2018 Laureate Balkrishna Doshi India Media
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Pritzker Architecture Prize Laureate
For publication on or after Monday, March 29, 2010 Media Kit announcing the 2010 PritzKer architecture Prize Laureate This media kit consists of two booklets: one with text providing details of the laureate announcement, and a second booklet of photographs that are linked to downloadable high resolution images that may be used for printing in connection with the announcement of the Pritzker Architecture Prize. The photos of the Laureates and their works provided do not rep- resent a complete catalogue of their work, but rather a small sampling. Contents Previous Laureates of the Pritzker Prize ....................................................2 Media Release Announcing the 2010 Laureate ......................................3-5 Citation from Pritzker Jury ........................................................................6 Members of the Pritzker Jury ....................................................................7 About the Works of SANAA ...............................................................8-10 Fact Summary .....................................................................................11-17 About the Pritzker Medal ........................................................................18 2010 Ceremony Venue ......................................................................19-21 History of the Pritzker Prize ...............................................................22-24 Media contact The Hyatt Foundation phone: 310-273-8696 or Media Information Office 310-278-7372 Attn: Keith H. Walker fax: 310-273-6134 8802 Ashcroft Avenue e-mail: [email protected] Los Angeles, CA 90048-2402 http:/www.pritzkerprize.com 1 P r e v i o u s L a u r e a t e s 1979 1995 Philip Johnson of the United States of America Tadao Ando of Japan presented at Dumbarton Oaks, Washington, D.C. presented at the Grand Trianon and the Palace of Versailles, France 1996 1980 Luis Barragán of Mexico Rafael Moneo of Spain presented at the construction site of The Getty Center, presented at Dumbarton Oaks, Washington, D.C. -
HERITAGE UNDER SIEGE in BRAZIL the Bolsonaro Government Announced the Auction Sale of the Palácio Capanema in Rio, a Modern
HERITAGE UNDER SIEGE IN BRAZIL the Bolsonaro Government announced the auction sale of the Palácio Capanema in Rio, a modern architecture icon that was formerly the Ministry of Education building FIRST NAME AND FAMILY NAME / COUNTRY TITLE, ORGANIZATION / CITY HUBERT-JAN HENKET, NL Honorary President of DOCOMOMO international ANA TOSTÕES, PORTUGAL Chair, DOCOMOMO International RENATO DA GAMA-ROSA COSTA, BRASIL Chair, DOCOMOMO Brasil LOUISE NOELLE GRAS, MEXICO Chair, DOCOMOMO Mexico HORACIO TORRENT, CHILE Chair, DOCOMOMO Chile THEODORE PRUDON, USA Chair, DOCOMOMO US LIZ WAYTKUS, USA Executive Director, DOCOMOMO US, New York IVONNE MARIA MARCIAL VEGA, PUERTO RICO Chair, DOCOMOMO Puerto Rico JÖRG HASPEL, GERMANY Chair, DOCOMOMO Germany PETR VORLIK / CZECH REPUBLIC Chair, DOCOMOMO Czech Republic PHILIP BOYLE / UK Chair, DOCOMOMO UK OLA ODUKU/ GHANA Chair, DOCOMOMO Ghana SUSANA LANDROVE, SPAIN Director, Fundación DOCOMOMO Ibérico, Barcelona IVONNE MARIA MARCIAL VEGA, PUERTO RICO Chair, DOCOMOMO Puerto Rico CAROLINA QUIROGA, ARGENTINA Chair, DOCOMOMO Argentina RUI LEAO / MACAU Chair, DOCOMOMO Macau UTA POTTGIESSER / GERMANY Vice-Chair, DOCOMOMO Germany / Berlin - Chair elect, DOCOMOMO International / Delft ANTOINE PICON, FRANCE Chairman, Fondation Le Corbusier PHYLLIS LAMBERT. CANADA Founding Director Imerita. Canadian Centre for Architecture. Montreal MARIA ELISA COSTA, BRASIL Presidente, CASA DE LUCIO COSTA/ Ex Presidente, IPHAN/ Rio de Janeiro JULIETA SOBRAL Diretora Executiva, CASA DE LUCIO COSTA, Rio de Janeiro ANA LUCIA NIEMEYER/ BRAZIL -
University of Cincinnati
UNIVERSITY OF CINCINNATI Date:___________________August 12, 2008 I, _________________________________________________________,Heather Farrell-Lipp hereby submit this work as part of the requirements for the degree of: Master in Architecture in: The School of Architecture and Interior Design It is entitled: Strategies between old and new: adaptive use of an industrial building This work and its defense approved by: Chair: _______________________________Michael McInturf _______________________________Jeffery Tilman _______________________________ _______________________________ _______________________________ Strategies between Old and New: Adaptive Use of an Industrial Building A thesis submitted to the Division of Research and Advanced Studies of the University of Cincinnati for partial fulfillment of the requirements for the degree of Master of Architecture In the School of Architecture and Interior Design August 12 2008 By Heather Farrell-Lipp Thesis committee: Michael McInturf, Jeffery Tilman Abstract ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ In the complex, fast-paced environment of this country, we have often disposed of building stock that could have been potentially adapted to meet our changing needs leaving environments with no connection to the past or local identity. This haphazard way of approaching our environment takes no advantage of our ability as sentient beings to truly engage in eloquent, sustainable combinations of the old and new. Through engaging the question of what we truly value in this country and how that can be defined through architectural quality, we look at a series of case studies that have successfully expressed a combination between the old and the new. This thesis defines some guiding principles inherent in successful resolutions. It does not give specified stylistic requirements but rather suggests that the old be fully understood, respected and engaged as part of a final combination with a clear hierarchy culminating in a unified expression. -
Philip Johnson, Architecture, and the Rebellion of the Text: 1930-1934
PHILIP JOHNSON, ARCHITECTURE, AND THE REBELLION OF THE TEXT: 1930-1934 The architect Philip Johnson, intermittently famous for provocative buildings— his modernist Glass House, 1949, and the Postmodern AT&T (now Sony) Building, 1984—will be remembered less for his architecture than for his texts. He first made a reputation as co-author (with Henry Russell Hitchcock) of the 1932 book The Interna- tional Style, which presented the European Modern Movement as a set of formal rules and documented its forms in photographs. In 1947, on the verge of a career in archi- tectural practice, Johnson authored the first full-length monograph on Mies van der Rohe. To these seminal texts in modernism’s history in America should be added a number of occasional writings and lectures on modern architecture. In addition, the exhibitions on architecture and design Johnson curated for the Museum of Modern Art (MoMA), beginning with the seminal Modern Architecture in 1932, should also be considered texts, summarizing, or reducing, architectural experience through selected artifacts and carefully crafted timelines. In the course of a very long career, Johnson was under almost constant fire for de-radicalizing modernism, for reducing it to yet another value-free episode in the history of style, or even of taste. The nonagenarian Johnson himself cheerfully con- fessed to turning the avant-garde he presented to America into “just a garde” (qtd. in Somol 43). Yet in 1931 Johnson described the spirit of his campaign for modernism as “the romantic love for youth in revolt, especially in art, universal today” (Johnson, Writings 45). -
“HERE/AFTER: Structures in Time” Authors: Paul Clemence & Robert
FOR IMMEDIATE RELEASE Book : “HERE/AFTER: Structures in Time” Authors: Paul Clemence & Robert Landon Featuring Projects by Zaha Hadid, Jean Nouvel, Frank Gehry, Oscar Niemeyer, Mies van der Rohe, and Many Others, All Photographed As Never Before. A Groundbreaking New book of Architectural Photographs and Original Essays Takes Readers on a Fascinating Journey Through Time In a visually striking new book Here/After: Structures in Time, award-winning photographer Paul Clemence and author Robert Landon take the reader on a remarkable tour of the hidden fourth dimension of architecture: Time. "Paul Clemence’s photography and Robert Landon’s essays remind us of the essential relationship between architecture, photography and time," writes celebrated architect, critic and former MoMA curator Terence Riley in the book's introduction. The 38 photographs in this book grow out of Clemence's restless search for new architectural encounters, which have taken him from Rio de Janeiro to New York, from Barcelona to Cologne. In the process he has created highly original images of some of the world's most celebrated buildings, from Frank Lloyd Wright's Guggenheim Museum to Frank Gehry's Guggenheim Bilbao. Other architects featured in the book include Ludwig Mies van der Rohe, Oscar Niemeyer, Mies van der Rohe, Marcel Breuer, I.M. Pei, Studio Glavovic, Zaha Hadid and Jean Nouvel. However, Clemence's camera also discovers hidden beauty in unexpected places—an anonymous back alley, a construction site, even a graveyard. The buildings themselves may be still, but his images are dynamic and alive— dancing in time. Inspired by Clemence's photos, Landon's highly personal and poetic essays take the reader on a similar journey. -
Venice & the Common Ground
COVER Magazine No 02 Venice & the Common Ground Magazine No 02 | Venice & the Common Ground | Page 01 TABLE OF CONTENTS Part 01 of 02 EDITORIAL 04 STATEMENTS 25 - 29 EDITORIAL Re: COMMON GROUND Reflections and reactions on the main exhibition By Pedro Gadanho, Steven Holl, Andres Lepik, Beatrice Galilee a.o. VIDEO INTERVIew 06 REPORT 30 - 31 WHAT IS »COMMON GROUND«? THE GOLDEN LIONS David Chipperfield on his curatorial concept Who won what and why Text: Florian Heilmeyer Text: Jessica Bridger PHOTO ESSAY 07 - 21 INTERVIew 32 - 39 EXCAVATING THE COMMON GROUND STIMULATORS AND MODERATORS Our highlights from the two main exhibitions Jury member Kristin Feireiss about this year’s awards Interview: Florian Heilmeyer ESSAY 22 - 24 REVIEW 40 - 41 ARCHITECTURE OBSERVES ITSELF GUERILLA URBANISM David Chipperfield’s Biennale misses social and From ad-hoc to DIY in the US Pavilion political topics – and voices from outside Europe Text: Jessica Bridger Text: Florian Heilmeyer Magazine No 02 | Venice & the Common Ground | Page 02 TABLE OF CONTENTS Part 02 of 02 ReVIEW 42 REVIEW 51 REDUCE REUSE RECYCLE AND NOW THE ENSEMBLE!!! Germany’s Pavilion dwells in re-uses the existing On Melancholy in the Swiss Pavilion Text: Rob Wilson Text: Rob Wilson ESSAY 43 - 46 ReVIEW 52 - 54 OLD BUILDINGS, New LIFE THE WAY OF ENTHUSIASTS On the theme of re-use and renovation across the An exhibition that’s worth the boat ride biennale Text: Elvia Wilk Text: Rob Wilson ReVIEW 47 ESSAY 55 - 60 CULTURE UNDER CONSTRUCTION DARK SIDE CLUB 2012 Mexico’s church pavilion The Dark Side of Debate Text: Rob Wilson Text: Norman Kietzman ESSAY 48 - 50 NEXT 61 ARCHITECTURE, WITH LOVE MANUELLE GAUTRAND Greece and Spain address economic turmoil Text: Jessica Bridger Magazine No 02 | Venice & the Common Ground | Page 03 EDITORIAL Inside uncube No.2 you’ll find our selections from the 13th Architecture Biennale in Venice. -
Pritzker Prize to Doshi, Designer for Humanity in Search of a Win-Win
03.19.18 GIVING VOICE TO THOSE WHO CREATE WORKPLACE DESIGN & FURNISHINGS Pritzker Prize to Doshi, Designer for Humanity The 2018 Pritzker Prize, universally considered the highest honor for an architect, will be conferred this year on the 90-year- old Balkrishna Doshi, the first Indian so honored. The citation from the Pritzker jury recognizes his particular strengths by stating that he “has always created architecture that is serious, never flashy or a follower of trends.” The never-flashy-or-trendy message is another indication from these arbiters of design that our infatuation with exotic three-dimensional configurations initiated by Frank Gehry and Zaha Hadid – and emulated by numerous others – may have run its course. FULL STORY ON PAGE 3… In Search of a Win-Win: The Value Engineering Process When most design professionals hear the term value engineering, a dreaded sinking feeling deep in the pit of their stomach ensues. Both the design firm and the contractor are at a disadvantage in preserving the look and design intent of the project, keeping construction costs to a minimum, and delivering the entire package on time. officeinsight contributorPeter Carey searches for solutions that make it all possible. FULL STORY ON PAGE 14… Concurrents – Environmental Psychology: Swedish Death Cleaning First, Chunking Second Swedish death cleaning has replaced hygge as the hottest Scandinavian life management tool in the U.S. Margareta CITED: Magnussen’s system for de-cluttering, detailed in her book, The “OUR FATE ONLY SEEMS Gentle Art of Swedish Death Cleaning: How to Make Your Loved HORRIBLE WHEN WE PLACE Ines’ Lives Easier and Your Own Life More Pleasant, is a little IT IN CONTRAST WITH more straightforward than Marie Kondo’s more sentimental tact, SOMETHING THAT WOULD SEEM PREFERABLE.” described in The Life-Changing Magic of Tidying Up. -
Phenomenology in Dwelling: Culture and Meaning of Place; a Proposal for a Mountainside Dwelling
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 5-2008 Phenomenology in Dwelling: Culture and Meaning of Place; A Proposal for a Mountainside Dwelling James Robert Maveety University of Tennessee, Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the Architecture Commons Recommended Citation Maveety, James Robert, "Phenomenology in Dwelling: Culture and Meaning of Place; A Proposal for a Mountainside Dwelling. " Master's Thesis, University of Tennessee, 2008. https://trace.tennessee.edu/utk_gradthes/3692 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by James Robert Maveety entitled "Phenomenology in Dwelling: Culture and Meaning of Place; A Proposal for a Mountainside Dwelling." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Architecture, with a major in Architecture. Hansjoerg Goeritz, Major Professor We have read this thesis and recommend its acceptance: Barbara Klinkhammer, Scott Wall Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a thesis written by James Robert Maveety entitled “Phenomenology in Dwelling: Culture and Meaning of Place; A Proposal for a Mountainside Dwelling.” I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Master of Architecture, with a major in Architecture. -
Defining Architectural Design Excellence Columbus Indiana
Defining Architectural Design Excellence Columbus Indiana 1 Searching for Definitions of Architectural Design Excellence in a Measuring World Defining Architectural Design Excellence 2012 AIA Committee on Design Conference Columbus, Indiana | April 12-15, 2012 “Great architecture is...a triple achievement. It is the solving of a concrete problem. It is the free expression of the architect himself. And it is an inspired and intuitive expression of the client.” J. Irwin Miller “Mediocrity is expensive.” J. Irwin Miller “I won’t try to define architectural design excellence, but I can discuss its value and strategy in Columbus, Indiana.” Will Miller Defining Architectural Design Excellence..............................................Columbus, Indiana 2012 AIA Committee on Design The AIA Committee on Design would like to acknowledge the following sponsors for their generous support of the 2012 AIA COD domestic conference in Columbus, Indiana. DIAMOND PARTNER GOLD PARTNER SILVER PARTNER PATRON DUNLAP & Company, Inc. AIA Indianapolis FORCE DESIGN, Inc. Jim Childress & Ann Thompson FORCE CONSTRUCTION Columbus Indiana Company, Inc. Architectural Archives www.columbusarchives.org REPP & MUNDT, Inc. General Contractors Costello Family Fund to Support the AIAS Chapter at Ball State University TAYLOR BROS. Construction Co., Inc. CSO Architects, Inc. www.csoinc.net Pentzer Printing, Inc. INDIANA UNIVERSITY CENTER for ART + DESIGN 3 Table of Contents Remarks from CONFERENCE SCHEDULE SITE VISITS DOWNTOWN FOOD/DINING Mike Mense, FAIA OPTIONAL TOURS/SITES -
Glenn Murcutt 2002 Laureate Biography
Glenn Murcutt 2002 Laureate Biography Glenn Murcutt is either one of Australia’s best kept secrets, or one of the world’s most influential architects. Perhaps, both. On the other hand, we should temper “secret” somewhat since he has been the subject of numerous books and magazine articles throughout the world. One of the first definitive works was Glenn Murcutt Works and Projects by Françoise Fromonot, first published in 1995. In that book, she describes Murcutt as the “first Australian architect whose work has attracted international attention.” His relatively low profile can best be explained by the fact that he works alone, primarily for clients who want houses that are not only environmentally sensitive, but provide privacy and security in a structure that pleases all the senses. In stark contrast to many of his contemporaries, Murcutt has declared, “I am not interested in designing large scale projects. Doing many smaller works provides me with many more opportunities for experimentation. Our building regulations are supposed to prevent the worst; they in fact fail to stop the worst, and at best frustrate the best—they certainly sponsor mediocrity. I’m trying to produce what I call minimal buildings, but buildings that respond to their environment.” “I have had to fight for my architecture. I have fought for it right from the outset because councils have clearly found the work a threat. For many designs I put to council, we either had to resort to a court for the outcome or better, negotiate a satisfactory result, always trying to avoid a compromise. I have had the greatest trouble with planning, building and health department staff, many of whom have backgrounds unrelated to architecture, but offer very conservative judgments in taste and aesthetics.” What manner of man and architect is this who could so openly state his opposition to the people who exercise so much control over what and how things should be built? A look at his colorful family, as well as how and where he was raised is a partial explanation. -
Introducing Tokyo Page 10 Panorama Views
Introducing Tokyo page 10 Panorama views: Tokyo from above 10 A Wonderful Catastrophe Ulf Meyer 34 The Informational World City Botond Bognar 42 Bunkyo-ku page 50 001 Saint Mary's Cathedral Kenzo Tange 002 Memorial Park for the Tokyo War Dead Takefumi Aida 003 Century Tower Norman Foster 004 Tokyo Dome Nikken Sekkei/Takenaka Corporation 005 Headquarters Building of the University of Tokyo Kenzo Tange 006 Technica House Takenaka Corporation 007 Tokyo Dome Hotel Kenzo Tange Chiyoda-ku page 56 008 DN Tower 21 Kevin Roche/John Dinkebo 009 Grand Prince Hotel Akasaka Kenzo Tange 010 Metro Tour/Edoken Office Building Atsushi Kitagawara 011 Athénée Français Takamasa Yoshizaka 012 National Theatre Hiroyuki Iwamoto 013 Imperial Theatre Yoshiro Taniguchi/Mitsubishi Architectural Office 014 National Showa Memorial Museum/Showa-kan Kiyonori Kikutake 015 Tokyo Marine and Fire Insurance Company Building Kunio Maekawa 016 Wacoal Building Kisho Kurokawa 017 Pacific Century Place Nikken Sekkei 018 National Museum for Modern Art Yoshiro Taniguchi 019 National Diet Library and Annex Kunio Maekawa 020 Mizuho Corporate Bank Building Togo Murano 021 AKS Building Takenaka Corporation 022 Nippon Budokan Mamoru Yamada 023 Nikken Sekkei Tokyo Building Nikken Sekkei 024 Koizumi Building Peter Eisenman/Kojiro Kitayama 025 Supreme Court Shinichi Okada 026 Iidabashi Subway Station Makoto Sei Watanabe 027 Mizuho Bank Head Office Building Yoshinobu Ashihara 028 Tokyo Sankei Building Takenaka Corporation 029 Palace Side Building Nikken Sekkei 030 Nissei Theatre and Administration Building for the Nihon Seimei-Insurance Co. Murano & Mori 031 55 Building, Hosei University Hiroshi Oe 032 Kasumigaseki Building Yamashita Sekkei 033 Mitsui Marine and Fire Insurance Building Nikken Sekkei 034 Tajima Building Michael Graves Bibliografische Informationen digitalisiert durch http://d-nb.info/1010431374 Chuo-ku page 74 035 Louis Vuitton Ginza Namiki Store Jun Aoki 036 Gucci Ginza James Carpenter 037 Daigaku Megane Building Atsushi Kitagawara 038 Yaesu Bookshop Kajima Design 039 The Japan P.E.N. -
Jeffrey Beers International
People Podcasts Episode 57: Jeffrey Beers February 2, 2021 Print Prolific designer and architect Jeffrey Beers, who recently celebrated his namesake firm’s 35th anniversary, grew up traveling the world with his parents, which instilled in him a love of hospitality and design—a skill he honed under a who’s who of mentors, including Dale Chihuly, Oscar Niemeyer, and I.M. Pei. Bar Lui, his claim to fame, had the distinction of being the longest bar in Manhattan when it was created. But Beers’ talents go beyond design. He is also known for glassblowing, what he describes as a creative counterpoint to the rigors of architecture. For the self-described rebel entrepreneur, his passion for the industry is as present today as it was more than three decades ago, cementing his legacy as one of the forefathers of hospitality design today. Subscribe to Hospitality Design’s What I’ve Learned podcast on Apple Podcasts, Stitcher, Spotify, Google Podcasts, or listen here. Stacy Shoemaker Rauen: Hi, I’m here with JB:. Jeffrey, thanks so much for joining me today. Jeffrey Beers: Hi, Stacy. I’m thrilled to join you today. Thank you very much for inviting me. SSR: It’s so good to see you. Even if it’s over Zoom, it’s still very good to see you. JB: It’s great to see you, Stacy. Are you well? SSR: Good. JB: Boys are good? https://www.hospitalitydesign.com/people/podcasts/episode-57-jeffrey-beers/ SSR: Boys are good. Thank you. JB: Nice one. SSR: We always start at the beginning.