IGBO SYMBOLS AS a PARADIGM Gladys Ifeoma Udech
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208, (Issn: 2276-8645) 197 S
International Journal of Social Sciences and Humanities Reviews Vol.8 No.1, April 2018; p.197 – 208, (ISSN: 2276-8645) SUPERNATURALISM IN AFRICAN LITERATURE A STUDY OF LAYE’S THE AFRICAN CHILD AND AMADI’S THE CONCUBINE CHINYERE OJIAKOR (Ph.D) Department of English Madonna University Nigeria [email protected] & NKECHI EZENWAMADU (Ph.D) Department of English Madonna University Nigeria [email protected] Abstract This article x-rays the existence of the supernatural and their influence on mankind which has become a pre-dominant factor that has gained prominence and importance from time immemorial, and how writers have tried to project this concept in their literary engagements. In an attempt to establish this argument, the researcher explored Elechi Amadi's The Concubine and Camara Laye's The African Child. These novels depict and explore the idea of the supernatural in various manifestations and they are rich in supernatural and are rooted in the mythology and traditional African belief of supernaturalism. Supernaturalism is the belief that there are beings, forces, and phenomena such as God, angels or miracles which interact with the physical universe in remarkable and unique ways. The African man had begun to have some conceptions about the spiritual or mysterious essence of some natural phenomena and had begun to interpret his life in tandem with the "unknown". Opponents of these beliefs seem to pose the question: are there forces beyond the natural forces studied by physics and ways of sensing that go beyond our biological senses and instruments? They recognized that there may always be things outside the realm of human understanding as of yet unconfirmed which the African, not been able to research deeply on it, would term "supernatural". -
History of Seventh-Day Adventist Church in Igboland (1923 – 2010 )
NJOKU, MOSES CHIDI PG/Ph.D/09/51692 A HISTORY OF SEVENTH-DAY ADVENTIST CHURCH IN IGBOLAND (1923 – 2010 ) FACULTY OF THE SOCIAL SCIENCES DEPARTMENT OF RELIGION Digitally Signed by : Content manager’s Name Fred Attah DN : CN = Webmaster’s name O= University of Nigeri a, Nsukka OU = Innovation Centre 1 A HISTORY OF SEVENTH-DAY ADVENTIST CHURCH IN IGBOLAND (1923 – 2010) A THESIS SUBMITTED TO THE DEPARTMENT OF RELIGION AND CULTURAL STUDIES, FACULTY OF THE SOCIAL SCIENCES UNIVERSITY OF NIGERIA, NSUKKA IN PARTIAL FULFILMENT FOR THE AWARD OF DOCTOR OF PHILOSOPHY (Ph.D) DEGREE IN RELIGION BY NJOKU, MOSES CHIDI PG/Ph.D/09/51692 SUPERVISOR: REV. FR. PROF. H. C. ACHUNIKE 2014 Approval Page 2 This thesis has been approved for the Department of Religion and Cultural Studies, University of Nigeria, Nsukka By --------------------------------------------- ------------------------------ Rev. Fr. Prof. H. C. Achunike Date Supervisor -------------------------------------------- ------------------------------ External Examiner Date Prof Musa Gaiya --------------------------------------------- ------------------------------ Internal Examiner Date Prof C.O.T. Ugwu -------------------------------------------- ------------------------------ Internal Examiner Date Prof Agha U. Agha -------------------------------------------- ------------------------------ Head of Department Date Rev. Fr. Prof H.C. Achunike --------------------------------------------- ------------------------------ Dean of Faculty Date Prof I.A. Madu Certification 3 We certify that this thesis -
The Influence of the Supernatural in Elechi Amadi’S the Concubine and the Great Ponds
THE INFLUENCE OF THE SUPERNATURAL IN ELECHI AMADI’S THE CONCUBINE AND THE GREAT PONDS BY EKPENDU, CHIKODI IFEOMA PG/MA/09/51229 DEPARTMENT OF ENGLISH AND LITERARY STUDIES, UNIVERSITY OF NIGERIA, NSUKKA. SUPERVISOR: DR. EZUGU M.A A DISSERTATION SUBMITTED IN PARTIAL FULFILMENT FOR THE AWARD OF MASTER OF ARTS (M.A) IN ENGLISH & LITERARY STUDIES TO THE SCHOOL OF POSTGRADUATE STUDIES, UNIVERSITY OF NIGERIA, NSUKKA. JANUARY, 2015 i TITLE PAGE THE INFLUENCE OF THE SUPERNATURAL IN ELECHI AMADI’S THE CONCUBINE AND THE GREAT PONDS BY EKPENDU, CHIKODI IFEOMA PG /MA/09/51229 DEPARTMENT OF ENGLISH & LITERARY STUDIES UNIVERSITY OF NIGERIA, NSUKKA. JANUARY, 2015 ii CERTIFICATION This research work has been read and approved BY ________________________ ________________________ DR. M.A. EZUGU SIGNATURE & DATE SUPERVISOR ________________________ ________________________ PROF. D.U.OPATA SIGNATURE & DATE HEAD OF DEPARTMENT ________________________ ________________________ EXTERNAL EXAMINER SIGNATURE & DATE iii DEDICATION This work is dedicated to my dear son Davids Smile for being with me all through the period of this study. To my beloved husband, Mr Smile Iwejua for his love, support and understanding. To my parents, Elder & Mrs S.C Ekpendu, for always being there for me. And finally to God, for his mercies. iv ACKNOWLEDGEMENTS My greatest thanks go to the Almighty God for his steadfast love and for bringing me thus far in my academics. To him be all the glory. My Supervisor, Dr Mike A. Ezugu who patiently taught, read and supervised this research work, your well of blessings will never run dry. My ever smiling husband, Mr Smile Iwejua, your smile and support took me a long way. -
Saharan Africa: the Igbo Paradigm
Journal of International Education and Leadership Volume 5 Issue 1 Spring 2015 http://www.jielusa.org/ ISSN: 2161-7252 The Re-Birth of African Moral Traditions as Key to the Development of Sub- Saharan Africa: The Igbo Paradigm Chika J. B. Gabriel Okpalike Nnamdi Azikiwe University This work is set against the backdrop of the Sub-Saharan African environment observed to be morally degenerative. It judges that the level of decadence in the continent that could even amount to depravity could be blamed upon the disconnect between the present-day African and a moral tradition that has been swept under the carpet through history; this tradition being grounded upon a world view. World-view lies at the basis of the interpretation and operation of the world. It is the foundation of culture, religion, philosophy, morality and so forth; an attempt of humans to impose an order in which the human society works.1 Most times when the African world-view is discussed, the Africa often thought of and represented is the Africa as before in which it is very likely to see religion and community feature as two basic characters of Africa from which morality can be sifted. In his popular work Things Fall Apart, Chinua Achebe had above all things shown that this old Africa has been replaced by a new breed and things cannot be the same again. In the first instance, the former African communalism in which the community was the primary beneficiary of individual wealth has been wrestled down by capitalism in which the individual is defined by the extent in which he accumulates surplus value. -
L'aula D'idioma Com a Mitjà D'integració I D'enriquiment
L’AULA D’IDIOMA COM A MITJÀ D’INTEGRACIÓ I D’ENRIQUIMENT MULTICULCULTURAL José Luis Bartolomé Sánchez Curs 2004-2005 Centre de treball: IES Montsacopa (Olot, Garrotxa) Especialitat: Llengua anglesa Supervisió: Neus Serra (Servei Inspecció Delegació Territorial d’Educació de Girona) Llicència d’estudis retribuïda concedida pel Departament d’Educació de la Generalitat, Resolució del 16 de juliol de 2004 (DOGC núm. 4182 de 26.7. 2004) “The White Man Drew a Small Circle” The white man drew a small circle in the sand and told the red man, 'This is what the Indian knows,' and drawing a big circle around the small one, 'This is what the white man knows.' The Indian took the stick and swept an immense ring around both circles: 'This is where the white man and the red man know nothing.' Carl Sandburg « L'home blanc va dibuixar un cercle petit » L'home blanc va dibuixar un cerce petit a la sorra i va dir al pell roja: "Això és els que coneixeu els indis" i tot seguit va dibuixar un cercle gran al voltant del petit: "Això és el que coneixem els homes blancs." L'indi va agafar el pal i va escombrar un enorme cercle al voltant dels altres dos: "Això és on ni l'home blanc ni el pell roja no coneixen gens". 2 3 4 5 Índex Pàgina Introducció 7 Greencards for Cultural Integration 11 Readers 113 - Around the world in ten Tintin books 118 - Australia 129 - America 139 - Far and Middle East 155 - Africa 177 - Far East. China & India 217 Pop Songs 249 Movies 357 Conclusions 428 Bibliografia 433 6 INTRODUCCIÓ 7 L'experiència personal dels darrers anys com a docent d'institut en un municipi amb un augment espectacular de l'arribada de famílies i alumnes d'altres països m'ha fet veure que l'entrebanc principal de contacte amb aquestes persones -l'idioma- resulta de vegades paradoxal. -
BAPS to BAPRAS the History of the Association 1986–2016
BAPS TO BAPRAS The History of the Association 1986–2016 Edited by A Roger Green BAPS TO BAPRAS British Association of Plastic Surgeons to British Association of Plastic, Reconstructive and Aesthetic Surgeons The History of the Association 1986–2016 Edited by A Roger Green BAPS to BAPRAS: The History of the Association 1986–2016 © 2016 The British Association of Plastic, Reconstructive and Aesthetic Surgeons. First edition printed in 2016 in the United Kingdom. British Library Cataloguing in Publication Data. A catalogue record for this book is available from the British Library. ISBN No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of The British Association of Plastic, Reconstructive and Aesthetic Surgeons. While every effort has been made to ensure the accuracy of the information contained in this publication, no guarantee can be given that all errors and omissions have been excluded. No responsibility for loss occasioned to any person acting or refraining from action as a result of the material in this publication can be accepted by The British Association of Plastic, Reconstructive and Aesthetic Surgeons or the contributors. Published by The British Association of Plastic, Reconstructive and Aesthetic Surgeons 35–43 Lincoln’s Inn Fields London WC2A 3PE www.bapras.org.uk Printed in the United Kingdom by Latimer Trend EDIT, DESIGN AND TYPESET Polymath Publishing Cover -
Tennessee Symbols and Honors
514 TENNESSEE BLUE BOOK Tennessee Symbols And Honors Official Seal of the State Even before Tennessee achieved statehood efforts were made by local govern- mental organizations to procure official seals. Reliable historians have assumed that as early as 1772 the Articles of the Agreement of the Watauga Association authorized the use of a seal. The Legislature of the state of Franklin, by an official act, provided “for procuring a Great Seal for this State,” and there is also evidence that a seal was intended for the Territory South of the River Ohio. The secretary of that territory requested the assistance of Thomas Jefferson in March, 1792, in “suggesting a proper device” for a seal. There is no direct evidence, however, that a seal was ever made for any of these predecessors of Tennessee. When Tennessee became a state, the Constitution of 1796 made provision for the preparation of a seal. Each subsequent constitution made similar provisions and always in the same words as the first. This provision is (Constitution of 1796, Article II, Section 15; Constitution of 1835, Article III, Section 15; Constitution of 1870, Article III, Section 15) as follows: There shall be a seal of this state, which shall be kept by the governor, and used by him officially, and shall be called “The Great Seal of the State of Tennessee.” In spite of the provision of the Constitution of 1796, apparently no action was taken until September 25, 1801. On that date committees made up of members from both the Senate and the House of Representatives were appointed. -
Dictionary of Ò,Nì,Chà Igbo
Dictionary of Ònìchà Igbo 2nd edition of the Igbo dictionary, Kay Williamson, Ethiope Press, 1972. Kay Williamson (†) This version prepared and edited by Roger Blench Roger Blench Mallam Dendo 8, Guest Road Cambridge CB1 2AL United Kingdom Voice/ Fax. 0044-(0)1223-560687 Mobile worldwide (00-44)-(0)7967-696804 E-mail [email protected] http://www.rogerblench.info/RBOP.htm To whom all correspondence should be addressed. This printout: November 16, 2006 TABLE OF CONTENTS Abbreviations: ................................................................................................................................................. 2 Editor’s Preface............................................................................................................................................... 1 Editor’s note: The Echeruo (1997) and Igwe (1999) Igbo dictionaries ...................................................... 2 INTRODUCTION........................................................................................................................................... 4 1. Earlier lexicographical work on Igbo........................................................................................................ 4 2. The development of the present work ....................................................................................................... 6 3. Onitsha Igbo ................................................................................................................................................ 9 4. Alphabetization and arrangement.......................................................................................................... -
Z Em a N Ek-Mü N Ster
Zemanek-Münster www.tribal-art-auktion.de Tribal Art Auktion 80 27. Juni 2015 Würzburg Zemanek-Münster Auktion 80 Tribal ArtTribal 27 Juni 2015 Würzburg Zemanek-Münster 80.Tribal Art (190. Auktion) Zemanek-Münster Würzburg Samstag, 27. Juni 2015 – 2 – Ansprechpartner / Contact Vorbesichtigung Preview 24. bis 26. Juni 2015 – 10:00 bis 19:00 Uhr 24th to 26th June 2015 – 10:00 am to 7:00 pm 27. Juni 2015 – 9:00 bis 13:30 Uhr 27th June 2015 – 9:00 am to 1:30 pm Karin Zemanek-Münster Ernst Zemanek David Zemanek Auktion Auction Geschäftsführung Geschäftsführung Master Ethnologie Auktionatorin Auktionator Afrika / Ozeanien Würzburg, Auktionshaus Würzburg, auction house Auktionator Samstag, 27. Juni 2015 – 14:00 Uhr Saturday, 27th June 2015 – 2:00 pm Hinweis nächste Auktion Be advised next auction Unsere 81. Tribal Art Auktion findet statt Our 81st Tribal Art Auction will take place am 31. Oktober 2015. on the 31st of October 2015 Howard Nowes Bren Heymans Petra Felder Master History of Art Repräsentant Belgien/ M.A. Kunstgeschichte Kunstauktionshaus Zemanek-Münster Präkolumbien / Antiken Niederlande Redaktion / Marketing 97070 Würzburg Berater für Ethnographie Hörleingasse 3 - 5 / Schildhof 2 Tel. +49 9 31 1 77 21 Fax. +49 9 31 1 77 36 [email protected] www.tribal-art-auktion.de Inhaber / Owner Karin Zemanek-Münster e.K. Öffentlich bestellte und vereidigte Kunstauktionatorin Sabine Reis Eva Rübig Nadine Waldmann Repräsentanten / Representatives M.A.Kunstgeschichte Marketing M.A. Kunstgeschichte Katalogbearbeitung Katalogbearbeitung Katalogbearbeitung Belgien & Niederlande Tel. 0032 (0)475 965 220 USA Zemanek-Münster c/o Ancient Art – Art of Eternity 303 East 81st Street, New York City, NY 10028 Impressum Bankverbindung Redaktion / Editor: Petra Felder M.A. -
78292-2758.Pdf
zoo GODSOFTHE ANIMALS IN MYTH, LEGEND & FABLE Anthony S. Mercatante Illustrated by the Author Harper & Row, Publishers New York, Evanston, San Francisco, London zoo o f THE g o d s: Animals in Myth, Legend, and Fable. Copyright © 1974 by Anthony S. Mercatante. All rights reserved. Printed in the United States of America. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles and reviews. For informa tion address Harper & Row, Publishers, Inc., 10 East 53rd Street, New York, N.Y. 10022. Published simultaneously in Canada by Fitzhenry & Whiteside Limited, Toronto. Library of Congress Cataloging in Publication Data Mercatante, Anthony S Zoo of the gods. Bibliography: p. 1. Animal lore. 2. Animals, Legends and stories of. 3. Animals, Mythical. I. Title. GR705.M47 398'.369 74-4618 ISBN 0-06-065561-5 FIRST EDITION Designed by Janice Willcocks Stern CONTENTS Acknowledgments ix Prologue xi Part One: Animals of the Water XV Goose, Duck, Pelican, and Stork 1 Crocodile and Hippopotamus 8 Swan 11 Toad, Frog, and Salamander 16 Tortoise, Turtle, and Crab 20 Dolphin, Porpoise, and Whale 24 Fish 30 Part Two: Animals of the Earth 33 Serpent 33 Ape and Monkey 41 Cat 43 Tiger, Leopard, and Panther 34 Stag 38 Horse 62 Bear 67 Lion 72 Coyote and Hyena 77 Wolf 80 Fox 84 Dog 90 Cow and Bull 93 Wild Boar, Pig, and Sow 100 vii viii Contents Ant and Grasshopper 108 Ass and Mule 111 Scorpion 114 Goat, Lamb, and Ram 118 Rabbit 122 Rat and Mouse 127 Spider -
[Free Download] the Twelfth House: the Elementals
[PDF-vzd]The Twelfth House: The Elementals The Twelfth House: The Elementals Salamanders in folklore - Wikipedia Relic, the Artifact City :: Zones :: EverQuest :: ZAM "The Doctor" | Tardis | FANDOM powered by Wikia Sat, 27 Oct 2018 23:01:00 GMT Salamanders in folklore - Wikipedia The salamander is an amphibian of the order Urodela which, as with many real creatures, often has been ascribed fantastic and sometimes occult qualities by pre- modern authors (as in the allegorical descriptions of animals in medieval bestiaries) not possessed by the real organism.The legendary salamander is often depicted as a typical salamander in shape, with a lizard-like form, but is ... Relic, the Artifact City :: Zones :: EverQuest :: ZAM A part of Druzzil Ro's Plane of Magic, Relic is a bustling scrykin city entered through a portal in the southeastern section of Arcstone. Most mobs found here hit for a max ~1,300 and cast a variety of spells. [Free download] The Twelfth House: The Elementals "The Doctor" | Tardis | FANDOM powered by Wikia "The Doctor" was the main alias used by a renegade Time Lord from Gallifrey who travelled through time and space with various companions in their obsolete and "borrowed" Type 40 TARDIS. They were the universe's "greatest defender", having saved the cosmos thousands of times throughout a long... free download Masters of Mahamudra - Keith Dowman Masters of Mahamudra Songs and Histories of the Eighty-four Buddhist Siddhas Translated by Keith Dowman with Tulku Pema Tenzin . The methods of spiritual liberation of the eighty-four Indian Tantric Masters through legend, precepts and history. Sat, 27 Oct 2018 07:59:00 GMT ARCHANGELS - Great Dreams ARCHANGELS. -
The Land Has Changed: History, Society and Gender in Colonial Eastern Nigeria
University of Calgary PRISM: University of Calgary's Digital Repository University of Calgary Press University of Calgary Press Open Access Books 2010 The land has changed: history, society and gender in colonial Eastern Nigeria Korieh, Chima J. University of Calgary Press Chima J. Korieh. "The land has changed: history, society and gender in colonial Eastern Nigeria". Series: Africa, missing voices series 6, University of Calgary Press, Calgary, Alberta, 2010. http://hdl.handle.net/1880/48254 book http://creativecommons.org/licenses/by-nc-nd/3.0/ Attribution Non-Commercial No Derivatives 3.0 Unported Downloaded from PRISM: https://prism.ucalgary.ca University of Calgary Press www.uofcpress.com THE LAND HAS CHANGED History, Society and Gender in Colonial Eastern Nigeria Chima J. Korieh ISBN 978-1-55238-545-6 THIS BOOK IS AN OPEN ACCESS E-BOOK. It is an electronic version of a book that can be purchased in physical form through any bookseller or on-line retailer, or from our distributors. Please support this open access publication by requesting that your university purchase a print copy of this book, or by purchasing a copy yourself. If you have any questions, please contact us at [email protected] Cover Art: The artwork on the cover of this book is not open access and falls under traditional copyright provisions; it cannot be reproduced in any way without written permission of the artists and their agents. The cover can be displayed as a complete cover image for the purposes of publicizing this work, but the artwork cannot be extracted from the context of the cover of this specific work without breaching the artist’s copyright.