Pritzker Prize to Doshi, Designer for Humanity in Search of a Win-Win
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SMITH HOUSE Sean Corriveau ARCH 211 Architect Richard Meier
SMITH HOUSE Sean Corriveau ARCH 211 Architect Richard Meier Location Darien, Connecticut Date 1965 to 1967 timeline Building Type house Construction System vertical wood siding Climate temperate Context suburban Style Modern Notes Simple forms and materials for a reserved modern sculptural expression. http://www.greatbuildings.com/buildings/Smith_House.html Frampton, Kenneth. Richard Meier and the City in Miniature . New York: St. http://richardmeirer.com Martin’s press 1990. P23 Jodidio, Philip. An Richard Meier . Printed in Germany: Jodidio, Philip. An Richard Meier . Printed in Prestel, 1995. P54 Germany: Prestel, 1995. P55 SMITH HOUSE Sean Corriveau ARCH 211 Jodidio, Philip. An Richard Meier . Printed in http://richardmeirer.com Germany: Prestel, 1995. P53 Jodidio, Philip. An Richard Meier . Printed in Germany: Prestel, 1995. P51 SMITH HOUSE Sean Corriveau ARCH 211 Jodidio, Philip. An Richard Meier . Printed in Germany: Prestel, 1995. P50 SMITH HOUSE Sean Corriveau ARCH 211 Frampton, Kenneth. Richard Meier and the City in Miniature . New York: St. Martin’s press 1990. P23 SMITH HOUSE Sean Corriveau ARCH 211 http://richardmeirer.com http://richardmeirer.com SMITH HOUSE Sean Corriveau ARCH 211 http://richardmeirer.com SMITH HOUSE Sean Corriveau ARCH 211 Jodidio, Philip. An Richard Meier . Printed in Germany: Prestel, 1995. P53 SMITH HOUSE Sean Corriveau ARCH 211 http://richardmeirer.com http://richardmeirer.com SMITH HOUSE Sean Corriveau ARCH 211 Hejduk, John. Buildings and Projects 1966-1976 . New York: Prestel,Oxford Universtiy press 1978. P26 SMITH HOUSE Sean Corriveau ARCH 211 Hejduk, John. Buildings and Projects 1966- 1976 . New York: Prestel,Oxford Universtiy press 1978. P25 SMITH HOUSE Sean Corriveau ARCH 211 http://richardmeirer.com Hejduk, John. -
Pritzker Architecture Prize Laureate
For publication on or after Monday, March 29, 2010 Media Kit announcing the 2010 PritzKer architecture Prize Laureate This media kit consists of two booklets: one with text providing details of the laureate announcement, and a second booklet of photographs that are linked to downloadable high resolution images that may be used for printing in connection with the announcement of the Pritzker Architecture Prize. The photos of the Laureates and their works provided do not rep- resent a complete catalogue of their work, but rather a small sampling. Contents Previous Laureates of the Pritzker Prize ....................................................2 Media Release Announcing the 2010 Laureate ......................................3-5 Citation from Pritzker Jury ........................................................................6 Members of the Pritzker Jury ....................................................................7 About the Works of SANAA ...............................................................8-10 Fact Summary .....................................................................................11-17 About the Pritzker Medal ........................................................................18 2010 Ceremony Venue ......................................................................19-21 History of the Pritzker Prize ...............................................................22-24 Media contact The Hyatt Foundation phone: 310-273-8696 or Media Information Office 310-278-7372 Attn: Keith H. Walker fax: 310-273-6134 8802 Ashcroft Avenue e-mail: [email protected] Los Angeles, CA 90048-2402 http:/www.pritzkerprize.com 1 P r e v i o u s L a u r e a t e s 1979 1995 Philip Johnson of the United States of America Tadao Ando of Japan presented at Dumbarton Oaks, Washington, D.C. presented at the Grand Trianon and the Palace of Versailles, France 1996 1980 Luis Barragán of Mexico Rafael Moneo of Spain presented at the construction site of The Getty Center, presented at Dumbarton Oaks, Washington, D.C. -
Piran Days of Architecture: Looking Back and Looking Forward Piranski
uvodnik piranski dnevi piran days of včeraj, danes architecture: in jutri looking back and intervju z arhitektko Majo Ivanič, novo predsednico organizacijskega odbora looking forward Piranskih dnevov arhitekture interview with architect Maja Ivanič, the new Kristina Dešman in Miha Dešman head of the Piran Days of Architecture Fotografije: Andraž Kavčič, Peter Krapež organising committee Kristina Dešman and Miha Dešman Photo: Andraž Kavčič, Peter Krapež Piranski dnevi arhitekture so mednarodna arhitekturna konferenca, ki se od Piran Days of Architecture is an international architecture conference that takes leta 1983 vsako leto konec novembra odvije v očarljivem gledališču Tartini place in late November in the charming Tartini Theatre in Piran, and has done v Piranu. Konferenca, ki je z leti prerasla regionalne okvire, je dolgo pred so every year since 1983. Through the years, the conference outgrew its initial stavljala enega redkih strokovnih arhitekturnih dogodkov z mednarodnim regional scope, and was for a long time one of the very few events for architec- predznakom pri nas. Na njej so predavali številni ugledni predavatelji in ar ture professionals in Slovenia that was truly international, featuring numerous hitekti iz Evrope in drugih delov sveta. Najbolj znani so Friedrich Achleitner, renowned lecturers and architects from Europe and other parts of the world. The Boris Podrecca, Heinz Tesar, Luigi Semerani, Gino Valle, Eduardo Souto de most famous among them have been Friedrich Achleitner, Boris Podrecca, Heinz Moura, Alvaro Siza Vieira, Peter Zumthor, Enric Miralles, Sverre Fehn, Kenneth Tesar, Luigi Semerani, Gino Valle, Eduardo Souto de Moura, Alvaro Siza Vieira, Frampton, David Chipperfield in še mnogi drugi. Leta 2008 so Piranski dnevi Peter Zumthor, Enric Miralles, Sverre Fehn, Kenneth Frampton, David Chipper- zaživeli na novo, saj jih je po 25ih letih, ko jih je vodil prof. -
Bloomberg Center Design Fact Sheet
SEPTEMBER 13, 2017 Bloomberg Center Design Fact Sheet 02 PRESS RELEASE 05 ABOUT MORPHOSIS 06 BIOGRAPHY OF THOM MAYNE 07 ABOUT CORNELL TECH 08 PROJECT INFORMATION 09 PROJECT CREDITS 11 PROJECT PHOTOS 13 CONTACT 1 Bloomberg Center Press Release// The Bloomberg Center at Cornell Tech Designed by Morphosis Celebrates Formal Opening Innovative Building is Academic Hub of New Applied Science Campus with Aspiration to Be First Net Zero University Building in New York City NEW YORK, September 13, 2017 – Morphosis Architects today marked the official opening of The Emma and Georgina Bloomberg Center, the academic hub of the new Cornell Tech campus on Roosevelt Island. With the goal of becoming a net zero building, The Bloomberg Center, designed by the global architecture and design firm, forms the heart of the campus, bridging academia and industry while pioneering new standards in environmental sustainability through state-of- the-art design. Spearheaded by Morphosis’ Pritzker Prize-winning founder Thom Mayne and principal Ung-Joo Scott Lee, The Bloomberg Center is the intellectual nerve center of the campus, reflecting the school’s joint goals of creativity and excellence by providing academic spaces that foster collective enterprise and collaboration. “The aim of Cornell Tech to create an urban center for interdisciplinary research and innovation is very much in line with our vision at Morphosis, where we are constantly developing new ways to achieve ever-more-sustainable buildings and to spark greater connections among the people who use our buildings. With the Bloomberg Center, we’ve pushed the boundaries of current energy efficiency practices and set a new standard for building development in New York City,” said Morphosis founder and design director Thom Mayne. -
High Museum of Art
About the High Museum of Art The High Museum of Art is the leading art museum in the Southeastern United States. Located in Atlanta’s Midtown arts and business district, the High has more than 14,000 works of art in its permanent collection. The Museum has an extensive anthology of 19th- and 20th-century American and decorative art; significant holdings of European paintings; a growing collection of African American art; and burgeoning collections of modern and contemporary art, folk art, photography, and African art. The High is also dedicated to supporting and collecting works by Southern artists, and in 1996 the Museum launched its “Picturing the South” program to commission emerging and established photographers to create new work inspired by the Southern landscape. Established in 1905 as the Atlanta Art Association, the Museum’s first permanent home came in 1926, with the donation by Mrs. Joseph M. High of her family’s residence on Peachtree Street. In 1955, the Museum moved to a new brick structure adjacent to the old High house. After 122 Georgia art patrons died in a plane crash on a Museum-sponsored European tour in 1962, the Atlanta Arts Alliance was founded in their memory, and the Atlanta Memorial Arts Center opened in 1968—constructed around the existing Museum. In 1979, Coca-Cola magnate Robert W. Woodruff offered a $7.5 million challenge grant to build a new facility; Museum officials matched and exceeded the grant, generating a total of $20 million. The High Museum of Art’s building designed by noted architect Richard Meier opened to worldwide acclaim in 1983, and it has received many design awards, including a 1991 citation from the American Institute of Architects as one of the “ten best works of American architecture of the 1980s.” Meier’s 135,000-square-foot facility, now known as the Stent Family Wing, tripled the Museum’s space, enabling the institution to mount more comprehensive displays of its collections. -
6 PREMIOS PRITZKER 1988 Los Premios Pritzker Han
6 por la fami lia Pritzker, con la intención de ALEJANDRO DE LA SOTA Y ALVARO SIZA, recompensar una labor creativa, no reconocida MEDALLAS DE ORO DE LA ARQUITEC por los premios Nobel. TURA 1988 Los galardonados en anteriores ediciones han sido: Philip Johnson (1979), Luis Barragán En la Real Academia de Bellas Artes de San (1980), James Stirling (1981 ), Kevin Roche Fernando de Madrid, tuvo lugar la entrega de (1982), leoh Ming Peí (1983), Richard Meier las Medallas de Oro de la Arquitectura, conce (1984), Hans Hol lein (1985), Gottfri ed Boehm didas por el Consejo Superior de Colegios de (1986) y Kenzo Tange en 1987. Arquitectos de España. Los premios de este año serán presentados En esta ocasión , las medallas fueron conce el 23 de mayo en el Instituto de Arte de Chi didas a Alejandro de la Sota y a Alvaro Siza cago, lllinois. Vieira. El acto fue presidido por el Ministro de Obras Públicas y Urbanismo, Sáenz de Cosculluela, a PRIMER PREMIO EUROPEO DE ARQUI quien acompañaban el Presidente de la Aca TECTURA MIES VAN DER ROHE demia, Federico Sopeña, del Consejo Superior de Colegios de Arquitectos de España, Rafael El pasado mes de Diciembre, fue hecho de la Hoz, el Embajador de Portugal en España, público, por el Ayuntamiento de Barcelona y la Paulouro Neves y numerosas personalidades. PREMIOS PRITZKER 1988 Comisión de Cultura de la Comunidad Europea, Alejandro de la Sota viene a sumar este el nombre del ganador del primer Premio Euro galardón a otros ya recibidos, como son el Pre Los Premios Pritzker han conmemorado su peo de Arquitectura Mies van der Rohe, que mio Nacional de Arquitectura, Premio Nacional décimo aniversario concediendo dos galardo recayó en el arquitecto portugués Alvaro Siza de Artes Plásticas, Medalla de Oro al mérito en nes en su convocatoria de 1988. -
A Book Review Taking It to the Streets in LA the Beat
03.12.18 GIVING VOICE TO THOSE WHO CREATE WORKPLACE DESIGN & FURNISHINGS 20th Century Top 100: a Book Review “100 Buildings 1900-2000”, produced by The Now Institute, presents 100 built projects essential to a young architect’s education, according to a sampling of the world’s most respected architects, including Tadao Ando, Steven Holl, Richard Meier, Cesar Pelli, Zaha Hadid, Sir Richard Rogers, Moshe Safdie, Robert A.M. Stern, Robert Venturi + Denise Scott Brown, Tod Williams + Billie Tsien and Thom Mayne. officeinsight contributor John Morris Dixon provides a review of the book – but go get yourself a copy! FULL STORY ON PAGE 3… Taking it to the Streets in L.A. Recently the IIDA SoCal, Los Angeles City Center chapter, hosted its inaugural Designwalk L.A, an event conceived to allow industry peers to reconnect and stay updated on the newest industry products and innovations. Since WestWeek has long since faded as a relevant contract market event, there hasn’t really been an opportunity for the L.A. commercial design community to have a NeoCon-like experience and see the industry’s newest offerings. Officeinsight L.A. correspondent Harriet Morgan chronicles the night, which showed off downtown L.A.’s re-emergence as Southern California’s center for commerce AND design. FULL STORY ON PAGE 8… The Beat: 3 Groups You Need to Know People with new ideas in architecture and design circles can and do actually bring them to fruition, and the architecture and design fields have a way of nurturing those ideas through the CITED: depth and intricacies of the relationships said fields are built “THE ANSWER IS ALWAYS NO on. -
Oral History of Edward Charles Bassett
ORAL HISTORY OF EDWARD CHARLES BASSETT Interviewed by Betty J. Blum Compiled under the auspices of the Chicago Architects Oral History Project The Ernest R. Graham Study Center for Architectural Drawings Department of Architecture The Art Institute of Chicago Copyright © 1992 Revised Edition Copyright © 2006 The Art Institute of Chicago This manuscript is hereby made available to the public for research purposes only. All literary rights in the manuscript, including the right to publication, are reserved to the Ryerson and Burnham Libraries of The Art Institute of Chicago. No part of this manuscript may be quoted for publication without the written permission of The Art Institute of Chicago. ii TABLE OF CONTENTS Preface iv Preface to Revised Edition v Outline of Topics vi Oral History 1 Selected References 149 Curriculum Vitae 150 Index of Names and Buildings 151 iii PREFACE On January 30, 31, and February 1, 1989, I met with Edward Charles Bassett in his home in Mill Valley, California, to record his memoirs. Retired now, "Chuck" has been the head of design of Skidmore, Owings and Merrill's San Francisco office from 1955-1981. Those twenty-six years were a time of unprecedented growth and change to which Chuck not only bore witness but helped shape. Chuck Bassett was one of the SOM triumvirate of the postwar years: he was the West Coast counterpart of Gordon Bunshaft in New York and William Hartmann in Chicago. In 1988 the California Council of the American Institute of Architects awarded SOM, San Francisco, a 42-year award for "...the genuine commitment that the firm has had to its city, to the profession and to both art and the business of architecture." Although Chuck prefers to be known as a team player, his personal contribution to this achievement is unmistakable in the context of urban San Francisco since 1955. -
State(S) of Practice
professional practice issue 08.1 architecture california the journal of the american institute of architects california council 08.1 Serial Departure professional practice issue Urbana 90s Generation 90s GENERATION California: State(s) of Practice Licensure and Time Stretching the M. Arch. Blog is in the Details Technology and the Culture of the Profession arc Off the Grid Competition CA Multiple Generations arcCA professional practice issue 08.1 ‘90s Generation Content Cabinet for Sleeping Standing Up 15 ➔ Annie Chu, AIA California: State(s) of Practice 19 ➔ Peter Zellner Two Generations: a Conversation 23 ➔ David Erdman and Thom Mayne, FAIA The 1990s: a Theoretical Post Mortem 27 ➔ Patricia Morton and Paulette Singley Five Schools, Eight Voices, Two Surveys 30 Stretching the M. Arch.: 33 ➔ Christopher Sensenig Dual Degree Students at Cal Technology and the Culture of the Profession 37 ➔ Edward Mojica, AIA Licensure and Time 41 ➔ Casius Pealer Multiple Generations: 45 ➔ David Roccosalva, Assoc. AIA an Interview with Sean Fine Blog is in the Details: 49 ➔ Jimmy Stamp Spread the Good Word A Conversation with Shigeru Ban, Hon. FAIA 53 ➔ Michael Franklin Ross, FAIA Off Grid Ideas Competition 56 Under the Radar: Rob Ley 64 ➔ Stephen Slaughter, AIA 05 Comment 07 Contributors 09 Correspondence 67 ... and Counting 68 Coda 3 Cover photo: Mina Javid and Stella Lee Comment arcCA 08.1 arcCA, the journal of the American arcCA is published quarterly and distributed to AIACC members as part Editor Tim Culvahouse, FAIA of their membership dues. In addition, single copies and subscriptions Managing Editor Laura Schatzkin are available at the following rates: Institute of Architects California Culvahouse Consulting Single copies: $6 AIA members; $9 non-members. -
The Louis I. Kahn Collection
Solomon’s Success: Trenton Bath House to be Saved On Friday, August 11th at 2:54 PM EST, news flashed across the internet and around the world that the Bath House and Day Camp pavilions designed by Louis Kahn in the mid 1950s for the Jewish Community Center (JCC) in Ewing, New Jersey, would be preserved. The message was sent from architectural historian, DOCOMOMO US member, and Kahn scholar Susan Solomon. She is the leader of a ten-year struggle to preserve Kahn’s work in Ewing and literally wrote the book on Kahn and the Bath House (Louis I. Kahn’s Trenton Jewish Community Center, Princeton Architectural Press, 2000). Design of the JCC was the first major project of Kahn’s private practice. He acknowledged this work as inspiring a fundamental and profound shift in his architectural thinking. Kahn “discovered himself” after designing this project, considering the Trenton Bath House as his first opportunity to work out the concept of served and serving spaces. The archi- tectural fundamentals he discovered is Exterior, Trenton Bath House, recognizable in every building he designed subsequently. Trenton, NJ Kahn’s Bath House and pool (1955) and four Day Camp pavilions (photo: Susan Solomon) (1957) have been listed on the National Register of Historic Places and protected by a Ewing preservation ordinance since 1984. Due to extensive deterioration of the Day Camp pavilions, the JCC sought approval for the demolition of two of the four pavilions in 1966 but withdrew the request when the preservation community strongly objected. Although the Day Camp pavilions were not demolished, wooden barricades and wire fencing were erected to prevent access; deterioration accelerated. -
Architecture of Museums : [Exhibition], Museum of Modern Art, New York, September 24-November 11, 1968
Architecture of museums : [exhibition], Museum of Modern Art, New York, September 24-November 11, 1968 Date 1968 Publisher The Museum of Modern Art Exhibition URL www.moma.org/calendar/exhibitions/2612 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art Architecture of Museums The Museum of Modern Art, New York. September 24 —November 11, 1968 LIBRARY Museumof ModernArt ^9 Architecture of Museums The "musee imaginaire" assembled by Andre Malraux from mankind's universal reservoir of art has an architectural complement. It is the imaginary museum that has existed in the ideas and designs of architects for two centuries, ever since the museum's inception as a public institution. A giftto modern democracies, museums have remained, through the vicissitudes of their history, one of the few unanimously accepted inventions of the age of enlightenment. The revolutionary minds of the eighteenth century saw in the idea of the museum a worthy successor to the churches they sought to abolish. The museum the French architect Etienne Boullee projected in 1783, with a "temple of fame for statues of great men" at its center, is in idea and form a secular pantheon. Indeed, that Roman monument became as much the prototype for the interiors of classicists' museums as did Greek temple fronts for their otherwise plain exteriors. During the nineteenth century, while the domed halls still symbolized the universal patrimony of art, the accumulation of treasure within became a matter of patriotic pride. -
Norwegian Architect Sverre Fehn Is Known For
Kiala Wallace Orientation to Arch 001 Monaghan Norwegian architect Sverre Fehn is known for his amazing achievements. Sverre Fehn was awarded in 1997 both the Pritzker Architecture Prize and the Heinrich Tessenow Gold Medal. Recognized as one of Norway’s most gifted architects Sverre Fehn is categorized as a modernist by many architectural writers. Fehn attended Oslo School of Architecture and received his degree in 1949. He went on to form an organization, the Norwegian branch of CIAM (International Congress of Modern Architecture), called PAGON (Progressive Architects Group Oslo Norway) with Norberg-Schulz, Grung, Mjelva and Vesterlid, and Jørn Utzon. PAGON had a philosophical influence that created architecture which had a firm foundation in the modern movement, however it was conveyed in terms of the materials and language of their own region and time. At Sverre Fehn’s alma mater in Oslo in 1971 he became a professor of architecture until 1993. He have given lectures all over the world such as, the United States, Finland, Denmark, Italy, and many more. Along with his international lectures, Fehn also does exhibitions in France at the Galerie des Beaux-Arts in 1965 and the International Congress of Modern Architecture in 1952; in Brazil at the Sᾱo Paulo Biennale of Architecture in 1957; Vasa University in Finland in 1964; and in Norway at the Munch Museum, Oslo in 1973; Gallery Palladio, Oslo in 1981 and at the Bergen Festival in 1982. Sverre Fehn was included in 1992 to the exhibition Five Masters of the North which toured Helsinki, Copenhagen, Oslo, Stockholm, Reykjavik, Madrid, and Barcelona.