Thackeray's Reading
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The Irish Characters in Thackeray's Fiction
RICE UNIVERSITY THE IRISH CHARACTERS IM THACKERAY*S FICTION tv EVELYN POWELL PAYNE A THESIS SUBM1T1ED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS 3 ’2^2 00263 5,8, Thesis Director*s signatures Houston* Texas May, 1963 ABSTRACT THE IRISH CHARACTERS IN THACKERAY*S FICTION by Evelyn Powell Payne In Thackeray*s fiction, the Irish characters compose a group with a number of common traits. Each of them has several of these qualities* the most common are belligerence, boastfulness about family and country, claims to descent from Irish kings, brogue speech, tendency to distort facts, fondness for drink, and self-delusion, A comparison of his fictional characters with Thackeray* observations in his Irish Sketch Book reveals that the author deliberately exaggerates the eccentricities of Irishmen for his fictional purposes. The Sketch Book is a fairly unbiased account of the country and its citizens and is often complimentary to the Irish, Thackeray*s portrayal of Irish characters in his novels and stories derives in part from a literary stereotype for which such nineteenth-century Irish writers as Charles Lever are largely responsible. Thackeray*s experiences with Irish acquaintances also contributed to his delineation of his characters. Most significant are his association in his professional life with Irish writers, and in his personal life with his wife*s relatives, the Shawe family. Most of Thackeray*s Irishmen, and some of the women, are comic characters, following the literary tradition Of the stage Irishman. They ran9e from extravagant a"d fanciful ii characters in his shorter works, such as Mrs* Perkins1 s Ball, a Christmas book, to almost equally extravagant but realistic Irishmen in the novels. -
Writing the Global: the Scottish Enlightenment As Literary Practice
Writing the Global: The Scottish Enlightenment as Literary Practice Yusuke Wakazawa PhD University of York English and Related Literature September 2018 2 Abstract This thesis presents the Scottish Enlightenment as a literary practice in which Scottish thinkers deploy diverse forms of writing---for example, philosophical treatise, essay, autobiography, letter, journal, and history---to shape their ideas and interact with readers. After the unsuccessful publication of A Treatise of Human Nature (1739-40), David Hume turns to write essays on moral philosophy, politics and commerce, and criticism. I argue that other representatives of the Scottish Enlightenment such as Adam Smith, Adam Ferguson, and William Robertson also display a comparable attention to the choice and use of literary forms. I read the works of the Scottish Enlightenment as texts of eighteenth-century literature rather than a context for that literature. Since I argue that literary culture is an essential component of the Scottish Enlightenment, I include James Boswell and Tobias Smollett as its members. In diverse literary forms, Scottish writers refer to geographical difference, and imagine the globe as heterogenous and interconnected. These writers do not treat geography as a distinctive field of inquiry. Instead, geographical reference is a feature of diverse scholarly genres. I suggest that literary experiments in the Scottish Enlightenment can be read as responding to the circulation of information, people, and things beyond Europe. Scottish writers are interested in the diversity of human beings, and pay attention to the process through which different groups of people in distant regions encounter each other and exchange their sentiments as well as products. -
Note to Users
NOTE TO USERS The original manuscript received by UMI contains broken, slanted and or light print. All efforts were made to acquire the highest quality manuscript from the author or school. Microfilmed as received. This reproduction is the best copy available From Empiricism to Bohemia: The ldea of the Sketch fiom Sterne to Thackeray Paul G. Beidler A thesis subrnitted in confomity with the requirements for the degree of Doctor of Philosophy Graduate Department of English University of Toronto O Copyright by Paul G. Beidler ( 1997) National Library Bibliothéque nationale du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395. nie Wellington OttawaON K1AON4 Ottawa ON KIA ON4 Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or seil reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de rnicrofiche/film, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or othewise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. From Empiricism to Bohemia: The Idea of the Sketch from Steme to Thackeray Ph-D- 1997 Paul G. -
Home Editorial Authors' Responses Guidelines For
Home Search Every Field Editorial Search Authors' ROMANTIC FEUDS: TRANSCENDING THE 'AGE OF PERSONALITY' Responses By Kim Wheatley (Ashgate, 2013) xii + p. 374 Guidelines Reviewed by Rebecca Nesvet on 2013-10-16. For Click here for a PDF version. Reviewers Click here to buy the book on Amazon. About Us Masthead The myth of the lonely, autonomous Romantic Genius has lately taken its lumps. Questioning its historicity, contemporary scholars of nineteenth-century literature often stress the creativity of groups. William St. Clair, Sharon Lynne Feedback Joffe, Scott Krawczyk and Julie A. Carlson have examined the productivity of Romantic literary families or kinship coteries. Tim Fulford, Peter J. Kitson, and Debbie Lee have revealed the scientific network as an engine of Romantic cultural production. David Higgins has shown how the concept of Romantic genius was shaped and popularized by the periodicals of the era, which influenced such figures as Wordsworth and the painter Benjamin R. Haydon. And creative groups could be as small as two. Magisterial studies of pairs of Romantic friends, mentors, protégés, rivals, and frenemies include Stuart Curran's Shelley and Byron: The Snake and Eagle Wreathed in Fight (1976), Paul Magnuson's Coleridge and Wordsworth: A Lyrical Dialogue (1988), Susan Oliver's Scott, Byron, and the Poetics of Cultural Encounter (2005), and Peter Cochran's Byron and Bob (2010). Kim Wheatley has also helped to bury the solitary Romantic Genius. In Shelley and His Readers (1999), Wheatley examined Percy Bysshe Shelley's highly interactive relationship with periodical reviewers, especially those of the Tory Quarterly and Whig Edinburgh Review. -
Constructing British Identity : Tobias Smollett and His Travels Through France and Italy
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 8-2011 Constructing British identity : Tobias Smollett and his Travels through France and Italy Michael Anthony Skaggs 1987- University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Recommended Citation Skaggs, Michael Anthony 1987-, "Constructing British identity : Tobias Smollett and his Travels through France and Italy" (2011). Electronic Theses and Dissertations. Paper 1336. https://doi.org/10.18297/etd/1336 This Master's Thesis is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. CONSTRUCTING BRITISH IDENTITY: TOBIAS SMOLLETT AND HIS TRA VELS THROUGH FRANCE AND ITALY By Michael Anthony Skaggs B.A., Indiana University, 2005 A Thesis Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Master of Arts Department of History University of Louisville Louisville, KY August 2011 Copyright 2011 by Michael Anthony Skaggs All rights reserved I j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j J CONSTRUCTING BRITISH IDENTITY: TOBIAS SMOLLETT AND HIS TRAVELS THROUGH FRANCE AND ITALY By Michael Anthony Skaggs B.A., Indiana University, 2005 A Thesis Approved on June 13, 2011 By the following Thesis Committee: John McLeod, Ph.D. -
The Death of Christian Culture
Memoriœ piœ patris carrissimi quoque et matris dulcissimœ hunc libellum filius indignus dedicat in cordibus Jesu et Mariœ. The Death of Christian Culture. Copyright © 2008 IHS Press. First published in 1978 by Arlington House in New Rochelle, New York. Preface, footnotes, typesetting, layout, and cover design copyright 2008 IHS Press. Content of the work is copyright Senior Family Ink. All rights reserved. Portions of chapter 2 originally appeared in University of Wyoming Publications 25(3), 1961; chapter 6 in Gary Tate, ed., Reflections on High School English (Tulsa, Okla.: University of Tulsa Press, 1966); and chapter 7 in the Journal of the Kansas Bar Association 39, Winter 1970. No portion of this work may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer who may quote brief passages in a review, or except in cases where rights to content reproduced herein is retained by its original author or other rights holder, and further reproduction is subject to permission otherwise granted thereby according to applicable agreements and laws. ISBN-13 (eBook): 978-1-932528-51-0 ISBN-10 (eBook): 1-932528-51-2 Library of Congress Cataloging-in-Publication Data Senior, John, 1923– The death of Christian culture / John Senior; foreword by Andrew Senior; introduction by David Allen White. p. cm. Originally published: New Rochelle, N.Y. : Arlington House, c1978. ISBN-13: 978-1-932528-51-0 1. Civilization, Christian. 2. Christianity–20th century. I. Title. BR115.C5S46 2008 261.5–dc22 2007039625 IHS Press is the only publisher dedicated exclusively to the social teachings of the Catholic Church. -
Reading Our Way to Democracy? Literature and Public Ethics
S S READING OUR WAY TO DEMOCRACY? LITERATURE AND PUBLIC ETHICS ,” F K, “that we should only read those “I books that bite and sting us. If a book we are reading does not rouse us with a blow to the head, then why read it?” 1 Almost all of us who read books for a living and/or pleasure have undoubtedly expe- rienced that most delightfully troubling of phenomena: a novel that forces us to think differently about the world and the way that we live. In recent years, literature’s capacity to generate in its readers “a rigorous scrutiny of everything they believe in and live by” 2—what Stanley Fish calls its “dialectical” potential—has drawn the attention of a number of liberal-democratic theorists, most notably Martha Nussbaum and Rich- ard Rorty. By “liberal-democratic” is meant here, of course, that system of government with popular rule, regular elections, a commitment to individual rights and the rule of law; one that draws on a tradition of political thought that includes the work of John Locke, John Stuart Mill and John Rawls. Although their exact formulations of the claim differ in important ways, Nussbaum and Rorty are united in the belief that reading can enhance the practice of liberal-democracy by expanding the moral imaginations of a citizenry. Such an expansion will, they believe, promote the values of tolerance, respect for other viewpoints, and a recognition of the contingency of one’s own perspective, in short, the values of civil society. Whilst there is undoubtedly something intuitively appealing about their claim, there is much that is philosophically and politically problematic about their respective formulations of it. -
Annual Atwood Bibliography 2016
Annual Atwood Bibliography 2016 Ashley Thomson and Shoshannah Ganz This year’s bibliography, like its predecessors, is comprehensive but not complete. References that we have uncovered —almost always theses and dissertations —that were not available even through interlibrary loan, have not been included. On the other hand, citations from past years that were missed in earlier bibliographies appear in this one so long as they are accessible. Those who would like to examine earlier bibliographies may now access them full-text, starting in 2007, in Laurentian University’s Institutional Repository in the Library and Archives section . The current bibliography has been embargoed until the next edition is available. Of course, members of the Society may access all available versions of the Bibliography on the Society’s website since all issues of the Margaret Atwood Studies Journal appear there. Users will also note a significant number of links to the full-text of items referenced here and all are active and have been tested on 1 August 2017. That said—and particularly in the case of Atwood’s commentary and opinion pieces —the bibliography also reproduces much (if not all) of what is available on-line, since what is accessible now may not be obtainable in the future. And as in the 2015 Bibliography, there has been a change in editing practice —instead of copying and pasting authors’ abstracts, we have modified some to ensure greater clarity. There are a number of people to thank, starting with Dunja M. Mohr, who sent a citation and an abstract, and with Desmond Maley, librarian at Laurentian University, who assisted in compiling and editing. -
Final Draft of Dissertation
UCLA UCLA Electronic Theses and Dissertations Title Victorian Talk: Human Media and Literary Writing in the Age of Mass Print Permalink https://escholarship.org/uc/item/3kb3d4xc Author Wong, Amy Ruei Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Victorian Talk: Human Media and Literary Writing in the Age of Mass Print A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Amy Ruei Wong 2015 © Copyright by Amy Ruei Wong 2015 ABSTRACT OF THE DISSERTATION Victorian Talk: Human Media and Literary Writing in the Age of Mass Print by Amy Ruei Wong Doctor of Philosophy in English University of California, Los Angeles, 2015 Professor Jonathan H. Grossman, Co-Chair Professor Joseph E. Bristow, Co-Chair “Victorian Talk: Human Media and Literary Writing in the Age of Mass Print” investigates a mid- to late-Victorian interest in the literary achievements of quotidian forms of talk such as gossip, town talk, idle talk, chatter, and chitchat. I argue that such forms of talk became inseparable from the culture of mass print that had fully emerged by the 1860s. For some, such as Oscar Wilde’s mother, Lady Jane Francesca Wilde, this interdependence between everyday oral culture and “cheap literature” was “destroy[ing] beauty, grace, style, dignity, and the art of conversation,” but for many others, print’s expanded reach was also transforming talk into a far more powerful “media.” Specifically, talk seemed to take on some aspects of print’s capacity to float free from the bodies of individual speakers and endlessly reproduce across previously unimaginable expanses. -
Romance Tradition in Eighteenth-Century Fiction : a Study of Smollett
THE ROMANCE TRADITION IN EIGHTEENTH-CENTURY FICTION: A STUDY OF SMOLLETT By MICHAEL W. RAYMOND COUNCIL OF A DISSERTATION PRESENTED TO THE GRADUATE THE UNIVERSITY OF FLORIDA FOR THE IN PARTIAL FULFILLMENT OF THE REQUIREMENTS DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 197^ ACKNOWLEDGEMENT I wish to express heartfelt appreciation to a few of the various multitude who provided incalculable tangible and intangible assistance in bringing this quest to an ordered resolution. Professors Aubrey L. Williams and D. A. Bonneville were most generous, courteous, and dexterous in their assist- ance and encouragement. Their willing contributions in the closing stages of the journey made it less full of "toil and danger" and less "thorny and troublesome." My wife, Judith, was ever present. At once heroine, guide, and Sancho Panza, she bore my short-lived triumphs and enduring despair. She did the work, but I am most grate- ful that she came to understand what the quest meant and what it meant to me. No flights of soaring imagination or extravagant rhetoric can describe adequately my gratitude to Professor Melvyn New. He represents the objective and the signifi- cance of the quest. He always has been the complete scholar and teacher. His contributions to this work have been un- tiring and infinite. More important to me, however, has been and is Professor New's personal example. He embodies the ideal combination of scholar and teacher. Professor Melvyn New shows that the quest for this ideal can be and should be attempted and accomplished. TABLE OE CONTENTS PAGE ACKNOWLEDGEMENT ±±± ABSTRACT v INTRODUCTION 1 NOTES 15 CHAPTER 1 15 I. -
The Baroque Imagination of Alejo Carpentier, Derek Walcott, and Seamus Heaney: Folding the Periphery Into a Center
University of Miami Scholarly Repository Open Access Dissertations Electronic Theses and Dissertations 2012-05-06 The aB roque Imagination of Alejo Carpentier, Derek Walcott, and Seamus Heaney: Folding the Periphery into a Center Carmen M. Chiappetta University of Miami, [email protected] Follow this and additional works at: https://scholarlyrepository.miami.edu/oa_dissertations Recommended Citation Chiappetta, Carmen M., "The aB roque Imagination of Alejo Carpentier, Derek Walcott, and Seamus Heaney: Folding the Periphery into a Center" (2012). Open Access Dissertations. 771. https://scholarlyrepository.miami.edu/oa_dissertations/771 This Embargoed is brought to you for free and open access by the Electronic Theses and Dissertations at Scholarly Repository. It has been accepted for inclusion in Open Access Dissertations by an authorized administrator of Scholarly Repository. For more information, please contact [email protected]. UNIVERSITY OF MIAMI THE BAROQUE IMAGINATION OF ALEJO CARPENTIER, DEREK WALCOTT, AND SEAMUS HEANEY: FOLDING THE PERIPHERY INTO A CENTER By Carmen Chiappetta A DISSERTATION Submitted to the Faculty of the University of Miami in partial fulfillment of the requirements for the degree of Doctor of Philosophy Coral Gables, Florida May 2012 ©2012 Carmen Chiappetta All Rights Reserved UNIVERSITY OF MIAMI A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy THE BAROQUE IMAGINATION OF ALEJO CARPENTIER, DEREK WALCOTT, AND SEAMUS HEANEY: FOLDING THE PERIPHERY INTO A CENTER Carmen Chiappetta Approved: ________________ _________________ Sandra Pouchet Paquet, Ph.D. Terri A. Scandura, Ph.D. Professor of English Dean of the Graduate School ________________ _________________ Patrick McCarthy, Ph.D. Joel Nickels, Ph.D. -
Thackeray's Secondary Fictional World
THACKERAY'S SECONDARY FICTIONAL WORLD: AH AESTHETIC STUDY OF NARRATOR AND READER ROLES IN THE NOVELS by DAVID LEWIS JAMES B.A., University of London, 1965 M.A., University of British. Columbia, 1967 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in the Department of ENGLISH We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA November, 1970 i In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and Study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of The University of British Columbia Vancouver 8, Canada ABSTRACT Thackeray's post-1847 novels make increasing use of a complex and indecisive narrator. The clear perspectives of Thackeray's early narrators—such as the "boastful Gahagan, the cynical Yellowplush, and the sentimental Fitzboodle—are superseded by the man of many parts, who is the mature narrator of the novels from Yanity Fair to Denis Duval. This many-faceted figure keeps one eye on his reader as he moves between joyous certainty and utter bewilderment regarding his own feelings and his own fiction. He is not afraid to be fickle, and appears in many guises:—as novelist and historian, visionary and disenchanted worldling, preacher and clown.