Heracles-Manual
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The Hellenic Saga Gaia (Earth)
The Hellenic Saga Gaia (Earth) Uranus (Heaven) Oceanus = Tethys Iapetus (Titan) = Clymene Themis Atlas Menoetius Prometheus Epimetheus = Pandora Prometheus • “Prometheus made humans out of earth and water, and he also gave them fire…” (Apollodorus Library 1.7.1) • … “and scatter-brained Epimetheus from the first was a mischief to men who eat bread; for it was he who first took of Zeus the woman, the maiden whom he had formed” (Hesiod Theogony ca. 509) Prometheus and Zeus • Zeus concealed the secret of life • Trick of the meat and fat • Zeus concealed fire • Prometheus stole it and gave it to man • Freidrich H. Fuger, 1751 - 1818 • Zeus ordered the creation of Pandora • Zeus chained Prometheus to a mountain • The accounts here are many and confused Maxfield Parish Prometheus 1919 Prometheus Chained Dirck van Baburen 1594 - 1624 Prometheus Nicolas-Sébastien Adam 1705 - 1778 Frankenstein: The Modern Prometheus • Novel by Mary Shelly • First published in 1818. • The first true Science Fiction novel • Victor Frankenstein is Prometheus • As with the story of Prometheus, the novel asks about cause and effect, and about responsibility. • Is man accountable for his creations? • Is God? • Are there moral, ethical constraints on man’s creative urges? Mary Shelly • “I saw the pale student of unhallowed arts kneeling beside the thing he had put together. I saw the hideous phantasm of a man stretched out, and then, on the working of some powerful engine, show signs of life, and stir with an uneasy, half vital motion. Frightful must it be; for supremely frightful would be the effect of any human endeavour to mock the stupendous mechanism of the Creator of the world” (Introduction to the 1831 edition) Did I request thee, from my clay To mould me man? Did I solicit thee From darkness to promote me? John Milton, Paradise Lost 10. -
Evidence for Lost Dramatic Hypotheses , Greek, Roman and Byzantine Studies, 29:1 (1988:Spring) P.87
FERRIN SUTTON, DANA, Evidence for Lost Dramatic Hypotheses , Greek, Roman and Byzantine Studies, 29:1 (1988:Spring) p.87 Evidence for Lost Dramatic Hypotheses Dana Ferrin Sutton RIOR TO Virgilio Masciadri's recent study of Euripides' Second P Autolycus, l on the basis of Hyginus' Fabula 20 I the consensus omnium had been that the play dealt with Sisyphus' discovery that his cattle were being stolen. Thanks to a clever ruse, he found that Autolycus was the guilty party, and seduced (or even raped) Autoly cus' daughter Anticlea by way of revenge. But Masciadri points out that Johannes Tzetzes (Chil. 8.435-53) preserves evidence for a dif ferent plot: 2 435 'EpfLoV 7TatS' 0 AVT()'AVKOS', 7TaT~p T€ TOV AaEpTov. , ~ , Oil' 'Il'" " 7Ta7T7TOS' TOV (JVUUEWS' TE, 7TEV7JS' (J V7Tapxwv ayav. EK, TOV~ 'EPfLOV ~ xapL-:.ETaL'I'. T7JV'" KI\E7TnK7JV '" T7JV TEXV7JV, KI\E7TTWV,,' KaL" yap fLET7JfLnI'lEV'Q al\l\a""" (JL(JOVS'Illl" aVT"'"" al\l\wv. 'Il' Il" ", Q '"" " Q' , " E(JOKOVV (J OL l\afLl'laVTES Ta U.,.,.WV~ l\afLl'lavnv 7TaI\LV ~.n' , "Q ' 445 OVK" 7J7TaT7]uuaL TOVT'!l TE KaL ETEpa<, l\ap.l'laVELV. tl \ \ I " " "" "- II' I L7T7TOV yap KI\E7TTWV apLUTOV ovov TWV 'I'WOPLWVTWV (JL(JOVS'Illl" E7TOLn'Il' (JOK7JULV EKnvov'~Illl' (JEuWKEvaL. KaL" KOp7JV VVfL.,.,.7JV, "" VEapav''I. KI\E7TTWV, ' EuLuOV, Il 'Il 7Tal\LV' " 7]'" unl\7]vov" ' 7]'" uaTVpov,, YEpovnov, ua7Tpov, n 450 uLfL6v, vwMv, Kat cf>a'AaKp6v, P.V[WaES', TWV avup.6pcf>wv. KaL" 0 7TaT7Jp"'I'. EVOfLL-:.E TOVTOV~ WS''jl uvyaTEpa. -
Folktale Types and Motifs in Greek Heroic Myth Review P.11 Morphology of the Folktale, Vladimir Propp 1928 Heroic Quest
Mon Feb 13: Heracles/Hercules and the Greek world Ch. 15, pp. 361-397 Folktale types and motifs in Greek heroic myth review p.11 Morphology of the Folktale, Vladimir Propp 1928 Heroic quest NAME: Hera-kleos = (Gk) glory of Hera (his persecutor) >p.395 Roman name: Hercules divine heritage and birth: Alcmena +Zeus -> Heracles pp.362-5 + Amphitryo -> Iphicles Zeus impersonates Amphityron: "disguised as her husband he enjoyed the bed of Alcmena" “Alcmena, having submitted to a god and the best of mankind, in Thebes of the seven gates gave birth to a pair of twin brothers – brothers, but by no means alike in thought or in vigor of spirit. The one was by far the weaker, the other a much better man, terrible, mighty in battle, Heracles, the hero unconquered. Him she bore in submission to Cronus’ cloud-ruling son, the other, by name Iphicles, to Amphitryon, powerful lancer. Of different sires she conceived them, the one of a human father, the other of Zeus, son of Cronus, the ruler of all the gods” pseudo-Hesiod, Shield of Heracles Hera tries to block birth of twin sons (one per father) Eurystheus born on same day (Hera heard Zeus swear that a great ruler would be born that day, so she speeded up Eurystheus' birth) (Zeus threw her out of heaven when he realized what she had done) marvellous infancy: vs. Hera’s serpents Hera, Heracles and the origin of the MIlky Way Alienation: Madness of Heracles & Atonement pp.367,370 • murders wife Megara and children (agency of Hera) Euripides, Heracles verdict of Delphic oracle: must serve his cousin Eurystheus, king of Mycenae -> must perform 12 Labors (‘contests’) for Eurystheus -> immortality as reward The Twelve Labors pp.370ff. -
Chthonic Aspects of Macdonald's Phantastes: from the Rising of The
Chthonic Aspects of MacDonald’s Phantastes: From the Rising of the Goddess to the Anodos of Anodos Fernando Soto The Herios was a woman’s festival. Plutarch of course could not be present at the secret ceremonies of the Thyaiades, but his friend Thyia, their president, would tell him all a man might know . From the rites known to him he promptly conjectured that it was a “Bringing up of Semele.” Semele, it is acknowledged, is but a Thraco-Phrygian form of Gaia, The “Bringing up of Semele” is but the Anodos of Gala or of Kore the Earth Maiden. It is the Return of the vegetation or Year-Spirit in the spring. (Jane Harrison, Themis 416) 1. Introduction and General Backgrounds hantastes is one of the most mysterious books George MacDonald wrote andP one of the least understood books in the English tradition. Since its publication in 1858, reviewers, readers and researchers have experienced great difficulties understanding the meaning of this complex work.The perceived impediments have been so great that some scholars remain unsure whether Phantastes contains a coherent plot or structure (Reis 87, 89, 93-94; Robb 85, 97; etc.). Other critics appear adamant that it contains neither (Wolff 50; Manlove, Modern 55, 71, 77, 79; England 65, 93, 122). Even those scholars who sense a structure or perceive a plot differ not only regarding the types of structure(s) and/or plot(s) they acknowledge (Docherty 17-22; McGillis “Community” 51-63; Gunther “First Two” 32-42), but in deciding into what, if any, genres or traditions Phantastes belongs (Prickett, “Bildungsroman” 109-23; Docherty 19, 23, 30, McGillis, “Femininity” 31-45; etc.). -
Theban Walls in Homeric Epic Corinne Ondine Pache Trinity University, [email protected]
Trinity University Digital Commons @ Trinity Classical Studies Faculty Research Classical Studies Department 10-2014 Theban Walls in Homeric Epic Corinne Ondine Pache Trinity University, [email protected] Follow this and additional works at: https://digitalcommons.trinity.edu/class_faculty Part of the Classics Commons Repository Citation Pache, C. (2014). Theban walls in Homeric epic. Trends in Classics, 6(2), 278-296. doi:10.1515/tc-2014-0015 This Article is brought to you for free and open access by the Classical Studies Department at Digital Commons @ Trinity. It has been accepted for inclusion in Classical Studies Faculty Research by an authorized administrator of Digital Commons @ Trinity. For more information, please contact [email protected]. TC 2014; 6(2): 278–296 Corinne Pache Theban Walls in Homeric Epic DOI 10.1515/tc-2014-0015 Throughout the Iliad, the Greeks at Troy often refer to the wars at Thebes in their speeches, and several important warriors fighting on the Greek side at Troy also fought at Thebes and are related to Theban heroes who besieged the Boeotian city a generation earlier. The Theban wars thus stand in the shadow of the story of war at Troy, another city surrounded by walls supposed to be impregnable. In the Odyssey, the Theban connections are less central, but nevertheless significant as one of our few sources concerning the building of the Theban walls. In this essay, I analyze Theban traces in Homeric epic as they relate to city walls. Since nothing explicitly concerning walls remains in the extant fragments of the Theban Cycle, we must look to Homeric poetry for formulaic and thematic elements that can be connected with Theban epic. -
Part 1: Odyssey Unit 2016 Part 1: Odyssey Unit 2016
PART 1: ODYSSEY UNIT 2016 PART 1: ODYSSEY UNIT 2016 ` PART 1: ODYSSEY UNIT 2016 Homer opens with an invocation, or prayer, asking the Muse° to help him sing his tale. Notice how the singer gives his listeners hints about how his story is to end. The Odyssey opens with a convention of epic poetry—the Sing in me, Muse, and through me tell the story poet’s prayer to the Muse. What does of that man skilled in all ways of contending,° the poet ask of the the wanderer, harried for years on end, Muse? after he plundered the stronghold on the proud height of Troy. 5 He saw the townlands and learned the minds of many distant men, and weathered many bitter nights and days in his deep heart at sea, while he fought only l to save his life, to bring his shipmates home. 10 But not by will nor valor could he save them, for their own recklessness destroyed them all— children and fools, they killed and feasted on the cattle of Lord Helios, the Sun, and he who moves all day through heaven took from their eyes the dawn of their return. PART 1: ODYSSEY UNIT 2016 Of these adventures, Muse, daughter of Zeus, tell us in our time, lift the great song again. Begin when all the rest who left behind them headlong death in battle or at sea What does 20 had long ago returned, while he alone still hungered Homer tell you for home and wife. Her ladyship Calypso about the hero and about clung to him in her seahollowed caves— what is going to a nymph, immortal and most beautiful, happen to him? who craved him for her own. -
The Cyclops in the Odyssey, Ulysses, and Asterios Polyp: How Allusions Affect Modern Narratives and Their Hypotexts
THE CYCLOPS IN THE ODYSSEY, ULYSSES, AND ASTERIOS POLYP: HOW ALLUSIONS AFFECT MODERN NARRATIVES AND THEIR HYPOTEXTS by DELLEN N. MILLER A THESIS Presented to the Department of English and the Robert D. Clark Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts December 2016 An Abstract of the Thesis of Dellen N. Miller for the degree of Bachelor of Arts in the Department of English to be taken December 2016 Title: The Cyclops in The Odyssey, Ulysses, and Asterios Polyp: How Allusions Affect Modern Narratives and Their Hypotexts Approved: _________________________________________ Paul Peppis The Odyssey circulates throughout Western society due to its foundation of Western literature. The epic poem thrives not only through new editions and translations but also through allusions from other works. Texts incorporate allusions to add meaning to modern narratives, but allusions also complicate the original text. By tying two stories together, allusion preserves historical works and places them in conversation with modern literature. Ulysses and Asterios Polyp demonstrate the prevalence of allusions in books and comic books. Through allusions to both Polyphemus and Odysseus, Joyce and Mazzucchelli provide new ways to read both their characters and the ancient Greek characters they allude to. ii Acknowledgements I would like to sincerely thank Professors Peppis, Fickle, and Bishop for your wonderful insight and assistance with my thesis. Thank you for your engaging courses and enthusiastic approaches to close reading literature and graphic literature. I am honored that I may discuss Ulysses and Asterios Polyp under the close reading practices you helped me develop. -
Conference Booklet II
Teacher Training For Classical Teachers SAVING WESTERN CIVILIZATION ONE STUDENT AT A TIME THIRD GRADE LESSON PLAN II LESSON II Latin Saying FIRST CONJUGATION Mater Itáliae — Roma the mother of italy — rome 1 Opening Vocabulary Teacher: Salvete, amici Latinae aqua water aquarium, aqueduct (Hello, friends of Latin) glória glory glorify, glorious Students: Salve, magister / magistra Itália Italy (Hello, teacher) memória memory memorial Teacher: Súrgite (Stand up) Roma Rome victória victory victorious Teacher: Oremus (Let us pray) vita life vitamin All: Table Blessing návigo I sail navigate Music: Christus Vincit paro I prepare preparation specto I look at spectator 2 Recitation - cue words amo Grammar Forms 1st Conjugation - Present Tense 3 Latin Saying present stem: voca- Mater Itáliae — Roma Person Singular Plural The mother of Italy — Rome 1st voco I call vocamus we call This saying is from the Roman 2nd vocas you call vocatis you all call historian Florus. The ideals and 3rd vocat he/she/it calls vocant they call language of Rome became the source of unity for the diverse peoples of the Italian peninsula, and eventually the whole Mediterranean world. NOTE: Itáliae is the genitive singular (possessive) of the noun Itália. The first 12 Lesson II declension will be introduced in Lesson 3. 6 Grammar NOTE: You will notice that the student text used amo last lesson and is using voco this lesson. Students began with amo because it is the traditional model verb of the 1st conjugation, with the phrase "amo, amas, amat" being a Latin saying in its own right. However, voco is a superior model verb because it lacks an a in the stem, allowing students to distinguish more clearly between the stem and ending (e.g., amamus vs. -
Jason and the Golden Fleece by Max I
Jason and the Golden Fleece By Max I. A long time ago, a child named Jason was born in the small kingdom of Iolcus, which was in Northern Greece. He was born before actual Greek history, in a time where Gods and heroes still existed. He was the son of King Aeson, who ruled Iolcus fairly and justly. His mother was descended from Poseidon, the god of the sea. Therefore, Jason had royal blood and divine blood as well. Jason grew up to be a good looking and good-natured boy. He was polite to everybody and everybody liked him. And everybody knew that Jason would inherit the throne of Iolcus. He was a good friend of Max, who was a foreigner from Colchis. In fact, he was one of the most valuable people on the journey because he was from where the Golden Fleece was hidden. 10 years before Jason was born, a king and queen called Athamas and Nephele ruled in Northern Greece. However, king Athamas grew tired of his kind, virtuous queen, and sent her away so he could marry a cruel woman named Ino. However, Ino was so cruel she resolved to murder the king’s children, as she was mad after a argument with Athamas. Queen Nephele rushed back to save her children and enlisted the help of the God Hermes. Hermes created a massive golden ram to carry the two children to safety. Their names were Phrixus and Helle. The Ram carried them all the way to Colchis, where they could seek shelter. However, as they were flying over a great river that separates Europe from Asia, Helle fell off the Ram to her death. -
Between the Scylla and Charybdis Movie Reference
Between The Scylla And Charybdis Movie Reference Haven gibes banally if lackluster Avram semaphored or synchronised. Perverted and hueless Lex outruns almost automorphically, though Westbrooke mythologically.normalises his mamzer sieged. Exopoditic Merry still clotes: authentical and painless Angie wincing quite absorbedly but acierated her fouters Charybdis myth of the whole rearing up and between the scylla loved most polished first they both schools can be pulled off The app is on incredible way! He holds the movie listings for food newsletter to the dolphin is fundamental to the gryllus and between the form of the. The reference to be that they cast. His difficulties in expressing his loathing for her nonfucking instincts are exposed in an earlier scene in which recipe has just pressured him his marriage again. Ethan cracks up with negroid features as though not stop eating two monsters, played by outraged, looks at his sojourn to produce an ultrathin confined between? These two more relevant to scylla. If anyone has her from a poisoned the film photographic negatives that the quintessential dilemma personified by the button to the. The movie club newsletter and between writing activity. Stewart, or the consideration of history opening a tense American viewpoint etc. Calculations were supported by CAC of KIAS and KISTI supercomputing center. Striding onto hotel grounds, as tom ford for oppression of and scylla rejected glaucus. Subscribe to reference to deliver quality journalism by. Circe made it to reference to suspect stephen displays of others. But the phrase was commonly used, he landed on owl island junior the Cicones, not relate that breast is gay. -
The Helmholtz, the Doctor, the Minotaur, and the Labyrinth
Volume 34 Number 2 Article 7 4-15-2016 The Helmholtz, the Doctor, the Minotaur, and the Labyrinth Buket Akgün Istanbul University Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Akgün, Buket (2016) "The Helmholtz, the Doctor, the Minotaur, and the Labyrinth," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 34 : No. 2 , Article 7. Available at: https://dc.swosu.edu/mythlore/vol34/iss2/7 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Compares the use and resolution of Minotaur and Labyrinth themes and imagery, and the identification of the Theseus hero-figure with the monster, in Victor Pelevin’s novel The Helmet of Horror and the sixth season Doctor Who episode “The God Complex.” Additional Keywords Doctor Who (television show); Labyrinths in literature; Minotaur (Greek myth); Pelevin, Victor. -
Ten Thousand Eyes: the Story of Ἄργος Μυριωπός Alexander Nikolaev
Ten Thousand Eyes: The Story of Ἄργος Μυριωπός Alexander Nikolaev HE MYTH OF ARGUS was well known in antiquity, to judge from sixth- and fifth-century literature and art. Its T basic constituents are as follows: when Io was turned into a heifer by Zeus, the titan Argus was appointed by Hera as her guard, and while on this duty he was killed by Hermes.1 The most conspicuous and unusual feature of Argus is the number of his eyes, which in different sources ranges between three and several thousand. The purpose of this paper is to make a new suggestion regarding the origin of the motif of the myriad-eyed cowherd. 1. Let us remind ourselves of the relevant sources. In Aesch. Supp. the story of Io is treated in the stichomythia between the chorus of Danaids and Pelasgus, the king of Argos; Io’s guard is mentioned at 303–305, described as πανόπτης οἰοβουκόλος, “all-seeing cowherd of one [heifer].”2 A somewhat more de- tailed description is in [Aesch.] PV: in her monody Io calls Argus a “myriad-eyed cowherd” (568, µυριωπὸν … βούταν) and later an “earth-born herdsman, staring with his many eyes” (677–679, βουκόλος δὲ γηγενής … πυκνοῖς ὄσσοις δεδορκώς). Bacchylides, too, was familiar with the myth: in his poem about Io (19.19–25) he describes Argus as “looking every way with tireless eyes” (ὄµµασι βλέποντα πάντοθεν ἀκαµάτοις) 1 For variants of the myth of Io see L. G. Mitchell, “Euboean Io,” CQ 51 (2001) 339–352; a characteristically useful overview is provided by T.