Key Stage 5 - Reading List

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KEY STAGE 5 - READING LIST Suggested reading for all sixth formers. It is important whatever subjects you are studying in the sixth form that you keep reading widely. This is a comprehensive list, recommended to English students but from which you could find ideas. Those studying English should read widely from this list. Must Try Should try Could try A Thousand Splendid Suns/Khaled Hosseini A Room With A View/ E.M. Forster Beloved/Toni Morrison American Psycho/ Bret Easton Ellis Age Of Innocence/Edith Wharton Clockwork Orange/ Anthony Burgess Atonement/Ian McEwan Bonfire Of Vanities/Tom Wolfe Cry, The Beloved Country/Alan Paton Behind The Scenes At The Museum/ Kate Atkinson Brave New World/Aldous Huxley For Whom The Bell Tolls/ Ernest Hemingway Birdsong/ Sebastian Faulks Buddha Of Suburbia/Hanif Kureishi God Of Small Things/Arundhati Roy Brighton Rock/ Graham Greene Count Of Monte Cristo/ Alexandre Dumas Gormenghast/Mervyn Peake Captain Corelli’s Mandolin/ Louis De Bernieres Dubliners/James Joyce Grapes Of Wrath/John Steinbeck Catch-22/Joseph Heller Empire Of The Sun/ J.G. Ballard Handmaid’s Tale/ Margaret Atwood Catcher In The Rye/J.D. Salinger Forest/Edward Rutherfurd Jewel In The Crown/Paul Scott Color Purple/Alice Walker French Lieutenant’s Woman/ John Fowles Knowledge Of Angels/Jill Paton Walsh Daughter Of Time/Josephine Tey Gallows Thief/Bernard Cornwell Midnight’s Children/Salman Rushdie Dracula/Bram Stoker Great Expectations/ Charles Dickens Mrs Dalloway/Virginia Woolf Frankenstein/Mary Shelley Ice-Cream War/ William Boyd Name Of The Rose/ Umberto Eco Great Gatsby/ F. Scott Fitzgerald In Desolate Heaven/ Robert Edric Nice Work/David Lodge Heart Of Darkness/ Joseph Conrad Ladysmith/ Giles Foden Oscar And Lucinda/ Peter Carey I Know Why The Caged Bird Sings/ Maya Angelou Last Orders/Graham Swift Paddy Clarke Ha Ha Ha/ Roddy Doyle Jane Eyre/ Charlotte Bronte Like Water For Chocolate/ Laura Esquivel Perfume/Patrick Suskind Last King Of Scotland/ Giles Foden Middlemarch/ George Elliot Picture Of Dorian Gray/Oscar Wilde Nineteen Eighty Four/George Orwell One Hundred Years Of Solitude/ Gabriel Garcia Marquez Portrait Of A Lady/Henry James North And South/ Elizabeth Gaskell Oranges Are Not The Only Fruit/Jeanette Winterson Possession/ A.S. Byatt On The Road/ Jack Kerouac Past Mortem/Ben Elton Siege Of Krishnapur/ J.G. Farrell Pride And Prejudice/ Jane Austen Remains Of The Day/Kazuo Ishiguro The English Patient/Michael Ondaatje Regeneration/ Pat Barker Secret Scripture/Sebastian Barry The Rainbow/D. H. Lawrence Schindler’s Ark/ Thomas Keneally Spies/ Michael Frayn The Sea, The Sea/ Iris Murdoch Strange Meeting/Susan Hill Time’s Arrow/ Martin Amis The Turn of the Screw/ Henry James Suite Francaise/Irene Nemirovsky Tooth And Nail (Inspector Rebus Series)/ Ian Rankin Things Fall Apart/ Chinua Achebe Tess Of The D’Urbervilles/ Thomas Hardy Wild Swans/ Jung Chang Trainspotting/Irvine Welsh The Bell Jar/Sylvia Plath Wolf Hall/Hilary Mantel Unbearable Lightness Of Being/Milan Kundera The Go-Between/ L.P. Hartley White Teeth/Zadie Smith Wasp Factory/ Iain Banks Wide Sargasso Sea/Jean Rhys Wuthering Heights/ Emily Bronte Yellow Wallpaper/ Charlotte Perkins Gilman .

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Addition to Summer Letter
May 2020 Dear Student, You are enrolled in Advanced Placement English Literature and Composition for the coming school year. Bowling Green High School has offered this course since 1983. I thought that I would tell you a little bit about the course and what will be expected of you. Please share this letter with your parents or guardians. A.P. Literature and Composition is a year-long class that is taught on a college freshman level. This means that we will read college level texts—often from college anthologies—and we will deal with other materials generally taught in college. You should be advised that some of these texts are sophisticated and contain mature themes and/or advanced levels of difficulty. In this class we will concentrate on refining reading, writing, and critical analysis skills, as well as personal reactions to literature. A.P. Literature is not a survey course or a history of literature course so instead of studying English and world literature chronologically, we will be studying a mix of classic and contemporary pieces of fiction from all eras and from diverse cultures. This gives us an opportunity to develop more than a superficial understanding of literary works and their ideas. Writing is at the heart of this A.P. course, so you will write often in journals, in both personal and researched essays, and in creative responses. You will need to revise your writing. I have found that even good students—like you—need to refine, mature, and improve their writing skills. You will have to work diligently at revising major essays.
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The Impossibility of Achieving Self-Knowledge in the Novels of Graham Swift
THE IMPOSSIBILITY OF ACHIEVING SELF-KNOWLEDGE IN THE NOVELS OF GRAHAM SWIFT KATHERINE COTTIER FOR MUM AND DAD 2 ACKNOWLEDGEMENTS An enormous thank-you to my parents for all their years of support, love and encouragement - and especially for listening to all that 'arty stuff'. Thank-you to Dr Jim Acheson, my supervisor, for his invaluable patience, words of wisdom and belief in me. My gratitude also to Professor David Gunby for his care and quiet guidance during my Honours and under graduate years. Thank-you to Grandma for her letters 'with something extra' and for reading me fairy tales. Thank-you to my brothers Sam and Luke for their office visits and coffee breaks. An extra special thanks to Jack Charters and Diana Cameron for welcoming me so readily into their homes. Dan, Miles, Dave, Suzanne, Phil, Jen-Jen, Karl, Katy and Sue - thank you for your unfailing interest and encouragement. 3 CONTENTS Preface 6 Chapter One: Part I - Psychoanalytic Narration in Water/and 10 Part II - Swift's Use of Autobiography in Shuttlecock and Ever After 25 Chapter Two: Circularity in the Novels of Graham Swift: Water/and and Last Orders 52 Chapter Three: Swift's Use of the Fairy Tale in Water/and, Ever After and Out of This World 87 Works Cited 135 4 ABBREVIATIONS EA - Swift, Graham. Ever After. London: Picador, 1992. LO - . Last Orders. London: Picador, 1996. OTW - . Out of This World. London: Penguin Books, 1988 S - . Shuttlecock. Middlesex: Penguin Books, 1981. W - Water/and. New York: Washington Square Press, 1985. 5 PREFACE ' 6 In each of his novels Graham Swift provides a kind of prototype for the reader: that of a black, coiled, twisting spiral.
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Golden Man Booker Prize Shortlist Celebrating Five Decades of the Finest Fiction
Press release Under embargo until 6.30pm, Saturday 26 May 2018 Golden Man Booker Prize shortlist Celebrating five decades of the finest fiction www.themanbookerprize.com| #ManBooker50 The shortlist for the Golden Man Booker Prize was announced today (Saturday 26 May) during a reception at the Hay Festival. This special one-off award for Man Booker Prize’s 50th anniversary celebrations will crown the best work of fiction from the last five decades of the prize. All 51 previous winners were considered by a panel of five specially appointed judges, each of whom was asked to read the winning novels from one decade of the prize’s history. We can now reveal that that the ‘Golden Five’ – the books thought to have best stood the test of time – are: In a Free State by V. S. Naipaul; Moon Tiger by Penelope Lively; The English Patient by Michael Ondaatje; Wolf Hall by Hilary Mantel; and Lincoln in the Bardo by George Saunders. Judge Year Title Author Country Publisher of win Robert 1971 In a Free V. S. Naipaul UK Picador McCrum State Lemn Sissay 1987 Moon Penelope Lively UK Penguin Tiger Kamila 1992 The Michael Canada Bloomsbury Shamsie English Ondaatje Patient Simon Mayo 2009 Wolf Hall Hilary Mantel UK Fourth Estate Hollie 2017 Lincoln George USA Bloomsbury McNish in the Saunders Bardo Key dates 26 May to 25 June Readers are now invited to have their say on which book is their favourite from this shortlist. The month-long public vote on the Man Booker Prize website will close on 25 June.
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Graham Swift and the Ethical Self
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by CSCanada.net: E-Journals (Canadian Academy of Oriental and Occidental Culture,... STUDIES IN LITERATURE AND LANGUAGE ISSN 1923-1555 [Print] Vol. 2, No. 1, 2011, pp. 119-127 ISSN 1923-1563 [Online] www.cscanada.net www.cscanada.org Graham Swift and the Ethical Self Nozar Niazi 1 Siamak Niazi 2 Abstract: Ethical theories study the nature and criteria of right and wrong action, obligation, value and the good life, and the related principles. Peter Singer, in his book, Ethics simply states that 'Ethics is about how we ought to live.' (P-3) Graham Swift (born in 1949) is an English novelist whose work is tinged with contemporary ethical issues. He creates situations in which his characters look for better ways to relate to and with each other. These characters try to understand themselves, their place in a world that baffles them, and their relations to others. In this paper we will try to illustrate and discuss the various methods Swift’s characters adopt to wrestle with and at the same time address their contemporary problems. We will trace their problems back to modernity and its adoption of a philosophy or a system of thought that was purely rational and therefore uneven and incomplete. We will consider Swift’s work in general as postmodern with subjects and concerns reflecting some of the contemporary ethical and critical debates. We will also perceive and present Swift’s work as a response to the inadequacy of modernity and an attempt to come to terms with its shortcomings in the hope of an improved and wiser modernity.
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2019/20 Sixth Form
Sixth Form JOHNSON LIBRARY 2019/20 SEVENOAKS SCHOOL SIXTH FORM SUGGESTED READING These titles continue from and complement those on the Years 10 & 11 list ACHEBE, Chinua Things Fall Apart ADICHIE, Chimamanda Ngozi Purple Hibiscus; Half a Yellow Sun; Americanah ADIGA, Aravind The White Tiger; Last Man in Tower ALI, Monica Brick Lane ALLENDE, Isabel Daughter of Fortune; The House of the Spirits; Eva Luna AMIS, Martin London Fields; Money; Time’s Arrow ANGELOU, Maya I Know Why the Caged Bird Sings 920 ANG ATKINSON, Kate Life after Life; A God in Ruins ATWOOD, Margaret The Handmaid’s Tale; The Blind Assassin; Moral Disorder AUSTER, Paul The Book of Illusions; Invisible; The New York Trilogy BALDWIN, James Go Tell It On The Mountain BALZAC, Honore de Père Goriot; Eugénie Grandet; Cousin Bette BANKS, Iain The Wasp Factory BARKER, Pat Regeneration Trilogy; Toby’s Room BARNES, Julian A History of the World in 10 1/2 Chapters; The Sense of an Ending; The Noise of Time BARRY, Sebastian A Long Long Way; The Secret Scripture; On Canaan’s Side BASSANI, Giorgio The Garden of the Finzi-Continis BELLOW, Saul Herzog BERNIÈRES, Louis de Birds Without Wings BOLANO, Roberto The Savage Detectives; 2666; The Third Reich BORGES, Jorge Luis Ficciones; Labyrinths BOYD, William Waiting for Sunrise; Sweet Caress BRONTË, Charlotte Villette BULGAKOV, Mikhail The Master and Margarita BUNYAN, John The Pilgrim’s Progress BURNS, Anna Milkman BYATT, A. S. The Children’s Book; Possession CALVINO, Italo Marcovaldo; Invisible Cities; If on a Winter’s Night a Traveller CAMUS, Albert The Outsider; The Plague CAREY, Peter True History of the Kelly Gang; Oscar and Lucinda; A Long Way from Home CARTER, Angela The Bloody Chamber and Other Stories; Nights at the Circus CATTON, Eleanor The Luminaries CERCAS, Javier Soldiers of Salamis; The Speed of Light CERVANTES, Miguel de Don Quixote CHANG, Jung Wild Swans 951.05 CHA CHATWIN, Bruce Songlines; In Patagonia 918.27 CHA CHEVALIER, Tracy Girl with a Pearl Earring COELHO, Paulo The Alchemist COETZEE, J.
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Reciprocities-Essays.Pdf
RECIPROCITIES: Essays in Honour of Professor Tadeusz Rachwał NR 3234 RECIPROCITIES: Essays in Honour of Professor Tadeusz Rachwał Edited by Agnieszka Pantuchowicz Sławomir Masłoń Wydawnictwo Uniwersytetu Śląskiego ● Katowice 2014 Redaktor serii: Historia Literatur Obcych: Magdalena Wandzioch Recenzent: Zofia Kolbuszewska Photo by Bartosz Szymañski …a grateful mind By owing owes not, but still pays, at once Indebted and discharg’d;… John Milton, Paradise Lost, Book IV, ll. 55–7 Contents inTRoduction 9 Anna ‑Zajdler ‑Janiszewska Artysta w przestrzeniach przyrodoznawstwa. O wybranych praktykach Marka Diona 15 Piotr Fast O tytule eseju Watermark Josifa Brodskiego 28 Anna Węgrzyniak Więzy i więzi. Ości w Ościach Ignacego Karpowicza 38 Anna Czarnowus “Ich mot wende in mi way”: The Construction of Masculinity through Travelling in Le Pèlérinage de Charlemagne and the Stanzaic Guy of Warwick 60 Andrzej Wicher The Place of William Shakespeare’s (Lost) Cardenio in the Context of the Late Romances 74 Przemysław Uściński Borderlines/Ornaments in Eighteenth Century Classical Discourse 87 Jeremy Tambling “Living On”: On Smart, Cowper, and Blake 106 8 Contents Jacek Mydla Joanna Baillie’s Theatre of Sympathy and Imagination 129 Małgorzata Nitka Wordsworth, the Railway and “the riot of the town” 151 Katarzyna Więckowska On Uselessness 166 Mary Conde Reading “Mrs Bathurst” 177 Jacek Wiśniewski Travelling in Search of Spring: Edward Thomas’s In Pursuit of Spring as Travel Literature 184 David Malcolm Traffic with the Enemy: The Traitor in Elizabeth Bowen’s
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Award Winning Books
More Man Booker winners: 1995: Sabbath’s Theater by Philip Roth Man Booker Prize 1990: Possession by A. S. Byatt 1994: A Frolic of His Own 1989: Remains of the Day by William Gaddis 2017: Lincoln in the Bardo by Kazuo Ishiguro 1993: The Shipping News by Annie Proulx by George Saunders 1985: The Bone People by Keri Hulme 1992: All the Pretty Horses 2016: The Sellout by Paul Beatty 1984: Hotel du Lac by Anita Brookner by Cormac McCarthy 2015: A Brief History of Seven Killings 1982: Schindler’s List by Thomas Keneally 1991: Mating by Norman Rush by Marlon James 1981: Midnight’s Children 1990: Middle Passage by Charles Johnson 2014: The Narrow Road to the Deep by Salman Rushdie More National Book winners: North by Richard Flanagan 1985: White Noise by Don DeLillo 2013: Luminaries by Eleanor Catton 1983: The Color Purple by Alice Walker 2012: Bring Up the Bodies by Hilary Mantel 1982: Rabbit Is Rich by John Updike 2011: The Sense of an Ending National Book Award 1980: Sophie’s Choice by William Styron by Julian Barnes 1974: Gravity’s Rainbow by Thomas Pynchon 2010: The Finkler Question 2016: Underground Railroad by Howard Jacobson by Colson Whitehead 2009: Wolf Hall by Hilary Mantel 2015: Fortune Smiles by Adam Johnson 2008: The White Tiger by Aravind Adiga 2014: Redeployment by Phil Klay 2007: The Gathering by Anne Enright 2013: Good Lord Bird by James McBride National Book Critics 2006: The Inheritance of Loss 2012: Round House by Louise Erdrich by Kiran Desai 2011: Salvage the Bones by Jesmyn Ward Circle Award 2005: The Sea by John Banville 2010: Lord of Misrule by Jaimy Gordon 2004: The Line of Beauty 2009: Let the Great World Spin 2016: LaRose by Louise Erdrich by Alan Hollinghurst by Colum McCann 2015: The Sellout by Paul Beatty 2003: Vernon God Little by D.B.C.
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US Credits 3/0/3 EN 4477 TRENDS in CONTEMPORARY BRITISH
DEREE COLLEGE SYLLABUS FOR: Instruction hours/lab hours/ US credits 3/0/3 EN 4477 TRENDS IN CONTEMPORARY BRITISH CULTURE – UK LEVEL 6 UK CREDITS: 15 (new course) PRE REQUISITES: WP 1010 Introduction to Academic Writing WP 1111 Integrated Academic Writing and Ethics WP 1212 Academic Writing and Research EN 3321 English Literature: From Romanticism to Modernism CATALOG Detailed study of representative trends in British culture which seek to DESCRIPTION: reconceptualize Britishness, nationhood and belonging in the last 50 years (post-1960s to the present). Emphasis on the trends evident in cultural representations of contemporary Britishness, in a variety of media, such as film and theatre, as well as popular culture and entertainment. RATIONALE: This course explores the ways British identity has changed in the wake of decolonialization, globalism, and terrorism. Students will investigate textual production (literary, cinematic, dramatic, digital, etc.) which poses a challenge to established artistic modes, so-called British values and national identities in the last fifty years. Within a context of major cultural and sociopolitical transitions which have produced a more ethnically diverse context as well as more racism and xenophobia, the course examines competing discourses around notions of national identity resulting in polyphony in representations of self and other. Traditional views of nation and Englishness are juxtaposed to attitudes which suggest a polyvalent and multicultural Britishness. LEARNING OUTCOMES: Upon successful completion of this course, the student should be able to: 1.Analyze the characteristics of post-1960s British contemporaneity and trace the emergence of a post-war sensibility and its influence on contemporary literature, art and culture; 2.
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Graham Swift's Last Orders
monograf Edebiyat Eleştirisi Dergisi ISSN 2148-3442 2021/15: (94-113) Masculinity in Crisis: Graham Swift’s Last Orders*2 ** Baysar Taniyan 3 Abstract Graham Swift’s Last Orders (1996) covers the story of a one-day trip of four men from London to Margate to scatter the ashes of a deceased friend to the sea. The narrative is presented in monologue chapters in which multiple narrators, in a confessional tone, introduce their histories, recollections and memories sparked by this death. Almost all of the narrators are fathers and the stories they relate are either about their children or their fathers. Within these narrations, fathers become the symbols of tradition, history, authority and stability. The following generation, on the other hand, symbolizes change, future, individualism and mobility. While these discrepancies introduce a certain level of tension, the cri- sis that masculinity faced, as in the changing role of fatherhood, in the last dec- ade of the twentieth century becomes another source of the conflict in the novel. This conflict is heightened by the narrator fathers who, by looking back at their fathers in the past, try to continue the old forms of masculinities. The aim of this study is, then, to analyse this conflict and crisis in the novel caused by the ever- changing forms of masculinities and to locate it within a certain socio-economic and cultural frame. A thorough analysis of the male characters of the novel may contribute to the overall understanding of masculinities. Novels are important objects of research as they provide instances to explore the construction of mas- culinities.
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Willis 1 a Carnivalesque Perspective of Graham Swift's Last Orders Graham's Swift's Last Orders
Willis 1 A Carnivalesque Perspective of Graham Swift's Last Orders Graham’s Swift’s Last Orders (1996) typically has been viewed by such critics as Lewis MacLeod and Jodi Kanter as a novel about loss, grief, collectivity, reconciliation, and regeneration, as the characters embark on a tumultuous, one-day journey to Margate on April 2, 1990 to dispose of their friend Jack’s ashes.1 As Ray, Vince, Lenny and Vic begin their journey to Margate, the atmosphere is contentious because of the characters and their complicated, collective histories. For instance, Lenny has taken issue with Vince because, years earlier, Vince impregnated his daughter and then abandoned her to join the military. Ray, on the other hand, feels a tremendous amount of guilt because he has kept money that Vince lent Jack and that Jack in turn lent Ray.2 Ray not only feels guilt for his betrayal of Vince, but also for deceiving Jack by having an affair with Amy. In spite of the contention and the disruption that the characters’ histories create, they are ultimately able to reconcile their differences, while also fulfilling Jack’s last orders by disposing his ashes in Margate. The pattern of disruption and reconciliation in the characters’ journey, and the grotesque adventures along the way, evoke Mikhail Bakhtin’s theory of carnival and the carnivalesque. In Rabelais and His World, Bakhtin claims that carnival temporarily pulls individuals out of ordinary life by disrupting the official order and its conventions. While the official order is disrupted, people are released from standards of etiquette and of decency, and they are free to engage in what Bakhtin calls the “grotesque.” Last Orders begins with Ray declaring that “It aint like your regular sort of day” (1), and “it aint official business, it’s different” (3).
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Fiction Award Winners 2019
1989: Spartina by John Casey 2016: The Sympathizer by Viet Thanh Nguyen National Book 1988: Paris Trout by Pete Dexter 2015: All the Light We Cannot See by A. Doerr 1987: Paco’s Story by Larry Heinemann 2014: The Goldfinch by Donna Tartt Award 1986: World’s Fair by E. L. Doctorow 2013: Orphan Master’s Son by Adam Johnson 1985: White Noise by Don DeLillo 2012: No prize awarded 2011: A Visit from the Goon Squad “Established in 1950, the National Book Award is an 1984: Victory Over Japan by Ellen Gilchrist by Jennifer Egan American literary prize administered by the National 1983: The Color Purple by Alice Walker 2010: Tinkers by Paul Harding Book Foundation, a nonprofit organization.” 1982: Rabbit Is Rich by John Updike 2009: Olive Kitteridge by Elizabeth Strout - from the National Book Foundation website. 1980: Sophie’s Choice by William Styron 2008: The Brief Wondrous Life of Oscar Wao 1979: Going After Cacciato by Tim O’Brien by Junot Diaz 2018: The Friend by Sigrid Nunez 1978: Blood Tie by Mary Lee Settle 2007: The Road by Cormac McCarthy 2017: Sing, Unburied, Sing by Jesmyn Ward 1977: The Spectator Bird by Wallace Stegner 2006: March by Geraldine Brooks 2016: The Underground Railroad by Colson 1976: J.R. by William Gaddis 2005: Gilead by Marilynne Robinson Whitehead 1975: Dog Soldiers by Robert Stone 2004: The Known World by Edward P. Jones 2015: Fortune Smiles by Adam Johnson The Hair of Harold Roux 2003: Middlesex by Jeffrey Eugenides 2014: Redeployment by Phil Klay by Thomas Williams 2002: Empire Falls by Richard Russo 2013: Good Lord Bird by James McBride 1974: Gravity’s Rainbow by Thomas Pynchon 2001: The Amazing Adventures of 2012: Round House by Louise Erdrich 1973: Chimera by John Barth Kavalier and Clay by Michael Chabon 2011: Salvage the Bones by Jesmyn Ward 1972: The Complete Stories 2000: Interpreter of Maladies by Jhumpa Lahiri 2010: Lord of Misrule by Jaimy Gordon by Flannery O’Connor 1999: The Hours by Michael Cunningham 2009: Let the Great World Spin by Colum McCann 1971: Mr.
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Fiction Winners
1984: Victory Over Japan by Ellen Gilchrist 2005: Gilead by Marilynne Robinson National Book Award 1983: The Color Purple by Alice Walker 2004: The Known World 1982: Rabbit Is Rich by John Updike by Edward P. Jones 1980: Sophie’s Choice by William Styron 2003: Middlesex by Jeffrey Eugenides 2015: Fortune Smiles by Adam Johnson 2014: Redeployment by Phil Klay 1979: Going After Cacciato by Tim O’Brien 2002: Empire Falls by Richard Russo 2013: Good Lord Bird by James McBride 1978: Blood Tie by Mary Lee Settle 2001: The Amazing Adventures of 1977: The Spectator Bird by Wallace Stegner 2012: Round House by Louise Erdrich Kavalier and Clay 2011: Salvage the Bones by Jesmyn Ward 1976: J.R. by William Gaddis by Michael Chabon 1975: Dog Soldiers by Robert Stone 2000: Interpreter of Maladies 2010: Lord of Misrule by Jaimy Gordon 2009: Let the Great World Spin The Hair of Harold Roux by Jhumpa Lahiri by Colum McCann by Thomas Williams 1999: The Hours by Michael Cunningham 1974: Gravity’s Rainbow by Thomas Pynchon 1998: American Pastoral by Philip Roth 2008: Shadow Country by Peter Matthiessen 1973: Chimera by John Barth 1997: Martin Dressler: The Tale of an 1972: The Complete Stories 2007: Tree of Smoke by Denis Johnson American Dreamer 2006: The Echo Maker by Richard Powers by Flannery O’Connor by Steven Millhauser 1971: Mr. Sammler’s Planet by Saul Bellow 1996: Independence Day by Richard Ford 2005: Europe Central by William T. Volmann 1970: Them by Joyce Carol Oates 1995: The Stone Diaries by Carol Shields 2004: The News from Paraguay 1969: Steps
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