Incidental Social Learning Among Black and White Viewers in Relation to Luthorit Rian S Characterizations in Pripe-Rise Ntertaiiment
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Norman Conquest: the Style and Legacy of All in the Family
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Boston University Institutional Repository (OpenBU) Boston University OpenBU http://open.bu.edu Theses & Dissertations Boston University Theses & Dissertations 2016 The Norman conquest: the style and legacy of All in the Family https://hdl.handle.net/2144/17119 Boston University BOSTON UNIVERSITY COLLEGE OF COMMUNICATION Thesis THE NORMAN CONQUEST: THE STYLE AND LEGACY OF ALL IN THE FAMILY by BAILEY FRANCES LIZOTTE B.A., Emerson College, 2013 Submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts 2016 © 2016 by BAILEY FRANCES LIZOTTE All rights reserved Approved by First Reader ___________________________________________________ Deborah L. Jaramillo, Ph.D. Assistant Professor of Film and Television Second Reader ___________________________________________________ Michael Loman Professor of Television DEDICATION This thesis is dedicated to Jean Lizotte, Nicholas Clark, and Alvin Delpino. iv ACKNOWLEDGMENTS First, I’m exceedingly thankful for the guidance and patience of my thesis advisor, Dr. Deborah Jaramillo, whose investment and dedication to this project allowed me to explore a topic close to my heart. I am also grateful for the guidance of my second reader, Michael Loman, whose professional experience and insight proved invaluable to my work. Additionally, I am indebted to all of the professors in the Film and Television Studies program who have facilitated my growth as a viewer and a scholar, especially Ray Carney, Charles Warren, Roy Grundmann, and John Bernstein. Thank you to David Kociemba, whose advice and encouragement has been greatly appreciated throughout this entire process. A special thank you to my fellow graduate students, especially Sarah Crane, Dani Franco, Jess Lajoie, Victoria Quamme, and Sophie Summergrad. -
Antenna TV Program Schedule
Antenna TV Program Schedule East MON TUE WED THU FRI SAT SUN West 5:00 AM BACHELOR FATHER 2:00 AM SUSPENSE THEATRE THE THREE STOOGES 5:30 AM BACHELOR FATHER 2:30 AM 6:00 AM FATHER KNOWS BEST 3:00 AM SUSPENSE THEATRE THE THREE STOOGES 6:30 AM FATHER KNOWS BEST 3:30 AM 7:00 AM 4:00 AM IT TAKES A THIEF HERE COME THE BRIDES 7:30 AM 4:30 AM ANTENNA TV THEATER 8:00 AM 5:00 AM IT TAKES A THIEF HERE COME THE BRIDES 8:30 AM 5:30 AM 9:00 AM TOTALLY TOONED IN TOTALLY TOONED IN 6:00 AM 9:30 AM TOTALLY TOONED IN TOTALLY TOONED IN 6:30 AM ANTENNA TV THEATER 10:00 AM ANIMAL RESCUE CLASSICS (E/I) THE MONKEES 7:00 AM 10:30 AM ANIMAL RESCUE CLASSICS (E/I) THE MONKEES 7:30 AM 11:00 AM HAZEL SWAP TV (E/I) THE FLYING NUN 8:00 AM 11:30 AM HAZEL SWAP TV (E/I) THE FLYING NUN 8:30 AM 12:00 PM MCHALE'S NAVY WORD TRAVELS (E/I) GIDGET 9:00 AM 12:30 PM MCHALE'S NAVY WORD TRAVELS (E/I) GIDGET 9:30 AM 1:00 PM THE PATTY DUKE SHOW THE PATTY DUKE SHOW THE PATTY DUKE SHOW 10:00 AM 1:30 PM THE PATTY DUKE SHOW THE PATTY DUKE SHOW THE PATTY DUKE SHOW 10:30 AM 2:00 PM DENNIS THE MENACE MCHALE'S NAVY MCHALE'S NAVY 11:00 AM 2:30 PM DENNIS THE MENACE MCHALE'S NAVY MCHALE'S NAVY 11:30 AM 3:00 PM MISTER ED MISTER ED MISTER ED 12:00 PM 3:30 PM MISTER ED MISTER ED MISTER ED 12:30 PM 4:00 PM GREEN ACRES CIRCUS BOY CIRCUS BOY 1:00 PM 4:30 PM GREEN ACRES CIRCUS BOY CIRCUS BOY 1:30 PM 5:00 PM I DREAM OF JEANNIE ADV. -
Page 1 1 ALL in the FAMILY ARCHIE Bunker Emmy AWARD
ALL IN THE FAMILY ARCHIE Bunker Based on the British sitcom Till MEATHEAD Emmy AWARD winner for all DEATH Us Do Part MIKE Stivic four lead actors DINGBAT NORMAN Lear (creator) BIGOT EDITH Bunker Archie Bunker’s PLACE (spinoff) Danielle BRISEBOIS FIVE consecutive years as QUEENS CARROLL O’Connor number-one TV series Rob REINER Archie’s and Edith’s CHAIRS GLORIA (spinoff) SALLY Struthers displayed in Smithsonian GOOD Times (spinoff) Jean STAPLETON Institution 704 HAUSER (spinoff) STEPHANIE Mills CHECKING In (spinoff) The JEFFERSONS (spinoff) “STIFLE yourself.” “Those Were the DAYS” MALAPROPS Gloria STIVIC (theme) MAUDE (spinoff) WORKING class T S Q L D A H R S Y C V K J F C D T E L A W I C H S G B R I N H A A U O O A E Q N P I E V E T A S P B R C R I O W G N E H D E I E L K R K D S S O I W R R U S R I E R A P R T T E S Z P I A N S O T I C E E A R E J R R G M W U C O G F P B V C B D A E H T A E M N F H G G A M A L A P R O P S E E A N L L A R C H I E M U L N J N I O P N A M R O N Z F L D E I D R E D O O G S T I V I C A E N I K H T I D E T S A L L Y Y U A I O M Y G S T X X Z E D R S Q M 1 84052-2 TV Trivia Word Search Puzzles.indd 1 10/31/19 12:10 PM THE BIG BANG THEORY The show has a science Sheldon COOPER Mayim Bialik has a Ph.D. -
LGBTQ Episodic Television Study Guide
Archive Study Guide: LESBIAN, GAY, BISEXUAL AND TRANSGENDER TELEVISION: SITCOMS AND EPISODIC DRAMAS ARCHIVE STUDY GUIDE The representation of Lesbian, Gay, Bisexual and Transgender (LGBT) communities on television is marked by a history of stereotypes and inexplicable invisibility. By the 1970s, gay media-watch groups communicated their concerns to the television industry and a sense of cooperation began to emerge between the LG BT community and broadcasters. During the 1980s, the AIDS crisis and resulting prejudices ushered in a new era of problematic and offensive portrayals. In the late 1990s, Ellen Degeneres' landmark coming out, (both in real- life, and through the character she portrayed in her sitcom), generated much controversy and discussion, ultimately paving the way for well -developed gay characters in prominent primetime TV roles. Despite such advances, stereotypes continue to resurface and perpetuate, and the full diversity of the LGBT community is more often than not underrepresented in the mass media. This is only a partial list – consult the Archive Research and Study Center for additional titles, including relevant materials held in the Outfest Legacy Collection. HEARST NEWSREEL Hearst Newsreel Footage. Movie Stars Join Circus for Charity! Los Angeles, California (1948-09-04). Wrestling telecasts of the late 1940s and early 1950s often featured flamboyant characters with (implied) gay personas. Features Bob Hope acting as manager of outlandish TV wrestler Gorgeous George, who faces actor Burt Lancaster in a match. Study Copy: VA6581 M Hearst Newsreel Footage. Wrestling from Montreal, Quebec, Canada (1948-10-22). Gorgeous George vs. Pete Petersen. Study Copy: VA8312 M TELEVISION (Please note some titles may require additional lead-time to make available for viewing) 1950s Western Main Event Wrestling. -
THE INVISIBLE THEATRE John Amos
PRESS RELEASE Contact: Cathy Johnson or Susan Claassen 1400 N. First Ave, Tucson, AZ. 85719 Administration – (520) 884-0672 Box Office – (520) 882-9721 [email protected] www.invisibletheatre.com FOR RELEASE ON OR AFTER DECEMBER 26, 2011 THE INVISIBLE THEATRE Presents Written by and Starring John Amos Directed and Designed by John Harris, Jr. Made possible in part through the generous support of Dr. Vivian Cox, David Hendricks and Dee-Dee Samet WHERE: The Berger Performing Arts Center 1200 W. Speedway Blvd. Tucson, AZ 85745 WHEN: January 14, 2012 at 8:00 pm and January 15, 2012 at 3:00 pm TICKETS: Ticket Price: $42 To charge tickets by phone, call (520) 882-9721 To purchase tickets on-line, go to www.invisibletheatre.com and click on the OvationTix logo Discounts available for groups of ten or more RUNNING TIME : 2 hours with an intermission Tucson, Arizona (December 26, 2011); You know him from his Emmy Award nominated performance as the heroic adult Kunta Kinte in the ground breaking mini-series Roots , or as James Evans, the indestructible father from the hit television sitcom Good Times . You were delighted by his hilarious performance opposite Eddie Murphy in the box office blockbuster Coming to America . You have enjoyed him on the Emmy Award-winning drama The West Wing , the CBS series The District, Fresh Prince of Bel-Air and House . Whether he was performing with Sylvester Stallone in Lock Up or co-starring with Bruce Willis in Die Hard II , John Amos has always delivered outstanding performances. He now presents yet another astonishing character portrayal in his own extraordinary creation, John Amos’ HALLEY’S COMET where he takes the audience on a whirlwind adventure back in time, beginning at the turn of the century when the world was full of dreams and promises of wonderful things to come. -
"Introduction: Survey of Literature of "All in The
6 "INTRODUCTION: SURVEY OF LITERATURE OF "ALL IN THE FAMILY" Mike Porter On the night of January 12, 1971 a group of men sat watching a monitor in the CBS executive suite in New York. Some were optjmistic but all were nervous as careers lay on the line. Meanwhile, a continent away, another gentleman was "pacing the floor of a viewing room in Television City, 1 Hollywood, like an expectant father." It was too late for anyone to change their minds--the point of no return had been reached. At 10:30 p.m. EST, these men looked on as a new mid-season replacement program was fed down the lines to awaiting and warned affiliates nationwide. Meanwhile, in every major television market, extra operators hired by the network prepared themselves for the expected tempest of an enraged American public. As was later recalled, these men "kind of sneaked it on 2 one night with no advance advertising or anything." As the show began with its now familiar theme song--American entered into what was later described as "a new era of candor. The name of the program was "All in the Family." Without a doubt, "All in the Family" is one of the most controversial yet successful series in the history The show about Archie Bunker, his wife Edith, his daughter Gloria and his son-in-law the "Meathead," became what one 7 4 observer called "instant American folklore." Indeed that observation became true since in 1978 Archie Bunker's famous chair was installed as an exhibit at the Smithsonian Institution. -
Qt88g031r8.Pdf
UC Berkeley Berkeley Planning Journal Title The Tragicomic Televisual Ghetto: Popular Representations of Race and Space at Chicago’s Cabrini-Green Permalink https://escholarship.org/uc/item/88g031r8 Journal Berkeley Planning Journal, 22(1) ISSN 1047-5192 Author Godlewski, Joseph Publication Date 2009 DOI 10.5070/BP32215363 Peer reviewed eScholarship.org Powered by the California Digital Library University of California 113 115 The Tragicomic Televisual Ghetto: Popular Representations of Race and Space at Chicago’s Cabrini-Green by Joseph Godlewski Abstract The production of cultural perceptions in mass media is linked to the project of urban renewal and institutionalized racism. Popular television shows like Good Times, so infused with progressive ideals and issues of social relevance, were able to convey a normative view of “the projects” as an inherently failed space. This article presents a history of cultural translation and racial relations against a backdrop of American housing policy in the post-war era. The 1970s television show, Good Times, which earned the status as one of the fi rst “black sitcoms,” told the story of a morally strong family enduring life in “the projects” of Chicago. Experiencing a kind of racialized modernity, social mobility for the Evans family was continually fraught and “progress” was agonizingly and circularly deferred in weekly half- hour segments. In their perpetual struggle, the show’s characters can be seen as engaged with what Cornel West has called the “ignoble paradox of modernity.”1 (West 1999, 53) It’s serious themes, though, were punctuated by witty lines and the enigmatic catchphrase “Dyn-o-mite!” emphatically uttered by the family’s eldest son and star of the show, J.J. -
February 21, 2007
FOR IMMEDIATE RELEASE Contact: Geoffrey Baum 213-821-1491 USC Establishes Norman Lear Chair in Entertainment, Media and Society Martin Kaplan to hold Endowed Chair at USC Annenberg School LOS ANGELES, February 21, 2007 – Norman Lear, the pioneering television and film producer, political and social activist and philanthropist is being honored by the University of Southern California with the establishment of the Norman Lear Chair in Entertainment, Media and Society, Geoffrey Cowan, dean of the USC Annenberg School for Communication announced today. The inaugural holder of the Norman Lear Chair is Martin Kaplan, founding director of the Norman Lear Center at the USC Annenberg School. Kaplan, an Annenberg Research Professor, has been associate dean of the School since 1997. “I view few things as more important to the health of our culture as Martin Kaplan’s work leading the Center that exists in my name at the USC Annenberg School,” said Lear. “I could not be more honored that Mr. Kaplan has additionally agreed to occupy a Chair in my name – so honored, that I would be happy to surround his Chair with a roomful of furniture, piano included, were the Annenberg School to allow.” “USC’s decision to create and name this chair is a wonderful tribute to Norman’s commitment to USC Annenberg and the work of the Lear Center,” said Cowan, who noted that, other than the Annenberg family, Lear is the largest donor to the USC Annenberg School. In addition to $11 million from Mr. Lear—which includes a new $6 million pledge—the Lear Center has garnered more than $9 million in gifts and research grants from foundation, government and other sources. -
COIOR Advice
g £ - l^C H E ST E R HERALD. Wed,, March 2, 1983 Canoe race Virginity still good buy in love marketplace DEAR ABBY: Many letters in your choose not to risk falling into that habit Now, at age 48 I find that I am much column have touched me, but none until I have found the person with more passiohate thfin I was when I was Keiinedy Is warned: Boy meets girl: Text of ruling set April 10 moved me as much as the one from whom I can establish an exclusive a 23-year-oU- virgin. I was able to "Holding Out and Proud Out of It.” Dear lifelong commitment. exercise control back then. (I didn’t New twist at MMH In Coventry Horray for her! And horray for you know what I was missing.) Be thinking of cuts By Alex GIrelli for printing it. More people need to Please don’t think I'm an oddball. Herald City Fdltn- know that there are still some women Abby I’m not. I’m just saving myself for the As immature as this my sound. I’m ... page 3 ... page 11 page 9 The seventli annual Hockanum River Canoe around who don’t jump into bed with Abigail person I marry. And in case you’re not sure that I willbe able to exercise every John, Mick and Murray, I know I wondering — I’m straight, and I’ll be 38 Race, an event that attacts an average of 100 Van Buren that control that control now, so I just competitors, has been scheduled for April 10, have lots of guys because I wouldnt my next birthday. -
BUSINESS Junior High and High Schooi Students Ex-Comic’S Help Drops Spells Success Bv Denis G
to - MANCHESTER HERALD. Thursduy, March 22, 1984 Busy summer likely for vacation industry Conventioneers and most Organized tours woh't provide them. Forget additional $7 execution fee. If you hove to pay onty^S,' Reaction to rape verdict hlartford protesters We are now entering the busiest summer ever for about discount air fares: the m ajor carriers serving you can mail in your application. ~ ‘ the vacation industry — with a variety of forces Los Angeles have stopped them for the weeks Moreover, since 1981, every individual, even an lire. Portuguese defendants take over Colt dome slated by GOP combining to push vacation travel to all-time highs. surrounding the games. infant, is required to have a passport issued in his ® The U.S. dollar is strong, tempting us to go abroad to Y o u t If your plans include foreign travel, you have no her own name. Children under age 18 are still issued tour and buy bargains; the Summer Olympic Games time to fiddle, either. Check whether your passport is five-year passports, at a cost of $27. page 2 ... page 10 .. page 3 will open in Los Angeles, pulling us to the West Coast Money's current and il not, submit an application promptly. Many countries require a visa before you can enteE. by the hundreds of thousands. Economic expansion is The State Department does its best to send your For some countries, you must submit your passpoit assured through this summer at least, encouraging us Worth passport within a short time. You will assist by filling with yoiir visa application before your departure.' to open our pocketbooks and wallets to spend. -
Fall 2020 RTF 359S: Black Television Comedy-WB Course Instructor
Fall 2020 RTF 359S: Black Television Comedy-WB Course Instructor: Adrien Sebro Email: [email protected] Seminar Day and Time: Tuesday and Thursday 9:30AM-11:00AM Office Hours: Tuesday 12:00PM-1PM or by appointment Teaching Assistant: Email: Office Hours: By appointment Course Description: For cultural critics to ignore television’s potential as a Forum of resistance is to misread levels of vernacular meaning inherent in many Black television texts. Often viewed as a medium of bufFoonery or harsh stereotyping, situational comedies that Focus on Black communities have in fact had a crucial role in political progress, activism, and evolving social conditions in the United States. With close attention to themes such as socioeconomics, gender, religion, and politics, Black sitcoms address American social injustices in ways that other sitcoms simply are unable to. This course will chronicle a history of American Black sitcoms over time, that worked to respond to their political moment and have radically transFormed television as a space For pedagogy. It is important to mention, that this course’s Focus on the sitcom genre is deliberate. The sitcom can be read to help lay bare the mores, images, ideals, prejudices, and ideologies in its topical moment. There is much history that can and must be captured From the sitcom. As Darrell Hamamoto states, “the study of the television situation comedy is an exercise in examining the relationship of popular art to its historically speciFic setting.” Surveying histories of television sitcoms in general ofFers a unique history of what is understood as national American humor. American humor in general, and Black humor speciFically, began as a “wrested Freedom,” the Freedom to laugh at that which was unjust and cruel in order to create distance From what would otherwise obliterate a sense of selF and community. -
1 Introduction Beginning in the Early 1970S, a Shift Occurred in the World
1 Introduction Beginning in the early 1970s, a shift occurred in the world of television comedy. New network executives came in and decided to change the content that was being put on the air. The popular TV shows of the 1960s were based in fantasy and did not address any relevant issues. Programs like Bewitched, I Dream of Jeannie, Green Acres and Petticoat Junction were some of the highest rated shows of the decade. The reasons for these show’s success are many. One being they appealed to audiences young and old. Television had become cheap enough to be nearly ubiquitous in the U.S. and therefore a family activity. Also, commercial sponsors were and continue to be the loudest voice in determining a program’s content, and wanted to attract the largest audience possible. “And let’s face it, if you’re a salesman and your goal is to sell as many cans of dog food or tubes of toothpaste as you possibly can, the last thing you want to do is offend any potential customers.” 1 After the Communist threat or “red scare” became a lesser issue in the late 1960s, networks felt as though they could depart from traditional, antiquated values and address real societal issues. However, producers and network executives felt as though the best way to portray these issues was through the situation comedy genre. Early sitcoms like The Mary Tyler Moore Show, All in the Family, Maude and Soap all tackled issues that were extremely relevant in the lives of many Americans as well as in the greater American culture.