Concert Programs – 2011-12 Season All Groups
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Ihre Lottocard, Ihr Vorteil Beim Rheingau Musik Festival!
Rheingau Musik Festival Divertimento 2019 Das Magazin des Rheingau Musik Festivals 2/2019 Gesamtprogramm vom 22.6. bis 31.8.2019 Christiane Karg Fokus-Künstlerin Courage Leitgedanke 2019 2/2019 · www.rheingau-musik-festival.de · 2/2019 Hauptsponsor 2019043912_Helaba Motiv SI Klavier 210x210mm Anzeige fuer Divertimento_39L Wir unterstützen ein herausragendes Musikerlebnis. Über 170 Konzerte vor malerischer Kulisse: Als engagierter Förderer der Kultur freuen wir uns ganz besonders auf das Rheingau Musik Festival. Über die Jahre ist es zu einem faszinierenden Anziehungspunkt für Musik- begeisterte aus aller Welt geworden – mit Stars der internationalen Klassikszene und interessanten Nachwuchs- künstlern. Wir wünschen unvergessliche Konzerterlebnisse auf einem der größten Musikfestivals Europas. Werte, die bewegen. 2019043912_Helaba Motiv SI Klavier 210x210mm Anzeige fuer Divertimento_39L.indd 1 24.04.19 14:12 verschiedenen Seiten und greifen Projekte Wir hoffen, Ihnen mit diesem Festivalmagazin heraus, die vielleicht nicht auf den ersten Blick Lust auf viele musikalische Erlebnisse machen herausstechen: Es sind Konzerte, die uns zu können. Für Konzerte aller Genres sind besonders am Herzen liegen und die wir Ihnen nach wie vor Karten verfügbar, sodass Sie Ihren hiermit näherbringen möchten. persönlichen Festivalsommer zusammen- stellen können. Wir laden Sie ein, gemeinsam Um unseren Leitgedanken „Courage“ kreisen mit uns vertrautes Terrain und musikalisches zahlreiche Konzertprojekte mit Künstlern wie Neuland zu erkunden. Werfen Sie einen fri- Danae Dörken, Saleem Ashkar, Fazıl Say und schen Blick auf unser Programm und lassen Martin Grubinger. Hinzu kommen Ensembles Sie sich inspirieren! wie das Bochabela String Orchestra, das Galilee Chamber Orchestra und das Aurora Viel Freude bei der Lektüre wünscht Ihnen Orchestra, die eine Brücke zwischen Kunst und Gesellschaft schlagen. -
Concert: Ithaca College Symphony Orchestra Jeffery Meyer
Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 11-15-2015 Concert: Ithaca College Symphony Orchestra Jeffery Meyer Ithaca College Symphony Orchestra Follow this and additional works at: http://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Meyer, Jeffery and Ithaca College Symphony Orchestra, "Concert: Ithaca College Symphony Orchestra" (2015). All Concert & Recital Programs. 1380. http://digitalcommons.ithaca.edu/music_programs/1380 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. Ithaca College Symphony Orchestra Jeffery Meyer, conductor Steven Stucky, 2015-16 Karel Husa Professor Ford Hall Sunday, November 15th, 2015 4:00 pm Program Radical Light (2007) Steven Stucky (b. 1949) Intermission Symphony 2 in D major, op. 73 Johannes Brahms (1833 - 1897) I. Allegro non troppo II. Adagio non troppo III. Allegretto grazioso (quasi andantino) IV. Allegro con spirito Biographies Steven Stucky, born in 1949, has an extensive catalogue of compositions ranging from large-scale orchestral works to a cappella miniatures for chorus. He is also active as a conductor, writer, lecturer and teacher, and for 21 years he enjoyed a close partnership with the Los Angeles Philharmonic: in 1988 André Previn appointed him composer-in-residence of the Los Angeles Philharmonic, and later he became the orchestra’s consulting composer for new music, working closely with Esa-Pekka Salonen. Commissioned by the orchestra, his Second Concerto for Orchestra brought him the Pulitzer Prize in music in 2005. -
Ojai North Music Festival
CAL PERFORMANCES PRESENTS Thursday–Saturday, June 19–21, 2014 Hertz Hall Ojai North Music Festival Jeremy Denk Music Director, 2014 Ojai Music Festival Thomas W. Morris Artistic Director, Ojai Music Festival Matías Tarnopolsky Executive and Artistic Director, Cal Performances Robert Spano, conductor Storm Large, vocalist Timo Andres, piano Aubrey Allicock, bass-baritone Kim Josephson, baritone Dominic Armstrong, tenor Ashraf Sewailam, bass-baritone Rachel Calloway, mezzo-soprano Peabody Southwell, mezzo-soprano Keith Jameson, tenor Jennifer Zetlan, soprano The Knights Eric Jacobsen, conductor Brooklyn Rider Uri Caine Ensemble Hudson Shad Ojai Festival Singers Kevin Fox, conductor Ojai North is a co-production of the Ojai Music Festival and Cal Performances. Ojai North is made possible, in part, by Patron Sponsors Liz and Greg Lutz. Cal Performances’ – season is sponsored by Wells Fargo. CAL PERFORMANCES 13 FESTIVAL SCHEDULE Thursday–Saturday, June 19–21, 2014 Hertz Hall Ojai North Music Festival FESTIVAL SCHEDULE Thursday, June <D, =;<?, Cpm Welcome : Cal Performances Executive and Artistic Director Matías Tarnopolsky Concert: Bay Area première of The Classical Style: An Opera (of Sorts) plus Brooklyn Rider plays Haydn Brooklyn Rider Johnny Gandelsman, violin Colin Jacobsen, violin Nicholas Cords, viola Eric Jacobsen, cello The Knights Aubrey Allicock, bass-baritone Dominic Armstrong, tenor Rachel Calloway, mezzo-soprano Keith Jameson, tenor Kim Josephson, baritone Ashraf Sewailam, bass-baritone Peabody Southwell, mezzo-soprano Jennifer Zetlan, soprano Mary Birnbaum, director Robert Spano, conductor Friday, June =;, =;<?, A:>;pm Talk: The creative team of The Classical Style: An Opera (of Sorts) —Jeremy Denk, Steven Stucky, and Mary Birnbaum—in a conversation moderated by Matías Tarnopolsky PLAYBILL FESTIVAL SCHEDULE Cpm Concert: Second Bay Area performance of The Classical Style: An Opera (of Sorts) plus Brooklyn Rider plays Haydn Same performers as on Thursday evening. -
DIMANCHE 9 JUIN 2013 – 17H30 Salle Des Concerts
DIMANCHE 9 JUIN 2013 – 17H30 Salle des concerts Schubertiade Franz Schubert Der Tanz D 826 Die Unterscheidung op. 95 n° 1, D 866 Die Geselligkeit (Lebenslust) D 609 Licht und Liebe D 352 Suleika I op. 14 n° 1, D 720 Suleika II op. 31, D 717 Der Sänger op. post. 117, D 149 Der Hochzeitsbraten D 930 entracte Des Tages Weihe D 763 Die Allmacht D 852 Gott im Ungewitter D 985 Hymne an den Unendlichen D 232 Begräbnislied D 168 Gebet D 815 2013 Ruth Ziesak, soprano Anke Vondung, mezzo-soprano Werner Güra, ténor Konrad Jarnot, basse Dimanche 9 juin | Christoph Berner, piano Schubertiade Fin du concert vers 19h20. 1 « Être ensemble est le plaisir de l’âme ! » Johann Carl Unger/Franz Schubert, Die Geselligkeit Les lieder à effectifs variables interprétés lors de ce concert illustrent une veine de Schubert que nous avons dorénavant tendance à méconnaître, focalisés que nous sommes sur les trois recueils des dernières années (La Belle Meunière, Le Voyage d’hiver et Le Chant du cygne) et les nombreuses grandes pages qui sont autant de mariages incomparables d’un texte et d’une musique. Une autre image colla cependant longtemps à la peau de Schubert, et si l’on peut se réjouir qu’elle soit aujourd’hui presque tombée en désuétude (car nous avons découvert nombre d’œuvres qui lui apportaient un véritable démenti), elle n’en présente pas moins certains de ces lieder sous un jour éclairant : c’est celle « du doux jeune homme […] menant joyeuse vie d’artiste au milieu d’amis dont il animait les réunions d’agréables chansons populaires » (Gilles Cantagrel). -
The Ultimate On-Demand Music Library
2020 CATALOGUE Classical music Opera The ultimate Dance Jazz on-demand music library The ultimate on-demand music video library for classical music, jazz and dance As of 2020, Mezzo and medici.tv are part of Les Echos - Le Parisien media group and join their forces to bring the best of classical music, jazz and dance to a growing audience. Thanks to their complementary catalogues, Mezzo and medici.tv offer today an on-demand catalogue of 1000 titles, about 1500 hours of programmes, constantly renewed thanks to an ambitious content acquisition strategy, with more than 300 performances filmed each year, including live events. A catalogue with no equal, featuring carefully curated programmes, and a wide selection of musical styles and artists: • The hits everyone wants to watch but also hidden gems... • New prodigies, the stars of today, the legends of the past... • Recitals, opera, symphonic or sacred music... • Baroque to today’s classics, jazz, world music, classical or contemporary dance... • The greatest concert halls, opera houses, festivals in the world... Mezzo and medici.tv have them all, for you to discover and explore! A unique offering, a must for the most demanding music lovers, and a perfect introduction for the newcomers. Mezzo and medici.tv can deliver a large selection of programmes to set up the perfect video library for classical music, jazz and dance, with accurate metadata and appealing images - then refresh each month with new titles. 300 filmed performances each year 1000 titles available about 1500 hours already available in 190 countries 2 Table of contents Highlights P. -
Der Rosenkavalier« Launches Opera Video Stream of the Semperoper at the Easter Weekend
Semperoper Dresden: Richard Strauss as Easter gift PRESS RELEASE Anne Schwanewilms ©Semperoper Dresden/Photo: Matthias Creutziger »Der Rosenkavalier« launches opera video stream of the Semperoper at the Easter weekend Dresden, 9 April 2020: With a production of Richard Strauss’s »Der Rosenkavalier« from the year 2000, the Semperoper Dresden is for the first time inviting music fans to enjoy star- studded opera via an online stream this Easter weekend. Director Uwe Erik Laufenberg staged the work, which premiered in Dresden in 1911, as a modern homage to the composer, a greatly beloved figure at the Semperoper. The celebrated Strauss interpreter Anne Schwanewilms appears as the Feldmarschallin under the baton of Fabio Luisi. From Maundy Thursday (April 9, 2020) to Easter Monday (April 13, 2020), this video recording from Tokyo’s NHK Hall in 2007 is available for streaming through our website semperoper.de under »Semperoper at home«. This weekend’s opera stream has been made possible by the generous granting of broadcasting rights by MDR and EuroArts. The DVD version of the performance is available for purchase. Thanks to UNITEL GmbH, »Semperoper at home«-streams will also be offered on the following weekends with a recording of Pietro Mascagni’s »Cavalleria rusticana« (April 17 - 19, 2020) and Ruggero Leoncavallo’s »Pagliacci« (April 24 – 26, 2020) from Salzburg’s Large Festival Hall in 2015. Originally director Philipp Stölzl staged this co-production between Saxon State Opera and the Salzburg Easter Festival as an operatic double bill; the Dresden premiere took place in January 2016. The star-studded cast, headed by Annalisa Stroppa and Jonas Kaufmann, perform under Christian Thielemann, Principal Conductor of the Dresden Staatskapelle. -
Franz Schubert
FRANZ SCHUBERT Licht und Liebe MARLIS PETERSEN ANKE VONDUNG WERNER GÜRA KONRAD JARNOT CHRISTOPH BERNER piano FRANZ LISZT FRANZ SCHUBERT (1797-1828) Licht und Liebe Lieder & Vocal Quartets 1 | Der Tanz D 826 - Kolumban Schnitzer von Meerau 1’49 2 | Die Unterscheidung op.95/1, D 866 - Johann Gabriel Seidl (AV) 3’55 3 | Die Geselligkeit (Lebenslust) D 609 - Johann Karl Unger 3’42 4 | Lieder der Delphine D 857/1 - Christian Wilhelm von Schütz (MP) 4’17 5 | Der Sänger op.post.117, D 149 - Johann Wolfgang von Goethe (WG) 6’51 6 | Der Hochzeitsbraten D 930 - Franz Adolf Friedrich von Schober (MP WG KJ) 10’53 7 | Licht und Liebe D 352 - Matthäus Kasimir von Collin (AV KJ) 3’49 8 | Des Tages Weihe D 763 - Anonymous 4’26 9 | Gott im Ungewitter D 985 - Johann Peter Uz 4’45 10 | Die Allmacht D 852 - Johann Ladislaus Pyrker (KJ) 4’45 11 | Hymne an den Unendlichen D 232 - Friedrich von Schiller 4’13 12 | Begräbnislied D 168 - Friedrich Gottlieb Klopstock 2’42 13 | Gebet D 815 - Friedrich Heinrich Karl, Freiherr de La Motte-Fouqué 9’06 Marlis Petersen, soprano Anke Vondung, mezzo-soprano Werner Güra, tenor Konrad Jarnot, bass Christoph Berner, fortepiano Rönisch les innombrables clichés qui dominent depuis toujours il n’y a dans l’intégrale des œuvres de Schubert aucune autre catégorie Parmi l’image “populaire” que nous avons de Franz Schubert, qui, par ses motifs ainsi que par son ambition poétique et musicale, donne deux perdurent avec insistance : le premier présente un mélancolique un une impression aussi chamarrée et hétérogène. -
Program Notes
GIL ROSE, ARTISTIC DIRECTOR ORCHESTRAL SERIES COLGRASS KUBIK SHAPERO STUCKY BMOP2016 | 2017 JORDAN HALL AT NEW ENGLAND CONSERVATORY coming up next: The Picture of Dorian Gray friday, november 18 — 8pm IN COLLABORATION WITH ODYSSEY OPERA American Masters “Pleasures secret and subtle, wild joys and wilder sins…” SATURDAY OCTOBER 8, 2016 8:00 BMOP and Odyssey Opera bring to life Lowell Liebermann’s operatic version of Oscar Wilde’s classic horror novel in a semi-staged production. Glass Works saturday, february 18 — 8pm CELEBRATING THE ARTISTRY OF PHILIP GLASS BMOP salutes the influential minimalist pioneer with a performance of his Symphony No. 2 and other works, plus the winner of the annual BMOP-NEC Composition Competition. Boston Accent friday, march 31 — 8pm sunday, april 2 — 3pm [amherst college] Four distinctive composers, Bostonians and ex-Bostonians, represent the richness of our city’s musical life. Featuring David Sanford’s Black Noise; John Harbison’s Double Concerto for violin, cello, and orchestra; Eric Sawyer’s Fantasy Concerto: Concord Conversations, and Ronald Perera’s The Saints. As the Spirit Moves saturday, april 22 — 8pm [sanders theatre] FEATURING THE HARVARD CHORUSES, ANDREW CLARK, DIRECTOR Two profound works from either side of the ocean share common themes of struggle and transcendence: Trevor Weston’s Griot Legacies and Michael Tippett’s A Child of Our Time. BOSTON MODERN ORCHESTRA PROJECT | 781.324.0396 | BMOP.org American Masters SATURDAY OCTOBER 8, 2016 8:00 JORDAN HALL AT NEW ENGLAND CONSERVATORY Pre-concert talk by Robert Kirzinger at 7:00 MICHAEL COLGRASS The Schubert Birds (1989) GAIL KUBIK Symphony Concertante (1952) I. -
Orchestra Repertoire by Composer
Concord Orchestra (1969-2019 seasons) –– Richard Pittman, 50th season as conductor by Composer Compiled by Grant Anderson, June 2019 1 Concord Orchestra Repertoire by Composer (1969-2019 seasons) — Richard Pittman, conductor Composer Composition Composed Soloists Groups Concert Adams John (1947 – ) Nixon in China: The Chairman Dances 1985 May 2000 Adams John (1947 – ) ShortA Short Ride in a Fast Machine (Fanfare for 1986 December 1990 Great Woods) Adams John (1947 – ) AShort Short Ride in a Fast Machine (Fanfare for 1986 December 2000 Great Woods) Adler Samuel (1928 – ) TheFlames Flames of Freedom: Ma’oz Tzur (Rock 1982 Lexington High School December 2015 of Ages), Mi y’mallel (Who Can Retell?) Women’s Chorus (Jason Iannuzzi) Albéniz Isaac (1860 – 1909) Suite española, Op. 47: Granada & Sevilla 1886 May 2016 Albert Stephen (1941 – 1992) River-Run: Rain Music, River's End 1984 October 1986 Alford, born Kenneth, born (1881 – 1945) Colonel Bogey March 1914 May 1994 Ricketts Frederick Anderson Leroy (1908 – 1975) Belle of the Ball 1951 May 1998 Anderson Leroy (1908 – 1975) Belle of the Ball 1951 July 1998 Anderson Leroy (1908 – 1975) Belle of the Ball 1951 May 2003 Anderson Leroy (1908 – 1975) Blue Tango 1951 May 1998 Anderson Leroy (1908 – 1975) Blue Tango 1951 May 2007 Anderson Leroy (1908 – 1975) Blue Tango 1951 May 2011 Anderson Leroy (1908 – 1975) BuglerA Bugler's Holiday 1954 Norman Plummer, April 1971 Thomas Taylor, Stanley Schultz trumpet Anderson Leroy (1908 – 1975) BuglerA Bugler's Holiday 1954f John Ossi, James May 1979 Dolham, -
Libretto Stagione 2012/2013 (Pdf)
i concerti della normale consulenza artistica ottobre 2012 | giugno 2013 Carlo de Incontrera Produzione e progetto grafico Scuola Normale Superiore Organizzazione Teatro di Pisa Informazioni http://concerti.sns.it [email protected] tel. 050 509 307 - 323 - 554 - 324 fax 050 563513 Informazioni vendita biglietti Teatro Verdi di Pisa tel. 050 941111 i concerti della normale consulenza artistica ottobre 2012 | giugno 2013 Carlo de Incontrera Pisa Teatro Verdi Scuola Normale Superiore PROGRAMMA 18 OTTOBRE | Teatro Verdi ore 21 16 MARZO | Teatro Verdi ore 21 LE STAGIONI DEL VALZER - prima parte johannes-Passion STRAUSS FESTIVAL ORCHESTRA, WIEN MÜNCHENER BACH CHOR & ORCHESTER Peter Guth Hansjörg Albrecht Regula Mühlemann Olivia Vermeulen 21 NOVEMBRE | Teatro Verdi ore 21 Thomas Cooley OMAGGIO A JOHN CAGE - 1912/2012 Roberto Fabbriciani Stephan Genz Jonathan Faralli Klaus Häger 23 MARZO | Teatro Verdi ore 21 11 DICEMBRE | Teatro Verdi ore 21 NAPoli milionaria Grigory Sokolov PROGETTO LTL OPERA STUDIO 18 DICEMBRE | Teatro Verdi ore 21 26 MARZO | Teatro Verdi ore 21 ORCHESTRA DELLA TOSCANA orchestra della toscana Daniele Rustioni Daniel Kawka Gemma Bertagnolli Chen Guang CORO DEL MAGGIO MUSICALE FIORENTINO Piero Monti 10 APRILE | Teatro Verdi ore 21 orchestra della toscana 15 GENNAIO | Teatro Verdi ore 21 Christoph Poppen Viktoria Mullova Michele Marasco Paolo Giacometti 17 APRILE | Teatro Verdi ore 21 29 GENNAIO | Teatro Verdi ore 21 orchestra della toscana LE STAGIONI DEL VALZER - seconda parte Daniele Rustioni François-Joël Thiollier Francesca -
Mass in C Minor Performances of Two Academy of St Martin Fine Choral Works from in the Fields Two Masters of the Baroque Era
CORO CORO Vivaldi: Gloria in D Fauré: Requiem Bach: Magnificat in D Mozart: Vespers Harry Christophers Elin Manahan Thomas MOZART The Sixteen Roderick Williams Harry Christophers Resounding The Sixteen Mass in C minor performances of two Academy of St Martin fine choral works from in the Fields two masters of the Baroque era. “…the sense of an ecstatic movement towards cor16057 cor16042 cor16057 Paradise is tangible.” the times Handel: Messiah Barber: Agnus Dei 3 CDs (Special Edition) An American Collection Carolyn Sampson Barber, Bernstein, Catherine Wyn-Rogers Copland, Fine, Reich, Mark Padmore del Tredici Christopher Purves “The Sixteen are, as “…this inspiriting new usual, in excellent form performance becomes here. Recording and a first choice.” remastering are top- notch.” Gillian Keith the daily telegraph notch.” cor16062 cor16031 american record guide Tove Dahlberg Harry Christophers Thomas Cooley To find out more about CORO and to buy CDs visit Handel and Haydn Society Nathan Berg www.thesixteen.com cor16084 ne of the many delights of being of your seat” suspense that one feels in the exquisite ‘Et incarnatus est’ and it OArtistic Director of America’s is well worth that risk. One can never achieve this degree of concentration and oldest continuously performing arts total immersion in the music whilst in the recording studio; whatever mood is organization, the Handel and Haydn set, subconsciously we always know we can have another go at it. Society, is that I am given the opportunity to present most of our concert season at I feel very privileged to take this august Society towards its Bicentennial; yes, the Handel and Haydn Society was founded in 1815. -
Antonín Dvorák • Requiem
Antonín Dvorˇák • Requiem Ilse Eerens – Bernarda Fink – Maximilian Schmitt – Nathan Berg Collegium Vocale Gent – Royal Flemish Philharmonic Philippe Herreweghe Tracklist – p. 5 English – p. 8 Français – p. 13 Deutsch – p. 19 Nederlands – p. 25 Sung Texts – p. 30 Antonín Dvorˇák (1841-1904) Requiem, Op. 89 Ilse Eerens soprano Bernarda Fink alto Maximilian Schmitt tenor Nathan Berg bass Collegium Vocale Gent Royal Flemish Philharmonic Philippe Herreweghe Recording: April 28-30, 2014, deSingel, Antwerp — Sound Engineer: Markus Heiland (Tritonus) — Editing: Markus Heiland & Andreas Neubronner (Tritonus) — Recording Producer, Mastering: Andreas Neubronner (Tritonus) — Liner Notes: Tom Janssens — Cover picture: photo Michel Dubois (Courtesy Dubois Friedland) — Photographs Philippe Herreweghe: Michiel Hendryckx — Design: Casier/Fieuws — Executive Producer: Aliénor Mahy MENU CD 1 INTROITUS [1] Requiem æternam – Kyrie eleison (Soli and Chorus)........................................................10’44 GRADUALE [2] Requiem æternam (Soprano and Chorus)......................................................................04’38 SEQUENTIA [3] Dies iræ (Chorus).......................................................................................................02’28 [4] Tuba mirum (Soli and Chorus) ....................................................................................08’35 [5] Quid sum miser (Soli and Chorus) ...............................................................................06’02 [6] Recordare, Jesu pie (Soli) .............................................................................................07’03