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TOP MUSEUMS

Musei Capitolini None other than the great would suffice to design the master plan for Rome’s own collection of art and archaeological museums, which enticingly crown the . The museum is divided into two wings: Palazzo Nuovo, devoted to ancient ; and the Palazzo dei Conservatori, with great Old Masters.

Palazzo Doria-Pamphilj Waltzing through this 17th-century may be the closest you ever get to the aristocratic nobles. Fabled Old Master line the walls, with pride of place going to Velàzquez’s Innocent X (the family ), perhaps the greatest portrait ever painted.

Palazzo Altemps Catch a glimpse of exquisite taste in this 15th-century palace, once owned by Cardinal Altemps and today part of the Museo Nazionale Romano—on view are many legendary examples of classic Greek and Roman sculpture, including the “Ludovisi Throne.”

Galleria Borghese Only the best could satisfy the aesthetic taste of Cardinal , whose holdings evoke the essence of Rome. Spectacularly frescoed ceilings and multihue marble walls frame great Bernini and paintings by and .

Keats-Shelley House During the 18th century, the became a gathering place for Grand Tour artists and writers, so here in 1821 the English Romantic poet John Keats came to write— and ultimately die (of tuberculosis)—in the Casina Rossa, a dusty pink house at the base of the steps. A B Museo Nazionale Romano The city’s own great collections of ancient Roman sculpture, paintings, and precious relics—salvaged from excavations completed over several centuries—is so vast that four separate museums at different locations are needed: Palazzo Altemps, Aula Ottagona, Terme di Diocleziano, and Palazzo Massimo alle Terme.

Villa Farnesina Lifestyles of the Rich and Famous, -era version, are on display at this extravagant , built around 1511 by banker Agostino Chigi, with loggias decorated by Raphael. After lavish dinners, Chigi would toss his gold plates into the and slyly retrieve them with a net in the water.

Vatican Museums The seemingly endless line waiting for entry here can be intimidating, but the reward—a vast collection of masterpieces, including the —make it worth it. The agony, not the ecstasy, of it all is summed up in Michelangelo’s sublime Last Judgment and Sistine ceiling.

Palazzo Barberini The three fathers of the baroque—Bernini, Borromini, and —whipped up this imposing 17th-century palace for the Croesus-rich Barberini family. Built around 1625, with the Gran Salone, Rome’s largest ballroom, the palazzo is now home to the city’s collection of Old Master paintings.

Palazzo Spada A glorious 17th-century assemblage of stuccowork and statuary, together with the impressive trompe l’oeil “trick” of its courtyard colonnade, inspired by master designer Borromini, is what draws the crowds.