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Florence at the Dawn of the Renaissance: Painting and Illumination, 1300–1350

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Florence at the Dawn of the Renaissance: Painting and Illumination, 1300–1350 Page 1 ILLUSTRATED CHECKLIST Florence at the Dawn of the Renaissance: Painting and Illumination, 1300–1350 At the J. Paul Getty Museum, Getty Center November 13, 2012–February 10, 2013 Introduction 1. Master of the Dominican Effigies (Italian, active about 1325–about 1355) Domenico Lenzi (Italian, active 14th century) Specchio Umano, about 1325–1335 On display: Fols. 57v - 58: The Expulsion of the Poor from Siena and The Poor of Siena Being Generously Received in Florence; Fols. 57v–58: The Expulsion of the Poor from Siena and The Poor of Siena Being Generously Received in Florence Tempera and gold leaf on parchment Open: 40 x 64 cm (15 3/4 x 25 3/16 in.) Biblioteca Medicea Laurenziana Firenze EX.2012.2.12 2. Master of the Dominican Effigies (Italian, active about 1325–about 1355) Christ and the Virgin Enthroned, Attended by Seventeen Dominican Saints Tempera and gold leaf on panel 117.8 x 56 cm (46 3/8 x 22 1/16 in.) Opera per Santa Maria Novella / FEC / Soprintendenza Speciale per il Patrimonio Storico, Artistico ed Etnoantropologico e per il Polo Museale della città di Firenze EX.2012.2.24 3. Bernardo Daddi (Italian (Florentine), active about 1312–1348) Triptych with the Crucifixion, 1338 Tempera, silver and gold leaf on panel 90.3 x 83.5 x 7.8 cm (35 9/16 x 32 7/8 x 3 1/16 in.) Edinburgh, Scottish National Gallery EX.2012.2.40 4. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347) The Crucifixion, about 1315–1340 Tempera and gold leaf on panel 81.2 x 44.5 cm (32 x 17 1/2 in.) Fondazione di Studi di Storia dell'Arte Roberto Longhi di Firenze EX.2012.2.16 IMAGE AVAILABLE FOR PRESS -more- -more- Page 2 5. Master of the Codex of Saint George (Italian, active about 1315–about 1335) Ceremonial, about 1320 - 1330 On display: Fol. 7v: Initial A: A Bishop Reading a Book Held by A Deacon 165 ff; 5 historiated initials 37.5 x 25.3 cm (14 3/4 x 9 15/16 in.) Bibliotheque municipale de Boulogne-sur-Mer EX.2012.2.117 6. Maestro Daddesco (Italian, active first half of the 14th century) Initial M: The Annunciation, about 1310–1315 Tempera, gold leaf, and ink on parchment 13.6 x 13.4 cm (5 3/8 x 5 1/4 in.) Lent by The Metropolitan Museum of Art, Robert Lehman Collection, 1975 EX.2012.2.97 7. Maestro Daddesco (Italian, active first half of the 14th century) Initial E: Saint Kneeling in Prayer, about 1320–1330 Tempera and gold leaf on parchment 12.6 x 13.1 cm (4 15/16 x 5 3/16 in.) Richard Deutsch EX.2012.2.110 8. Maestro Daddesco (Italian, active first half of the 14th century) Initial D: Saint Peter, 1340–1350 Tempera and gold leaf on parchment 12.5 x 12.5 cm (4 15/16 x 4 15/16 in.) Private collection EX.2012.2.96 9. Bernardo Daddi (Italian (Florentine), active about 1312–1348) A Crowned Virgin Martyr, about 1340 Tempera and gold leaf on panel 61.6 x 30.5 cm (24 1/4 x 12 in.) Fine Arts Museums of San Francisco, Gift of the Samuel H. Kress Foundation EX.2012.2.47 IMAGE AVAILABLE FOR PRESS 10. Giotto di Bondone (Italian, about 1267–1337) Madonna and Child, about 1320–1330 Tempera on panel Unframed: 85.5 x 62 cm (33 11/16 x 24 7/16 in.) National Gallery of Art, Washington, Samuel H. Kress Collection EX.2012.2.104 IMAGE AVAILABLE FOR PRESS 11. Taddeo Gaddi (Italian, about 1300–1366) Virgin and Child Enthroned with Ten Saints/Maestà, about 1334 Tempera and gold leaf on panel Unframed: 35.1 x 25.1 cm (13 13/16 x 9 7/8 in.) Courtesy of The New-York Historical Society, Gift of Thomas Jefferson Bryan EX.2012.2.70 -more- Page 3 12. Taddeo Gaddi (Italian, about 1300–1366) The Crucifixion, 1330–1335 Tempera and gold leaf on panel 39.5 x 14.4 cm (15 9/16 x 5 11/16 in.) The ALANA Collection EX.2012.2.118.1 13. Taddeo Gaddi (Italian, about 1300–1366) The Annunciation and The Nativity, 1330–1335 Tempera and gold leaf on panel 39.5 x 14.4 cm (15 9/16 x 5 11/16 in.) The ALANA Collection EX.2012.2.118.2 14. Puccio Capanna (Italian, active about 1325–1350) The Virgin and Child Enthroned with Angels, the Annunciation, and Female Saints Tempera and gold leaf on panel 36.7 x 24.5 cm (14 7/16 x 9 5/8 in.) Vatican Museums, Vatican City EX.2012.2.36 15. Puccio Capanna (Italian, active about 1325–1350) The Crucifixion, about 1330 Tempera and gold leaf on panel 17.8 x 14 cm (7 x 5 1/2 in.) North Carolina Museum of Art, Raleigh, Gift of the Samuel H. Kress Foundation EX.2012.2.59 16. Bernardo Daddi (Italian (Florentine), active about 1312–1348) The Virgin Mary with Saints Thomas Aquinas and Paul, about 1330 Tempera and gold leaf on panel 121.6 x 113 cm (47 7/8 x 44 1/2 in.) The J. Paul Getty Museum, Los Angeles 93.PB.16 IMAGE AVAILABLE FOR PRESS -more- Page 4 17. Giotto di Bondone (Italian, about 1267–1337) Christ Blessing with Saint John the Evangelist, the Virgin Mary, Saint John the Baptist, and Saint Francis(Peruzzi Altarpiece), about 1310–1315 Tempera and gold leaf on panel 105.7 x 250.2 x 15.2 cm (41 5/8 x 98 1/2 x 6 in.) North Carolina Museum of Art, Raleigh, Gift of the Samuel H. Kress Foundation EX.2012.2.58 IMAGE AVAILABLE FOR PRESS 18. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347) Convenevole da Prato (Italian, late 13th century–1338) Appeal of Prato to Robert of Anjou, about 1335–1340 On display: Fols. 4v - 5: Pacino di Bonaguida, Christ and the Virgin Mary (Cat. 5.1) Tempera, gold leaf, and ink on parchment Closed: 48 x 34 cm (18 7/8 x 13 3/8 in.) The British Library EX.2012.2.43 Devotional Art 19. Pacino di Bonaguida (Italian (Florentine), active about 1303– about 1347) Saint John on Patmos; The Virgin and Child Enthroned; The Death of the Virgin; The Crucifixion, 1315 Tempera and gold leaf on panel 61.9 x 80.6 cm (24 3/8 x 31 3/4 in.) The Metropolitan Museum of Art, Gift of Irma N. Straus, 1964 EX.2012.2.89 20. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347) Double-sided Crucifix Tempera and gold leaf on panel 40 x 29.5 cm (15 3/4 x 11 5/8 in.) Istituti museali della Soprintendenza Speciale per il Polo Museale Fiorentino EX.2012.2.11 21. Follower of Bernardo Daddi (possibly Pietro Nelli) (Italian (Florentine), active about 1312–1348) Virgin and Child Surrounded by Saints, about 1336 Tempera and gold leaf on panel 95.3 x 66 x 8.9 cm (37 1/2 x 26 x 3 1/2 in.) Portland Art Museum, Oregon, Gift of the Samuel H. Kress Foundation EX.2012.2.102 22. Giotto di Bondone (Italian, about 1267–1337) The Apparition of God the Father (Pinnacle from the Baroncelli Altarpiece, Florence, Santa Croce), about 1334 Tempera and gold leaf on panel 76.2 x 71.1 x 7.8 cm (30 x 28 x 3 1/16 in.) The San Diego Museum of Art, Gift of Anne R. and Amy Putnam EX.2012.2.45 -more- Page 5 23. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347) Polyptych: The Crucifixion; Saint Nicholas; Saint Bartholomew; Saint Florentius; Saint Luke, about 1315–1320 Tempera and gold leaf on panel 182 x 249 x 10.2 cm (71 5/8 x 98 1/16 x 4 in.) Firenze, Galleria dell'Accademia EX.2012.2.17 24. Bernardo Daddi (Italian (Florentine), active about 1312–1348) The Virgin and Child with a Donor, late 1340s Tempera and gold leaf on panel 109.2 x 46.7 cm (43 x 18 3/8 in.) Seattle Art Museum, Samuel H. Kress Collection EX.2012.2.76 25. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347) Gradual, about 1342/1348–1360 On display: Fols. 143v - 144: Pacino di Bonaguida, Initial T: The Dedication of a Church Tempera, gold leaf, and ink on parchment Closed: 50 x 36.2 cm (19 11/16 x 14 1/4 in.) Beinecke Rare Book and Manuscript Library, Yale University EX.2012.2.50 26. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347) A Bust of a Deacon Saint, about 1310–1315 Pot metal, colorless glass and oxide paint; lead came 91 x 67.5 cm (35 13/16 x 26 9/16 in.) Fondo edifici di culto del Ministero dell'interno (F.E.C.) EX.2012.2.20 27. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347) The Crucifixion, about 1330 Tempera and gold leaf on panel 138.8 x 35 cm (54 5/8 x 13 3/4 in.) The Luis A. Ferre Foundation, Inc., Museo de Arte de Ponce EX.2012.2.78 28. Pacino di Bonaguida (Italian (Florentine), active about 1303–about 1347) A Bust of a Pope Saint Pot metal, colorless glass and oxide paint; lead came 91 x W: 67 cm (35 13/16 x 26 3/8 in.) Fondo edifici di culto del Ministero dell'interno (F.E.C.) EX.2012.2.21 -more- Page 6 29.
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