 26 First paper due IV. TV Genres Mar 2 4 Barnouw, ch. 5 Thorburn, "Television Melodrama" in Newcomb 9 11 Alvey, “The Independents,” in Newcomb Jenkins, “Star Trek Rerun ...,” in Newcomb 11 FORUM: Interactive Television -- 5-7 pm Bartos Theater 16 18 Barnouw, ch. 6 Modleski, “...Daytime TV and Women’s Work” Phil Williams, “... the TV Rerun,” in Newcomb 18 Midterm quiz [Spring break] 30 Esslin, "Aristotle and the Advertisers …" Apr 1 Thorburn, TV Encyclopedia entries on detectives and The Name of the Game _______, “Is TV Acting A Distinctive Art Form” 1 Second paper due 1 FORUM: TV Audiences Today 6 8 Newcomb, “The TV Artistry of Norman Lear” Reeves, “Rewriting Newhart ...” Gomery, “.. -
"Introduction: Survey of Literature of "All in The
6 "INTRODUCTION: SURVEY OF LITERATURE OF "ALL IN THE FAMILY" Mike Porter On the night of January 12, 1971 a group of men sat watching a monitor in the CBS executive suite in New York. Some were optjmistic but all were nervous as careers lay on the line. Meanwhile, a continent away, another gentleman was "pacing the floor of a viewing room in Television City, 1 Hollywood, like an expectant father." It was too late for anyone to change their minds--the point of no return had been reached. At 10:30 p.m. EST, these men looked on as a new mid-season replacement program was fed down the lines to awaiting and warned affiliates nationwide. Meanwhile, in every major television market, extra operators hired by the network prepared themselves for the expected tempest of an enraged American public. As was later recalled, these men "kind of sneaked it on 2 one night with no advance advertising or anything." As the show began with its now familiar theme song--American entered into what was later described as "a new era of candor. The name of the program was "All in the Family." Without a doubt, "All in the Family" is one of the most controversial yet successful series in the history The show about Archie Bunker, his wife Edith, his daughter Gloria and his son-in-law the "Meathead," became what one 7 4 observer called "instant American folklore." Indeed that observation became true since in 1978 Archie Bunker's famous chair was installed as an exhibit at the Smithsonian Institution. -
Us Commission on Civil Rights ~
U. S. COMMISSION ON CIVIL RIGHTS FOURTH CLASS MAIL POSTAGE AND FEES PAID ~ W .... SHINGTON, 0 C 20425 U.S. COMMISSION ON CIVIL RIGHTS 00- PERMIT NO. G73 OFFICIAL BUSINESS U.S.MAlL PENALTY FOR PRIVATE USE. $300 Window Dress~ onthe Set: anUpdate U.S. COMMISSION ON CIVIL RIGHTS The U.S. Commission on Civil Rights is a temporary, independent, bipartisan agency established by Congress in 1957 and directed to: .. Investigate complaints alleging that citizens are being deprived of their right to vote by reason of their race, color, religion, sex, age, handicap, or national origin, or by reason of fraudulent practices; .. Study and collect information concerning legal developments constituting discrimination or a denial of equal protection of the laws under the Constitution because of race, color, religion, sex, age, handicap, or national origin, or in the administration ofjustice; .. Appraise Federal laws and policies with respect to discrimination or denial of equal protection of the laws because of race, color, religion, sex, age, handicap, or national origin, or in the administration ofjustice; .. Serve as a national clearinghouse for information in respect to discrimination or denial of equal protection of the laws because of race, color, religion, sex, age, handicap, or national origin; • Submit reports, findings, and recommendations to the President and the Congress. MEMBERS OF THE COMMISSION Arthur S. Flemming, Chairman Stephen Horn, Vice Chairman Frankie M. Freeman Manuel Ruiz, Jr. Murray Saltzman Louis Nunez, Acting Staff Director For sale by tho Superintendent of Documents, u.s. Government Printing Office, Washlngton, D.C. 20402 AReport ofthe United States CO:m:m:issionon.CMl Rights Janua;ry1979 LETTER OF TRANSMITTAL U.S. -
February 21, 2007
FOR IMMEDIATE RELEASE Contact: Geoffrey Baum 213-821-1491 USC Establishes Norman Lear Chair in Entertainment, Media and Society Martin Kaplan to hold Endowed Chair at USC Annenberg School LOS ANGELES, February 21, 2007 – Norman Lear, the pioneering television and film producer, political and social activist and philanthropist is being honored by the University of Southern California with the establishment of the Norman Lear Chair in Entertainment, Media and Society, Geoffrey Cowan, dean of the USC Annenberg School for Communication announced today. The inaugural holder of the Norman Lear Chair is Martin Kaplan, founding director of the Norman Lear Center at the USC Annenberg School. Kaplan, an Annenberg Research Professor, has been associate dean of the School since 1997. “I view few things as more important to the health of our culture as Martin Kaplan’s work leading the Center that exists in my name at the USC Annenberg School,” said Lear. “I could not be more honored that Mr. Kaplan has additionally agreed to occupy a Chair in my name – so honored, that I would be happy to surround his Chair with a roomful of furniture, piano included, were the Annenberg School to allow.” “USC’s decision to create and name this chair is a wonderful tribute to Norman’s commitment to USC Annenberg and the work of the Lear Center,” said Cowan, who noted that, other than the Annenberg family, Lear is the largest donor to the USC Annenberg School. In addition to $11 million from Mr. Lear—which includes a new $6 million pledge—the Lear Center has garnered more than $9 million in gifts and research grants from foundation, government and other sources. -
Retro: Eastern Illinois Sat, Nov 30, 1963
Retro: Eastern Illinois Sat, Nov 30, 1963 North vs South, part 2 from TV Guide-Eastern Illnois edition WCIA 3-Champaign/WMBD 31-Peoria/W71AE LaSalle-Peru (CBS; 71 relays 31) 6:30 Sunrise Semester "Outlines of Art" 7:00 Captain Kangaroo 8:00 Alvin 8:30 Tennessee Tuxedo 9:00 Quick Draw McGraw 9:30 Mighty Mouse 10:00 Rin Tin Tin 10:30 Roy Rogers 11:00 Sky King 11:30 (3) History Telecourse "New Dealism: Second Phase" 11:30 (31) CBS News 11:45 (31) Army-Navy Game Preview noon College Football: Army-Navy Game 3:00 Football Scoreboard 3:15 CBS All-America Team 3:45 (3) Cartoon Carnival 3:45 (31) Air Force Story 4:00 (3) I Search for Adventure 4:00 (31) Film Feature "South of Germany" 4:30 (3) What Do You Say? 5:00 Hop 6:00 News/Weather/Sports 6:30 Jackie Gleason 7:30 Defenders 8:30 Phil Silvers 9:00 Gunsmoke 10:00 (3) Wanted-Dead or Alive 10:00 (31) News 10:30 (3) News/Weather/Sports 10:30 (31) Movie "The Invisible Man's Revenge" 11:00 (3) Movie "The Detective" 11:55 (31) Movie "Chinatown Squad" WTVP 17-Decatur/WTVH 19-Peoria/W70AF Champaign-Urbana (ABC; 70 relays 17) 9:00 (19) My Friend Flicka 9:30 Jetsons 10:00 Casper 10:30 Beany & Cecil 11:00 Bugs Bunny 11:30 Allakazam noon (17) My Friend Flicka noon (19) Farm Report 12:30 American Bandstand (guests Chubby Checker and Donald Jenkins) 1:30 (17) Bourbon Street Beat 1:30 (19) Bids from the Kids 2:30 (17) Texan 2:30 (19) Sea Hunt 3:00 Wide World of Sports: Grey Cup '63: Hamilton 21-BC 10 6:00 Laughs for Sale 6:30 Hootenanny (from Pittsburgh: guests the Tarriers, Josh White, the Brothers Four, Ian & Sylvia (Tyson), Will Holt, Elan Stuart, John Carignon, and Woody Allen) 7:30 Lawrence Welk 8:30 Jerry Lewis (guests Pearl Bailey, Phil Foster, Peter Nero, Jack Jones, and Lucho Navarro) 10:30 Untouchables 11:30 (17) Roaring 20s 11:30 (19) Rebel mid.