L U I G I C H E R U B I N I Eilana Lappalainen
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Debussy's Pelléas Et Mélisande
Debussy’s Pelléas et Mélisande - A discographical survey by Ralph Moore Pelléas et Mélisande is a strange, haunting work, typical of the Symbolist movement in that it hints at truths, desires and aspirations just out of reach, yet allied to a longing for transcendence is a tragic, self-destructive element whereby everybody suffers and comes to grief or, as in the case of the lovers, even dies - yet frequent references to fate and Arkel’s ascribing that doleful outcome to ineluctable destiny, rather than human weakness or failing, suggest that they are drawn, powerless, to destruction like moths to the flame. The central enigma of Mélisande’s origin and identity is never revealed; that riddle is reflected in the wispy, amorphous property of the music itself, just as the text, adapted from Maeterlinck’s play, is vague and allusive, rarely open or direct in its expression of the characters’ velleities. The opera was highly innovative and controversial, a gateway to a new style of modern music which discarded and re-invented operatic conventions in a manner which is still arresting and, for some, still unapproachable. It is a work full of light and shade, sunlit clearings in gloomy forest, foetid dungeons and sea-breezes skimming the battlements, sparkling fountains, sunsets and brooding storms - all vividly depicted in the score. Any francophone Francophile will delight in the nuances of the parlando text. There is no ensemble or choral element beyond the brief sailors’ “Hoé! Hisse hoé!” offstage and only once do voices briefly intertwine, at the climax of the lovers' final duet. -
KING FM SEATTLE OPERA CHANNEL Featured Full-Length Operas
KING FM SEATTLE OPERA CHANNEL Featured Full-Length Operas GEORGES BIZET EMI 63633 Carmen Maria Stuarda Paris Opera National Theatre Orchestra; René Bologna Community Theater Orchestra and Duclos Chorus; Jean Pesneaud Childrens Chorus Chorus Georges Prêtre, conductor Richard Bonynge, conductor Maria Callas as Carmen (soprano) Joan Sutherland as Maria Stuarda (soprano) Nicolai Gedda as Don José (tenor) Luciano Pavarotti as Roberto the Earl of Andréa Guiot as Micaëla (soprano) Leicester (tenor) Robert Massard as Escamillo (baritone) Roger Soyer as Giorgio Tolbot (bass) James Morris as Guglielmo Cecil (baritone) EMI 54368 Margreta Elkins as Anna Kennedy (mezzo- GAETANO DONIZETTI soprano) Huguette Tourangeau as Queen Elizabeth Anna Bolena (soprano) London Symphony Orchestra; John Alldis Choir Julius Rudel, conductor DECCA 425 410 Beverly Sills as Anne Boleyn (soprano) Roberto Devereux Paul Plishka as Henry VIII (bass) Royal Philharmonic Orchestra and Ambrosian Shirley Verrett as Jane Seymour (mezzo- Opera Chorus soprano) Charles Mackerras, conductor Robert Lloyd as Lord Rochefort (bass) Beverly Sills as Queen Elizabeth (soprano) Stuart Burrows as Lord Percy (tenor) Robert Ilosfalvy as roberto Devereux, the Earl of Patricia Kern as Smeaton (contralto) Essex (tenor) Robert Tear as Harvey (tenor) Peter Glossop as the Duke of Nottingham BRILLIANT 93924 (baritone) Beverly Wolff as Sara, the Duchess of Lucia di Lammermoor Nottingham (mezzo-soprano) RIAS Symphony Orchestra and Chorus of La Scala Theater Milan DEUTSCHE GRAMMOPHON 465 964 Herbert von -
ENERGY MASTERMIX – Playlists Vom 15.02.2019 HELMO
ENERGY MASTERMIX – Playlists vom 15.02.2019 HELMO 1. Hugel ft Amber Van Day – WTF 2. Years & Years – King 3. Marnick & Smack – Gam Gam 4. Panic! At The Disco – High Hopes (White Panda/ Don Diablo Remix) 5. Kygo ft Sandro Cavazza – Happy Now 6. Duck Sauce – Barbra Streisand 7. Hayden James – Better Together (Remix) 8. Calvin Harris & Rag’n’Bone Man – Giant 9. Justin Timberlake – Can’t Stop The Feeling 10. Ariana Grande – 7 Rings (Remix) 11. Ellie Goulding & Diplo ft Swae Lee – Close To Me 12. Loud Luxury ft Brando – Body 13. Galantis ft OneRepublic – Bones 14. Lady Gaga – Poker Face 15. NOTD & Felix Jaehn – So Close 16. David Guetta ft Bebe Rexha & J Balvin – Say My Name 17. David Guetta ft Brooks & Loote – Better When You’re Gone 18. Mark Ronson ft Bruno Mars – Uptown Funk! 19. Clean Bandit ft Luis Fonsi & Marina – Baby 20. Dynoro – In My Mind 21. Gaullin – Moonlight 22. The Chainsmokers ft Daya – Don’t Let Me Down 23. Tiesto – Grapevine 24. Alle Farben ft Ilira – Fading 25. Gesaffelstein & The Weeknd – Lost In The Fire 26. Avicii – Levels 27. Alan Walker – Lost Control 28. Declan J Donovan – Pieces (Tep No Remix) 29. Lost Frequencies – Are You With Me 30. The Chainsmokers & 5 Seconds Of Summer – Who Do You Love 31. Fisher – Losing It 32. Calvin Harris & Sam Smith – Promises 33. Lauv & Troye Sivan – I’m So Tired 34. Flo Rida – Whistle 35. Mark Ronson ft Miley Cyrus – Nothing Breaks Like A Heart (Remix) 36. Robin Schulz ft Erika Sirola – Speechless 37. Sam Smith ft Normani – Dancing With A Stranger 38. -
El Camino De Verdi Al Verismo: La Gioconda De Ponchielli the Road of Verdi to Verism: La Gioconda De Ponchielli
Revista AV Notas, Nº8 ISSN: 2529-8577 Diciembre, 2019 EL CAMINO DE VERDI AL VERISMO: LA GIOCONDA DE PONCHIELLI THE ROAD OF VERDI TO VERISM: LA GIOCONDA DE PONCHIELLI Joaquín Piñeiro Blanca Universidad de Cádiz RESUMEN Con Giuseppe Verdi se amplificaron y superaron los límites del Bel Canto representado, fundamentalmente, por Rossini, Bellini y Donizetti. Se abrieron nuevos caminos para la lírica italiana y en la evolución que terminaría derivando en la eclosión del Verismo que se articuló en torno a una nutrida generación de autores como Leoncavallo, Mascagni o Puccini. Entre Verdi y la Giovane Scuola se situaron algunos compositores que constituyeron un puente entre ambos momentos creativos. Entre ellos destacó Amilcare Ponchielli (1834-1886), profesor de algunos de los músicos más destacados del Verismo y autor de una de las óperas más influyentes del momento: La Gioconda (1876-1880), estudiada en este artículo en sus singularidades formales y de contenido que, en varios aspectos, hacen que se adelante al modelo teórico verista. Por otra parte, se estudian también cuáles son los elementos que conserva de los compositores italianos precedentes y las influencias del modelo estético francés, lo que determina que la obra y su compositor sean de complicada clasificación, aunque habitualmente se le identifique incorrectamente con el Verismo. Palabras clave: Ponchielli; Verismo; Giovane Scuola; ópera; La Gioconda; Italia ABSTRACT With Giuseppe Verdi, the boundaries of Bel Canto were amplified and exceeded, mainly represented by Rossini, Bellini and Donizetti. New paths were opened for the Italian lyric and in the evolution that would end up leading to the emergence of Verismo that was articulated around a large generation of authors such as Leoncavallo, Mascagni or Puccini. -
Dubberly Curriculum Vitae
STEPHEN DUBBERLY Opera Conductor Division of Conducting and Ensembles College of Music University of North Texas Denton, TX 76203-1367 940-367-8770 EDUCATION 1992 Doctor of Musical Arts Yale University, New Haven, Connecticut 1986-87 Graduate Fellowship Piano Performance The University of Texas at Austin 1986 Master of Musical Arts Yale University 1985 Master of Music Yale University 1979 Diploma with honors College Preparatory Uruguayan-American School, Montevideo, Uruguay 1974-78 5 Performance Certificates Piano, Solfège Conservatorio Juan Sebastián Bach, Montevideo conducting studies with Harold Evans, Otto-Werner Mueller, and Kirk Trevor piano studies with Santiago Baranda Reyes, Boris Berman, Claude Frank, and Seymour Lipkin vocal literature studies with Nico Castel, David Garvey, Thomas Grubb, and Gérard Souzay PROFESSIONAL EXPERIENCE 2016- Conductor Red River Lyric Opera Wichita Falls, Texas 2016- Music Director Opera in Concert in Italy Urbino, Texas 2015 Chorus Master OPERA San Antonio San Antonio, Texas 2013-2015 Conductor Opera Breve Wichita Falls, Texas 2012- Music Director Opera in Concert Dallas, Texas 2012- Conductor Frontiers Festival/ Fort Worth Opera Ft. Worth, Texas 2010-2016 Chorus Master, Associate Conductor Fort Worth Opera Ft. Worth, Texas 2008 Chorus Master Fort Worth Opera Ft. Worth, Texas 2002-2014 Music Director Christ Presbyterian Church Flower Mound, Texas 2001-02 Music Director Black Tie Opera Ensemble Houston, Texas 1999- Associate Professor of Music University of North Texas Denton, Texas (tenured in 2002) Music Director, UNT Opera 1999-2001 Music Director American Bel Canto Opera Denton/Kansas City 1998-99 Music Staff Des Moines Metro Opera Indianola, Iowa 1998-99 Music Director Totally Vocal! Institute Knoxville, Tennessee 1997-99 Director of Music First Presbyterian Church Crossville, Tennessee 1996-99 Music Director Knoxville Opera Studio Knoxville, Tennessee 1993- Pianist Bel Canto Festival Highlands, North Carolina 1992-97 Music Staff Opera Theatre of Saint Louis St. -
Schweizer Hitparade NEU -/SME Top 100 Singles 05.05.2019 Lady Gaga & Bradley Cooper 3 Shallow 631W -/UNI Billie Eilish 4 Bad Guy 45W -/UNI Daddy Yankee Feat
Lil Nas X 1 Old Town Road 16W -/SME Loco Escrito 2 Punto Schweizer Hitparade NEU -/SME Top 100 Singles 05.05.2019 Lady Gaga & Bradley Cooper 3 Shallow 631W -/UNI Billie Eilish 4 Bad Guy 45W -/UNI Daddy Yankee feat. Snow 5 Con calma 214W -/UNI 21 21 8W Ava Max - So Am I -/WMS Lewis Capaldi 22 23 16W Alec Benjamin - Let Me Dow n Slow ly -/WMS 6 Someone You Loved 23 32 10W P!nk - Walk Me Home -/SME 715W -/UNI 24 19 9W Jonas Brothers - Sucker -/UNI 25 NEU Davin Herbrüggen - The River -/UNI 26 13 2W Dhurata feat. Soolking - Zemër -/UNI Pedro Capó 27 NEU Luis Fonsi, Sebastián Yatra, Nicky Jam - Date la vuelta -/UNI 7 Calma 28 12 2W KC Rebell - Quarterback -/UNI 29 22 15W Ariana Grande - 7 Rings -/UNI 318W -/SME 30 25 39W Panic! At The Disco - High Hopes -/WMS 31 24 4W Samra - Harami -/UNI Lady Gaga 32 20 6W PNL - Au DD -/BED 33 26 23W Robin Schulz feat. Erika Sirola - Speechless -/WMS 8 Always Remember Us This Way 34 44 5W Rammstein - Deutschland UNI/UNI 830W -/UNI 35 30 18W Post Malone - Wow . -/UNI 36 33 3W Angèle - Balance ton quoi -/UNI Avicii feat. Aloe Blacc 37 NEU Ardian Bujupi x Fero47 - Wie im Traum -/SME 38 NEU LX & Max w ell - Merc y Merc y -/UNI 9 SOS 39 34 13W Dermot Kennedy - Pow er Over Me -/UNI 54W -/UNI 40 39 4W Samra - Shoote ma Shoote -/UNI 41 41 22W Mark Ronson feat. Miley Cyrus - Nothing Breaks Like A Heart -/SME 42 35 43W Dynoro & Gigi D'Agostino - In My Mind -/SME Ufo361 feat. -
Princesse Czardas
PRINCESSE CZARDAS ET DES PAYS DE VAUCLUSE Saison 91I9S .e Cabaret d'Avignon )0ur Souper gprès le fipectaclG de rOpéra d'Avignon j^our {aire la fête l)ans un cadre exceptmnel !)ìneN2pectacle à partir de 21h ^ avec la Revue Mufiic-l-lall de Jacques Fabre /endredi Samedi Dimanche ^ avec Concerte, azz, Samba, Flamenco et Rock le Mercredi Thé dansant bimane fie et Lundi à partir de 15h Soirées privées pour entreprises et particuliers (anni(/ersaires) Sur réservation Resemfion : 04-9014-02 54 Samedi 6 juin-20h30 Dimanche 7 juin-l4h30 PRINCESSE CZARDAS Opérette en trois actes Livret de Léo Stein et Bela Jenbach Lyrics de Daniel Stirn et Mario Bois Dialogues de Mario Bois Musique ¿/ Emmerich Kalman (Editions musicales Mario Bois) PRODUCTION DE L'OPÉRA DE NANCY ET DE LORRAINE D I s T R I B u T O N Direction musicale Michel CAPPERON Mise en scène Jacqueline GUY Chorégraphie Jacques FABRE Décors Chnstophe VALLAUX Costumes Rosalie VARDA Lumières Denis VIENS Etudes musicales Marie-Charlotte LE ROUX Sylva Varesco Alexise YERNA Stasi Mary SAINT-PALAIS La Princesse Jacqueline GUY Une cliente Wiebke NOLTING Un Gommeuse Jacqueline LIMONGI Une Jeune fille Marie-Christine VENDRIOS L'Habilleuse Bernadette LAURIE Les Girls Nathalie BRUNO Cécile CABALLERO Brigitte CLARET Jacqueline LIMONGI Marie-Christine VENDRIOS Valérie YVARS Edwin Eric FAURY Boni Jacques DUPARC Feri André JOBIN Le Prince Liebensdorf Jacques VILLA Rohnsdorff Michel GRISONI Kiss Henri AUTEUIL L'Ambassadeur Alain CHARLES Vihar Roland SALMON Endrey Didier CHARETIE Mychka - Atanasse Serge MIONE -
Ana Petricevic Soprano
Ana Petricevic Soprano Ana Petricevic was born in Belgrade, Serbia, where she began her musical studies at the age of 8, when she started playing the flute. She studied opera singing at the University of Music in Belgrade. Her notable achievements as a student include winning the “Biserka Cvejic” award for the most promising young soprano and the “Danica Mastilovic” award for the best student. She also won the outright 1st prize (100/100 points) at the International Competition for Chamber Music “Davorin Jenko” and 2nd Prize at the International Competition for Opera Singers “Ondina Otta” in Maribor, Slovenia. and graduated with the highest grades, interpreting the roles of Micaela (Carmen, G. Bizet) and Tatiana (Eugene Onegin, P. I. Tchaikovsky). Ms Petricevic's professional debut was a success singing the role of Georgetta (Il Tabarro, G. Puccini) at the National Theatre of Belgrade. Following that performance, she made her debut also in the role of Contessa Almaviva (Le Nozze di Figaro, W. A. Mozart). In 2012 Ms Petricevic was presented a scholarship from the fund “Raina Kabaivanska” and, shortly afterwards, moved to Modena, Italy. For the next three years she studied with the famous Bulgarian soprano at the Institute of Music Vecchi-Tonelli di Modena. In this period, he sang in numerous concerts and prestigious events, the most prominent being the beneficiary Gala concert “Raina Kabaivanska presenta i Divi d'Opera” (2014, Sofia, Bulgaria). The concert was broadcasted live on National Television. After moving to Italy, Ms Petricevic attended different masterclasses, lead by renowned artists such as soprano Mariella Devia and baritone Renato Bruson. -
Songs by Title
16,341 (11-2020) (Title-Artist) Songs by Title 16,341 (11-2020) (Title-Artist) Title Artist Title Artist (I Wanna Be) Your Adams, Bryan (Medley) Little Ole Cuddy, Shawn Underwear Wine Drinker Me & (Medley) 70's Estefan, Gloria Welcome Home & 'Moment' (Part 3) Walk Right Back (Medley) Abba 2017 De Toppers, The (Medley) Maggie May Stewart, Rod (Medley) Are You Jackson, Alan & Hot Legs & Da Ya Washed In The Blood Think I'm Sexy & I'll Fly Away (Medley) Pure Love De Toppers, The (Medley) Beatles Darin, Bobby (Medley) Queen (Part De Toppers, The (Live Remix) 2) (Medley) Bohemian Queen (Medley) Rhythm Is Estefan, Gloria & Rhapsody & Killer Gonna Get You & 1- Miami Sound Queen & The March 2-3 Machine Of The Black Queen (Medley) Rick Astley De Toppers, The (Live) (Medley) Secrets Mud (Medley) Burning Survivor That You Keep & Cat Heart & Eye Of The Crept In & Tiger Feet Tiger (Down 3 (Medley) Stand By Wynette, Tammy Semitones) Your Man & D-I-V-O- (Medley) Charley English, Michael R-C-E Pride (Medley) Stars Stars On 45 (Medley) Elton John De Toppers, The Sisters (Andrews (Medley) Full Monty (Duets) Williams, Sisters) Robbie & Tom Jones (Medley) Tainted Pussycat Dolls (Medley) Generation Dalida Love + Where Did 78 (French) Our Love Go (Medley) George De Toppers, The (Medley) Teddy Bear Richard, Cliff Michael, Wham (Live) & Too Much (Medley) Give Me Benson, George (Medley) Trini Lopez De Toppers, The The Night & Never (Live) Give Up On A Good (Medley) We Love De Toppers, The Thing The 90 S (Medley) Gold & Only Spandau Ballet (Medley) Y.M.C.A. -
The Oxford Democrat
The Oxford Democrat. JANUARY NUMBER 1. VOLUME 62. PARIS. MAINE, TUESDAY. 2,1894. i«* of tin* luial In- a«mMUtm »m intellectual iM r» ItU bartm, whoahrank hark with TtiU ol<l *411 It ia «• in**. Kim prnarh u. c I 11 u n«r ImI ii- watching eruiently |wmnmi] THINGS SELDOM SEEN. in tin" Not 4MB* ft wRiuirr, | uoceaha a«ked freahlng. I »tu<li«*l him cuo»tantly, al- • l<»»k of ab»4nte terror oil bar far*. I trrtatintf (iIm-mi ra|itto|. AMONG THE FARMERS. Niial fimr D««, iwl rrorganl/«il half deflrml »n«|>ictona,for | mrrtlui, tb* wunli I bad heard r» aHi*h*r arm ami many rltllitn know of Iti riUlHMv, nor, A Counawlor. Th* A Transferred imIii car*l«"«a manner. which wm ways recalling M* him Highly Attorney •la dormant linnfn. pal* path arnator* Identity. •I tb« Rat* the night Wfore, Dangrh lark tb* flowing ilwn ami la* DOWN IN THE LOWER REGIONS OF for that matter, but frw of tlw MAIM. nu* ami ullwi work pertaining aaaunted, whether 1 hat! heard lnwljr M»t*TN TAKIft. pahljr Itoh. •ml rrpnt-iiUttrwi. fljr ap|»li< aii.*i to lu the of Nitlrr hu lieen »«» antmd* about the houa* the •otnin from d« aouf—awful." Untly arrntlnlir tint lorely han> I Mult « »4,i utlbral Inpt* EDITH SESSION TUPPEL anjr unuvual THE QREAT CAPITOL «'V-r ><«f %*•**»«*• »r*4 of By > old J. /••!« 1 ahould to frw h*r- Ik* oflW-f of tli« an lutr« t of IIm* ci|iiUi|t W •■iTIi tMil tiMmt all tunathlitaaM IB heat v. -
Don Giovanni
Don Giovanni La publicación de la partitura de Don Giovanni en De entre las más de doscientas grabaciones de 1953 la Neue Mozart Ausgabe en 1968 fue como un esta ópera completas y cantadas en italiano Giuseppe Taddei; Italo Tajo: Maria Curtis Verna; Carla relámpago para el mundo musical, y los truenos que están documentadas, en el siguiente Gavazzi; Cesare Valletti; Elda Ribetti; Vito Susca; se han seguido escuchando durante mucho listado ofrecemos las referencias de las que han tiempo después. Los responsables de esa edición, Antonio Zerbini; coro y orquesta de la RAI Torino; llamado la atención de los críticos en revistas Wolfgang Plath y Wolfgang Rehm, declaraban en dir. Max Rudolf. Cetra LPS 3253 (3LP); Cetra OLPC especializadas nacionales e internacionales con su comentario que sólo la versión que Mozart y Da 1253/1-3 (3LP); Cetra C-1253 (3LP) (USA); Everest ocasión de su primera publicación o posteriores Ponte habían preparado para el estreno en Praga en Cetra 403-3 (3LP) Balkanton BOA 1575-1527 (3LP); 1787 sería auténtica. En la publicación posterior del reediciones. Por razones de espacio, hasta el año Warner Fonit 0927 43561-2 (3CD) (2002); Warner aparato crítico correspondiente a esa edición, de 2000 constan sólo las grabaciones en estudio. 2003, los autores no habían cambiado de parecer, Los papeles se presentan en el orden siguiente: Fonit Cetra 2564698347 (download) (2002); Urania e incluso en el año 2007, uno de los dos editores, el Don Giovanni (baritono); Leporello (bajo); Donna URN22308 (download) (2006). Grabación en estudio. único vivo en ese momento, se mantenía firme en Anna (soprano); Donna Elvira (soprano); Don su opinión. -
Fli Prigg)Niero Siior Angelica
Gran Teatre d^l Lieeii llIJUUUI/iii fli prigg)niero Siior Angelica Temporada Liceu 0 Barcelona 1415 0 Gran Teatre del Liceu ,5 ^eí- ^ II Il barbiere di Siviglia prigioniero / Suor Augelica GinachinoKossiiii Setembre 2014 14, 16, 18, 19, 20, 22, 23 i 25 Luigi Dallapiccola / Giaconio Pucciui La Traviata II prigioniero Opera en un pròleg i un acte. Llibret i música de Luigi Dallapiccola Suor Angelica Opera en un acte. Llibret de Giovacchino Forzano. Música de Giacomo Puccini (iiuseppeVerdi Octubre 2014 14, 15, 17, 18, 20, 21, 23. 24, 26, 28 i 29 Julio! 2015 8, 9, 11. 12, 14, 15. 17 i 18 II prigioniero: 50 min. • Entreacte; 30 min. • Suor Angelica: 55 min. Arabella Durada total aprox: 2 hores i 25 minuts RicliardSlraiiss Divendres, 4 de juliol de 2014 Novembre 2014 17, 20, 23, 26 i 29 María Stuarda IL PRIGIONIERO Suor Dolcina Assistent del vestuari CaetanoDonizeüi Olatz Lluna Albert Desembre 2014 19, 21, 23, 27, 29 í 30 La mare Gorrotxategi Gener 2015 2, 3, 7, 8 i 10 Jeanne-Michèle Charbonnet La germana infermera Coproducció Anna lobelia Gran Teatre Una voce in off / El presoner del Liceu i Teatro Real (Madrid) La voix humaine levgueni Nikitin Dues almoinares Sandra Ferrández i {II prigioniero producció original XavicrMontsalvalpe / FraiicisFoiücnc El carceller / El gran inquisidor Gener 2015 18, 20 i 22 de l'Opéra National de Paris) Robert Brubaker Inés Moraleda Norma Sacerdots La novicia ORQUESTRA SIMFÒNICA I VincenzoBellini Albert Casals i Antoni Marsol Raquel Lucena Febrer 20158, 9, 11, 12, 14, 15i 17 Semperoper Ballett COR DEL GRAN TEATRE