“QUEERING the SCRIPT” Feature Documentary
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Emmerson Denney
Toronto: 416.504.9666 EMMERSON DENNEY Vancouver: 604.744.0222 Los Angeles: 310.584.6606 PERSONAL MANAGEMENT Montreal: 1.888.652.0204 [email protected] TORONTO ••• VANCOUVER ••• LOS ANGELES www.emmerson.ca DIANE PITBLADO, B.A., M.F.A. (ACTRA/CAEA) Dialect/Voice Coach Film and Television American Gods Ricky Whittle Fremantle/David Slade Conviction Hayley Atwell ABC/ Liz Friedlander American Gothic Stephanie Leonidas CBS xXx: The Return… Donnie Yen Revolution/D.J. Caruso Suicide Squad Margot Robbie Warner Bros/David Ayres (plus Cara Delevingne; Adewale Akinnuoye-Agbaje) Defiance (season 3) Stephanie Leonidis Universal Secret Life of Marilyn… (miniseries) Kelli Garner, Emily Watson Lifetime/ Laurie Collyer Idol’s Eye (prep) Robert Pattinson Benaroya Pictures ROOM Brie Larson, Sean Bridgers Film4 Hannibal (Season 3) Mads Mikkelsen NBC/various God & Country Jake Croker Shaftesbury Films Aaliyah: Princess of R&B (MOW) Izaak Smith Lifetime/Bradley Walsh Regression lead cast Weinstein/Alejandro Amenábar (including Ethan Hawke; Emma Watson; David Dencik; Lothaire Bluteau) Bomb Girls (MOW) Tahmoh Penikett Muse The Girl King entire cast Galafilm-Triptych /Mika Kaurismäki (including Malin Buska; Sarah Gadon; Michael Nyqvist) Maps to the Stars (prep) Mia Wasikowska Prospero Pictures Hannibal (Season 2) Mads Mikkelsen NBC/various Hemlock Grove (Season 2) Dougray Scott Gaumont/various Defiance (Season 2) Stephanie Leonidis Universal Played (eps 111) Noam Jenkins; Liane Balaban Muse/Grant Harvey Pompeii lead cast FilmDistrict/Paul W.S. Anderson (including Emily Browning, Carrie-Anne Moss, Paz Vega, Sasha Roiz ) Saving Hope (eps 203) Raoul Baneja NBC/various Hannibal (Season 1) Mads Mikkelsen NBC/various Hemlock Grove (Season 1) Dougray Scott, Bill Skarsgard Gaumont/Eli Roth Defiance (Season 1) Stephanie Leonidis Universal Bomb Girls Tahmoh Penikett Muse/various XIII (eps 208) Camilla Scott Prodigy Pictures/Rachel Talalay Rewind (MOW) Keisha Castle-Hughes Universal Cable Resident Evil: Retribution (ADR) Li Bingbing Davis Films/Paul W.S. -
Selected Credits
Anne Dixon Costume Designer - Wardrobe Selected Credits: Costume Designer Anne, Season 1 Producer: Miranda de Pencier, Sue 2016-2017 Northwood Anne Inc. Murdoch, Moira Walley-Beckett Television Series Director: Various Production Manager: Teresa Ho Director of Photography: Bobby Shore Production Designer: Jean-Francois Campeau Costume Designer Our House Producer: Lee Kim, Marty Katz, Karen 2016 Our House Films Canada Inc. Wookey Feature Director: Anthony Scott Burns Production Manager: Sam Jephcott Director of Photography: Anthony Scott Burns Production Designer: Naz Goshtasbpour Costume Designer Shoot The Messenger, Producer: Jennifer Holness, Sudz 2015 Season 1 Sutherland, Victoria Woods Television Series Shoot the Messenger Director: Various Productions 1 Inc. Production Manager: Nancy Jackson Director of Photography: Arthur Cooper Production Designer: Rupert Lazarus Costume Designer Lavender Producer: Dave Valleau Lavender Films Inc. Director: Ed Gass-Donnelly Feature Production Manager: Aaron Barnett Director of Photography: Brendan Stacey Production Designer: Oleg Savitsky Costume Designer Born to Be Blue Producer: Jennifer Jonas, Leonard BTB Blue Productions Ltd. Farlinger, Robert Budreau Feature (NOHFC) Director: Robert Budreau Production Manager: Avi Federgreen Production Designer: Aidan Leroux Costume Designer Total Frat Movie Producer: Robert Wertheimer, Neil Digerati Films Inc. Bregman Feature Director: Warren Sonoda Production Manager: Kym Crepin Production Designer: Brian Verhoog Costume Designer Working the Engles, Season -
TV NATIONAL HONOREES 60 Minutes: the Chibok Girls (60
TV NATIONAL HONOREES 60 Minutes: The Chibok Girls (60 Minutes) Clarissa Ward (CNN International) CBS News CNN International News Magazine Reporter/Correspondent Abby McEnany (Work in Progress) Danai Gurira (The Walking Dead) SHOWTIME AMC Actress in a Breakthrough Role Actress in a Leading Role - Drama Alex Duda (The Kelly Clarkson Show) Fiona Shaw (Killing Eve) NBCUniversal BBC AMERICA Showrunner – Talk Show Actress in a Supporting Role - Drama Am I Next? Trans and Targeted Francesca Gregorini (Killing Eve) ABC NEWS Nightline BBC AMERICA Hard News Feature Director - Scripted Angela Kang (The Walking Dead) Gender Discrimination in the FBI AMC NBC News Investigative Unit Showrunner- Scripted Interview Feature Better Things Grey's Anatomy FX Networks ABC Studios Comedy Drama- Grand Award BookTube Izzie Pick Ibarra (THE MASKED SINGER) YouTube Originals FOX Broadcasting Company Non-Fiction Entertainment Showrunner - Unscripted Caroline Waterlow (Qualified) Michelle Williams (Fosse/Verdon) ESPN Films FX Networks Producer- Documentary /Unscripted / Non- Actress in a Leading Role - Made for TV Movie Fiction or Limited Series Catherine Reitman (Workin' Moms) Mission Unstoppable Wolf + Rabbit Entertainment (CBC/Netflix) Produced by Litton Entertainment Actress in a Leading Role - Comedy or Musical Family Series Catherine Reitman (Workin' Moms) MSNBC 2019 Democratic Debate (Atlanta) Wolf + Rabbit Entertainment (CBC/Netflix) MSNBC Director - Comedy Special or Variety - Breakthrough Naomi Watts (The Loudest Voice) Sharyn Alfonsi (60 Minutes) SHOWTIME -
The Community-Centered Cult Television Heroine, 1995-2007
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, and Student Research: Department of English English, Department of 2010 "Just a Girl": The Community-Centered Cult Television Heroine, 1995-2007 Tamy Burnett University of Nebraska at Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/englishdiss Part of the Feminist, Gender, and Sexuality Studies Commons, Literature in English, North America Commons, and the Visual Studies Commons Burnett, Tamy, ""Just a Girl": The Community-Centered Cult Television Heroine, 1995-2007" (2010). Dissertations, Theses, and Student Research: Department of English. 27. https://digitalcommons.unl.edu/englishdiss/27 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, and Student Research: Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. “JUST A GIRL”: THE COMMUNITY-CENTERED CULT TELEVISION HEROINE, 1995-2007 by Tamy Burnett A DISSERTATION Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Philosophy Major: English (Specialization: Women‟s and Gender Studies) Under the Supervision of Professor Kwakiutl L. Dreher Lincoln, Nebraska May, 2010 “JUST A GIRL”: THE COMMUNITY-CENTERED CULT TELEVISION HEROINE, 1995-2007 Tamy Burnett, Ph.D. University of Nebraska, 2010 Adviser: Kwakiutl L. Dreher Found in the most recent group of cult heroines on television, community- centered cult heroines share two key characteristics. The first is their youth and the related coming-of-age narratives that result. -
4.5.1 Los Abducidos: El Duro Retorno En Expediente X Se Duda De Si Las
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Diposit Digital de Documents de la UAB 4.5.1 Los abducidos: El duro retorno En Expediente X se duda de si las abducciones son obra de humanos o de extraterrestres por lo menos hasta el momento en que Mulder es abducido al final de la Temporada 7. La duda hace que el encuentro con otras personas que dicen haber sido abducidas siempre tenga relevancia para Mulder, Scully o ambos, como se puede ver con claridad en el caso de Cassandra Spender. Hasta que él mismo es abducido se da la paradójica situación de que quien cree en la posibilidad de la abducción es él mientras que Scully, abducida en la Temporada 2, siempre duda de quién la secuestró, convenciéndose de que los extraterrestres son responsables sólo cuando su compañero desaparece (y no necesariamente en referencia a su propio rapto). En cualquier caso poco importa en el fondo si el abducido ha sido víctima de sus congéneres humanos o de alienígenas porque en todos los casos él o ella cree –con la singular excepción de Scully– que sus raptores no son de este mundo. Como Leslie Jones nos recuerda, las historias de abducción de la vida real que han inspirado este aspecto de Expediente X “expresan una nueva creencia, tal vez un nuevo temor: a través de la experimentación sin emociones realizada por los alienígenas usando cuerpos humanos adquiridos por la fuerza, se demuestra que el hombre pertenece a la naturaleza, mientras que los extraterrestres habitan una especie de supercultura.” (Jones 94). -
Odwołany Za Śmieci
Nr 11 Wprost pod 15 MARCA 2001 r. lokomotywę ISSN 1232-0366 7 X INDEKS: 328073 Cena: 2 ,0 0 zł owircl (w tym 7% VAT) NAJSTARSZE PISMO W REGIONIE. UKAZUJE SIĘ OD 1947 ROKU. Głuchołazy Zdenerwował się, bo obchodziła Dzień Kobiet Nieuwaga kierowcy fiata ducato sprawiła, że minio Luksusowy iż widział nadjeżdżający pociąg, wjechał nagle wprost pod koła lokomotywy. pustostan • czytaj n a str. 2 Mieszkanie o powierzchni po ZABIŁ nad 130 m kw. w centrum miasta od dwóch lat stoi puste i czeka na loka Mycie na granicy torów - rodzinę Szafrańskich z Jar nołtówka. • słr. 13 O tm uchów KONKUBINĘ W swoje gniazdo srasz? Nielegalna wycinka 10 drzew doprowadziła do konfliktu wśród mieszkańców Ligoty Wielkiej. Wieś podzieliła się na dwa obozy. Z Czech do Polski przechodzimy i • str. 11 przejeżdżamy przez roztwór sody Niem odlin kaustycznej • czytaj tia str. 5 Pomoc z Peine W N iem odlinie przebywała 11- osobowa grupa członków elitarne Odwołany go „Rotary Club” z zaprzyjaźnione go niemieckiego miasta Peine. • str. 14 za śmieci Paczków W ubiegły czwartek Zarząd Miejski w Nysie odwo łał Stanisława Ostrowskiego z funkcji prezesa należą cej do gminy spółki EKOM. Stan dobry, ale... Zdaniem Zarządu, w ostatnich miesiącach EKOM Targowisko w Paczkowie to jed W niedzielę sąd podjął decyzję o aresztowaniu sprawcy prowadził działania zmierzające do zawyżenia kosztów na wielka prowizorka, a oddalone o eksploatacji wysypiska w Domaszkowicach, a co się z niecałe 3 kilometry od miasta przej W czwartek 8 marca na ostatnim piętrze w jednym z nyskich bloków w Rynku 35-letni tym wiąże do nieuzasadnionego podniesienia cen wy ście graniczne nie spełnia norm sa pijany mężczyzna zakatował swoją konkubinę. -
Nouveautés Septembre 2019
Nouveautés septembre 2019 Comédie Bonheur juif (Le) (Evreyskoe schaste) Fiction / Comédie Durée : 88mn Russie / 1925 Scénario : Grigori Gritscher-Tscherikower, Boris Leonidov, Isaak Teneromo De : Alekseï Granovski Origine : d'après la nouvelle de Sholom Avec : Tamara Adelheim, Moisei Goldblat, Aleichem Solomon Mikhoels Auteur adapté : Sholom Aleichem Directeur photo : Eduard Tisse, Vasili Khvatov, Nicolai Strukov Compositeur : Lev Pulver Résumé : Langue : Muet Menakhem Mendel, courtier et commerçant, gagne sa vie péniblement. Tous les samedis, il tente Sous-titres : Aucun d'acheter un morceau de viande qu'il nomme son petit bonheur juif. Un jour, il décide de monter une Écran : 4/3 nouvelle affaire : entremetteur. Mais on ne s'improvise pas marieur, même si une liste de riches Son : Mono jeunes filles à marier vous tombe entre les mains. Menakhem va l'apprendre à ses dépens. Bonus : Entretien avec Richard Delmotte. N&B Support : DVD Page 1/36 Nouveautés septembre 2019 Tel Aviv on fire Fiction / Comédie Durée : 97mn Israël - Belgique - Luxembourg / 2018 Scénario : Sameh Zoabi, Dan Kleinman Producteur : Amir Harel, Miléna Poylo, De : Sameh Zoabi Bernard Michaux Avec : Lubna Azabal, Kais Nashif, Yaniv Biton Directeur photo : Laurent Brunet Compositeur : André Dziezuk Langues originales : Arabe, Hébreu Résumé : Salam, 30 ans, vit à Jérusalem. Il est Palestinien et stagiaire sur le tournage de la série arabe à succès "Tel Aviv on Fire !" Tous les matins, il traverse le même check-point pour aller travailler à Langue : Arabe Ramallah. Un jour, Salam se fait arrêter par un officier israélien, Assi, fan de la série. Pour s'en sortir, Sous-titres : Français il prétend en être le scénariste. -
GLAAD Where We Are on TV (2020-2021)
WHERE WE ARE ON TV 2020 – 2021 WHERE WE ARE ON TV 2020 – 2021 Where We Are on TV 2020 – 2021 2 WHERE WE ARE ON TV 2020 – 2021 CONTENTS 4 From the office of Sarah Kate Ellis 7 Methodology 8 Executive Summary 10 Summary of Broadcast Findings 14 Summary of Cable Findings 17 Summary of Streaming Findings 20 Gender Representation 22 Race & Ethnicity 24 Representation of Black Characters 26 Representation of Latinx Characters 28 Representation of Asian-Pacific Islander Characters 30 Representation of Characters With Disabilities 32 Representation of Bisexual+ Characters 34 Representation of Transgender Characters 37 Representation in Alternative Programming 38 Representation in Spanish-Language Programming 40 Representation on Daytime, Kids and Family 41 Representation on Other SVOD Streaming Services 43 Glossary of Terms 44 About GLAAD 45 Acknowledgements 3 WHERE WE ARE ON TV 2020 – 2021 From the Office of the President & CEO, Sarah Kate Ellis For 25 years, GLAAD has tracked the presence of lesbian, of our work every day. GLAAD and Proctor & Gamble gay, bisexual, transgender, and queer (LGBTQ) characters released the results of the first LGBTQ Inclusion in on television. This year marks the sixteenth study since Advertising and Media survey last summer. Our findings expanding that focus into what is now our Where We Are prove that seeing LGBTQ characters in media drives on TV (WWATV) report. Much has changed for the LGBTQ greater acceptance of the community, respondents who community in that time, when our first edition counted only had been exposed to LGBTQ images in media within 12 series regular LGBTQ characters across both broadcast the previous three months reported significantly higher and cable, a small fraction of what that number is today. -
Annual Report 2019–2020
CMF FMCANNUAL REPORT 2019 – 2020 CMF FMC CONTENTS ABOUT1 CMF SUCCESSES2 FUNDING3 RESULTS FINANCIAL4 OVERVIEW APPENDICES5 Financial Contributors 3 Audience Results: 51 Experimental 83 Management Discussion 153 Notice 179 Mandate and Vision 5 Television TV 95 and Analysis Television Audience 180 Funding Model 9 Audience Results: 67 Indigenous Support 115 Management’s 157 Data Sources Digital Media Responsibility for CMF by the Numbers 11 Official Language Minority 121 Financial Reporting Message from the Chair 13 Community Support Financial Statements 159 Regional Support 128 Message from 15 of Canada Media Fund the President and CEO Export-Related Programs 133 Board and Committee 19 International Treaty 137 Activities Coproductions and Board Members 25 International Incentives Management Team 29 Program Funding Summary 141 Industry Consultation 35 Sector Development 145 Support Industry Research 37 Program Administration 147 Industry Partnerships 39 Promotion 44 1 CANADA MEDIA FUND | FONDS DES MÉDIAS DU CANADA 2019–2020 ANNUAL REPORT 2 ABOUT CMF SUCCESSES FUNDING RESULTS FINANCIAL OVERVIEW APPENDICES Battle of the Blades 3 CANADA MEDIA FUND | FONDS DES MÉDIAS DU CANADA 2019 – 2020 ANNUAL REPORT 4 FINANCIAL CONTRIBUTORS The Canada Media Fund (CMF) receives contributions from Canada’s cable, satellite and IPTV distributors and the Government of Canada. The CMF thanks its funding contributors for their continued support of Canadian television and digital media content. 5 CANADA MEDIA FUND | FONDS DES MÉDIAS DU CANADA 2019 – 2020 ANNUAL REPORT 6 MANDATE AND VISION The Canada Media Fund (CMF) fosters, develops, finances and promotes the production of Canadian content and relevant applications for all audiovisual media platforms. Red Earth Uncovered Blasters of the Universe The CMF guides Canadian content towards a competitive global environment through fostering industry innovation, rewarding success, enabling a diversity of voices, and promoting access to content through industry and private sector partnerships. -
The Television Academy Foundation, Netflix, Starz, and H Club Los Angeles to Present the Power of Tv: Latinx Inclusion August 9
PRESS RELEASE FOR IMMEDIATE RELEASE THE TELEVISION ACADEMY FOUNDATION, NETFLIX, STARZ, AND H CLUB LOS ANGELES TO PRESENT THE POWER OF TV: LATINX INCLUSION AUGUST 9 Event Features One Day at a Time and Vida Cast Members and Producers for Discussion on Latinx in Media (NoHo Arts District, Calif. -- July 30, 2018) – The Television Academy Foundation today announced it will co-present The Power of TV: Latinx Inclusion in association with Netflix and Starz on August 9, 2018. As part of its ongoing The Power of TV public event series examining the influence of television in shaping our culture and ability to create positive social change, the Foundation will assemble Latinx leaders to discuss their career paths to success, their tireless advocating to strive for intersectionality, and opportunities available to increase Latinx talent on screen and behind the scenes. The entertainment industry and advertisers have long been aware of the power of the Latinx market, yet a significant representation gap persists. Developed in partnership with the National Hispanic Foundation for the Arts, panelists for the event include actresses Justina Machado (One Day at a Time/Jane the Virgin), Mishel Prada (Vida/Fear the Walking Dead: Passage) and Melissa Barrera (Vida/Club de Cuervos), plus Executive Producers Gloria Calderón Kellett (One Day at a Time) and Tanya Saracho (Vida). PatMa Productions Co-Founder Nina Tassler will moderate. The event will be held in the Governors Room at the Television Academy’s Saban Media Center in North Hollywood, California. A pre-event reception provided by the h Club Los Angeles will begin at 6:30 PM, followed by the panel discussion at 7:30 PM. -
Filmic Tomboy Narrative and Queer Feminist Spectatorship
UNHAPPY MEDIUM: FILMIC TOMBOY NARRATIVE AND QUEER FEMINIST SPECTATORSHIP A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Lynne Stahl May 2015 © 2015 Lynne Stahl ALL RIGHTS RESERVED UNHAPPY MEDIUM: FILMIC TOMBOY NARRATIVE AND QUEER FEMINIST SPECTATORSHIP Lynne Stahl, Ph.D. Cornell University, 2015 ABSTRACT This dissertation investigates the ways in which American discourses of gender, sexuality, and emotion structure filmic narrative and the ways in which filmic narrative informs those discourses in turn. It approaches this matter through the figure of the tomboy, vastly undertheorized in literary scholarship, and explores the nodes of resistance that film form, celebrity identity, and queer emotional dispositions open up even in these narratives that obsessively domesticate their tomboy characters and pair them off with male love interests. The first chapter theorizes a mode of queer feminist spectatorship, called infelicitous reading, around the incoherently “happy” endings of tomboy films and obligatorily tragic conclusions of lesbian films; the second chapter links the political and sexual ambivalences of female-centered sports films to the ambivalent results of Title IX; and the third chapter outlines a type of queer reproductivity and feminist paranoia that emerges cumulatively in Jodie Foster’s body of work. Largely indebted to the work of Judith Butler, Lauren Berlant, and Sara Ahmed, this project engages with past and present problematics in the fields of queer theory, feminist film criticism, and affect studies—questions of nondichotomous genders, resistant spectatorship and feminist potential within linear narrative, and the chronological cues that dominant ideology builds into our understandings of gender, sexuality, narrative, and emotions. -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Directing For A Comedy Series A.P. Bio Handcuffed May 16, 2019 Jack agrees to help Mary dump her boyfriend and finds the task much harder than expected, meanwhile Principal Durbin enlists Anthony to do his dirty work. Jennifer Arnold, Directed by A.P. Bio Nuns March 14, 2019 As the newly-minted Driver's Ed teacher, Jack sets out to get revenge on his mother's church when he discovers the last of her money was used to buy a statue of the Virgin Mary. Lynn Shelton, Directed by A.P. Bio Spectacle May 30, 2019 After his computer breaks, Jack rallies his class to win the annual Whitlock's Got Talent competition so the prize money can go towards a new laptop. Helen and Durbin put on their best tuxes to host while Mary, Stef and Michelle prepare a hand-bell routine. Carrie Brownstein, Directed by Abby's The Fish May 31, 2019 When Bill admits to the group that he has Padres season tickets behind home plate that he lost in his divorce, the gang forces him to invite his ex-wife to the bar to reclaim the tickets. Betsy Thomas, Directed by After Life Episode 2 March 08, 2019 Thinking he has nothing to lose, Tony contemplates trying heroin. He babysits his nephew and starts to bond -- just a bit -- with Sandy. Ricky Gervais, Directed by Alexa & Katie The Ghost Of Cancer Past December 26, 2018 Alexa's working overtime to keep Christmas on track. But finding her old hospital bag stirs up memories that throw her off her holiday game.