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Ina Coolbrith of California's "Overland Trinity95 by BENJAMIN DE CASSERES
Boolcs and the Book World of The Sun, December 7, 1919. 15 Ina Coolbrith of California's "Overland Trinity95 By BENJAMIN DE CASSERES. written, you know. I have just sent down ASTWARD the star of literary cm-- town for one of my books, want 'A J and I pire takes its way. After twenty-liv-e to paste a photograph as well as auto- years Ina Donna Coolbrith, crowned graph in it to mail to you. poet laureate of California by the Panama-P- "The old Oakland literary days! Do acific Exposition, has returned to yon know you were the first. one who ever New York. Her house on Russian Hill, complimented me on my choice of reading San Francisco, the aristocratic Olympus matter? Nobody at home bothered then-hea- of the Musaj of the Pacific slope, stands over what I read. I was an eager, empty. thirsty, hungry little kid and one day It is as though California had closed a k'Prsmmm mm m:mmm at the library I drew out a volume on golden page of literary and artistic mem- Pizzaro in Pern (I was ten years old). ories in her great epic for the life of You got the book and stamped it for me; Miss Coolbrith 'almost spans the life of and as you handed it to me you praised California itself. Her active and acuto me for reading books of that nature. , brain is a storehouse of memories and "Proud ! If you only knew how proud ' anecdote of those who have immortalized your words made me! For I thought a her State in literature Bret Harte, Joa- great deal of you. -
He Re-Enchanted Landscape: Bret Harte's
HE RE-ENCHANTED LANDSCAPE: BRET HARTE’S AND JOHN MUIR’S SPATIAL PRODUCTIONS ____________ A Thesis Presented to the Faculty of California State University, Chico ____________ In Partial Fulfillment of the Requirements for the Degree Master of Arts in English ____________ by William V. Lombardi Spring 2010 DEDICATION To my partner Jenny and our son Hawk, for their love, patience, and support: I dedicate this project to them. And in memory of my mother, Marge Lombardi, in whose library I found Coleridge Walks the Fells and A Walking Tour in Southern France many years ago. She loved literature, history, and nature, and was herself a prodigious walker. Her spirit permeates my approach to this endeavor. iii ACKNOWLEDGEMENTS In Fall of 2007 I came to Dr. Geoff Baker with a request: direct me to sources that will provide me with the language to talk about space, particularly the language of fictional spaces. He introduced me to the work of Bachelard, Anderson, Moretti, McClure, and Lefebvre. Many others remain names on a long reading list that I am certain will enrich my literary studies for years to come. I owe Dr. Baker a debt of gratitude for his interest in my pursuits, his support of my scholarship, and for acting as my advisor to the Graduate Equity Fellowship I received that eventually made much of the present work possible. I would also like to acknowledge the guidance and support of Dr. Andrea Lerner, who introduced me to the work of Annette Kolodny, Roderick Nash, Frederick Turner, and Henry Nash Smith. I am indebted to Dr. -
Languages for America”: Dialects, Race, and National
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE “LANGUAGES FOR AMERICA”: DIALECTS, RACE, AND NATIONAL IDENTITY IN NINETEENTH-CENTURY AMERICAN LITERATURE A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY By THOMAS LEE WHITE, JR. Norman, Oklahoma 2011 “LANGUAGES FOR AMERICA”: DIALECTS, RACE, AND NATIONAL IDENTITY IN NINETEENTH-CENTURY AMERICAN LITERATURE A DISSERTATION APPROVED FOR THE DEPARTMENT OF ENGLISH BY Dr. Daniel Cottom, Chair Dr. Francesca Sawaya Dr. Timothy Murphy Dr. Ronald Schliefer Dr. Benjamin Alpers © Copyright by THOMAS LEE WHITE, JR. 2011 All Rights Reserved. Acknowledgements To my God, thank you for your grace. To my beautiful wife, Tara, and family, thank you for your love. To the members of my committee, specifically Dr. Daniel Cottom, thank you for your patience. iv Table of Contents Introduction…………………………………………………………………………1 “By Shaint Patrick”: Irish American Dialect in H.H. Brackenridge’s Modern Chivalry ……………………………………………………...……………..26 “Ain’t Princerple Precious?”: Yankee Dialect in James Russell Lowell’ s The Biglow Papers …………………………………………………………74 Cooking the “Liddle Tedails”: German American Dialect in Charles Godfrey Leland’s Hans Breitmann Ballads ………………………………………122 The “Melican Man”: Asian American Dialect and Bret Harte’s Truthful James Poems…………………………………………………….……………….165 “Delinquents of Some Kind”: White and Black Dialect in Charles W. Chesnutt’s The Colonel’s Dream…….………………………………….. 191 v Abstract I argue the process of institutionalizing linguistic stereotypes began as authors during the nineteenth century pursued ways of characterizing the voices of literary figures using nontraditional languages. Literary dialects became a method for visualizing perceived racial differences among various minority groups and influenced the stereotypes associated with each discourse community. -
Lost Silent Feature Films
List of 7200 Lost U.S. Silent Feature Films 1912-29 (last updated 11/16/16) Please note that this compilation is a work in progress, and updates will be posted here regularly. Each listing contains a hyperlink to its entry in our searchable database which features additional information on each title. The database lists approximately 11,000 silent features of four reels or more, and includes both lost films – 7200 as identified here – and approximately 3800 surviving titles of one reel or more. A film in which only a fragment, trailer, outtakes or stills survive is listed as a lost film, however “incomplete” films in which at least one full reel survives are not listed as lost. Please direct any questions or report any errors/suggested changes to Steve Leggett at [email protected] $1,000 Reward (1923) Adam And Evil (1927) $30,000 (1920) Adele (1919) $5,000 Reward (1918) Adopted Son, The (1917) $5,000,000 Counterfeiting Plot, The (1914) Adorable Deceiver , The (1926) 1915 World's Championship Series (1915) Adorable Savage, The (1920) 2 Girls Wanted (1927) Adventure In Hearts, An (1919) 23 1/2 Hours' Leave (1919) Adventure Shop, The (1919) 30 Below Zero (1926) Adventure (1925) 39 East (1920) Adventurer, The (1917) 40-Horse Hawkins (1924) Adventurer, The (1920) 40th Door, The (1924) Adventurer, The (1928) 45 Calibre War (1929) Adventures Of A Boy Scout, The (1915) 813 (1920) Adventures Of Buffalo Bill, The (1917) Abandonment, The (1916) Adventures Of Carol, The (1917) Abie's Imported Bride (1925) Adventures Of Kathlyn, The (1916) Ableminded Lady, -
The Luck of Roaring Camp Bret Harte (1836-1902)
1 Bret Harte (1839-1902) The Luck of Roaring Camp Bret Harte (1836-1902) was an American writer and journalist best known today for his tales of the California gold rush. Important in his own day, he was roundly criticized by Mark Twain for his lack of realism, among other failings. His most widely-read stories are “The Outcasts of Poker Flat” (1869) and “The Luck of Roaring Camp,” published in 1868 in the Overland Monthly. There was commotion in Roaring Camp. It could not have been a fight, for in 1850 that was not novel enough to have called together the entire settlement. The ditches and claims were not only deserted, but “Tuttle's grocery” had contributed its gamblers, who, it will be remembered, calmly continued their game the day that French Pete and Kanaka Joe shot each other to death over the bar in the front room. The whole camp was collected before a rude cabin on the outer edge of the clearing. Conversation was carried on in a low tone, but the name of a woman was frequently repeated. It was a name familiar enough in the camp,—”Cherokee Sal.” Perhaps the less said of her the better. She was a coarse and, it is to be feared, a very sinful woman. But at that time she was the only woman in Roaring Camp, and was just then lying in sore extremity, when she most needed the ministration of her own sex. Dissolute, abandoned, and irreclaimable, she was yet suffering a martyrdom hard enough to bear even when veiled by sympathizing womanhood, but now terrible in her loneliness. -
A Backward Glance at Eighty by Charles A
A Backward Glance at Eighty by Charles A. Murdock A Backward Glance at Eighty by Charles A. Murdock A BACKWARD GLANCE AT EIGHTY Recollections & Comment by CHARLES A. MURDOCK Massachusetts 1841 Humboldt Bay 1855 San Francisco 1864 1921 [Illustration: A CAMERA GLANCE AT EIGHTY] THIS BOOK IS GRATEFULLY DEDICATED page 1 / 250 TO THE FRIENDS WHO INSPIRED IT CONTENTS CHAPTER I. NEW ENGLAND II. A HIDDEN HARBOR III. NINE YEARS NORTH IV. THE REAL BRET HARTE V. SAN FRANCISCO--THE SIXTIES VI. LATER SAN FRANCISCO VII. INCIDENTS IN PUBLIC SERVICE VIII. AN INVESTMENT IX. BY-PRODUCT X. CONCERNING PERSONS XI. OUTINGS XII. OCCASIONAL VERSE EPILOGUE ILLUSTRATIONS A CAMERA GLANCE AT EIGHTY HUMBOLDT BAY, WINSHIP MAP FRANCIS BRET HARTE (Saroney, 1874) page 2 / 250 THE CLAY-STREET OFFICE THE DAY AFTER THOMAS STARR KING (Original given Bret Harte) HORATIO STEBBINS, SAN FRANCISCO, 1864-1900 HORACE DAVIS, HARVARD IN 1836 OUTINGS: THE SIERRAS, HAWAII FOREWORD In the autumn of 1920 the Board of Directors of the Pacific Coast Conference of Unitarian Churches took note of the approaching eightieth birthday of Mr. Charles A. Murdock, of San Francisco. Recalling Mr. Murdock's active service of all good causes, and more particularly his devotion to the cause of liberal religion through a period of more than half a century, the board decided to recognize the anniversary, which fell on January 26, 1921, by securing the publication of a volume of Mr. Murdock's essays. A committee was appointed to carry out the project, composed of Rev. H.E.B. Speight (chairman), Rev. C.S.S. -
Lloyd B. Carleton Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
Lloyd B. Carleton 电影 串行 (大全) The Golden Spurs https://zh.listvote.com/lists/film/movies/the-golden-spurs-20802643/actors The Walls of Jericho https://zh.listvote.com/lists/film/movies/the-walls-of-jericho-21183945/actors The Flashlight https://zh.listvote.com/lists/film/movies/the-flashlight-20802309/actors When Love Leads https://zh.listvote.com/lists/film/movies/when-love-leads-50280779/actors For His Child's Sake https://zh.listvote.com/lists/film/movies/for-his-child%27s-sake-20802114/actors Through Fire to Fortune https://zh.listvote.com/lists/film/movies/through-fire-to-fortune-20006303/actors The Girl I Left Behind Me https://zh.listvote.com/lists/film/movies/the-girl-i-left-behind-me-21183801/actors The Idler https://zh.listvote.com/lists/film/movies/the-idler-3987653/actors The Veil of Sleep https://zh.listvote.com/lists/film/movies/the-veil-of-sleep-20803516/actors The Angel of the Slums https://zh.listvote.com/lists/film/movies/the-angel-of-the-slums-20802153/actors Motherhood https://zh.listvote.com/lists/film/movies/motherhood-20802889/actors The Sacred Tiger of Agra https://zh.listvote.com/lists/film/movies/the-sacred-tiger-of-agra-20803247/actors The White Light of Publicity https://zh.listvote.com/lists/film/movies/the-white-light-of-publicity-20803532/actors The Wiles of Cupid https://zh.listvote.com/lists/film/movies/the-wiles-of-cupid-20803541/actors Their Sinful Influence https://zh.listvote.com/lists/film/movies/their-sinful-influence-20803561/actors Longing for a Mother https://zh.listvote.com/lists/film/movies/longing-for-a-mother-20802559/actors -
Regionalism and Local Color Fiction
AHTL-2_18_R_p929-990.qxd 10-24-2005 10:02AM Page 971 REGIONALISM AND LOCAL COLOR FICTION Steffens, Lincoln. The Shame of the Cities. New York: Peter common to local color fiction is a degree of narrative Smith, 1901. distance rendered through the character of a narrator Talmage, T. De Witt. Evils of the Cities. Chicago: Rhodes differing in class or place of origin from the region’s and McClure, 1891. residents; a variation on this is a narrative voice dis- Tarbell, Ida. The History of the Standard Oil Company. New tanced through educated diction or an ironic tone. York: McClure, Phillips, 1904. In the late nineteenth century, local color fiction appeared in the great literary journals of the day such Secondary Works as Harper’s New Monthly Magazine, the Century, and Boyer, Paul. Urban Masses and Moral Order in America, 1820–1920. Cambridge, Mass.: Harvard University the Atlantic Monthly as well as in newspapers and pop- Press, 1992. ular magazines, as Nancy Glazener, Richard Brodhead, and Charles Johanningsmeier have shown. It differed Dombroski, James. The Early Days of Christian Socialism in from mainstream realism in its choice of local or rural America. New York: Octagon Books, 1977. instead of urban subjects and its interest in the customs Kaplan, Amy. The Social Construction of American Realism. of populations otherwise invisible in the literary land- Chicago: University of Chicago Press, 1988. scape, such as the poor, ethnic minorities, and the eld- May, Henry F. Protestant Churches and Industrial America. erly; moreover, unlike mainstream realism, the market New York: Harper, 1949. for local color encouraged writers who might other- Pizer, Donald, ed. -
Railroads, Race, and the Performance of Unity in Nineteenth
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2006 The other side of the tracks: railroads, race, and the performance of unity in nineteenth-century American entertainment Elissa Sartwell Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Theatre and Performance Studies Commons Recommended Citation Sartwell, Elissa, "The other side of the tracks: railroads, race, and the performance of unity in nineteenth-century American entertainment" (2006). LSU Doctoral Dissertations. 3148. https://digitalcommons.lsu.edu/gradschool_dissertations/3148 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE OTHER SIDE OF THE TRACKS: RAILROADS, RACE, AND THE PERFORMANCE OF UNITY IN NINETEENTH-CENTURY AMERICAN ENTERTAINMENT A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Theatre by Elissa Sartwell B.A., George Fox University, 1998 M.A.T., George Fox University, 1999 May 2006 Acknowledgments Thirteen years ago, my high school English teacher assigned an “Oregon Project” in which students were required to research and write a paper on anything found in Oregon. Little did I know when I chose to research a small Oregon cemetery that I would go back to that cemetery as a graduate student, drawn to the grave of a Chinese man who had been buried as an “Indian Unknown.” My curiosity about that Chinese man grew into additional research on railroad construction and the plight of Chinese-Americans in the late nineteenth century. -
A Backward Glance at Eighty, Recollections & Comments, by Charles A
A backward glance at eighty, recollections & comments, by Charles A. Murdock; Massachusetts 1841, Humboldt Bay 1855, San Francisco 1864 A CAMERA GLANCE AT EIGHTY A BACKWARD GLANCE AT EIGHTY RECOLLECTIONS & COMMENT BY CHARLES A. MURDOCK MASSACHUSETTS 1841 HUMBOLDT BAY 1855 SAN FRANCISCO 1864 PAUL ELDER AND COMPANY SAN FRANCISCO, CALIFORNIA 1921 COPYRIGHT, 1921 A backward glance at eighty, recollections & comments, by Charles A. Murdock; Massachusetts 1841, Humboldt Bay 1855, San Francisco 1864 http://www.loc.gov/resource/calbk.137 BY CHAS. A. MURDOCK PRESS NEAL, STRATFORD & KERR THIS BOOK IS GRATEFULLY DEDICATED TO THE FRIENDS WHO INSPIRED IT MEMORIAL EDITION No.— Chas A Murdock CONTENTS CHAPTER PAGE I. NEW ENGLAND 1 II. A HIDDEN HARBOR 21 III. NINE YEARS NORTH 43 IV. THE REAL BRET HARTE 69 V. SAN FRANCISCO—THE SIXTIES 99 VI. LATER SAN FRANCISCO 131 VII. INCIDENTS IN PUBLIC SERVICE 157 VIII. AN INVESTMENT 183 IX. BY-PRODUCT 199 X. CONCERNING PERSONS 217 XI. OUTINGS 247 XII. OCCASIONAL VERSE 269 EPILOGUE 275 ILLUSTRATIONS A CAMERA GLANCE AT EIGHTY Frontispiece PAGE HUMBOLDT BAY, WINSHIP MAP 40 FRANCIS BRET HARTE (Saroney, 1874) 80 THE CLAY-STREET OFFICE THE DAY AFTER 152 THOMAS STARR KING (Original given Bret Harte) 184 HORATIO STEBBINS, SAN FRANCISCO, 1864-1900 192 HORACE DAVIS, HARVARD IN 1836 224 OUTINGS: THE SIERRAS, HAWAII 264 A backward glance at eighty, recollections & comments, by Charles A. Murdock; Massachusetts 1841, Humboldt Bay 1855, San Francisco 1864 http://www.loc.gov/resource/calbk.137 FOREWORD IN the autumn of 1920 the Board of Directors of the Pacific Coast Conference of Unitarian Churches took note of the approaching eightieth birthday of Mr. -
ERICAN LOCAL COLOR in the BRITISH ISLES Lawson, Jr
/vo I 11,-7 ERICAN LOCAL COLOR IN THE BRITISH ISLES Lawson, Jr. Committee swvn en<b> 525633 -YW . 12/1 il ABSTRACT The reception In various foreign countries of the work of major American writers like Emerson, Whitman, and Twain has been the subject of scholarly inquiry. The present stu dy is an extension of this approach to some minor American authors whose work, even among critics, is assumed to be in digenous and national. The investigation both makes clear a foreign image of America and helps us to understand what, in their time, the local color writers were. Both the na ture of the British reception of these writers and the rea sons for it are treated. The approach here has been to examine the contemporary reputations in the British Isles of American local color writers from four broad geographical areas—the Far West, the Midwest, the South, and New England. The particular writers studied include Joaquin Miller, Helen Hunt Jackson, Mary Hallock Foote, Edward Eggleston, John Hay, James Whit comb Riley, Will Carleton, Alice French, George Washington Cable, Mary Murfree, Thomas Nelson Page, Joel Chandler Har ris, Mary E. Wilkins, and Sarah Orne Jewett. Bret Harte, the subject of this sort of inquiry elsewhere, is also re ferred to at times, and reviews of his work appear in the annotated bibliography with which the work concludes. Mostly from English periodicals, the more than three- hundred annotated reviews and articles appearing in the bib liography were taken as the indicators of taste for a signi ficant segment of the British public. -
List of 7200 Lost US Silent Feature Films 1912-29
List of 7200 Lost U.S. Silent Feature Films 1912-29 (last updated 12/29/16) Please note that this compilation is a work in progress, and updates will be posted here regularly. Each listing contains a hyperlink to its entry in our searchable database which features additional information on each title. The database lists approximately 11,000 silent features of four reels or more, and includes both lost films – approximately 7200 as identified here – and approximately 3800 surviving titles of one reel or more. A film in which only a fragment, trailer, outtakes or stills survive is listed as a lost film, however “incomplete” films in which at least one full reel survives are not listed as lost. Please direct any questions or report any errors/suggested changes to Steve Leggett at [email protected] $1,000 Reward (1923) Adam And Evil (1927) $30,000 (1920) Adele (1919) $5,000 Reward (1918) Adopted Son, The (1917) $5,000,000 Counterfeiting Plot, The (1914) Adorable Deceiver , The (1926) 1915 World's Championship Series (1915) Adorable Savage, The (1920) 2 Girls Wanted (1927) Adventure In Hearts, An (1919) 23 1/2 Hours' Leave (1919) Adventure Shop, The (1919) 30 Below Zero (1926) Adventure (1925) 39 East (1920) Adventurer, The (1917) 40-Horse Hawkins (1924) Adventurer, The (1920) 40th Door, The (1924) Adventurer, The (1928) 45 Calibre War (1929) Adventures Of A Boy Scout, The (1915) 813 (1920) Adventures Of Buffalo Bill, The (1917) Abandonment, The (1916) Adventures Of Carol, The (1917) Abie's Imported Bride (1925) Adventures Of Kathlyn, The (1916)